Category: Drama

 

Is there anything that Mark Wahlberg can’t do? As if the transition from musician to actor wasn’t enough he now seems to be making every genre of the film industry his as well. From saving the world in the Transformers franchise to cracking jokes with a smart-ass bear in Ted and then thrilling critics with mind-blowing dramatic performances in movies like Mile 22, there seems to be nothing this man can’t do.

Now Wahlberg plays a husband alongside Australia’s Rose Byrne who is exploring the notion of adopting to start a family in the brand new brilliant comedy-drama Instant Family and it seems to be role that he just loved sinking his teeth into.

“Sean Anders who I worked with on Daddy’s Home 1 & 2 was brave enough to bring three children into his home,” says Wahlberg when he talks about what the inspiration was for the film. “They were children that were in foster care and he talked to me a little bit about the idea of making this movie at the beginning of Daddy’s Home 2 but it was just an idea and we had talked about other ideas in the past. Then basically when he came to me and said ‘no did you really want to do this?’ I just fell in love with idea.”

“Every time I talked to him about the idea before I got the actual script I always got emotional,” he says when the discussion turns to the emotions in the film. “I’m parent I understood the emotion and I understood how emotional it would be for foster kids in the system. Then when I read the script and having laughed hysterically and cried a fair bit to it was just one of things where I saw that Sean was great with the tone and he pushed things but also delivered on an emotional level. Sean knows what he wants and he will always take that little bit of extra time when it comes to the emotional stuff. It is just nice to see him to continue to mature and grow, he is a great writer and director and he has a great partnership with John . It is just great to see people get more experience and more confident about how they want to do things.”

When talk turns to the fact that the film garners emotion by being both a comedy and a drama Wahlberg says. “I think that will be really satisfying for audiences and I think that people may be inspired to look at children in the foster care system and creating a home for them. I still want to explore more about and I think it will encourage other people to take a look and see that there a lot of wonderful children that need families…. it is an amazing thing. Being a family can be a wonderful thing but it can also be very trying at times – that is the same whether it be with adopting children or with your biological children.  But the ultimate goal and the ultimate reward is coming together in love… and that is a beautiful thing. I think this is going to be a feel good movie in a time when people need to feel good. People need to be reminded about the importance of family and connecting with others. To have that opportunity to go and laugh and cry at the thought of being a family and then have the thought about helping all those wonderful children out there… I think it will be interesting. There will be a lot of people who will laugh and cry and then be like ‘oh my God’ and then the wheels will start turning.”

 

Instant Family opens in cinemas today.

 

 

Forget Game Of Thrones and forget The Walking Dead brand new film Mary Queen Of Scots is going to show that the battle for supremacy in our own real world history is more intriguing than anything that Hollywood could ever dream up.

The film chronicles the struggles that both Mary Stuart (Saoirse Ronan) and Queen Elizabeth I (Margot Robbie) had against the threat to each and also the threats and obstacles that presented themselves amongst their own Kingdoms. Both are strong women from our past and both are brought to life brilliantly well by the talented Roan and Robbie.

For Robbie this was a chance to do something a little different seeing she will be playing in Harley Quinn in three new DC films slated for the next few years and she says that the idea of playing Queen Elizabeth captivated her from the start.

“The script was amazing,” she says. “As soon as I read it I knew that it was going to be something special. The idea of Saoirse playing Mary and Josie directing there was definitely a sense of girl-power around this project and there were already so many other women on board that I admired. It was not a character that I immediately gravitated towards, Elizabeth herself, the movie and the idea was very enticing and I really wanted to work with Saoirse. I had met her personally and loved her the moment that I had met her and I have been watching her work for years and I think she is incredible and then the moment you talk to Josie you see that she is so smart, she had such a relatable perspective on this story and I wanted to be part of it. I guess the short answer is I just didn’t feel worthy of being Elizabeth and that is why I originally passed on the movie. I said this is going to be an incredible movie but I am not the right actress, you should get somebody else to play Queen Elizabeth… somebody else will be a way better. But Josie was relentless and  she said ‘I want it to be you’ and I said ‘why? Why me? I can think of ten other actresses who could play this a lot better than me.’ That was when she said “I don’t want you to play a Queen I want you to play a woman.” And I was like “Yeah I can do that, I can definitely do that.”

Going away and doing some research also changed Robbie’s perspective on Elizabeth as a character. “Then I felt empathy for her,” she explains. “I really felt for her, to me she had a really tragic life, before that my image of her had been grand halls and servants, I guess I assumed that Elizabeth had had a really easy life, a very cushioned and luxurious life when in reality it was anything but.”

She says that history has also changed how people viewed the relationship between Mary and Elizabeth. “I think history has painted them as two rivals, one big cat-fight,” she says carefully. “But I think they both yearned, certainly I believe Elizabeth yearned, for that shared experience, that bond – that relationship and there was just constantly men in the way conspiring to keep them apart and pt them against each other. Their relationship was extremely complicated because on what hand that yearned to find that bond and almost feel comforted by the fact that somebody understands the position you are in, that had a very special sisterhood and there are many letters that showed how intimate they really were, but at the same time the mere existence of one threatened the existence of the other so there was constantly male advisors in their ears, conspiring against them and warning them. I enjoyed finding that inner conflict inside Elizabeth that really wanted Mary to succeed, because that would show that you really could rule with your heart and it would work.”

 

Mary Queen Of Scots opens in Australia on the 17th January.

 

Uncork’d Entertainment is proud to announce the North American theatrical and digital release of the acclaimed Australian crime-drama West of Sunshine.

A captivating social-realist story from debut feature filmmaker Jason Raftopoulos, the celebrated film – hot from an outstanding response, complete with standing ovation, at the Venice Film Festival – tells of a father who has less than a day to pay back a gambling debt, while looking after his young son.

Featuring powerful performances from Damian Hill (“The Leftovers”), Ty Perham, Arthur Angel (Red Dog), Kat Stewart (“Underbelly”), Eliza D’Souza (Predestination) and Kaarin Fairfax (“Picnic at Hanging Rock”), Welcome to Sunshine is a “nigh-perfect slice of inner city Australian cinema” (Filmink) that befittingly finds its home alongside Aussie crime drama classics like Chopperand Two Hands

Separated from his family and caught in a cycle of gambling and debt, Jim has less than a day to repay a violent loan shark. His day is turned upside down when he must look after his young son. Jim’s relationship with his son is tested as his plans to pay back the loan fail. When his last desperate effort to repay the debt puts his son’s life at risk, he must make a choice between his past and a second chance at life.

Opening theatrically January 18, and releasing on VOD January 22, West of Sunshine is being distributed by Uncork’d Entertainment.

teamed up with Defiant Screen Entertainment to give you a chance to win a copy of this must-see film on DVD. Directed by award-winning director Wim Wenders (The American Friend, Wings Of Desire) and starring James McAvoy (Split, Filth) and Alicia Vikander (Ex Machina, Tomb Raider) in their most powerful roles yet Submergance is one of the msot under-rated films of 2018.

The film is released on home entertainment through Defiant Screen Entertainment on November 21st but we are given five lucky people a chance to win the film on DVD by simply private messaging our  Facebook page and telling us which character James McAvoy portrays in the Marvel universe.

 

Summary:

A look at the life of the astronaut, Neil Armstrong, and the legendary space mission that led him to become the first man to walk on the Moon on July 20, 1969.

Year: 2018

Australian Cinema Release Date: 11th October 2018

Australian DVD Release Date: TBA

Country: United States

Director: Damien Chazelle

Screenwriter: Josh Singer, James R. Hansen (based on the book by)

Cast: Christopher Abbott (Dave Scott), Mark Armstrong (Paul Haney), Chandler Barron (Scott Carpenter), Skyler Bible (Richard Gordon), Connor Colton Blodgett (Mark Armstrong), Leon Bridges (Gil Scott-Heron), Callie Brown (Young Bonnie White), Kyle Chandler (Deke Slayton), Jason Clarke (Ed White), Steve Coulter (Guenter Wendt), Ethan Embry (Pete Conrad), J.D. Evermore (Chris Kraft), Ryan Clay Forbes (Bill Anders), Claire Foy (Janet Armstrong), Patrick Fugit (Eliott See), Matthew Glave (Chuck Yaeger), Ryan Gosling (Neil Armstong), Edmund Grant (Older Ed White Jnr.), Choppy Guillotte (John Young), Lukas Haas (Mike Collins), Oliver Hamilton (Pat White), James R. Hansen (Dr. Kurt Debus), Robert Hatch (Joe Schmitt), Braydyn Nash Helms (Young Eddie White Jnr.), Ciaran Hinds (Bob Gilruth), Helen S. Jackson (Louise Sheron), Brian d’Arcy James (Joe Walker), Shaun Eric Jones (Wally Schirra), Jonathon Kankolenski (Young Edward Higgins II), John F. Kennedy (himself – archive), Michael Lee Kimel (Bill Moon), William Gregory Lee (Gordon Cooper), Dutin Lewis (Ralph Morse), George Linkenback (Col. Frank Borman), Ben Owen (John Hodge), Greg Puckett (Charles Berry), Willie Repoley (Jim Fucci), Kermit Rolison (George Mueller), Pablo Schreiber (Jim Lovell), Margo Schroeder (June Hoffman Armstrong), Brady Smith (Butch Butchart), Claire Smith (Older Bonnie White), Corey Michael Smith (Roger Chaffee), Lucy Brooke Stafford (Karen Armstrong), Andrew Stahl (Ken Mattingly), Jim Stearns (David Hammock), Corey Stoll (Buzz Aldrin), Kris Swanberg (Marilyn See), William G. Tomek (Donald Babbitt), Kurt Vonnegut Jr. (himself – archive), Kent Wagner (Fred Haise), Gavin Warren (Young Rick Armstrong), John David Whalen (John Glenn), Shea Whigham (Gus Grissom), Luke Winters (Older Rick Armstrong), Perry Zulu Jnr. (Robert Lawrence)

Runtime: 141 mins

Classification: M

 

OUR FIRST MAN REVIEWS & RATINGS:

 

Dave Griffiths Review:

 

When you think of space exploration we now days think of the romanticised Hollywood version of space travel. Unless you can think back to realistic movies like Apollo 13 it is easy to forget that it only takes a second for space exploration to become a nightmare for all involved. Sure we have sci-fi movies like Aliens that enhance the extra-terrestrial horror that many believe might be out there, somewhere, but very few films capture the horrors of the unknown and the impact it had on its first explorers like First Man does.

Director Damian Chazelle (Whiplash, La La Land) doesn’t have to develop scary looking aliens in order to create horror for intrepid test pilot and engineer Neil Armstrong (Ryan Gosling – Drive, Blue Valentine) and his wife Janet (Claire Foy – Season Of The Witch, Vampire Academy). Like he did with Whiplash Chazelle just shows human life in its purest form… which for this family provided more horror than most couples could withstand. From the loss of their daughter which led to Armstrong joining the NASA Space Program in the first place, dangerous test missions that place Neil’s life in danger nearly every day through to the anguish that Janet endures on the days she knows that her husband is doing such tests. Chazelle just stirs the pot and lets the human emotions in the film bubble and boil until they explode.

Neil and Janet’s solace come from their best friends Ed White (Jason Clarke – Zero Dark Thirty, Terminator Genisys), his wife Pat (Olivia Hamilton – Don’t Worry He Won’t Get Far On Foot, The Last Tycoon) and Neil’s immediate boss the caring yet determined Deke Slayton (Kyle Chandler – Friday Night Lights, Argo). Even so Pat and Janet’s ‘talking’ is normally disguised as children’s play dates, Neil seems happy to talk to Ed about the mission but pushes him away when the talk turns personal and while Deke does what he can to help his test pilots at the same time he is the man who has to make tough calls like switching off intercoms so wives can’t hear their husbands in peril and writing death announcements for missions he has to appear to be ‘confident’ for.

First Man could have easily suffered from Titanic-syndrome, a film where the audience knows the ultimate outcome and therefore just sits on the edge of their seat waiting for the expected finale but here Chazelle, who is aided brilliantly by his screenwriter Josh Singer (The West Wing, The Post), takes the audience on a different kind of journey. He captures moments they never told us about during our High School science classes. The raw, claustrophobic feel a test pilot feels as he hurled into orbit in what seems like a sardine can that they aren’t even sure will make the journey, the moments that wives find out that their husbands haven’t returned from a flight and the protests that occurred in America when the loss of life made people realise that these test pilots were really guinea pigs in what seemed like a cruel experiment. Then of course there is the tension an astronaut’s job puts on his family life and here we see painful moments such as the one where Janet has to plead with Neil to tell his children that he may not come back from his moon mission.

Just like he did with Whiplash Chazelle also brings out the best in his cast and helps them bring their character’s pain and anguish to the fore. Claire Foy delivers her best role to date and if she doesn’t at least receive an Oscar nomination for this performance then something is seriously wrong. As an actress she delivers on every level as Janet is put through an emotional ringer and these are the kinds of performances that the Academy should be applauding – ones that test an actress and her acting abilities. Equally good is Ryan Gosling as Neil Armstrong. When cast as an All-American hero, a real life Captain America if you will, you wouldn’t expect an actor to have to become emotional dark and foreboding, but that is exactly what is expected of Gosling here. Forget his pretty boy looks because here Gosling calls on the acting skills that saw him create memorable characters in films like Drive or The Place Beyond The Pines… he is absolutely brilliant.

First Man is the first film of 2018 that I have seen where my thought throughout was ‘this needs to be an Oscar film.’ From start to finish it felt like the film was taking me on a claustrophobic ride with its characters. The sequences in which the pilots are conducting test flights are moments of sheer cinematic masterpiece, where visuals and sound effects come together in a way that creates a horror that you never expected. This combined by outstanding dramatic acting performances from its leads and again I find myself putting the five stars down on a Damian Chazelle film. First Man is sheer brilliance, a lesson in dramatic filmmaking.

 

 

 

 

Average Subculture Rating (out of 5): 

 

 

IMDB Rating: First Man (2018) on IMDb

 

Other Subculture Entertainment First Man Reviews: N/A

Trailer:

 

Clint Eastwood (Gran Torino, American Sniper) returns as an actor and director in new crime drama The Mule and Roadshow have just released the trailer for it… so take a look right here.

Also starring in the film are audience favourites Bradley Cooper (Silver Linings Playbook, American Hustle), Taissa Farmiga (The Bling Ring, Anna), Michael Pena (End Of Watch, Shooter) and Laurence Fishburne (The Matrix, Mystic River). The film is relesed on December 14th.

 

Paramount have given us the first look at the Elton John biopic Rocketman. Directed by Dexter Fletcher (Eddie The Eagle, Sunshine On Leith) and starring Taron Edgerton (Kingsman, Sing), Richard Madden (Game Of Thrones, The Take), Jamie Bell (Jumper, Fantastic Four) and Bryce Dallas-Howard (Gold, Jurassic WorldRocketman will be in cinemas on 30th May, 2019.

 

Following his Best Picture Academy Award® winner Moonlight, writer/director Barry Jenkins adapts James Baldwin’s acclaimed novel IF BEALE STREET COULD TALK, a love story set in 1970s Harlem, New York. After her fiancé Fonny (Stephan James) is arrested for a crime he didn’t commit, 19-year-old Tish (newcomer Kiki Layne) and her family struggle against a corrupt justice system in this powerful, brilliantly crafted drama.

IF BEALE STREET COULD TALK had its World Premiere at the 2018 Toronto International Film Festival, where it was Runner-Up for the People’s Choice Award.

We all know Paul Dano as an actor who has done amazing work in films like Prisoners and Love & Mercy but now Dano takes the director’s chair with the new film Wildlife. The film, starring Jake Gyllenhaal (Brokeback Mountain, Nightcrawler) , Carey Mulligan (Shame, Never Let Me Go) and Aussie Ed Oxenbould (Better Watch Out, The Visit) today had its trailer released to the public.