From writer-director Keith Sutliff, a non-stop thrill ride through the streets of Los Angeles, The Refuge in theatres June 28.
A getaway driver finds himself in harm’s way when he gets caught up in a job involving casino heist money in the adrenaline-charged new crime thriller from Keith Sutliff.
KS Pictures presents The Refuge, starring Keith Sutliff (The Mason Brothers), Julien Cesario (Close Range), Matthew Webb (127 Hours), Reine Swart (The Lullaby), Stefanie Estes (Bethany), Demeterius Stear (Death Pool), Martin Copping (“Hawaii Five-O”) and Cheyenne Buchanan (A Dark Place).
Following two sold out screenings at Monster Fest in Melbourne last November, where it took out the ‘Golden Monster’ for Best Film, we are pleased to present in association with Umbrella Films ONE NIGHT ONLY screenings of LORDS OF CHAOS on Friday February 22nd in cinemas across Australia & New Zealand.
Set in the world of Norwegian black metal, and combining an 80s/90s period setting, the blackest of black humour and brutally visceral scenes of violence, LORDS OF CHOAS is ‘metal’ in every sense of the word – and an experience you’re sure to never forget. The only thing crazier than the film itself is the fact it’s based on the very real – and very violent – actions of an infamous Norwegian black metal crew. Drawing from his experience as the drummer in a black metal band, director Jonas Åkerlund brings a level of authenticity to the screen rarely seen along with the unmistakable style that made his music video work so memorable.
VIC Cinema Nova Carlton – Tickets 8:45pm Session SOLD OUT, 9:20pm Session ON SALE NOW Village Cinemas Fountain Gate – Tickets
Village Cinemas Geelong – Tickets
Village Cinemas Jam Factory – Tickets
Village Cinemas Knox – Tickets
Village Cinemas Southland – Tickets
Village Cinemas Sunshine – Tickets
Uncork’d Entertainment is proud to announce the North American theatrical and digital release of the acclaimed Australian crime-drama West of Sunshine.
A captivating social-realist story from debut feature filmmaker Jason Raftopoulos, the celebrated film – hot from an outstanding response, complete with standing ovation, at the Venice Film Festival – tells of a father who has less than a day to pay back a gambling debt, while looking after his young son.
Featuring powerful performances from Damian Hill (“The Leftovers”), Ty Perham, Arthur Angel (Red Dog), Kat Stewart (“Underbelly”), Eliza D’Souza (Predestination) and Kaarin Fairfax (“Picnic at Hanging Rock”), Welcome to Sunshine is a “nigh-perfect slice of inner city Australian cinema” (Filmink) that befittingly finds its home alongside Aussie crime drama classics like Chopperand Two Hands
Separated from his family and caught in a cycle of gambling and debt, Jim has less than a day to repay a violent loan shark. His day is turned upside down when he must look after his young son. Jim’s relationship with his son is tested as his plans to pay back the loan fail. When his last desperate effort to repay the debt puts his son’s life at risk, he must make a choice between his past and a second chance at life.
Opening theatrically January 18, and releasing on VOD January 22, West of Sunshine is being distributed by Uncork’d Entertainment.
From the writer of Ninja Apocalypse and Rushlights, and starring Gunner Wright, comes The Pinch!
Synopsis : When a low level mobster is nearly rubbed out by the boss, he decides to take the bonus he was promised by force, so he kidnaps the boss and demands a hefty ransom.
From writer-director Ashley Scott Meyers (Rushlights, Ninja Apocalypse), and starring Gunner Wright (G.I Joe, the Dead Space game franchise) and James Aston Lake (Deadpool), the indie thriller is part Misery, part Goodfellas, combining gritty gangster action with heart-racing suspense and thrills.
Clint Eastwood (Gran Torino, American Sniper) returns as an actor and director in new crime drama The Mule and Roadshow have just released the trailer for it… so take a look right here.
Also starring in the film are audience favourites Bradley Cooper (Silver Linings Playbook, American Hustle), Taissa Farmiga (The Bling Ring, Anna), Michael Pena (End Of Watch, Shooter) and Laurence Fishburne (The Matrix, Mystic River). The film is relesed on December 14th.
Fans of Sherlock Holmes better get ready because Sony have just given us a look at the trailer for new brand new film Holmes & Watson. Starring Will Ferrell (Anchorman, Blades Of Glory) as Holmes, John C. Reilly (Guardians Of The Galaxy, Wreck-It-Ralph) as Watson and Ralph Fiennes (Schindler’s List, The Grand Budapest Hotel) as Moriarty.
The film will be released on Boxing Day in Australia.
The cast of the new powerful crime drama The Hate U Give has given us a behind the scenes look of thef film that is due to hit cinemas in October. Starring Amandla Stenberg (The Darkest Minds, The Hunger Games), Regina Hall (Scary Movie, Girls Trip), Anthony Mackie (The Hurt Locker, Captain AMerica: Civil War) and Common (Wanted, Suicide Squad) the film is also directed by George Tillman Jnr (Faster, Notorious).
Summary:A group of friends who meet regularly for game nights find themselves entangled in a real-life mystery.
Australian Cinema Release Date: 22nd February 2018
Australian DVD Release Date: TBA
Country: United States
Director: John Francis Daley, Jonathan Goldstein
Screenwriter: Mark Perez
Cast: Jason Batman (Max), Kylie Bunbury (Michelle), Kyle Chandler (Brooks), Camille Chen (Dr. Chin), Michael Cyril Creighton (Bill), John Francis Daley (Carter), R.F. Daley (Tats), Abigail Ford (Mrs. Anderton), Jonathan Goldstein (Dan), Michael C. Hall (The Bulgarian), Natasha Hall (Madison), Sharon Horgan (Sarah), Malcolm X. Hughes (Not Denzel), Danny Huston (Donald Anderton), Candy Ibarra (Rachel Burns), Jessica Lee (Debbie), Daniel Lucente (Dan Steele), Curtis Lyons (Logan), Billy Magnussen (Ryan), Rachel McAdams (Annie), Joshua Mikel (Colin), Lamorne Morris (Kevin), Tony Ohara (Kramer), Olivia (Bastian), Chelsea Peretti (Glenda), Jesse Plemons (Gary), Brooke Jaye Taylor (Linda), Michael Twombley (Michael Bates), Zerrick Williams (Val)
Runtime: 100 mins
OUR GAME NIGHT REVIEWS & RATINGS:
Dave Griffiths Review:
To listen to some film journalists talk the state of the comedy genre is in tatters. Apparently unfunny comedy after unfunny comedy floods our cinemas screens. The notion is ridiculous though. It seems that films like Horrible Bosses and We’re The Millers have been completely forgotten about… hell even the local comedy Swinging Safari was a lot funnier that most journos gave it credit for. Now comes Game Night a film that certainly shows that comedy is back – not only does the film’s twists and turns keep the audience guessing but it’s sassy comedy and modern edge make a film worthy of more than one viewing.
The plot of Game Night is unique in itself. Max (Jason Bateman – Arrested Development, Juno) and Annie (Rachel McAdams – The Notebook, Mean Girls) are a regular couple with a big difference – they are driven by a competitive spirit that makes their frequent games’ nights a must attend for their friends.
However their games nights are changed forever when the couple realise that their inability to conceive a child is caused by Max’s competitive streak with his rich and popular brother Brooks (Kyle Chandler – Argo, Manchester By The Sea). With Brooks coming to town and deciding to host the latest games night… a night that he says nobody will forget… Max and Annie are already on edge. To make things worse they are trying to hide the night from their creepy, ex-friend and Police Officer Gary (Jesse Plemons – Battleship, Black Mass) so he doesn’t turn up, but that all pails into insignificance when Brooks’ real life makes the night potentially deadly.
Universally panned for their work on Vacation directors John Francis Daley and Jonathan Goldstein bounce back here largely thanks to a witty script written by Mark Perez (Accepted, Herbie: Fully Loaded). While the premise of the film seems basic Perez’s screenplay makes this film stand-out. Game Night has everything that a good comedy should have – witty one-liners plus memorable characters like the dry and dull Gary and the extremely dumb himbo Ryan (Billy Magnussen – Into The Woods, The Big Short).
But Game Night also has more than that. The suspense of the plot is only enhances with a serious of twists and turns that soon has the audience realising that they can’t predict what is going to happen in the next minute let alone for the rest of the film. The fact that Perez is smart enough to have Max almost narrate what some would call film flaws with lines like ‘great two guys show up that haven’t been revealed in the plot earlier’ makes the decision to include such risky choices in the film pay off with laughter. The screenplay also gives a nod to other films, again with a smirk to the audience as Rachel McAdams declares ‘like Liam Neeson in Taken 3.’
In fact it is the chances that Game Night makes that ends up letting the film work. The decision to tone the adult humour down when compared to a film like Horrible Bosses means that this becomes the perfect date movie for both men and women while the interesting choice of cast all works. Batman and McAdams gel well as an on-screen couple while Jesse Plemons steals just about every scene he is in with some brilliant deadpan character acting. The other big surprise here is Kyle Chandler. Known more for his gritty dramatic roles in productions like Friday Night Lights Chandler here shows the world his comedic skills as he makes sure Brooks is one of those characters that the audience will love one moment and hate the next.
Game Night is one comedy that is well worth a look. Its great screenplay allows for a little more storyline and suspense then what we expect from most comedy films while Jason Bateman once again shows why he is the current king of comedy. As you sit down to watch Game Night be prepared for a wild ride with more than enough laughs to keep the comedy fans happy as well.
Greg King’s Review:
This enjoyable mix of action and comedy from the team behind films like Horrible Bosses is like David Fincher’s The Game crossed with Date Night.
A group of friends regularly meet every Saturday night for some old-fashioned fun, playing old school board games and charades. The games are held at the home of Max (Jason Bateman) and his wife Annie (Rachel McAdams), both very competitive gamers who met a trivia night. The players include bickering high school sweethearts Kevin (Lomorne Morris) and Michelle (Kylie Bunbury) and dim-witted ladies’ man Ryan (Billy Magnussen, from tv series Get Shorty, etc), who brings along a different shallow empty-headed date each night.
But this time, Max’s supposedly much more successful and wealthy older brother Brooks (Kyle Chandler, Emmy winner from Saturday Night Lights, etc) arrives for a surprise visit and decides to up the ante when he hosts his own game night. He has chosen an interactive “mystery” theme around the concept of a kidnapping. But things quickly go pear shaped when real life crooks invade the house, beat up Brooks, duct tape and drag him from the house. Max and the gang initially think it was all part of the game.
But when they realise that it was real, Max and his friends embark on a cross town chase to try and rescue Brooks. Their competitive spirit though means that they try to race each other to find Brooks and their efforts are driven by their natural one-upmanship. They soon discover that neither the game nor Brooks are what they seem. The chase also sees them having to find a Faberge egg, which is something of a McGuffin.
For the most part Game Night is an energetic and light-hearted action comedy with thriller elements as it mixes some car chases, fight scenes and the odd angry shot. But the plot is also very convoluted and there are a couple of last minute twists that defy credibility. The script comes from Mark Perez (the more family friendly Disney film Herbie Fully Loaded, etc). The film has been directed by John Francis Daley and Jonathan Goldstein, who are best known for writing comedies like Horrible Bosses, etc. They made their feature film directorial debut with 2015’s disappointing Vacation reboot, and here they bring their own comic sensibilities to Perez’s screenplay and make the most of the thin premise.
The film is slickly paced, and cinematographer Barry Peterson suffuses the material with a noir like palette. There are some nice visual gags as well, including establishing shots of various neighbourhoods that initially resemble a board game community.
Bateman often has a nice everyman quality that shapes his performances. Here he seems far more comfortable than in some of the crass comedies like Office Christmas Party that he has appeared in. He and McAdams develop a wonderful chemistry that lifts the film, and they play off each other well. It seems that she has allowed Bateman to lift his game. McAdams also shows a nice flair for comedy. The cast also features Jeffrey Wright (Casino Royale, etc), and Danny Huston and Dexter star Michael C Hall in small roles as shady underworld figures.
Everyone in the cast is given their own moment to shine. But the stand out of the ensemble is Jesse Plemons (American Made, etc) who plays Gary, Max and Annie’s somewhat creepy and obsessive neighbour. Gary used to be a regular part of their game night crowd until he and his wife Debbie divorced, and he became too moody and depressed for their liking.
Game Night is uneven, but with a brisk running time of 100 minutes it never quite outstays its welcome. And it is a lot more fun than many other recent Hollywood comedies.
Nick Gardener’s Review:
The amiable if at times flat Game Night is a little like David Fincher’s The Game done in the style of contemporary comedies like Horrible Bosses. It also falls into that cinematic sub-genre the Jason Bateman movie in which Bateman plays the put-upon, every-man, nice guy schlub forced into a dangerous situation that inevitably provides some necessary jolt to his staid suburban life.
Here Bateman plays Max who, despite a comfortable life and marriage to the gorgeous Annie (Rachel McAdams), is perpetually stressed, a condition that seems to be impeding his ability to conceive a child. The source of his anxiety seems to be his arrogant Wall Street trader brother Brooks (Kyle Chandler) who has always taken sadistic delight in trouncing Max at games and competitions throughout their lives. When the obnoxious Brooks invites Max and Annie and their friends to a murder mystery party the night unexpectedly turns into a battle against kidnappers and sleaze-ball gangsters.
The film attempts to weld a typical Bateman middle class suburban rom-com to a crime thriller but the results are at best middling. Bateman’s easy charm and comic timing work about as well as they do in other films where he’s played essentially the same character and McAdams’ cheery, live-wire performance is typically fun and endearing. Add an amusingly creepy performance from Jesse Plemons as a weird, angry cop neighbour who’s determined to inveigle himself into Max and Annie’s life and at least in its early stages, this is an enjoyably perky comedy.
As the film attempts to entangle Max and Annie in a twist-laden action/crime/ caper/ story, though, it begins to lose its appeal. The film lacks the necessary thrills, intensity and drama for this part of the movie to work. Add to this a few dud gags, predictable story threads, sub-plots about characters misfiring relationships that don’t really go anywhere and some completely unbelievable scenarios including a ludicrous sequence at a gangster’s mansion and Game Night becomes a little laboured.
Thankfully, Game Night eschews much some of the grubbiness and nastiness of contemporary raunch comedies but it doesn’t replace this with enough genuine wit, energy or clever story-telling.
Average Subculture Rating (out of 5):
Other Subculture Entertainment Game Night Reviews: N/A
Summary: When Robert Langdon wakes up in an Italian hospital with amnesia, he teams up with Dr. Sienna Brooks, and together they must race across Europe against the clock to foil a deadly global plot.
Australian Cinema Release Date: 13th October 2016
Australian DVD Release Date: 18th January, 2017
Country: United States, Japan, Turkey, Hungry
Director: Ron Howard
Screenwriter: David Koepp, Dan Brown (novel)
Cast: Cesare Cremonini (Ignazio Busoni), Ida Darvish (Marta), Jon Donahue (Richard Savage), Mehmet Ergen (Mirsat), Ben Foster (Bertrand Zorbist), Tom Hanks (Robert Langdon), Felicity Jones (Dr. Sienna Brooks), Irrfan Khan (Harry Sims ‘The Provost’), Sidse Babett Knudsen (Dr. Elizabeth Sinskey), Xavier Laurent (Antoine), Fausto Maria Sciarappa (Parker), Paolo Antonio Simioni (Dr. Marconi), Omar Sy (Christoph Bruder), Ana Ularu (Vayentha)
Runtime: 121 mins
OUR INFERNO REVIEWS & RATINGS:
Inferno sees the arrival of yet another attempted franchise reboot in 2016. We’ve seen Ghostbusters and Bridget Jones’s Baby arrive with mixed success now we find Academy Award winning director Ron Howard (A Beautiful Mind) rebooting the Robert Langdon franchise some seven years after its last instalment.
Based on the novel by Dan BrownInferno begins with Robert Langdon (Tom Hanks – Forrest Gump) waking up in a hospital with no memory of how he got there and being hunted by a assassin (Ana Ularu – Serena). After managing to escape with Dr. Sienna Brooks (Felicity Jones – The Amazing Spider-Man) Langdon starts putting together the pieces and realises that he must try and stop an apocalyptic event set by Bertrand Zorbist (Ben Foster – Warcraft: The Beginning) who believes his actions will actually save the world.
But as Langdon tries to overcome memory loss and put the pieces together to solve the mystery things are made even more difficult by him when he realises he doesn’t know which World Health Organisation agent he can trust, Dr. Elizabeth Sinskey (Sidse Babett Knudsen – Westworld) or Christoph Bruder (Omar Sy – Jurassic World). To add to their confusion the audience also learns there is a puppet-master in the wings in the form of Harry Sims (Irrfan Khan – Life Of Pi).
While watching Inferno you do start to realise that this is going to be a film that divides its audience. For the regular popcorn set this is going to be a film that delivers a fairly decent, if not at times confusing, crime thriller plot that shows you just as many European landmarks as a Bond film. For the more seasoned film goer though this is a film that reveals some of the laziest filmmaking Ron Howard will deliver during his career with a clichéd plot that just follows the same sequence over and over – Langdon arrives in a city, goes to find the puzzle piece, is chased by Police and uses an ancient tunnel to escape and then moves on to the next city. There is also a level of inconsistence around the character of Robert Langdon that surfaces right throughout this film and despite the work of screenwriter, David Koepp (Jurassic Park), to pass it off as part of Langdon’s amnesia it simply doesn’t work.
Rather than being a gritty thriller Inferno becomes more of a fun ride as the audience gets to see European city of European city while there is a mid-level of suspense and you try in your mind to put the pieces together at the same time as Langdon does… although that it made a hell of a lot easier if you are up to date on your Dante. The big tip for the audience is to not let to get too bogged down in the ‘historical’ parts of this film or you will be scratching your head and hurling popcorn as you struggle to work out what the hell is going on.
Likewise this is a movie that Tom Hanks just seems to breeze through. While Sully recent saw Hanks once again reveal his wonderful character acting skills here Hanks wears the character of Robert Langdon like an old slipper, it’s a role that he is obviously comfortable in but doesn’t deliver the acting heights that we know he is capable of. The same can be said for Felicity Jones who isn’t given a huge amount to work with and even disappears for a quarter of the film. The big winner in the acting stakes is Sidse Babett Knudsen who makes good use of the screen time she is given. Omar Sy and Irrfan Khan are also wasted in their roles, the latter being given a role very similar to a poor man’s Bond villain as he plays a character that leaves the audience asking… is that even a profession?
The best way to enjoy Inferno is to just go into the cinema expecting a fun film. While it isn’t exactly a borefest it certainly lacks the suspense of Angels & Demons and is a lot more clichéd than the Da Vinci Code. Did the Robert Langdon franchise need Inferno? Probably not!