Based on the bestselling comic book, Vin Diesel stars as Ray Garrison, a soldier recently killed in action and brought back to life as the super-human Bloodshot by the RST corporation. With an army of nanotechnology in his veins, he’s an unstoppable force –stronger than ever and able to heal instantly. But in controlling his body, the company has sway over his mind and memories, too. Now, Ray doesn’t know what’s real and what’s not – but he’s on a mission to find out.
Starring Vin Diesel, Eiza Gonzalez, Sam Heughan, Toby Kebbell and Guy Pearce
Summary: A musical fantasy about the fantastical human story of Elton John’s breakthrough years.
Australian Cinema Release Date: 30th May 2019
Thailand Cinema Release Date: 20th June 2019
Australian DVD Release Date: 28th August 2019
Country: UK, USA, Canada
Director: Dexter Fletcher
Screenwriter: Lee Hall
Cast: Charles Armstrong (Mr. Anderson), Guillermo Bedward (Geoff), Jamie Bell (Bernie Taupin), Tom Bennett (Fred), Lee Bridgman (Steve), Rob Callender (Rory), Kit Connor (Older Reggie), Leon Cooke (Hugh/Dancer), Tate Donovan (Doug Weston), Barbara Drennan (Mrs. Anderson), Taron Egerton (Elton John), Ross Farrelly (Cyril), Leigh Francis (Pete), Demetri Goritsas (Carter), Stephen Graham (Dick James), Sharmina Harrower (Heather), Bryce Dallas Howard (Sheila), Matthew Illesley (Young Reggie), Gemma Jones (Ivy), Alexia Khadime (Diana), Kamil Lemieszewski (Dr. Maverick/Paramedic), Marek Lichtenberg (Mike Potts), Ophelia Lovibond (Arabella), Max Mackintosh (Stephen), Steven Mackintosh (Stanley), Richard Madden (John Reid), Will Masheter (Teddy Boy), Benjamin Mason (Bryan), Aston McAuley (Dave Godin), Solomon Mousley (Sonny), Rachel Muldoon (Kiki Dee), Peter O’Hanlon (Bobby), Tom Ogg (George), Jason Pennycooke (Wilson), Diana Alexandra Pocol (Mary the Receptionist), Charlie Rowe (Ray Williams), Celinde Schoenmaker (Renate), Carl Spencer (Ricahrd), Tanisha Spring (Sylvi), Jimmy Vee (Arthur), Evan Walsh (Elton Dean), Harriet Walter (Helen Piena), Leon Delroy Williams (Clint)
Runtime: 121 mins
Classification: M (Australia) 18 (Thailand)
OUR ONCE UPON A TIME IN HOLLYWOOD REVIEWS & RATINGS:
Dave Griffiths Review:
Most music fans do not need an introduction to Elton John. He is the man responsible for some of the most iconic songs in rock history. From the catchy Don’t Go Breaking My Heart, the heart-wrenching Candle In The Wind through to the cinematic masterpiece Can You Feel The Love Tonight Elton John has wowed music lovers with hit after hit since he first album was released to the public back in 1969.
Despite his popularity it is very rare though that many people could tell you much about the life of Reginald Kenneth Dwight – the man behind the Elton John persona. Sure there have been the news headlines, the lavish lifestyle and his very public relationship with his husband David Furnish. What the tabloids and John’s fans haven’t always been aware of though is the pain felt by the man who always seemed to smile when on stage. The drug abuse and the fractured relationships were kept behind closed doors. It is for that reason that new film Rocketman becomes one of the most important films released this year.
From the creative mind of director Dexter Fletcher, who also recently directed a large chunk of the away winning Bohemian Rhapsody, comes a warts and all look at John. Nothing is hidden here at all. Screenwriter Lee Hall (who also wrote films such as Billy Elliott and War Horse) takes the audience on a journey through John’s life, showing them the almost non-existent and sometimes cruel relationship he had with his father (played here by Steven Mackintosh), the moment his life changed forever when he met his lifelong song-writing partner Bernie Taupin (Jamie Bell) through to the excessive lifestyle and drug abuse that almost ended with John dying in a swimming pool in front of his family and friends.
To Fletcher’s credit Rocketman does all of this with a very unique twist. While the biggest weakness of Bohemian Rhapsody was the fact that the film seemed to just skirt over some of the issues in the life of the late, great Freddie Mercury here Fletcher manages to delve deep into the emotional side of John’s life while managing to keep the film as flamboyant and loud as the man himself. If you are expecting a dour drama as the more painful elements of John’s life are exposed for the audience to see – forget it! Instead Fletcher uses a little bit of creativity and has John pour out his life to a group of people in rehab while moments of true drama and emotion are intercut with loud, colourful dreamscapes as the singer’s biggest hits are performed with very theatrical sequences that wouldn’t be out of place during a big Broadway production. In many ways it is a stroke of genius from Fletcher, yes some people may criticise the film for taking on so many elements of a stage production but given how entertaining and creative Fletcher is with the style aspect of the film it ends up working remarkably well and mirrors the flamboyant actions of the man at the centre of the film.
What else makes Rocketman work so perfectly is no doubt the casting. While some have been sceptical, before they have seen the film, of the choice of young actor Taron Egerton to play the role of Elton John his performance should easily silence those critics and shows Hollywood that Egerton is certainly a star on the rise. While mainly known for his action performances in films like Robin Hood and of course the Kingsman franchise, here Egerton is asked to go out of his comfort zone and instead dance and sing at times while also delivering truly deep, emotional moments of intense acting when it is called for him to do so.
Egerton is also well supported with some stellar performances from his co-stars. Bryce Dallas Howard is almost unrecognisable as John’s mother while Jamie Bell also delivers some moments of true dramatic tension in his role of Bernie Taupin. Game Of Thrones fans will also not be disappointed by the work of Richard Madden who here plays the unlikable John Reid who was once John’s romantic partner. While watching Madden here it becomes very obvious that just like Egerton he is on the verge of becoming one of Hollywood’s biggest stars.
Rocketman is a truly sensational film. The mere fact that the film can tell the story of an at times tortured artist like Elton John while still managing to have its audience tap their feet and sing-a-long to some of his most recognisable tunes is a feat upon itself. The film showcases why Dexter Fletcher needs to be considered one of the most interesting directors going around at the moment while paying a true tribute to a man whose life for the most part has had its sadder moments kept well and truly in the shadows. Creative in the way it is presented on the big screen and with an amazing portrayal of Elton John by an actor that is likely to earn an Oscar nomination Rocketman is the type of film you just sit back and savour.
Average Subculture Rating
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Summary: A faded television actor and his stunt double strive to achieve fame and success in the film industry during the final years of Hollywood’s Golden Age in 1969 Los Angeles.
Australian Cinema Release Date: 15th August 2019
Thailand Cinema Release Date: 12th September 2019
Australian DVD Release Date: TBA
Country: United States, UK, China
Director: Quentin Tarantino
Screenwriter: Quentin Tarantino
Cast: Zoe Bell (Janet),Gillian Berrow (Gillian), Kansas Bowling (Blue), Parker Love Bowling (Tadpole), Madison Beaty (Katie), Michael Bissett (Officer Mike), Robert Broski (Abraham Lincoln), Austin Butler (Tex), Julia Butters (Trudi), Josephine Valentina Clarke (Happy Cappy), Clifton Collins Jnr (Ernesto The Mexican Vaquero), Maurice Compte (Land Pirate Maurice), Bruce Dern (George Spahn), Adrian Dev (Raj), Leonardo DiCaprio (Rick Dalton),Omar Doom (Donna), Lena Dunham (Gypsy), Dakota Fanning (Squeaky Fromme), Gabriela Flores (Maralu The Fiddle Player), Spencer Garrett (Allen Kincade), Rebecca Gayheart (Billie Booth), Zander Grable (Hermann The Nazi Youth), Nicholas Hammond (Sam Wanamaker), Danielle Harris (Angel), Tom Hartig (Sweet William), Maya Hawke (Flower Child), James Landry Herbert (Clem), Damon Herriman (Charles Manson), Cassidy Hice (Sundance), Emile Hirsch (Jay Sebring), Courtney Hoffman (Rebekka), Dallas Jay Hunter (Delilah), Lorenzo Izzo (Francesca Capucci), Keith Jefferson (Land Pirate Keith), Lenny Langley Jnr (Dashihi Donnell), Damien Lewis (Steve McQueen), Mikey Madison (Sadie), Michael Madsen (Sheriff Hackett On Bounty Law), Hugh McCallum (Lancer Camera Operator Hugh), Scoot McNairy (Business Bob Gilbert), Mike Moh (Bruce Lee), Timothy Olyphant (James Stacy), Al Pacino (Marvin Schwarz), Victoria Pedretti (Lulu), Eddie Perez (Land Pirate Eddie), Luke Perry (Wayne Maunder), Daniella Pick (Daphna Ben-Cobo), Brad Pitt (Rick Booth), Margaret Qualley (Pussycat), John Rabe (Darrin Stephens/Red Apple Man), Rachel Redleaf (Mama Cass), James Remar (Ugly Owl Hoot on Bounty Law), Rebecca Rittenhouse (Michelle Phillips), Margot Robbie (Sharon Tate), Samantha Robinson (Abigail Folger), Costa Ronin (Voytek Frykowski), Kurt Russell (Randy), Gilbert Saldivar (Land Pirate Gil), Chris Scagos (Benjamin), Ruby Rose Skotchdopole (Butterfly), Harley Quinn Smith (Froggie), Monica Staggs (Connie), Craig Stark (Land Pirate Craig), David Steen (Straight Satan David), Rage Stewart (Humble Harv), Sydney Sweeney (Snake), Lew Temple (Land Pirate Lew), Heba Thorisdottir (Make-Up Artist Sonya), Victoria Truscott (Gina), Brenda Vaccaro (Mary Alice Schwarz), Dreama Walker (Connie Stevens), Mark Warrick (Curt), Rumer Willis (Joanna Pettet), Rafal Zawieucha (Roman Polanski)
Runtime: 161 mins
Classification: R (Australia) TBC (Thailand)
OUR ONCE UPON A TIME IN HOLLYWOOD REVIEWS & RATINGS:
Dave Griffiths Review:
The release of a Quentin Tarantino movie is now considered a cinematic event. It’s funny when a new Marvel movie is about to be released you see red carpets galore yet outside of America Tarantino’s movie just creep into cinemas, even the media screenings are 10am affairs with no big fanfare. Yet somewhere deep down inside every movie lover there is a sense that something special is about to happen. Let’s be blunt for a moment – Tarantino never makes boring films and he certainly hasn’t made a bad movie yet.
Now maybe I am in the minority because I prefer Jackie Brown to Pulp Fiction and Django Unchained to Inglorgious Basterds but I have unashamed love for the work of Tarantino and every time I go to see one of his movies for the first time I find myself turning into that little kid that I used to be when I eagerly anticipated movies like E.T. and Gremlins coming on TV again. The great news is that with Once Upon A TimeIn Hollywood Tarantino reaches out to his true fans with a brilliant masterpiece, but be warned it may leave casual cinema goers a little perplexed.
Tarantino sets the film in 1969 – Hollywood’s golden age that is seeing big changes happening. His central characters are aging television cowboy Rick Dalton (Leonardo DiCaprio – Inception, The Departed) and his out-of-favour stunt double Cliff Booth (Brad Pitt – Mr & Mrs. Smith, Moneyball). Living next door to Dalton is star-on-the-rise Sharon Tate (Margot Robbie – Suicide Squad, The Wolf Of Wall Street).
Life for the two households couldn’t be more different. Dalton reflects on the days when he was a television star while he now treats bit parts in television pilots like they are the answer to his resurrection. Then there his is best buddy Cliff Booth who only gets work through Dalton and even then that is tainted due to the story going around that he killed his wife. Then you have Tate whose career is taking off, she is on the verge of something big. What the three don’t know is their lives are about to be changed in a way that they could never expect.
If the synopsis makes the film sound like a character piece, that is because that is exactly what you get with this film. If you are looking for another Tarantino shoot ‘em up then look elsewhere because for three-quarters of this film the screenplay allows the audience to almost be a fly on the wall of the friendship between Dalton and Booth. Tarantino has no qualms showing Dalton have a lengthy conversation with a young actress (played brilliantly by Julia Butters) on the set of his new pilot and nor should he. When you have the screenwriting abilities of Mr. Tarantino there is no problem creating a heavily dialogue driven movie that at times wouldn’t feel out of place being a stage-play.
Perhaps what makes this film so special though is Tarantino’s eye-to-detail and the pay offs that true cinema fans will get from his references. From actual radio ads of the time playing on car radios, a killer soundtrack and appearances from greats like Bruce Lee (Mike Moh – Empires, Inhuman) and Steve McQueen (Damian Lewis – Homeland, Band Of Brothers) this perhaps one of the greatest cinematic tributes to this era of time and is something that will be long remembered.
As usual Tarantino also brings out the best in his cast. While some people may be disappointed that Robbie doesn’t get more screen time her screen presence is enough to counter-act that. Make no mistake though this is the DiCaprio and Pitt show. The on-screen chemistry between the two makes Dalton and Booth one of the best buddy relationships that Hollywood has ever seen. The two men also completely embrace their roles. As usual DiCaprio completely dissolves into being the character he is playing and this time he takes Pitt with him. Fans of movies like Moneyball will know that Pitt is not just the pretty-boy actor he used to be but here we see Pitt find another acting range and he matches DiCaprio in every scene they share.
While Once Upon A Time In Hollywood is different to anything that Tarantino has ever done before this movie can be summed up in one word – a masterpiece. Not many directors can pull off a film that is largely dialogue driven and then explodes with a graphic thrilling finale like this film does – but then is there anything that Mr Tarantino can’t do. Once Upon A Time In Hollywood is pure cinematic bliss for serious cinema lovers.
Average Subculture Rating:
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Kiwi actor and singer KJ Apa, known famously as the redhead heart throb “Archie Andrews” on the hit CW series Riverdale, will be appearing at this year’s Oz Comic-Con Sydney (Sept 28 and 29).
Following three seasons on the hugely popular teen drama series Riverdale, Apa has starred in the film adaptation of the young adult novel The Hate U Give alongside Amanda Stenberg (The Hunger Games) and recently in the Netflix rom com The Last Summer. He’s set to play Christian music singer-songwriter “Jeremy Camp” in the biopic I Still Believe releasing in 2020.
Apa will participate in panels each day at Oz Comic-Con in Sydney, as well as exclusive meet and greets, photographs and autograph sessions with fans.
He joins an expanding list of stellar film & TV guests attending the events including –
Marvel star Hayley Atwell known for her hugely popular and career-defining role as “Peggy Carter” in Captain America and Agent Carter
Australian actor and singer Keiynan Lonsdale best known for his role in The Flash and popular coming of age film Love, Simon
Dominique Provost-Chalkley and Katherine Barrell who play popular on-screen couple “Waverley Earp” and “Nicole Haught” in the cult phenomenon Syfy series Wynonna Earp
Anime voice actor Caitlin Glass, who has voice characters in My Hero Academia, Dragon Ball Super and Street Fighter V (Video Game); and
Voice actor Aaron Dismuke best known for his role as “Alphonse Elric” in the English dub for Fullmetal Alchemist.
Photograph and Autograph Tokens for Oz Comic-Con Brisbane & Sydney go on sale on Wednesday 14th August from 12pm.
Stan’s epic supernatural thriller “Preacher” invaded San Diego Comic-Con this weekend with a panel featuring Executive Producer Seth Rogen, in addition to cast members Dominic Cooper, Ruth Negga, Julie Ann Emery and Mark Harelik, celebrating with new images and the official trailer for the upcoming fourth and final season which premieres on Monday, 5th August only on Stan – same day as the US.
“Preacher” stars Dominic Cooper, Academy Award® nominee Ruth Negga and Joseph Gilgun, along with series regulars Ian Colletti, Graham McTavish, Pip Torrens, Julie Ann Emery, Noah Taylor, Mark Harelik and Tyson Ritter, with AACTA Award® winner Lachy Hulme also guest starring this season.
Filmed at Docklands Studios in Melbourne, Australia, Season 4 sees the series inching closer to its finale, with God’s endgame for the universe beginning to click into place. Trapped between heavenly prophecies, hellish prisons, and all-out nuclear war, Jesse, Tulip, and Cassidy make their bloody way to the Most High. Whether they can reach God in time — or whether all this carnage is part of His divine plan — will soon be revealed as “Preacher” barrels towards the end of the world.
The Sony Pictures Television-AMC Studios co-production is developed for television by executive producer and showrunner Sam Catlin and executive producers Seth Rogen and Evan Goldberg.
eOne and Universal Pictures announced today that Australian screen legend BRYAN BROWN will tour the country to promote new film PALM BEACH.
Star and Producer of the film, Bryan will embark on the national tour, joined in various cities by Director RACHEL WARD, fellow screen legend SAM NEILL, along with ensemble cast JACQUELINE MCKENZIE and HEATHER MITCHELL.
Palm Beach is a drama/comedy about a group of lifelong friends reuniting to celebrate a special birthday with Sydney’s iconic Palm Beach providing a stunning backdrop for the unfolding drama. Starring Bryan Brown, Richard E Grant, Aaron Jeffery, Jacqueline McKenzie, Heather Mitchell, Sam Neill, Greta Scacchi and Claire van der Boom, the good times roll, with loads of laughter, lavish meals, flowing wine and fantastic music, but tensions slowly mount, and deep secrets soon emerge.
An Australian production, the film was shot entirely on Sydney’s idyllic Northern Beaches around Palm Beach, Pittwater, and Barrenjoey Headland.
Cast will attend Local Premieres and Q & A screenings and be available for press opportunities throughout their visit in Adelaide, Perth, Melbourne, Sydney, Brisbane, Gold Coast, Sunshine Coast and Cairns.
From writer-director Keith Sutliff, a non-stop thrill ride through the streets of Los Angeles, The Refuge on digital July 12.
A getaway driver finds himself in harm’s way when he gets caught up in a job involving casino heist money in the adrenaline-charged new crime thriller from Keith Sutliff.
KS Pictures presents The Refuge, starring Keith Sutliff (The Mason Brothers), Julien Cesario (Close Range), Matthew Webb (127 Hours), Reine Swart (The Lullaby), Stefanie Estes (Bethany), Demeterius Stear (Death Pool), Martin Copping (“Hawaii Five-O”) and Cheyenne Buchanan (A Dark Place).
Stan and Screen Australia, in association with Create NSW today announced a new Stan Original series ‘The Commons’, which will commence production in Sydney and its surrounds next week. The series will be produced by Playmaker in association with Sony Pictures Television who will also handle worldwide sales of the series.
The series will star Golden Globe Winner and three-time Emmy Nominee, Joanne Froggatt (Liar, Downton Abbey, A Crooked Somebody), as well as Damon Herriman (Once Upon A Time in Hollywood, Judy and Punch, Stan’s Perpetual Grace, LTD) in a supporting role.
The eight-hour drama was created by showrunner Shelley Birse (The Code) andwritten by Shelley Birse, Matt Ford (House Husbands, Hiding), Michael Miller (Pulse, Cleverman) and Matt Cameron (Secret City, Bloom).
Set in the very near future, ‘The Commons’ is a character-driven thriller which plays out at the intersection of climate change and the cutting edge of biotechnology. Part mystery, part relationship drama, it puts a very human face on what’s coming down the road and the heroism that lies inside us all when our backs are against the wall.
Executive produced by Playmaker’s David Taylor and David Maher(Reckoning, Bloom, The Code), Stan’s Nick Forward, Graham Yost (The Americans, Sneaky Pete, Justified) and Fred Golan (Sneaky Pete, Justified, Roswell), and Shelley Birse, ‘The Commons’ is being produced by Diane Haddon(Reckoning, The Code, Friday On My Mind) withJeffrey Walker (Lambs of God, Modern Family, Riot) asset up director.
“The pairing of Shelley Birse and the legendary Graham Yost is such an exciting prospect. And with actors of the calibre of Joanne Froggatt and Damon Herriman joining the cast, alongside a stellar creative team, ‘The Commons’ continues to demonstrate our ambition as the home of original Australian productions. Thank you to Screen Australia, Create NSW and our partners at Playmaker and Sony Pictures Television for helping us bring Shelley’s incredible vision to the screen,” said Stan’s Chief Content Officer Nick Forward.
Screen Australia’s Head of Content Sally Caplan said “We’re thrilled to see creator Shelley Birse, following on from the success of her series The Code, team up again with Playmaker, as well as an experienced team of writers to deliver this timely drama. Putting a spotlight on the challenges of climate change, ethical boundaries, and the place of motherhood in saving the planet, ‘The Commons’ is set to be a compelling and original series and I can’t wait to see it.”
Create NSW’s Executive Director, Investment & Engagement Elizabeth W. Scott said “I’m delighted that the strength of the NSW screen industry has again attracted another significant production to the State. Thanks to an incentive from our Made in NSW Footloose Australian TV Drama Fund, ‘The Commons’ will provide over 290 jobs across cast, crew and for post-production. With an instantly recognisable cast and experienced crew I know Playmaker’s new production will thrill audiences at home and worldwide.”
“The Commons is a great example of how we look to collaborate across Sony to bring exciting new projects to audiences around the world,” said Wayne Garvie, Sony Pictures Television’s President of International Production. “It’s terrific that Shelley and the Playmaker team are working with Graham Yost and our colleagues from SPT’s US arm to produce this riveting drama.”
“We are delighted to once again be working with Shelley and an extraordinary team of creatives to bring this exciting and powerful drama to life,” said Playmaker’s Taylor and Maher.
‘The Commons’ is a Stan Original Series produced by Playmaker with major production investment from Screen Australia in association with Create NSW. Financed with support from Stan, Sony Pictures Television will handle worldwide sales of the series, which is set to premiere in 2020.
Universal Pictures have this morning released the trailer for THE WHITE CROW. Directed by Ralph Fiennes, the film tells the incredible true story of legendary Russian ballet dancer Rudolf Nureyev and his defection to the West in 1961.
A young man of just 22, dressed in a black beret and a dark narrow suit, is on an aeroplane flying from St Petersburg to Paris. It is 1961 and Rudolf Nureyev, not yet the imperious figure of legend, is a member of the world-renowned Kirov Ballet Company, travelling for the first time outside the Soviet Union.
Parisian life delights Nureyev and the young dancer is eager to consume all the culture, art and music the dazzling city has to offer. But the KGB officers who watch his every move become increasingly suspicious of his behaviour and his friendship with the young Parisienne Clara Saint. When they finally confront Nureyev with a shocking demand, he is forced to make a heart-breaking decision, one that may change the course of his life forever and put his family and friends in terrible danger.
From Nureyev’s poverty-stricken childhood in the Soviet city of Ufa, to his blossoming as a student dancer in Leningrad, to his arrival at the epicentre of western culture in Paris in the early 1960s and a nail-biting stand-off at the Le Bourget airport, “THE WHITE CROW” is the true story of an incredible journey by a unique artist who transformed the world of ballet forever.