The new cast and crew of Halloween go back and remember what it was like to watch the original for the first time.
Lido on the Roof returns for its fourth year this year lighting up the rooftop of the beloved Glenferrie Road cinema. Its spring and summer film program showcases the most hotly anticipated new release films, as well as a film lovers’ selection of retro classics.
With its well-stocked rooftop bar and extended trading hours, the Lido Rooftop is an irresistible choice as a meeting spot for friends to enjoy a drink and watch the sunset colour the surrounding Hawthorn skyline, before catching a film on the big screen – either on the Roof, or in one of the indoor cinemas. The bar is open to anyone who has purchased a movie ticket.
The program launches with the electrifying Bohemian Rhapsody, chronicling the years in the lead up to legendary rock band Queen’s appearance at the 1985 Live Aid concert. Rami Malek (Mr Robot) has transformed himself into a jaw-droppingly accurate portrayal of Freddie Mercury for the film, helmed by director Bryan Singer (X-Men series). Catch Rooftop screenings until Tuesday 6 November.
Blockbuster movie-lovers and arthouse cinephiles alike will be spoilt for choice during the holiday season. The next title in the Harry Potter universe, Fantastic Beasts: The Crimes of Grindelwald starts its Rooftop season on 15 November; Spider-Man: Into the Spider-Verse and Ralph Breaks the Internet will be alternating nights during the week commencing Thursday 13 December; and Mary Poppins Returns floats down to the Rooftop on New Year’s Day.
Advance screenings for the darkly disturbing Suspiria directed by Luca Guadagnino (Call Me By Your Name, A Bigger Splash) take place on Friday 2 and Sunday 4 November. A fresh interpretation of Dario Argento’s 1977 horror masterpiece, Suspiria stars Dakota Johnson, Tilda Swinton, and Chloë Grace Moretz, with music composed by Radiohead frontman Thom Yorke.
Joel Edgerton’s next turn behind the lens comes with a powerful story about a boy sent to gay conversion camp, called Boy Erased, screening on the Rooftop from 9 November; Step Brothers dynamic duo Will Ferrell and John C. Reilly team up again in Holmes & Watson, from Friday 28 December; and horror fans will delight in the arrival of director Jennifer Kent’s (The Babadook) new film, The Nightingale, which was shot in Tasmania and recently won the Special Jury Prize at the Venice Film Festival. It screens on the Rooftop from Thursday 24 January.
Alongside all the exciting new releases, there’s a whole pick ‘n’ mix of retro gems in the Lido Rooftop program for movie fans, young and old. Costumes are crucial for the House of Capulet party screening of Baz Luhrmann’s iconic sun-drenched, star-crossed love story Romeo + Juliet on Wednesday 7 November, the high school reunion screening of Romy and Michele’s High School Reunion on Wednesday 28 November and relive your childhood with a special screening of Matilda played on ex-rental VHS on Wednesday 16 January.
It’s not just Charli XCX and Troye Sivan who are feeling nostalgic for 1999. Lido on the Roof will be taking things back to a stellar year for teen-rom-coms with its Teen Dream series, featuring She’s All That (Wed 6 Feb), Drive Me Crazy (Wed 20 Mar), and Never Been Kissed (Wed 3 Apr).
Action movie fans will bust a bicep over the SchwarzeMega Marathon on Wednesday 5 December; kids will squeal over classics like The Nightmare Before Christmas (Wed 12 Dec), Matilda (Wed 16 Jan), and The Lion King (Wed 23 Jan); and 80s film fans will flip out over Die Hard (Wed 19 Dec), Labyrinth (Wed 9 Jan), Purple Rain (Wed 30 Jan), Big(Wed 20 Feb), Beverly Hills Cop (Wed 6 Mar), and Risky Business (Wed 13 Mar).
An extra thrilling addition to the program for genre film fans is the inaugural Paracinema Fest, happening over four days from Thursday 29 November to Sunday 2 December. The full program is yet to be revealed, however some appetite whetting early announcements include Terminal starring Margot Robbie and Simon Pegg; the Christmas zombie apocalypse flick Anna and the Apocalypse; and the next bizarrely hilarious film from the creators of The Greasy Strangler (2016), An Evening with Beverly Luff Linn starring Aubrey Plaza, Jemaine Clement, Craig Robinson, and Emile Hirsch.
It’s going to be another glorious summer of cinema under the stars at Lido on the Roof.
Full program details are as follows:
Lido on the Roof Events:
Fri 2 Nov: Suspiria advance screening
Sun 4 Nov: Suspiria advance screening
Wed 7 Nov: Romeo + Juliet – House of Capulet costume party
Wed 28 Nov: Romy and Michele’s High School Reunion – High school reunion costume party
Wed 5 Dec: Schwarzemega Marathon – Kindergarten Cop, Junior, and Twins
Wed 19 Dec: Die Hard – Singlets and slacks costume party
Wed 16 Jan: Matilda – Played on ex-rental VHS with chocolate cake served
Wed 6 Feb: Teen Dream: She’s All That – Movie make-over montage dress-up
Wed 13 Feb: The Before Trilogy – Before Sunrise, Before Sunset, and Before Midnight –Speed Dating on the Rooftop
Wed 13 Mar: Risky Business – Shirts, socks, and sunglasses party
Wed 3 Apr: Teen Dream: Never Been Kissed – High school prom costume party
Wed 12 Dec: The Nightmare Before Christmas
Wed 9 Jan: Labyrinth
Wed 23 Jan: The Lion King
Wed 30 Jan: Purple Rain
Wed 20 Feb: Big
Wed 27 Feb: The Bodyguard
Wed 6 Mar: Beverly Hills Cop
Wed 20 Mar: Drive Me Crazy
Wed 27 Mar: From Dusk till Dawn
1, 3, 5, 6 Nov: Bohemian Rhapsody
2, 4 Nov: Suspiria – advance screenings
7 Nov: Romeo + Juliet (1996) – retro
8, 10, 12 Nov: The Girl in the Spider’s Web
9, 11, 13 Nov: Boy Erased
15-18, 20 Nov: Fantastic Beasts: The Crimes of Grindelwald
19 Nov: The Old Man & the Gun
22 Nov: Strange Colours
21, 23-25, 27 Nov: The Nutcracker and the Four Realms – 21st = advance screening
26 Nov: I Used to Be Normal: A Boyband Fangirl Story
28 Nov: Romy and Michele’s High School Reunion (1997) – retro
29 Nov: Paracinema Fest – An Evening with Beverly Luff Linn
30 Nov: Paracinema Fest – Overlord
1 Dec: Paracinema Fest – Anna and the Apocalypse
2 Dec: Paracinema Fest – Terminal
4 Dec: Widows
5 Dec: Schwarzemega Marathon – Kindergarten Cops, Junior, Twins – retro
6 Dec: Mortal Engines
7 Dec: The Grinch
9, 11 Dec: Overlord
10 Dec: Studio 54: The Documentary
12 Dec: The Nightmare Before Christmas (1993) – retro
13, 15, 17 Dec: Spider-Man: Into the Spider-Verse
14, 26 Dec: Ralph Breaks the Internet – 14th = advance screening
19 Dec: Die Hard (1988) – retro
20, 23, 24 Dec: Bumblebee
21 Dec: Mary Poppins Returns – advance screening
22 Dec: At Eternity’s Gate
25 Dec: Aquaman
27 Dec: The Favourite
28, 30, 31 Dec: Holmes & Watson
29 Dec: Vice
1-3, 8 Jan: Mary Poppins Returns
4, 7 Jan: How to Train Your Dragon: The Hidden World
5 Jan: Holmes & Watson
6 Jan: Ralph Breaks the Internet
9 Jan: Labyrinth (1986) – retro
10, 12, 15 Jan: Ad Astra
11, 14 Jan: Welcome to Marwen
13 Jan: The Hate U Give
16 Jan: Matilda (1996) – retro
17, 21 Jan: Storm Boy
18, 20, 22 Jan: Glass
19 Jan: Mary, Queen of Scots
23 Jan: The Lion King (1994) – retro
24, 26, 28 Jan: The Nightingale
25, 29 Jan: The Front Runner
27 Jan: Green Book
30 Jan: Purple Rain (1984) – retro
Lido on the Roof (November – April)
7 days a week, all rooftop showings start at 9pm, unless otherwise indicated.
The Lido on the Roof bar is open:
Mon – Fri: 4pm onwards
Sat and Sun: 2pm onwards
Public Holidays: 12pm onwards
675 Glenferrie Road, Hawthorn, 3122
Stan will exclusively premiere DEUTSCHLAND86, the sequel to the international award-winning historic spy thriller DEUTSCHLAND83, on October 20, with new episodes premiering weekly.
Created by Anna Winger and Jörg Winger, Deutschland86 picks up with Martin Rauch (Jonas Nay), his Aunt Lenora (Maria Schrader) and their colleagues at the East German foreign intelligence agency (HVA) three years after DEUTSCHLAND83. Abandoned by Moscow and desperate for cash, the East German leadership pushes their secret operatives to experiment with global capitalism and save their sinking socialist ship. Long banished to Africa for his sins in 1983, Martin Rauch is now sent back into the field. Dark deals and a dangerous mission lead him to South Africa, Angola, Libya, Paris, West Berlin and finally back to East Berlin, where he must make an impossible decision.
Our hero’s journey plays out to a soundtrack of international pop music – against a backdrop of Perestroika, proxy Cold Wars, the struggle to end Apartheid, a year of terror in Western Europe, and the creeping feeling back home in East Germany, that the end just might be near.
1986: East Germany is broke, Perestroika is real, terrorism plagues Europe, the AIDS crisis intensifies and the struggle against apartheid rages on. Banished for his sins in 1983, Martin Rauch wallows in limbo until his Aunt Lenora conscripts him into her plan to drum up hard currency abroad. They set off on an adventure through Africa, Western Europe and finally home to East Germany. Can mafioso-style Capitalism save Communism just in the nick of time?
Directed by Florian Cossen (Das Lied In Mir, NSU / Die Ermittler – Nur Für Den Dienstgebrauch) and Arne Feldhusen (Stromberg, Der Tatortreiniger), DEUTSCHLAND86 will see the return of cast members Jonas Nay, Maria Schrader, Sylvester Groth, Vladimir Burlakov, Ludwig Trepte, Alexander Beyer, Carina Wiese and Sonja Gerhardt. They will be joined this season by Anke Engelke (Ladykracher), Fritzi Haberlandt (Erbsen Auf Halb 6), Lavinia Wilson (Schoßgebete) and Florence Kasumba (Black Panther, Emerald City).
Executive Producers are Anna Winger, Jörg Winger, Sebastian Werninger and Ulrike Leibfried. Directors of Cinematography are Matthias Fleischer (Heidi) and Kristian Leschner (4 Könige).
DEUTSCHLAND86 is an UFA FICTION production in cooperation with Amazon Germany and Fremantle, supported by the German Motion Picture Fund, Medienboard Berlin-Brandenburg, Creative Europe Media – MEDIA Programme of the European Union and the Department of trade and industry South Africa.
The first season of the series – DEUTSCHLAND83 – won numerous accolades, including an International Emmy, Peabody Award, Adolf Grimme Award and Golden Camera award in Germany. Jonas Nay won the 2016 Golden Nymph for Best Actor at the Festival de Television in Monte Carlo, as well as the German Television Award for his portrayal of Martin Rauch.
DEUTSCHLAND86 will premiere on OCTOBER 20, exclusively on Stan
DEUTSCHLAND83 is currently streaming on Stan
Check out the brand new teaser trailer for Disney’s “Aladdin,” the thrilling and vibrant live-action adaptation of Disney’s animated classic. Be sure to take a look and don’t forget to see “Aladdin” when it hits cinemas on May 23, 2019.
“Aladdin” is the exciting tale of the charming street rat Aladdin, the courageous and self-determined Princess Jasmine and the Genie who may be the key to their future. Directed by Guy Ritchie, who brings his singular flair for fast-paced, visceral action to the fictitious port city of Agrabah, the film is written by John August and Guy Ritchie based on Disney’s “Aladdin.”
“Aladdin” stars Will Smith as the larger-than-life Genie; Mena Massoud as the charming scoundrel Aladdin; Naomi Scott as Jasmine, the beautiful, self-determined princess; Marwan Kenzari as Jafar, the powerful sorcerer; Navid Negahban as the Sultan concerned with his daughter’s future; Nasim Pedrad as Dalia, Princess Jasmine’s free-spirited best friend and confidante; Billy Magnussen as the handsome and arrogant suitor Prince Anders; and Numan Acar as Hakim, Jafar’s right-hand man and captain of the palace guards. The film is produced by Dan Lin and Jonathan Eirich with Marc Platt and Kevin De La Noy serving as executive producers. Alan Menken provides the score, which includes new recordings of the original songs written by Menken and lyricists Howard Ashman and Tim Rice and two new songs written by Menken and songwriters Benj Pasek and Justin Paul.The film, which was shot on practical stages in London and on location amidst the stunning desert vistas of Jordan, has a talented creative team helping to bring Agrabah to life, including: director of photography Alan Stewart, production designer Gemma Jackson and costume designer Michael Wilkinson.
M. Night Shyamalan brings together the narratives of two of his standout originals—2000’s Unbreakable, from Touchstone Pictures, and 2016’s Split, from Universal—in one explosive, all-new comic-book thriller: Glass.
From Unbreakable, Bruce Willis returns as David Dunn as does Samuel L. Jackson as Elijah Price, known also by his pseudonym Mr. Glass. Joining from Split are James McAvoy, reprising his role as Kevin Wendell Crumb and the multiple identities who reside within, and Anya Taylor-Joy as Casey Cooke, the only captive to survive an encounter with The Beast.
Following the conclusion of Split, Glass finds Dunn pursuing Crumb’s superhuman figure of The Beast in a series of escalating encounters, while the shadowy presence of Price emerges as an orchestrator who holds secrets critical to both men.
Joining the all-star cast are Unbreakable’s Spencer Treat Clark and Charlayne Woodard, who reprise their roles as Dunn’s son and Price’s mother, as well as Golden Globe Award winner Sarah Paulson (American Horror Story series).
This riveting culmination of his worldwide blockbusters is produced by Shyamalan and Blumhouse Production’s Jason Blum, who also produced the writer/director’s previous two films for Universal. They produce again with Ashwin Rajan and Marc Bienstock, and Steven Schneider, who executive produces.
GLASS – IN CINEMAS JANUARY 17
Outstanding Australian film Jirga, written and directed by Benjamin Gilmour, produced by John Maynard and starring Sam Smith is Australia’s Official Submission for the Best Foreign Language Film Oscar®.
Jirga is currently screening in cinemas around the country.
Director/writer Benjamin Gilmour said ‘We are thrilled about the honour of representing Australia. For us it’s the recognition of what Jirga has to say and the fruits of human cross-cultural collaboration. Being selected for the Oscars is also about the company our film is in. I hope Jirga will now reach a much bigger audience.’
Producer/distributor John Maynard said ‘Following the Cinefest Oz Best Film Prize and the film’s international premiere at Toronto, I could not be happier to see this film receive this new international honour.’
Jirga is a Felix Media production. Principal production investment from Screen Australia, in association with Definition Films. Executive producers are Bridget Ikin and David Gross.
Set and shot in Afghanistan in extraordinary circumstances, Jirga stars Sam Smith as a former Australian soldier who returns to Afghanistan to find the family of a civilian he accidentally killed during the war. Seeking forgiveness, he puts his life in the hands of the village justice system – the Jirga.
Opening October 10 with Hotel Mumbai stars Armie Hammer, Dev Patel and Tilda Cobham-Hervey on the red carpet, the Adelaide Film Festival has now unveiled the full stunning line-up of guests for 2018. Australians Wayne Blair, Benjamin Law, Justine Clarke, Warwick Thornton, Tess Haubrich, Erica Glynn, Margaret Pomeranz, David Stratton and Venice prize winners Jennifer Kent and Baykali Ganambarr will be joined by international guests including Jordan’s Widad Shafakoj, Denmark’s Clara Rugaard and Indonesia’s Kamila Andini for the eleven day screen spectacular.
Jennifer Kent, director of Venice Special Jury Prize winner and ADL Film Fest FUND film The Nightingale will walk the red carpet at the Australian Premiere with Baykali Ganambarr, winner of the Venice Film Festival’s Marcello Mastroianni Award for Best New Talent and former member of the internationally acclaimed Djuki Mala dance group, Jim Everett, associate producer and aboriginal consultant and producer Kristina Ceyton (The Babadook, Cargo).
Exciting young star of I Am Mother, Danish actress Clara Rugaard, best known for playing Juliet in Still Star-Crossed with writer/director Grant Sputore and producer Timothy White.
Multi-award winning filmmaker and humanitarian activist from Jordan, Widad Shafakoj will present the Australian Premiere of her doco, 17, which follows the Jordanian team’s journey to the FIFA Under-17 Women’s World Cup. Widad will also be part of a fascinating panel discussion on The Cinematic World of Arab Women with Arab Film Festival Australia Committee members Dr Mehal Krayem and Dr Paula Abood.
Recipients of the Don Dunstan Award, indigenous screen pioneer Freda Glynn, her children, Erica Glynn, Warwick Thornton, and grandchildren Tanith Glynn-Maloney and Dylan River will be celebrated with a suite of events including the World Premiere of She Who Must Be Loved (directed by Erica, produced by Tanith), the launch of KIN, a collection of essays which recognise the remarkable contribution to the industry of this talented family, and screenings of Warwick’s 2003 debut Samson & Delilah, and Dylan’s much-anticipated documentary Finke: There and Back.
The World Premiere of ABC/NETFLIX thriller Pine Gap will see stars Tess Haubrich (Alien: Covenant, Wolf Creek 2) and Sachin Joab (Lion) walk the red carpet with director Mat King and producers.
In Adelaide to present their films in the festival’s Feature Fiction Competition in partnership with University of South Australia’s School of Creative Industries is Australian mystery thriller Celeste director Ben Hackworth and Indonesian director Kamila Andini with her APSA and Berlinale Crystal Bear winning The Seen and Unseen. Also in competition, the festival welcomes the cast and crew of Australian feature Emu Runner including cast Wayne Blair, Rhae-Kye Waites, Mary Waites, Letisha Boney and Stella Carter with director/writer Imogen Thomas and producer Victor Evatt.
The Flinders University Feature Documentary Competition title Happy Sad Man will be presented by filmmaker Genevieve Bailey (I Am Eleven) and subjects from her compelling documentary.
Youtube sensation (10+ million subscribers) Ozzy Man will join filmmakers Jeremy Kelly-Bakker and Tom Phillips for the World Premiere of Lucy and DiC.
Comedian, writer and creator of The Family Law, Benjamin Law and showrunner Sophie Miller for the series 3 World Premiere on the big screen.
Star of Look Both Ways, Justine Clarke and producer Bridget Ikin will be in conversation with Margaret Pomeranz following a special screening of Sarah Watt’s remarkable debut.
Bridget Ikin will also World Premiere The Woman and the Car alongside director Kate Blackmore.
World premiere of the National Film and Sound Archive of Australia’s (NFSA) digital restoration of South Australian classic starring Jack Thompson NFSA Restores: Sunday Too Far Away, presented by star Max Cullen, producer Matt Carroll, DOP Geoff Burton, and former SAFC executive Penny Chapman.
Max Cullen will also join director Thomas M Wright and writer Erik Jensen for a special screening of Acute Misfortune, a dramatised portrait of the late Australian artist Adam Cullen.
World Premieres of Adelaide Film Festival FUND works will be presented by:
Davi director Victoria Cocks and producer Anna Bardsley-Jones
A Stone’s Throw director Luke Wissell and producer Ashleigh Knott
Running 62: The Arrival VR director Madeleine Parry, producers Molly O’Connor and Anton Andreacchio and subject Zibeon Fielding
Demonic producers Bonnie McBride and Anna Vincent
The Art of the Game filmmakers Matthew Bate, Trent Parke and Narelle Autio whose ADLFF FUND VR The Summation of Force is also screening in the Jumpgate VR Lounge
The Waiting Room director Molly Reynolds and producer Rolf de Heer
Guests presenting their Australian Showcase screenings include:
Dying to Live activist-documentarian Richard Todd (Frackman)
Love in the Time of Antidepressants filmmaker Paul Gallasch and producer Katrina Lucas
Melodrama/Random/Melbourne! director Matthew Victor Pastor and Senses of Cinema’s Bill Mousoulis
Two-person artist collective Soda_Jerk will present their political revenge fable Terror Nullius
Producer Rita Walsh will present I Used to be Normal: A Boyband Fangirl Story
Producer/director Janine Hosking with producers Trish Lake and Katey Grusovin for The Eulogy
Short film and Made in SA filmmakers presenting their films include Lucy Campbell and Peter Ninos (The Big Nothing), Sara West (Mutt), David Muggleton (Freedom), Lucy Knox (An Act of Love), Indianna Bell and Josiah Allen (Small Town P.D.), Kiara Milera (Wild) and Steve Bakala Warramurra (Bakala). Also in Adelaide for the festival are filmmakers from the 2018 Sit Down Shutup and Watch Film & New Media Festival
The International Feature Fiction Jury filmmaker and selector for Venice and selection committee for Cannes Directors Fortnight, Paolo Bertolin; Renowned South Australian director, Emmy, Peabody and multiple AFI award-winner Scott Hicks; and Sarah Perks writer, curator, film producer and Artistic Director of HOME in Manchester where she enables the investment and presentation of films created by artists.
The Flinders University Feature Documentary Competition will be determined by an all female, all award-winning Jury of filmmakers: lawyer, writer and filmmaker and Larissa Behrendt (After the Apology), multi-award winning editor Tania Nehme (Tanna, Ten Canoes) and award-winning writer, producer and director Madeleine Parry (Nanette).
The AFTRS Virtual Reality Competition jury consists of industry professionals at the forefront of screen making with emerging technologies, AFTRS Head of Cinematography Kim Batterham and Google Creative Lab’s Mathew Tizard. The final VR Jury member is internationally acclaimed artist and VR creative Sue Austin, who will present her underwater live art event ‘Creating the Spectacle!’ in a Southern Hemisphere premiere in two shows only at North Adelaide Aquatic Centre.
Festival “faces’ Natasha Wanganeen (Cargo, Rabbit-Proof Fence) and Rashidi Edward (F*!#ing Adelaide) will be rubbing shoulders with the industry including Hotel Mumbai director/writer Anthony Maras, writer John Collee and producers Julie Ryan and Joe Thomas, plus Gillian Armstrong, in Adelaide for the SAFC’s inaugural Lottie Lyell Award, WIFT Australia’s Megan Riakos and Tracey Corbin-Matchett to launch the Raising Films Australia Survey, SPA’s Matt Deaner and The Wheeler Centre’s Sophie Black among many others!
Plus the artists featured at the Reactive Wall
Since 2013 ADL Film Fest has showcased the work of artists as they respond to premieres of the festival. In 2018 we welcome Alex Beckinsale, Cameron Smith, Cassie Thring, Christina Peek and Sarah Tickle who cover everything from mixed media and digital art to painting. Joining these artists is local legend Roy Ananda, known for his work inspired by film and pop culture. Roy will be working with these artists, all graduates of the Adelaide Central School of Art, to realise the most ambitious iteration of the Reactive Wall to date.
Sarah Tickle on TERROR NULLIUS
Alex Beckinsale on I AM MOTHER
Cameron Smith on THE NIGHTINGALE
Cassie Thring on THE SEEN AND UNSEEN
Roy Ananda on THE EYES OF ORSON WELLES
Christina Peek on ART ON SCREEN
Emmy and Golden Globe winning film and television producer Nathan Ross will join the SCREEN FOREVER stellar international keynote line up after completing back to back work on HBO’s Sharp Objects and Series 2 of Big Little Lies.
Since shifting from agent to screen producer in 2010, he has barely paused.
Screen Producers Australia and event partner Film Victoria are thrilled to have Ross at SCREEN FOREVER to share his insights and recent experience working on groundbreaking film and TV projects which have raised the bar for high end dramatic storytelling for screen.
“Nathan Ross is a rare producer that has traversed the big and small screen whilst retaining the authenticity of a bold cinematic vision. We trust that his incredible run working with some of Australia’s most trailblazing and innovative producing, acting and writing talent will expand during his visit to SCREEN FOREVER,” said Screen Producers Australia CEO Matthew Deaner.
Ross opened 2018 by launching Crazyrose, a full service production company with long time producing partner and director Jean-Marc Vallée.
Crazyrose’s remit is to develop, finance and produce original content across film, TV and documentaries and has secured a first-look deal with Endeavor Content owned offshoot, Bloom.
“We are thrilled to have formed Crazyrose and be partnered with Bloom. Bloom totally speak our language of ‘artist first’ enhancing our notion that commerce and art can exist effectively and not be compromised. Our hope is to foster character driven stories and something seemingly unique and unprecedented in the marketplace that we and other filmmakers can take advantage of,” Ross said.
Both Ross and Vallée, who have been working together for over 12 years, started their careers in film switching to TV as executive producers on HBO’s Big Little Lies, which picked up eight Emmy awards, including best director for Vallée and a few Golden Globes. Their next TV project, Sharp Objects continues to exude all the hallmarks of their cinematic pedigree.
The duo first met when Ross worked as an agent at ICM. He left ICM in 2010 to work on their first film, Dallas Buyers Club, which was nominated for six Oscars.
Ross’s work is testament to his belief that the shift in medium does not equate to an erosion of big screen production values. His track record gratifyingly puts strong female characters written by strong female writers at the heart of his projects. From Wild’s adaptation of Cheryl Strayed autobiography to the Big Little Lies adaptation of Australia’s own best seller Liane Moriarty, to the Sharp Objects rendering of Gillian Flynn’s novel.
Nathan Ross will appear exclusively at SCREEN FOREVER 2018 across 20 – 22 November at Melbourne’s Crown Conference Centre.