Stan today announced the much-anticipated series The Great from Australian Oscar-nominated screenwriter Tony McNamara (The Favourite) will premiere only on Stan from 16 May – same day as the US.
The comedy series chronicles the genre-bending, anti-historical ride through 18th Century Russia and follows the wildly comedic rise of Catherine the Nothing to Catherine the Great – as depicted by Hollywood heavyweight Elle Fanning (The Neon Demon, Super 8), starring alongside BAFTA Award nominee Nicholas Hoult (Stan Original Film True History of the Kelly Gang, The Favourite) and a sensational supporting cast that includes Phoebe Fox, Adam Godley, Gwilym Lee, Charity Wakefield, Douglas Hodge and Sacha Shawan.
The Great is created, written and executive produced by Tony McNamara and executive produced by Marian Macgowan, Thruline’s Josh Kesselman and Ron West, Echo Lake’s Brittany Kahan Ward, Doug Mankoff and Andrew Spaulding, Elle Fanning, Mark Winemaker and Matt Shakman.
The Great premieres 16 May only on Stan – same day as the US.
Summary: Two young British soldiers during the First World War are given an impossible mission: deliver a message deep in enemy territory that will stop 1,600 men, and one of the soldiers’ brothers, from walking straight into a deadly trap.
Australian Cinema Release Date: 9st January 2020
Thailand Cinema Release Date: 30th January 2020
Australian DVD Release Date: TBA
Country: United States, United Kingdom
Director: Sam Mendes
Screenwriter: Sam Mendes, Krysty Wilson-Ciarns
Cast: Benjamin Adams (Sergeant Harrop), Gabriel Akuwudike (Private Buchanan), Andy Apollo (Sergeant Miller), Daniel Attwell (Captain Sandbach), Elliott Baxter (Private Singer), Jacob James Beswick (Lance Corporal Duff), Anson Boon (Private Cooke), Pip Carter (Lieutenant Gordon), Dean Charles-Chapman (Lance Corporal Blake), Bradley Connor (Sergeant Gardner), Samson Cox-Vinell (Orderly Dixon), Benedict Cumberbatch (Colonel McKenzie), Josef Davies (Private Stokes), Claire Duburcq (Lauri), Elliott Edusah (Private Grey), Justin Edwards (Captain Ivins), Colin Firth (General Erinmore), Tommy French (Private Butler), Kenny Fullwood (Private Rossi), John Hollingworth (Sergeant Guthrie), Luke Hornsby (Private Pinewood), Gerran Howell (Private Parry), Adam Hugill (Private Atkins), Michael Jibson (Lieutenant Hutton), Taddeo Kufus (Soldat Baumer), Jonny Lavelle (Orderly Byrne), Spike Leighton (Private Kilgour), Merlin Leonhardt (Soldat Muller), George MacKay (Lance Corporal Schofield), Richard Madden (Lieutenant Joseph Blake), Daniels Mays (Sergeant Sanders), Richard McCabe (Colonel Collins), Joe Mendes (Private Willock), Ryan Nolan (Private Malky), Jamie Parker (Lieutenant Richards), Billy Postlethwaite (NCO Harvey), Nabhaan Rizwan (Sepoy Jondalar), Michael Rouse (Captain Rylands), Jonah Russell (Captain Morahan), Adrian Scarborough (Major Hepburn), Andrew Scott (Lieutenant Leslie), Jack Shalloo (Private Seymour), Mark Strong (Captain Smith), Paul Tinto (NCO Baker), Chris Walley (Private Bullen), Ian Wilson (Sergeant Wright)
Running Time: 119 mins
Classification: MA15+ (Australia) TBC (Thailand)
OUR 1917 REVIEWS & RATINGS:
Dave Griffiths Review:
Over the years the cinematic world has been blessed with some pretty amazing war films. Think of the sheer emotional nature of films like Schindler’s List and Hacksaw Ride or the epic sale of films like Saving Private Ryan and Pearl Harbor. It feels like it is the war genre when some of the truly great filmmakers of our generation have really had a chance to show us what they are capable of an that legacy certainly continues with 1917.
As a filmmaker Sam Mendes has certainly proved himself to be one of the most ‘intense’ of the modern generation. That intensity has been delivered with powerful drama and dialogue in films like American Beauty and Revolutionary Road while it also returned through the power of stunts and action with his trip into the Bond universe with Skyfall and Spectre. With 1917 Mendes manages to fuse both of his skills in drama and his style of action together in a way that results with a unique film that will go down as one of the finest in 2020.
Plot wise 1917 is quite basic. It is set during World War I in France and General Erinmore (Colin Firth – A Single Man) receives word that an Allied attack is going to be walking right into a trap set by the Germans. In a desperate bid to stop the annihilation of 1600 men he gives Lance Corporal Blake (Dean-Charles Chapman – Game Of Thrones) and Lance Corporal Schofield (George MacKay – Peter Pan) a near impossible task. He asks them to go through the front-line and go behind the enemy line to deliver a letter that should stop the attack from ever happening.
In a lot of ways the style Mendes uses to tell the story is very similar to what Peter Jackson used with The Lord Of The Rings. The film itself entirely surrounds the impossible journey that the two embark on yet somehow Mendes stops the film from every becoming boring at all. Around every corner he places a new task and obstacle in the way of the pair and his idea of using a one-shot technique means that the audience is right there amongst the action. Whether it be urgently pushing past soldiers in the trenches, battling to swim against a raging river or coming under heavy enemy fire Mendes has the audience right there beside the heroes which only further enhances the suspense and intensity throughout the film.
Surprisingly the screenplay which Mendes co-wrote with Krysty Wilson-Cairns (Penny Dreadful) also keeps the dialogue to the bare minimum. For a lot of the film the pair either use silence or brief but powerful dialogue to get some in-depth points across. At one point Blake and Schofield debate whether war medals really mean anything or not, and while some writers would let it take up five minutes of the film Mendes and Wilson-Cairns let both characters make their point within a minute. Likewise anything we learn about the two men is fitted nicely into some of the most natural dialogue you will ever hear on the screen.
Such is Mendes’ maturity as a filmmaker that he never allows the action sequences to ever take anything away from the drama of the film. Plane crashes and enemy fire occur in real time and while it does have the audience on the edge of their seat Mendes never allows it to over-shadow the film’s major storyline or detract from it.
I have heard some people suggest that the film would have been further enhanced if the two leads had been more recognisable actors, but I fail to see how that would have helped. Chapman and MacKay put in absolutely brilliant performances and there could be very little more asked of them. The two share some very poignant scenes together and in all honestly they carry the film throughout as the camera never leaves them. Very few young actors could pull off such an intense acting performance but these two seem to do it with ease.
1917 is one of those films that leaves you in complete stunned silence as you watch it. Mendes never allows his audience to rest, instead he takes them on the journey with his two heroes using camera angles we haven’t seen since The Children Of Men. Yes at times 1917 feels utterly claustrophobic but it is also a visual delight that will find its audience going through a range of emotions as they view it. This film is a true classic that will be savoured by true movie lovers.
You ever hear the one about the cop, the songbird, the psycho and the mafia princess? “Birds of Prey (And the Fantabulous Emancipation of One Harley Quinn)” is a twisted tale told by Harley herself, as only Harley can tell it. When Gotham’s most nefariously narcissistic villain, Roman Sionis, and his zealous right-hand, Zsasz, put a target on a young girl named Cass, the city is turned upside down looking for her. Harley, Huntress, Black Canary and Renee Montoya’s paths collide, and the unlikely foursome have no choice but to team up to take Roman down.
Directed by Cathy Yan, the film stars Margot Robbie, Mary Elizabeth Winstead, Jurnee Smollett-Bell, Rosie Perez, Chris Messina, Ewan McGregor and Ella Jay Basco.
BIRDS OF PREY releases in Australia in theatres on February 6, 2020.
Cinema Nova to give 10% of ticket income to bushfire relief this Thursday
In the wake of the devastating bushfires occurring around Australia, Cinema Nova will contribute 10% of box office income from this Thursday, January 9, to the Australian Red Cross.
The Australian Red Cross is raising funds to support emergency service teams who are responding to the current fires which have burnt through 5.8 million hectares across Australia, and will have a continuing impact on people, communities, their land and livelihood.
Cinema Nova’s General Manager Kristian Connelly says “Cinema Nova recognises the horrific nature of the bushfires nationwide and wanted to act quickly to help those in need. The community’s show of support has been heartening and we’d like to do our part.”
Cinema Nova is also collecting cash donations at the Candy Bar and Box Office which will be evenly distributed between Wildlife Victoria, the CFA Bushfire Disaster Appeal and the Gippsland Emergency Relief Fund.
Movie session times for Thursday January 9 will appear on the Cinema Nova website on the afternoon of Tuesday January 7. Pre-purchased tickets will be included in the donation total.
Cinema Nova Bushfire Relief Fundraiser
Thursday January 9, 2020
380 Lygon Street, Carlton www.cinemanova.com.au
Twentieth Century Fox in association with Marvel Entertainment presents “The New Mutants,” an original horror thriller set in an isolated hospital where a group of young mutants is being held for psychiatric monitoring. When strange occurrences begin to take place, both their new mutant abilities and their friendships will be tested as they battle to try and make it out alive. Directed by Josh Boone and written by Josh Boone & Knate Lee, “The New Mutants” stars: Maisie Williams, Anya Taylor-Joy, Charlie Heaton, Alice Braga, Blu Hunt and Henry Zaga. The film is produced by Simon Kinberg, p.g.a., Karen Rosenfelt, p.g.a. and Lauren Shuler Donner with Stan Lee and Michele Imperato Stabile serving as executive producers.
The trailer for A Quiet Place Part II has just been released. Directed by John Krasinski and starring Emily Blunt, Cillian Murphy, Millicent Simmonds, Noah Jupe and Djimon Hounsou the film will be released in Australia on March 19th.