Hailee Steinfeld and John Cena star in BUMBLEBEE! On the run in the year 1987, Bumblebee finds refuge in a junkyard in a small Californian beach town. Charlie, on the cusp of turning 18 and trying to find her place in the world, discovers Bumblebee, battle-scarred and broken. When Charlie revives him, she quickly learns this is no ordinary, yellow VW bug.
Directed by: Travis Knight
Starring: Hailee Steinfeld, Pamela Adlon, John Cena, Stephen Schneider, Jorge Lendeborg Jr., Jason Drucker, Kenneth Choi, Ricardo Hoyos, Abby Quinn, Rachel Crow, and Grace Dzienny
Uncork’d Entertainment announces a digital/VOD release date of October 2nd for new action-vigilante feature DEATH KISS.
Filmed in Northern California, the film stars Robert Kovacs (who has gained attention for his uncanny resemblance to a certain well-known action star), Daniel Baldwin (JOHN CARPENTER’S VAMPIRES), Richard Tyson (KINDERGARTEN COP, TWO MOON JUNCTION), Eva Hamilton (horror fest fave RUIN ME), Stormi Maya, Leia Perez, Reese Austyn, and Sam Story.
DEATH KISS concerns a vigilante with a mysterious past who goes to a crime-infested city and takes the law into his own hands, at the same time protecting a young mother and her child.
Writer-director is Rene Perez (PLAYING WITH DOLLS: HAVOC). Producer is Jeff Miller (THE TOYBOX, OUIJA HOUSE), through his company Millman Productions. Gary Jones helped executive produce through his company Mosquito Entertainment. Zach Carter served as Supervising Producer.
“Rene’s movie is very cool and stylish. It feels like a throwback to the Cannon films of the ’80s,” says Miller. “After an enthusiastic response at Texas Frightmare Weekend in May, we’re excited to show the film to the general public.”
The DVD, with special features such as director’s commentary and the trailer, will be released December 4th.
With The Predator hitting cinemas this week we thought it would be a good chance to go behind the scenes and meet the team of McKenna (Boyd Holbrook – Logan, The Host), Nebraska (Trevante Rhodes – Moonlight, 12 Strong), Coyle – (Keegan-Michael Key – Tomorrowland, Let’s Be Cops), Lynch (Alfie Allen – Game Of Thrones, John Wick), Baxley (Thomas Jane – The Mist, Boogie Nights) and Nettles (Augusto Aguilera – 8, Ice).
Artsploitation has announced the home video release of the Dutch action/sci-fi thriller Molly. The English-language first feature from co-directors Colinda Bongers and Thijs Meuwese, Molly premiered at the Imagine Film Festival, where Screen Anarchy raved, “like with Turbo Kid two years ago, ingenuity is the name of the game here”. Molly will be available nationwide October 2nd on Blu-ray, DVD and Digital HD, including iTunes, Amazon Instant Video, Google Play, Vudu and more.
Julia Batelaan makes her feature film debut as the titular Molly, the latest addition to the pantheon of teens standing between evil and the end of the world.
Molly is an electrifying and imaginative tale of one young woman’s determined struggle to survive in an inhospitable world. In a barren landscape ravished by war, a super-powered young woman roams the violent post-apocalyptic landscape, armed only with a bow and arrow, to confront the dangers around her. When a sadistic ringmaster who runs an underground fight club hears of her supernatural abilities, he sends his sociopathic marauders to capture her and make her a star attraction in his cage fights.
Summary: The last Gunslinger, Roland Deschain, has been locked in an eternal battle with Walter O’Dim, also known as the Man in Black, determined to prevent him from toppling the Dark Tower, which holds the universe together. With the fate of the worlds at stake, good and evil will collide in the ultimate battle as only Roland can defend the Tower from the Man in Black.
Australian Cinema Release Date: 17th August 2017
Australian DVD Release Date: TBA
Director: Nikolaj Arcel
Screenwriter: Nikolaj Arcel, Akiva Goldsman, Anders Thomas Jensen Stephen King (novel), Jeff Pinkner
Cast: Michael Barbieri (Timmy), Idris Elba (Roland), Kenneth Fok (Johnny), Jackie Earle Haley (Sayre), Nicholas Hamilton (Lucas Hanson, Dennis Haysbert (Steven), Eva Kaminsky (Jill), Caludia Kim (Arra), Fran Kranz (Pimli), Abbey Lee (Tirana), Matthew McConaughey (Walter), Robbie McLean (Toby), Nicholas Pauling (Lon), Leeanda Reddy (Dr. Weizak), Tom Taylor (Jake), Matthew Thomson (Jonah), Lemogang Tshipa (Phedon), Robert Whitehead (Cantab), Kathryn Winnick (Laurie), Jose Zuniga (Dr. Hotchkiss)
Runtime: 95 mins
OUR THE DARK TOWER REVIEWS & RATINGS:
Whew… I feel like I have dodged a bullet. Reading reviews before I went into to see The Dark Tower meant I was preparing myself for an abysmal nightmare of a film – one that some critics had labeled the ‘worst film based on a Stephen King novel ever’. So imagine my surprise when I sat down and ended up finding myself watching a fun, intriguing, albeit brief, supernatural action film.
The Dark Tower sees a story that took King seven novels to tell told in a film that clocks in at just over an hour and a half. It begins with New York being rocked by earthquakes that have experts confused. Meanwhile, young Jake (Tom Taylor – Doctor Foster, Legends) is having terrible nightmares in which he sees a Dark Tower and dark characters including a Gunslinger and a man in dark jacket. Jake’s mother, Laurie (Kathryn Winnick – Vikings, Love & Other Drugs) is convinced that the dreams are the result of the trauma of Jake’s father dying while on duty as a firefighter and seeks medical advice for him.
However, soon the jigsaw pieces start falling into place for Jake. The earthquakes are being caused by the man in the black jacket… aka Walter (Matthew McConaughey – Interstellar, Dallas Buyers Club) using children’s minds in horrific experiments to try and bring down The Dark Tower – a tower that prevents the darkness of other worlds taking over our own dimension. The only man who can stop Walter is the last known gunslinger, Roland (Idris Elba – Prometheus, Zootopia) who is haunted by the fact that Walter has killed everybody that has ever meant anything to him.
Walter then realises that with Jake’s psychic ability he has the one mind that can bring down the Dark Tower so he orders all his minions to go after Jake who has found Roland… cue the music for the battle to end all battles.
When you put everything into perspective director Nikolaj Arcel (A Royal Affair, Truth About Men)and his screenwriters have actually done a pretty good job at making The Dark Tower work. Putting seven novels worth of work into one relatively short feature film has taken a mountain or work. You could have been forgiven if this had been stretched out into a trilogy or at least a film that went well over the two-hour mark. But somehow Arcel and team have managed to tell the story without making it feel incomplete or leaving the audience not understanding the world that we find ourselves in. Somehow the fact that some of the beings that surround Walter aren’t fully explained means we get to see the story from the point of view of Jake a little more… and it least Arcel doesn’t fall into the trap of filling the film with scenes and scenes of exposition.
Visually The Dark Tower looks great. Darkened scenes of man versus monster are stark reminders of films like Harry Potter while the harshness of a lot of the scenery in most scenes brings back memories of films like Priest or The Book Of Eli. Even the CGI effects work pretty well, more than enough to draw the audience into the world at hand, and while some films suffer when they try to mix the supernatural with a modern day city there is no such issue here with the scenes of modern day New York flowing well with the rest of the film, and thankfully they steered away from a battle that involved the entire city falling from the sky or the like. Really the last battle in this film just needed to be between Jake, Roland and Walter and that was what delivered, now why couldn’t we have had something like that in Wonder Woman?
The films two leads also seem to be enhanced the short nature of the film. Matthew McConaughey seems to have a lot of fun playing Walter and whether it be a scene where he is torturing poor Kathryn Winnick or messing with the mind of Roland he seems to embrace the evilness of his character while remaining smooth and charming… much like Jack Nicholson did years earlier in The Witches of Eastwick. Idris Elba is also fantastic as the cowboy inspired gunslinger. He is perfectly cast in a role that demands his action/stunt ability but also at times needs him to step up in a dramatic, gut-wrenching scene. Likewise, he is well supported by young Tom Taylor whose emotional portrayal of Jake shows that he is an actor to watch in the future.
Don’t be fooled The Dark Tower is not the mess that everybody is saying that it is. With its dark storyline that doesn’t hold back to spare the audience’s emotions and great special effects, this is just one of those supernatural thrillers that you can sit back and enjoy while you munch on popcorn. The only weakness that really annoyed me was that I could have easily spent another half an hour in this universe, but still, this is an enjoyable film with a nice graphic novel feel to it.
Average Subculture Rating (out of 5):
Other Subculture Entertainment The Dark Tower Reviews: You can listen to Dave Griffiths’ The Dark Tower review that aired on That’s Entertainment in Melbourne, Sydney and Brisbane on The Talking Lifestyle network on 17/08/2017 right here.
Summary: Gru meets his long-lost charming, cheerful, and more successful twin brother Dru who wants to team up with him for one last criminal heist.
Australian Cinema Release Date: 15th June 2017
Australian DVD Release Date: 20th September 2017
Director: Kyle Balda, Pierre Coffin, Eric Guillon
Screenwriter: Ken Daurio, Cinco Paul
Cast: Julie Andrews (Gru’s Mom (voice)), Michael Beattie (The Scar Faced Man/TMZ Announcer (voice)), Russell Brand (Dr. Nefario (voice)), Steve Carell (Gru/Dru (voice)), Adrian Ciscato (Niko (voice)), Pierre Coffin (Mel/The Minions (voice)), Steve Coogan (Silas (voice)), Miranda Cosgrove (Margo (voice)), Dana Gaier (Edith (voice)), Andy Nyman (Clive (voice)), Trey Parker (Balthazar Bratt (voice)), Nev Scharrel (Agnes (voice)), Jenny Slate (Valerie Da Vinci (voice)), Kristen Wiig (Lucy Wilde (voice)),
Runtime: 90 mins
OUR DESPICABLE ME 3 REVIEWS & RATINGS:
If you’ve got kids then you’ve certainly heard of the Despicable Me franchise. What a lot of people don’t realise is that while Despicable Me has become one of the most popular film franchises amongst families it also changed the entire animated film game. There was once a time when Pixar ruled that market but the arrival of the original Despicable Me saw a new challenger enter the ring and that challenger took it straight up to Pixar blowing them out of the water.
This new Despicable Me movie is technically the fourth film in the franchise (three Despicable Mefilms and one Minions films) and shows that there is certainly still a lot of life left in these films as the creative team behind it has once again found new ways to breathe new life into it and keep it interesting.
This new film sees Gru (Steve Carrell) now firmly entrenched as Lucy’s (Kristen Wiig) life and work partner. And while Lucy is having trouble coming to terms being a mother to Margo (Miranda Cosgrove – School Of Rock, Drake & Josh), Edith (Dana Gaier – 30 Rock, The Icecream Truck) and Agnes (Nev Scharrel – Fun Size Horror: Volume One, Clippings) Gru is slowly getting used to now taking down villains instead of being one… but then even he fails the test when Balthazar Bratt (Trey Parker – ) steals one of the world’s largest diamonds.
The resulting stuff-up sees both Gru and Lucy fired from their jobs and while they are soul-searching at what they should do next with their lives Gru learns that he has a twin brother. Upon getting to know his brother Gru learns more and more about his life and soon finds himself wondering if turning his back on being a villain was really such a wise decision, especially when his beloved Minions leave him and start looking for greener pastures elsewhere.
Like the films before it in the franchise Despicable Me 3 has some great elements of humour that will have the whole family laughing while also touching on some very deep issues that many families have to come to grips with in everyday life – the storyline of Lucy trying to learn how to be a mother to the three girls is told in a way that many people could relate to. Likewise, the storyline of Agnes having to learn things such as unicorns not being real is something that every kid has to face at some time.
On the flipside, the film never loses site of the fact that it is also supposed to make families laugh. This is achieved in a number of different ways by the team of screenwriters behind the film, from the usual slapstick comedy of Gru and co getting hurt right through to the creativeness of the new villain – Balthazar Bratt. While the back story of being a childhood star may go right over the head of kids watching the film the great ‘music and dance battles’ that he is involved in certainly won’t. Credit needs to be paid on how creative they have been with this villain, Bratt actually ends up being memorable than any of the baddies Marvel have created recently.
Having praised the screenwriters for making Despicable Me 3 so funny I also have to point out that the film also lacks a little from the fact that the Minions don’t have such a big role this time around. Yes the Minions are around, and yes they do have their own little storyline, mainly about them leaving Gru, but that story almost feels tacked on and the film really does feel like it is lacking any brilliant ‘banana’ moments like we have had in the past… let’s hope instead that we get another Minions film sometime soon.
There is an air of difference around Despicable Me 3 to all the films in the series but this is a film that is going to be lapped up by those that have grown up watching the franchise. The film does have its laugh-out-loud moments and also contains some valuable life lessons. Yes, Gru is back and once again he is on a winner!
Average Subculture Rating (out of 5):
Other Subculture Entertainment Despicable Me 3 Reviews: You can listen to Dave’s Despicable Me 3 review on the 15/06/2017 episode of That’s Entertainment.
Summary: The Rebellion makes a risky move to steal the plans for the Death Star, setting up the epic saga to follow.
Australian Cinema Release Date: 15th December 2016
Australian DVD Release Date: TBA
Country: United States
Director: Gareth Edwards
Screenwriter: Tony Gilroy, Chris Weitz, John Knoll (story), Garry Whitta (story), George Lucas (characters)
Cast: Riz Ahmed (Bodhi Rook), Jonathan Aris (Senator Jebel), Derek Arnold (Pao), Geoff Bell (2nd Lieutenant Frobb), Babou Ceesay (Lieutenant Sefla), Aidan Cook (Two Tubes), Richard Cunningham (General Ramda), Ben Daniels (General Merrick), Warwick Davis (Weeteef Cyubee), Andy de la Tour (General Hurst Romodhi), Ingvild Deila (Princess Leia), Guy Henry (Grand Moff Tarkin), Sharon Duncan-Brewster (Senator Pamlo), Fares Fares (Senator Vaspar), Beau Gadsdon (Young Jyn), Dolly Gadsdon (Young Jyn), Martin Gordon (Vanee), Michael Gould (Admiral Gorin), James Harkness (Private Basteren), Wen Jiang (Baze Malbus), Felicity Jones (Jyn Erso), James Earl Jones (Darth Vader (voice)), Valene Kane (Lyra Erso), Paul Kasey (Admiral Raddus), Nick Kellington (Bistan), Diego Luna (Cassian Andor), Daniel Mays (Tivik), Ian McElhinney (General Dodonna), Ben Mendelsohn (Orson Krennic), Mads Mikkelsen (Galen Orso), Daniel Naprous (Darth Vader), Geneveive O’Reilly (Mon Mothma), Alistair Petrie (General Draven), Tony Pitts (Captain Pterro), Duncan Pow (Sergeant Melshi), Matt Rippy (Corporal Rostock), Jack Roth (Lieutenant Adema), Michael Shaeffer (General Corssin), Jimmy Smits (Bail Organa), Stephen Stanton (Admiral Raddus (voice)), Jordan Stephens (Corporal Tonc), Dee Tails (L-1), Alan Tudyk (K-2SO), Forest Whitaker (Saw Gerrera), Spencer Wilding (Darth Vader), Rufus Wright (Lieutenant Casido), Donnie Yen (Chirrut Imwe)
Runtime: 134 mins
OUR ROGUE ONE: A STAR WARS STORY REVIEWS & RATINGS:
Normally when a film isn’t shown to a majority of critics before its release it’s because it has turned into a disaster and the studio wants to keep it from negative reviews before it is released. Then came the news the film had been subject to a massive amount of re-shoots. With that in mind when I finally sat down to watch the film I was genuinely afraid of what I was about to watch. As it turned out I need not of worried – the lack of media screenings was because a large corporation was being stingy and whatever re-shoots occurred obviously only enhanced the film, because this is one gem of a Star Wars film.
The film takes place before the original three films in the franchise and centres around Jyn Erso (Felicity Jones – The Theory Of Everything) who as a girl watched as her mother was murdered and her scientist father, Galen (Mads Mikkelsen – Hannibal), was kidnapped by the eager Orson Krennic (Ben Mendelsohn – The Dark Knight Rises) who is determined to finish the Death Star for Darth Vader (James Earl Jones – The Lion King).
Now years later Jyn finds herself rescued by young Rebel fighter Cassian Andor (Diego Luna – Milk) and the re-programmed Imperial droid K-2SO (Alan Tudyk – Firefly) who believe she is the key to being able to get the Alliance a meeting with rebel warlord Saw Gerrera (Forest Whitaker – The Last King Of Scotland) who helped raise Jyn. That meeting soon leads to Jyn being part of a rebel outfit that also includes a blind Jedi named Chirrut (Donnie Yen – Ip Man), the rugged Baze Malbus (Wen Jiang – Devils On The Doorstep) and a former Imperial cargo pilot, Bodhi Rook (Riz Ahmed – Nightcrawler).
To be honest director Gareth Edwards’ (Monsters) handprint on Rogue One does take a little while to kick in but when it does it does it sensationally well. The opening sequences of Rogue One feel very similar to what we had already seen in The Force Awakens, but Edwards well and truly puts his stamp on the film when he has his characters escaping exploding planets and really comes to the fore when he teams up so well with cinematographer Greig Fraser (Foxcatcher) and delivers some truly memorable shots, mostly in the latter stages of the film where an epic battle takes place in a Pearl Harbour inspired location. With Rogue One Edwards goes back to that grittiness that he created with Monsters, that same grittiness that was sadly missing from Godzilla. What Edwards does here is actually a breath of fresh-air as he brings an alternative style of filmmaking to Star Wars… something I don’t believe that George Lucas would ever have been capable of doing.
That alternative style of filmmaking is also present in the film’s screenplay. While like many of the Star Wars films from the past that characters at hand are very one dimensional, and most have virtually no backstories explored at all, this is one film in the franchise that is not afraid to take risks. While some characters of old mix with the newly developed characters, a move that may turn some Star Wars’ fans offside, the film’s finale is something that turns this film on its head and separates the film from the others in the series in a brilliant way.
Together with his screenwriting team, Edwards knows how to keep an audience in the cusp of his hand throughout the film. There is rarely a let up with the suspense throughout the film, and once it is established that the filmmakers at hand are not afraid to kill any character (with some key characters dying very early on) as that suspense level is ramped right up to 11. It is things like this that make this a film that hardcore Star Wars fans are going to warm to.
The lack of characterisation doesn’t seem to hold back any of the actor’s performances in the film, though. While Felicity Jones just seems to breeze her way through her role in auto-pilot other actors step up to the fore. Diego Luna and Riz Ahmed seize their opportunities and while Mads Mikkelsen and Forest Whitaker are both under-used Ben Mendelsohn does what he does best and becomes one of the most menacing characters to grace the Star Wars universe. Of course though ever Mr Mendelsohn is out-menaced by Darth Vader when he makes his grand appearance. One actor here though does steal the show, and that is Donnie Yen as Chirrut – one of the most interesting characters to have surfaced in the modern day Star Wars films. It’s sad that Yen didn’t have more characterisation to work with because this is one character whose backstory really does deserve a film of its own.
Gareth Edwards really has delivered a worthy Star Warsfilm. Most people reading this will want me to compare the film to The Force Awakens but aside from their openings the two films are like chalk and cheese. The Force Awakens is a throwback to the Star Wars films of the old while Gareth Edwards brings the franchise into the 21st-century style of filmmaking with epic battle sequences in Rogue One. The film even distances itself from the movies of the past with no rolling credits at the opening and no John Williams score, which I admit I did really miss. Rogue One is one of the better films in the series, though, and we can only hope that Edwards does more in the series soon… and yes the film has an ending you will not forget for a long, long time.
One of the most anticipated films of the year was Rogue One, the latest stand alone spin off in the Star Wars franchise. While it doesn’t quite live up to the hype it is still a solid film that delivers plenty of action that won’t disappoint the die hard fans of the series.
This “stand alone” Star Wars film attempts to further expand on the mythology of the galaxy far, far away created by George Lucas way back in 1977. But it comes across more like Episode 3.5, as it serves as a direct prequel to the events of the original Stars Wars Episode IV: A New Hope. This latest instalment in the Star Wars saga is set before the events of Star Wars, and it deals with a group of rebels stealing the plans of the Empire’s planet killing super weapon the Death Star.
When the film opens, young Jyn Eso watches as her father Galen (Mads Mikkelsen, from the recent Doctor Strange, etc), a theoretician, is captured by Imperial storm troopers under the direction of the villainous Orson Krennic (Australian Ben Mendelsohn, from Animal Kingdom, etc), who is the architect responsible for the creation of the super weapon known as the Death Star. Years later, the adult Jyn (played by Felicity Jones, from The Theory Of Evrything, etc) gathers together a motley crew of mercenaries to mount a raid on the Empire’s headquarters and steal the plans for the Death Star. She is accompanied on the mission by Cassian Andor (Diego Luna, recently seen in Blood Father, etc), a captain with the rebel alliance with an agenda of his own; Chirrut Imwe (Hong Kong martial arts star Donnie Yen), a blind Jedi warrior; a fussy reprogrammed droid robot named K 2SO (voiced by Alan Tudyk), who brings some comic relief to the material, but whose presence will remind audiences of C3PO.
There are numerous references and ideas lifted from previous Star Wars films that will come across as familiar to fans, and there are some exciting aerial dogfights. But a lot of the key ideas here will remind fans of both A New Hope and The Empire Strikes Back in particular. Even a CGI-recreated Peter Cushing puts in a brief posthumous appearance as Grand Moff Tarkin. Somewhat disappointingly there are no light sabre duels! Also missing is John Williams’ usual iconic score, although composer Michael Giacchino’s score is bombastic and tries to replicate Williams’ theme, but he tends to overwhelm the material.
Jyn is a feisty, independent, confident and strong willed heroine in the mold as Ren, the heroine of the recent The Force Awakens, and Jones acquits herself well in the role. As Andro, Luna comes across as a pale imitation of a roguish Hans Solo-type character. Yen brings a more mystical quality to his role as the blind Jedi warrior. Mendelsohn chews the scenery here and he brings a nicely menacing quality to his role as the main villain, and he gets to go toe to toe with the series’ iconic villain Darth Vader (voiced once again by James Earl Jones) who puts in a brief appearance towards the end, which will excite the fan boys.
But much of the characterisation here is pretty slender and most of the characters are underdeveloped, and we don’t get to identify with them or feel for their fate. Forest Whitaker is wasted in a small role as rebel leader Saw Gerrera, who has practically raised Jyn since her father was taken by the Imperial forces, and Mikkelsen, who normally has a strong screen presence is likewise given little to do.
The director is Gareth Edwards, who previously gave us the low budget Monsters before being tapped to helm the big budget large scale remake/reboot of Godzilla. With this new film in the Star Wars universe he has tackled his biggest and most ambitious film to date, and he gives the material a darker feel and a grittier aesthetic. He gives the film a much darker tone, and this is not as much fun as the previous film and it moves away from the campy tone of The Force Awakens, which easily captured the spirit of the first Star Wars film. There are some superb special effects sequences, particularly with a couple of ripper outer space action scenes, and the production design in impressive.
But apparently this was also something of a troubled shoot, with veteran script writer and director Tony Gilroy (best known for writing the Bourne series of films) being brought in to reshoot some scenes and add a bit of flesh to the characters.
However, Edwards obviously loves his military hardware and he does know how to stage the big action scenes. With its epic fight between rebel forces and Imperial stormtroopers on a palm tree laden beach this has more of a feel of a war movie than other films in the franchise. The central battle sequence is reminiscent of films like Apocalypse Now and other Vietnam era films. The stormtroopers here move much more fluidly than they did in Lucas’ original film and they seem less like automatons. Cinematographer Greig Fraser (Foxcatcher, etc) does a great job of capturing the action, but he also provides some great images of the space bound action.
Overall, Rogue One is a satisfying continuation of the Star Wars universe. Although it didn’t need to be in 3D, as the process adds little.
Rogue One is an example of brilliant cinematography with an alluring dark tone, which grounds it in a more realistic way than other instalments in the Star Wars universe as created by George Lucas.
We’re in a galaxy ruled by the Galactic Empire, as set-up in the beginning of the original Star Wars movie (Star Wars Episode IV: A New Hope). The original story’s drama was lightened by the sense of hope and adventure, which made it lose a little of the darkness an menace of the evil horde lead by that movie’s antagonist. This element of threat has been reappraised in Rogue One and we are given a darker, sometimes feudal tale which really works for this story.
We are introduced to an array of new and exciting characters that really make this film appealing. Jyn Erso (Felicity Jones) is our protagonist who we meet as a child in the story’s opening. She escapes when her father is taken to work on completing the Empire’s first Death Star. She is found by Saw Garrera (Forest Whitaker) and told they are about to go on a “long journey”. However, we suddenly jump ahead a decade or more and we don’t get much further development. It seems the journey was ‘long’ but we missed any special moments that may have occurred, leaving one feeling as if there might have been something we really missed out on.
Of all the amazing characters – Cassian Andor (Diego Luna); Bodhi Rook (Riz Ahmed); Chirrut Imwe (Donnie Yen), an amazing and very appealing blind Jedi warrior; his companion Baze Malbus (Wen Jiang) and a delightfully snippy droid named K-2SO (Alan Tudyk) – she has the most backstory, which amounts to almost nothing. Part of her journey is reconciling her father’s part in the creation of the massive device of death, but knowing full well that he is creating a deliberate weakness in the design. A hope of reunion with her captive father is something else to drive her on, but the eventual resolution to the situation doesn’t amount to much.
Alan Tudyk as K-2SO was a real stand-out, though. His droid character is almost a deux ex machina at times, but he gives such personality in such subtle ways and small moments that he quickly becomes one of the most successful elements of the film. Chirrut Imwe was also a great character idea and one of the coolest things in the movie. I would love a spin-off tale about him and the story behind how he got to be this way and his connection with Baze Malbus.
Ben Mendelsohn’s portrayal of Orson Krennic makes for a notable Star Wars villain who makes the most of his role. This is a character who could have been utilised elsewhere in the universe to great success. His character’s need to succeed is made interesting by the fact he really just believes in his cause, but may overreach in zeal.
For long-time fans there are lots of shout-outs and cameos of characters from the original Star Wars movie. This has been done far more successfully and sparingly than in the cluttered fan-wank of Star Wars Episode VII: The Force Awakens. In fact, the saving grace is that we are not using existing characters, for the most part, but have a whole new set of people and places to learn about. Fans of the original trilogy will be excited to see a CGI inclusion of Grand Moff Tarkin, originally played by now-deceased cult legend Peter Cushing. Despite the initial thrill, I found the character had only one stance and limited facial movement which eventually left it jarring.
Despite the big draw-back of having such wonderful characters with little characterisation, the film is still appealing in the basic concept and the way it is cinematically executed. The beauty and majesty of the scenery around the planet where the final battle occurs is an amazing sight.
By the end, the majority of this film’s content seemed to be combat and space battle. The epic fight between the Empire’s star destroyers and the Rebel fleet was filmed so well it is worth a round of applause. But with scene-after-scene of gunfights, explosions and battles I would gladly have sacrificed some of this content for more character-driven content.
The eventual resolution is a dramatic and bold but a satisfying end except for the fact that building the characters further would have made the climax and triumph even more palpable.
Overall, Rogue One is a good production, which somewhat makes up for The Force Awakens, but could have been improved with more character and story elements to make it feel ‘whole’. I would happily watch this movie again.
You can hear Nick’s Rogue One: A Star Wars Story review on The Good The Bad The Ugly Film Show
Rogue One: A Star Wars Story directed by Gareth Edwards and including a star studded cast including Felicity Jones (Jyn Erso), Diego Luna (Captain Cassian), Donnie Yen (Chirrut Imwe) and Forest Whitaker (Saw Gerrera) just to name a few. The film takes place after the events of Star Wars: Revenge of the Sith and before the events of Star Wars: A New Hope.
Going into this film I didn’t really have any expectation for the film to live up to. I knew that it wasn’t going to heavily involve the Jedi or the traditional path the Star Wars films normally take. The one thing I was looking forward to seeing in this film though was Darth Vader. Rogue One tells the story of the rebel alliance and there mission to recover the plans to the Death Star so that they can find a way of destroying it.
For me the first two acts of this film were very slow. It felt like it took a while for things to pick up and get interesting. The score to this film also felt a little rushed or almost incomplete. This was expected as the original composer had left production before finishing the score and the new composer had only 4 weeks to complete a fully flourished score for the finale cut of the film.
There were also a few scene in my opinion where the editing felt very poor too. There were just minor things that I had scene on screen that didn’t feel very right. Other than that I felt like all the characters were great. It was great to discover who Jyn was in the film and to see her character develop. The one thing I very much enjoyed in Rogue One was the visuals. Visually it looked incredible. While some people are complaining about certain CGI aspects when it comes to motion caption and recreating past characters, I think they did very well in what they intended to accomplish.
My favourite scenes in Rogue One were the two small scenes we had of Darth Vader. While I was very curious about his roll and execution in the film I came out very happy with how they have included him within the film. There’s a scene at the end of the film where we see a side of Darth Vader that we haven’t really seen before. It’s a very brutal side where he is just completely ruthless towards the rebels and for me that made the film.
So in conclusion I think Rogue One: A Star Wars Story was a decent film. A little slow for me in the first two acts but overall it was satisfying non the less.
Average Subculture Rating (out of 5):
Other Subculture Entertainment Rogue One: A Star Wars Story Reviews: Dave Griffiths also reviewed Rogue One: A Star Wars Story on 2UE on 15th December, 2017. You can also listen to our Rogue One: A Star Wars Story on The Good The Bad The Ugly Film Show Ep #206.
Summary: When Robert Langdon wakes up in an Italian hospital with amnesia, he teams up with Dr. Sienna Brooks, and together they must race across Europe against the clock to foil a deadly global plot.
Australian Cinema Release Date: 13th October 2016
Australian DVD Release Date: 18th January, 2017
Country: United States, Japan, Turkey, Hungry
Director: Ron Howard
Screenwriter: David Koepp, Dan Brown (novel)
Cast: Cesare Cremonini (Ignazio Busoni), Ida Darvish (Marta), Jon Donahue (Richard Savage), Mehmet Ergen (Mirsat), Ben Foster (Bertrand Zorbist), Tom Hanks (Robert Langdon), Felicity Jones (Dr. Sienna Brooks), Irrfan Khan (Harry Sims ‘The Provost’), Sidse Babett Knudsen (Dr. Elizabeth Sinskey), Xavier Laurent (Antoine), Fausto Maria Sciarappa (Parker), Paolo Antonio Simioni (Dr. Marconi), Omar Sy (Christoph Bruder), Ana Ularu (Vayentha)
Runtime: 121 mins
OUR INFERNO REVIEWS & RATINGS:
Inferno sees the arrival of yet another attempted franchise reboot in 2016. We’ve seen Ghostbusters and Bridget Jones’s Baby arrive with mixed success now we find Academy Award winning director Ron Howard (A Beautiful Mind) rebooting the Robert Langdon franchise some seven years after its last instalment.
Based on the novel by Dan BrownInferno begins with Robert Langdon (Tom Hanks – Forrest Gump) waking up in a hospital with no memory of how he got there and being hunted by a assassin (Ana Ularu – Serena). After managing to escape with Dr. Sienna Brooks (Felicity Jones – The Amazing Spider-Man) Langdon starts putting together the pieces and realises that he must try and stop an apocalyptic event set by Bertrand Zorbist (Ben Foster – Warcraft: The Beginning) who believes his actions will actually save the world.
But as Langdon tries to overcome memory loss and put the pieces together to solve the mystery things are made even more difficult by him when he realises he doesn’t know which World Health Organisation agent he can trust, Dr. Elizabeth Sinskey (Sidse Babett Knudsen – Westworld) or Christoph Bruder (Omar Sy – Jurassic World). To add to their confusion the audience also learns there is a puppet-master in the wings in the form of Harry Sims (Irrfan Khan – Life Of Pi).
While watching Inferno you do start to realise that this is going to be a film that divides its audience. For the regular popcorn set this is going to be a film that delivers a fairly decent, if not at times confusing, crime thriller plot that shows you just as many European landmarks as a Bond film. For the more seasoned film goer though this is a film that reveals some of the laziest filmmaking Ron Howard will deliver during his career with a clichéd plot that just follows the same sequence over and over – Langdon arrives in a city, goes to find the puzzle piece, is chased by Police and uses an ancient tunnel to escape and then moves on to the next city. There is also a level of inconsistence around the character of Robert Langdon that surfaces right throughout this film and despite the work of screenwriter, David Koepp (Jurassic Park), to pass it off as part of Langdon’s amnesia it simply doesn’t work.
Rather than being a gritty thriller Inferno becomes more of a fun ride as the audience gets to see European city of European city while there is a mid-level of suspense and you try in your mind to put the pieces together at the same time as Langdon does… although that it made a hell of a lot easier if you are up to date on your Dante. The big tip for the audience is to not let to get too bogged down in the ‘historical’ parts of this film or you will be scratching your head and hurling popcorn as you struggle to work out what the hell is going on.
Likewise this is a movie that Tom Hanks just seems to breeze through. While Sully recent saw Hanks once again reveal his wonderful character acting skills here Hanks wears the character of Robert Langdon like an old slipper, it’s a role that he is obviously comfortable in but doesn’t deliver the acting heights that we know he is capable of. The same can be said for Felicity Jones who isn’t given a huge amount to work with and even disappears for a quarter of the film. The big winner in the acting stakes is Sidse Babett Knudsen who makes good use of the screen time she is given. Omar Sy and Irrfan Khan are also wasted in their roles, the latter being given a role very similar to a poor man’s Bond villain as he plays a character that leaves the audience asking… is that even a profession?
The best way to enjoy Inferno is to just go into the cinema expecting a fun film. While it isn’t exactly a borefest it certainly lacks the suspense of Angels & Demons and is a lot more clichéd than the Da Vinci Code. Did the Robert Langdon franchise need Inferno? Probably not!
Summary: A story set on the offshore drilling rig Deepwater Horizon, which exploded during April 2010 and created the worst oil spill in U.S. history.
Australian Cinema Release Date: 6th October 2016
Australian DVD Release Date: TBA
Director: Peter Berg
Screenwriter: Matthew Michael Carnahan, Matthew Sand
Cast: Joel Allen (Old Man Carl), Stella Allen (Sydney), Jonathan Angel (Gordon Jones), Peter Berg (Mr. Skip), Robert Walker Branchaud (Doug Brown), Anthony Centonze (Dan Barron/Roughneck #1), Joe Chrest (Sims), James DuMont (O’Bryan), J.D. Evermore (Dewey A. Revette), Henry Frost (Shane M. Roshto), Douglas M. Griffin (Landry), Garrett Hines (Wyman Wheeler), Michael Howell (Roy Wyatt Kemp), Kate Hudson (Felicia), Jason Kirkpatrick (Aaron Dale Burkeen), Garrett Kruithof (Karl Kleppinger Jnr.), Brad Leland (Kaluza), David Maldonado (Kuchta), John Malkovich (Vidrine), Terry Milam (Keith Blair Manuel), Dylan O’Brien (Caleb Holloway), Mayla Parker (Natlie (voice)), Jason Pine (Stephen Ray Curtis), Gina Rodriguez (Andrea Fleytas), Kurt Russell (Jimmy Harrell), Jeremy Sande (Adam Weise), Juston Street (Anthony Gervasio), Ethan Suplee (Jason Anderson), Deneen Tyler (Paula Walker), Mark Wahlberg (Mike Williams), Ronald Weaver (Donald Clark)
Runtime: 107 mins
OUR DEEPWATER HORIZON REVIEWS & RATINGS:
Peter Berg (Friday Night Lights) has to be one of the most underrated film directors going around. Barring the ill-fated Battleship Berg has created always created films and television shows that felt as natural as can be. Lone Survivor made the audience feel that they were right there on the battlefield while many made the mistake of watching Friday Night Lights and thought they were watching a reality television show about a High School football team. Now Berg has taken that natural style of film-making and introduced it to the disaster film genre.
Deepwater Horizon tells the true story of electrician Mike Williams (Mark Wahlberg – Lone Survivor) who in 2010 left his wife, Felicia (Kate Hudson – Almost Famous), and once again went to work on the oil rig named ‘Deepwater Horizon’ in the Gulf Of Mexico. What he didn’t know was that on that fateful day due to poor work safety practices by BP an accident would occur that would cause the rig to erupt into flames. Suddenly Mike and his colleagues including his boss Mr. Jimmy (Kurt Russell – The Thing), radio operator Andrea Fleytas (Gina Rodriguez – Filly Brown), hard worker Caleb Holloway (Dylan O’Brien – The Maze Runner) and BP representative Vidrine (John Malkovich – Red 2) all find themselves fighting for their lives.
As a filmmaker Berg should be congratulated for his work with Deepwater Horizon. It was no secret that some of the survivors of the real Deepwater Horizon disaster were hesitant in wanting this film to be made, but they need not of worried. Berg certainly doesn’t ‘trivialize’ the memory of the men who died on that fateful day by making this a popcorn action film. Instead he makes this a character drama about not only the men who died on that day but also shows the world the valiant actions of people like Mike Williams whose brave acts saved many of the workers. To his credit Berg also doesn’t hide the facts of exactly what happened that day – no he points the finger firmly at BP without any hesitation even though he wouldn’t have known how the huge corporation would have reacted to it.
Many films these days claim to be suspenseful but few filmmakers have the skills to make the audience feel as part of the action and suspense as Berg does here. While with Lone Survivor the audience felt they were there on the side of the hill during the battle here Berg’s realistic style of directing makes the audience feel you are right there on the rig with Mike… you even at times feel like you can feel the heat of the flames against your skin.
Berg’s filmmaking is also well supported by his screen writers who don’t waste time making this film too scientific. The audience is given bite-sized pieces of information about what an oil rig does and what has gone wrong here but they never forget that at the heart of this film it is a character drama. So instead of focusing on the ins and outs of the rig they concentrate the suspense around a man trying to get home to his daughter and wife and a scared woman trying to survive in order to see her partner again. The fact that little things like a dinosaur tooth for show-and-tell and car problems back home are so seamlessly inserted into the script just go even further into humanizing this story. Having said that though it is also important to point out the Berg and his cinematographer, Enrique Chediak (The 5th Wave), also create some amazing action sequences as the rig burns against a night sky.
As a director Berg also brings the best out in his cast. Here Mark Wahlberg delivers the best of both worlds as he plays the action hero extremely well but also has the dramatic acting ability to pull off the character driven elements of the screenplay as well. Kurt Russell also benefits from one of the more meatier roles he has been given over the years and he is well matched by John Malkovich who is technically this film’s ‘bad guy.’ Despite her limited screen time Kate Hudson is also one of the standouts of the film.
Deepwater Horizon is proof that a modern day disaster film can actually find the right mix of action and character drama. Brilliant directing by Peter Berg makes this one of the must see films of 2016.
Average Subculture Rating (out of 5):
Other Subculture Entertainment Deepwater Horizon Reviews: Nil
Summary: Seven gun men in the old west gradually come together to help a poor village against savage thieves.
Australian Cinema Release Date: 29th September 2016
Australian DVD Release Date: TBA
Director: Antoine Fuqua
Screenwriter: Nic Pizzolatto, Richard Wenk, Akira Kurosawa (original script), Shinobu Hashimoto (original script), Hideo Oguni (original script)
Cast: Alix Angelis (Clara Wintrhop), Mark Ashworth (Preacher), Walker Babington (Dicky), Jackson Beals (One Eyed Lucas), Emil Beheshti (Maxwell), Haley Bennett (Emma Cullen), Thomas Blake Jr. (Earl), Matt Bomer (Matthew Cullen), Sean Boyd (Topper), Sean Bridgers (Fanning), Vic Browder (Arcade Jones), Ryan Brown (Ken Pigeon), Vincent D’Onofrio (Jack Horne), Griff Furst (Phillips), Manuel Garcia-Rulfo (Vasquez), Cam Gigandet (McCann), Luke Grimes (Teddy Q), Ethan Hawke (Goodnight Robicheaux), Clint James (Fenton), Cedric D. Jones (Curtis), Vinnie Jones (uncredited), Jonathan Joss (Denali), David Kallaway (Turner/Blacksmith), Derek Lacasa (Len Pigion), Dylan Langlois (R.L. Garrett), Carrie Lazar (Leni Frankel), Byung-hun Lee (Billy Rocks), Heath Lemme (Heath), David Manzanares (Referee/Eddy), Rictchie Montgomery (Gavin David), Jody Mullins (Caleb Frankel), Matthew Posey (Hank Stoner), Chris Pratt (Josh Faraday), Dodge Prince (Anthony), Chad Randall (Bartender/Powder Dan), Dane Rhodes (Sheriff Harp), Peter Sarsgaard (Bartholomew Bogue), William Lee Scott (Moody), Martin Sensmeier (Red Harvest), Billy Slaughter (Josiah), Denzel Washington (Chisolm), Kevin Wayne (Monday Durant)
Runtime: 133 mins
OUR THE MAGNIFICENT SEVEN REVIEWS & RATINGS:
One question always has to be asked when a remake of a film surfaces… why was the remake made? Was it because a director thought he had a more creative or ‘modern’ way to tell the original story? Was it because a team of filmmakers thought that current day technology could improve on what was made decades ago? Sadly, none of these questions seem to answer that question about the remake of the legendary western The Magnificent Seven (which itself was a remake of Seven Samurai).
Directed by Antoine Fuqua (Training Day) this remake sees honest lawman Chisolm (Denzel Washington – American Gangster) recruited by innocent widow Emma Cullen (Haley Bennett – The Equalizer) whose husband was murdered when he stood up against corrupt gold mining company owner Bartholomew Bogue (Peter Sarsgaard – Green Lantern) who has taken a town hostage as he takes land via violent means.
When Chisolm is convinced to take on Bogue and his men in a bid to rescue the town he puts together a group that includes gambler Josh Faraday (Chris Pratt – Guardians Of The Galaxy), burnt out Civil War veteran Goodnight Robicheaux (Ethan Hawke – Good Kill), tribe hunter Jack Horne (Vincent D’Onofrio – Law & Order: Criminal Intent), knife expert Billy Rocks (Byung-hun Lee – Terminator Genisys), native warrior Red Harvest (Martin Sensmeir – Lilin’s Brood) and the wanted outlaw Vasquez (Manuel Garcia-Rulfo – Cake).
There are of course positives and negatives to this remake. One of the positives is getting to see Denzel Washington play yet another strong leading man, and I would be lying if I said it’s not great to see a big budget Western back on the big screen, hopefully this is a start of a lot more.
Sadly though the negatives outweigh the positives. While the film holds up its entertainment value and looks visually good the disappointing thing is that this is modern remake doesn’t offer the audience anything different to what we have been watching in this genre for the last fifty years. There’s no new tactical ways for a battle to be fought out or even any new creative ways to shoot the movie by Fuqua and his team.
The other big disappointment is the screenplay. While the film does at times raise the suspense and tension it misses other key moments that really could have made this a better film. It is really believable that a native American warrior would fight on the same team as a tribe hunter without any form of hostility or tension? Likewise there needed to be a better explanation to why Chisholm joins the fight in the first place… the explanation comes way too late in the film. Don’t even get me started on the weak CGI graves at the end of the film either.
Perhaps the biggest disappointment though is how the screenplay lets down the cast. Denzel Washington gets a chance to star in this film… the rest don’t. Chris Pratt is obviously there for comic relief (a hat that certainly doesn’t fit his character) and ends up just playing the same character he did in Guardians Of The Galaxy. The rest of the cast seem to end up playing clichés though with Manuel Garcia-Rulfo completely wasted in his role. The only other upside with the acting is with Emily Bennett who does more than enough to suggest that she can be a leading lady in the future.
The Magnificent Seven may be enough to entertain a modern audience and provide the odd bit of suspense throughout. But for seasoned fans of the Western genre the film offers nothing new and will easily be seen as a fair bit weaker than the original.
John Sturges’ classic 1960 western The Magnificent Seven made stars out of Steve McQueen, Charles Bronson and James Coburn (who all later appeared in Sturges’ epic WWII adventure The Great Escapein 1963). Sturges’ film was inspired by the Akira Kurosawa’s classic The Seven Samurai, regarded by some critics as the greatest action movie ever made. Kurosawa was inspired by the Hollywood westerns of the 50s, and, ironically, his film influenced many westerns that followed including the spaghetti westerns of the late great Sergio Leone. The 1960 film was a huge success and spawned a couple of sequels and even a short lived television series. And now we get this remake from director Antoine Fuqua (Training Day, Olympus Has Fallen, etc) who knows his western tropes and has in turn borrowed heavily from some the great directors of the genre, from John Ford through to Eastwood, Peckinpah and Leone.
It’s 1879. The small but peaceful farming town of Rose Creek is under threat from ruthless and greedy mining magnate Bartholomew Bogue (Peter Sarsgaard), a robber baron who is desperate to corner the market on all mining activities in the region. Anyone who opposes him is either viciously beaten or killed, and the megalomaniacal Bogue has assembled a veritable army of mercenaries and lawless types to enforce his will. But the newly widowed Emma Cullen (Haley Bennett, from The Equalizer, Hardcore Henry, etc) wants to stop Bogue. She approaches bounty hunter Sam Chisholm (Denzel Washington) and pleads with him to help. Chisholm agrees and sets off to round up an assortment of gunslingers to make a stand in what could well be a suicide mission. (Sounds familiar? It was a key plot device of films like The Dirty Dozen and the recent Suicide Squad.)
This time around the seven he assembles are a much more racially diverse bunch. Apart from Chisholm himself there is Faraday (Chris Pratt, from Guardians Of The Galaxy and Jurassic World), a wise cracking card sharp and gunslinger; the boozy Goodnight Robicheaux (Ethan Hawke), a sharp shooter who is still damaged by his experiences of fighting in the Civil War; his knife wielding offsider Billy Rocks (Korean action star Byung-hun Lee); the hulking John Horne (Vincent D’Onofrio, from Full Metal Jacket, etc), a renowned and feared Indian hunter; the Texican gunman Vasquez (Mexican actor Manuel Garcia-Rulfo); and the comanche warrior Red Harvest (Martin Sensmeier), who has been cast out of his tribe. This motley crew have just seven days to train the frightened townsfolk in the skills necessary to fight back against Bogue and to defend their village.
The build up to the key siege of the town is a little slow. There are several scenes of the men sitting around in a saloon and drinking and talking, and these scenes slowly tease out character details and backstories, and show the slow camaraderie that develops between them before all hell breaks loose. There is fair amount of humour here to leaven the violence.
Unlike many recent remakes that have tarnished the memories of the original film (think Ben Hur, etc), this new take on the classic The Magnificent Seven is quite good. It exploits the tropes of a traditional western in its formula. Many of the classic westerns of yesteryear explored the myth of one good man standing up to evil on the wild frontier and dispensing justice. But writers Richard Wenk (The Equalizer, etc) and Nic Pizzolatto (True Detective, etc) also effectively use the formula to explore some more contemporary themes of corporate greed, courage, loyalty, heroism, sacrifice, and even a hint of feminism that will resonate strongly with modern audiences.
As he showed with Olympus Has Fallen, Fuqua knows how to stage some exciting and spectacularly visceral action sequences. There is an early gunfight in the dusty streets of Rose Creek that is tense and well-staged, and it sets the scene for the climactic attack on the town. This rousing 30 minutes action sequence is the highlight here, a gritty and violent and superbly choreographed set piece full of gun play, carnage and pyrotechnics that doesn’t disappoint. In the original, the villainous Calveros brought just thirty bandits to attack the village; here Bogue brings a veritable army of a hundred men, plus a deadly Gatling gun, to the fray. This version of The Magnificent Seven has the highest body count of any western since The Wild Bunch.
The film looks good thanks to the widescreen cinematography of Fuqua’s regular cinematographer Mauro Fiore that captures the harsh beauty of the epic landscapes. The film also features the last soundtrack composed by the late James Horner, and the music also pays homage to Elmer Bernstein’s memorable theme music for the 1960 original.
Performances are a bit of a mixed bag. This is Washington’s third collaboration with Fuqua (following his Oscar winning turn while cast against type in Training Day and The Equalizer) and the director seems to be able to tap into the meaner side of an actor known for playing essentially decent characters with strong moral fibre. Pratt brings a jocular and easy going charisma to his role and he provides most of the comic relief. Sarsgaard comes across as the cliched bad guy with no redeeming features whatsoever, and he does all but twirl his moustache with a cliched performance as Bogue, who is filled with contempt for the poor struggling and hardworking farmers. Hawke brings some pathos and nuances to his performance as the former soldier wrestling with a form of psychological disorder following his experiences, and he is the most complex character here. Bennett’s performance as the feisty Emma reminded me a little of Hailee Steinfeld in the recent remake of True Grit.
As a genre, the western has been dead for many years despite some attempts to bring it back to life on the big screen with films like Tarantino’s superb and violent Django Unchained, The Hateful Eight, and the visually stunning The Revenant, etc. This reimagining of the classic The Magnificent Seven is a solid western, full of action, gunplay, and featuring a strong ensemble cast that should appeal to audiences.