The cast of the new powerful crime drama The Hate U Give has given us a behind the scenes look of thef film that is due to hit cinemas in October. Starring Amandla Stenberg (The Darkest Minds, The Hunger Games), Regina Hall (Scary Movie, Girls Trip), Anthony Mackie (The Hurt Locker, Captain AMerica: Civil War) and Common (Wanted, Suicide Squad) the film is also directed by George Tillman Jnr (Faster, Notorious).
Jirga, the new film from award-winning filmmaker, author and paramedic Benjamin Gilmour (Son of a Lion, Paramedico) has been selected to make its International Premiere at the prestigious Toronto International Film Festival in the section dedicated to showcasing first or second features, Discovery. Gilmour will be joined in Toronto by lead actor Sam Smith.
Jirga was the only Australian film In Competition at Sydney Film Festival, and screens In Competition at Cinefest Oz this week after sold-out screenings at MIFF. Following TIFF, Footprint Films presents Q&A screenings in Sydney, Melbourne, Canberra and Perth ahead of the film’s September 27 release date, with other states to follow.
Set and shot in Afghanistan in extraordinary circumstances, Jirga stars Sam Smith as a former Australian soldier who returns to Afghanistan to find the family of a civilian he accidentally killed during the war. Seeking forgiveness, he puts his life in the hands of the village justice system – the Jirga.
Benjamin Gilmour said “We’re so thrilled to have Jirga at Toronto, such an important festival. I think audiences are really craving films like this, stories of reconciliation and peace.”
Jirga is directed and written by Benjamin Gilmour, produced by John Maynard. Executive producers are Bridget Ikin and David Gross.Jirga is a Felix Media production. Principal production investment from Screen Australia, in association with Definition Films.
JIRGA Q&A TOUR
Thursday 20 September
6.30pm screening of JIRGA followed by a Q&A with director Benjamin Gilmour, lead actor Sam Smith and producer John Maynard, hosted by Sydney Morning Herald’s Garry Maddox
Hayden Orpheum Picture Palace - 380 Military Road, Cremorne
eOne Entertainment has just launched the trailer for the eagerly anticipated Green Book. Starring Viggo Mortensen and Mahershala Ali, GREEN BOOK is the uplifting true story of a friendship that defied the odds. Set in 1962, the film follows Italian-American Tony Lip (Mortensen), who is hired to chauffer African-American pianist Dr. Don Shirley (Ali) on a concert tour through the Deep South. GREEN BOOK will have its World Premiere as a Gala Presentation at the 2018 Toronto International Film Festival. It will premiere in Australia on the 24th January, 2019.
Summary: Falling in love is easy, getting out of it is hard. Our hero, Josh ﬁnds himself ‘LoveStuck’ between his best friend, his ex-girlfriend and the new girl he is about to move in with. As a lowly clerk working with the public service in Canberra, Josh is used to procrastination, but his fear of con*ict and knack for stretching the truth gets him into trouble with the women that he loves.
Australian Cinema Release Date: 24th August 2017
Australian DVD Release Date: TBA
Director: Murray Fahey
Cast: Rik Brown (Josh), Fenella Edwards (Horatio), Murray Fahey (Polonius), Cathy Hagarty (Cath), Malcolm Irvin (Rosencraztz), Ali Little (Barnardo), Jenny Lovell (Gertude), Heady Manders (Voltemand), Gabby Millgate (Bag Lady Ophelia), Glen Morrison (Laertes), Robert Morrison (Guilderstein), Rama Nicolas (Kate), Emma Reid (Hecuba), Patti Stiles (Trish), Geoff Wallace (Claudius)
Runtime: 73 mins
OUR LOVESTUCK REVIEWS & RATINGS:
The Australian film industry has been throwing up some extremely experimental films over the past few years – from one-shot action films through to filmed theatre productions. Well now comes Lovestuck – a completely improvised film from director Murray Fahey (Cubbyhouse, Dags). Not only does the film toss up a story that keeps you guessing but also gives you a look behind the scenes of what goes into making an improvised film at the same time.
The film centres around Josh (Rik Brown – Utopia, Dinner For Three) a man who is struggling with his feelings with three woman – his ex Kate (Rama Nicolas – Little Solider, The Mutant Way), his current girlfriend Cath (Cathy Hagarty – newcomer) and his best friend Trish (Patti Stiles – Neighbours, Stingers). On one disastrous day he meets with Kate to hand back some of her things – which then sets him on a journey to find a pen that she once gave him – while meanwhile Cath and Tess meet for the first time. The result is him having to make a decision about the three woman if he has any chance of moving on at all.
The danger of doing an experimental film like Lovestuck is that sometimes the experiment itself can get in the way of the story or can distract the audience from getting immersed in the film. Strangely, given that the film also shows the audience what is happening behind the scenes at times, neither happens here. The actors at hand – especially Rik Brown – are so good at the improvisation that you forget that you are watching a film that never technically had a script. The scenes flow together well and while there are some scenes that perhaps didn’t need to be there, most of the scenes featuring the main four characters tie in together well and do raise the suspense of who Josh will chose at the end… something that director Murray Fahey let Rik Brown decide as part of the improvisation.
The improvisation of the film does allow for the tone of the film to switch at times which gives Lovestuck a really unique feel. From comedic moments when Josh runs into Cath outside a massage parlour and tries to explain that he didn’t get one of ‘those’ massages right through to more dramatic scenes like Cath and Trish meeting for the first time this is a film that at one moment feels like an episode of Seinfeld one moment and the latest romance drama the next. Even the Hamlet Hip-Hop scene which had the potential of feeling out of place in the film works well because as an audience member you find yourself sitting there thinking ‘do they have the pen or not?’
The key to this film working though was the cast and to Fahey and his casting assistant’s credit they get this 100% right. Rik Brown carries the film throughout and with the tone changes that is no easy feat. From moments of complete awkwardness right through to almost slapstick comedy he delivers each time while Nicolas, Hagarty and Stiles also amazing throughout the film. Not once does there seem to be a moment where they hesitate when they think of what to say next and to be able to deliver improv lines so naturally means they deserve high credit… it is no easy feat.
Lovestuck just shows what you can create when you get together a creative team of people. While an improvised movie sounds like it shouldn’t work this one does to the point where you really do care which decision Josh makes. Worth checking out if you like your cinema a little left of centre.
Average Subculture Rating (out of 5):
IMDB Rating: N/A
Other Subculture Entertainment Lovestuck Reviews: Nil
Often when a horror movie is really being talked about as ‘one of the horror movies of the year’ it ends up being a complete disappointment once you actually you get a chance to watch it. That was certainly a fear for me going to watch Raw. As many of you would know horror is one of my favourite genres but often when a film is really being ‘pumped up’ I get my hopes up and then find myself largely disappointed… as was the recent case with Get Out. You’ll be happy to know though that wasn’t the case with Raw… no, once again Monster Pictures have brought us Aussies one horror film that certainly lives up to all the hype.
From French director Julia Ducournau (TV’s Mange) the film explores the events that follow after young vegetarian, Justine (Garance Marillier – Solo Rex, Junior) who during a hazing ritual tastes meat for the first time. As an unexplained taste for meat suddenly rises in her, she finds her relationships with her sister Alexia (Ella Rumpf – Tiger Girl, War) suddenly spiralling. As the gifted young student also finds herself attracted to some of the men around her another hunger is also awakened.
The only people that are going to be disappointed by Raw are those that will go into this film expecting to be like the more subtle horror films come out in Hollywood at the moment. Raw is gritty, but not to the point where it is a filmmaker only out for the shock value. Instead, it is a creative film with a well-developed and surprising screenplay also created by Ducournau. While some may argue that the film has a plot aimed at exploring man and woman’s need to eat meat, the basis of this film is a storyline that shows a young woman’s needs and desires developing in a way that cinema has rarely done in the past. Rather than using shock tactics the film instead takes an artistic Argento-style feel which only intensifies some of the film’s more suspenseful scenes.
Few screenwriters, Joss Whedon aside, have developed plots that explore human sexuality and needs with such brilliant subtext and Ducournau is a smart-enough screenwriter not to let that bog down her film and her script and instead the film delivers a fair amount suspense as the audience is taken on a journey as Justine’s needs develop and they try to work out not only exactly what is happening to her but also just how it’s going to affect her life in the long run.
Ducournau’s screenplay is also the perfect vehicle for young actresses Garance Marillier and Ella Rumpf to really show just how exciting their skills are. The pair brilliantly delivers not only during some of the film’s more confronting scenes but also excel at some of the more intense scenes as their relationship is pushed to breaking point. Normally scenes of this intensity would really challenge actresses at this age but together here Marillier and Rumpf deliver performances that should silence anyone that says horror films rarely produce classic acting moments these days.
Raw is one of those horror films that really sticks with you. Not because it plants a horrific imprint on your brain but because it is a genre film with a real arthouse feel that further enhances the film. As you watch the film, you also get a distinct feeling that Ducournau is a director that we are going to be talking about for a long time to come as her directional stylings are a breath of fresh air in a genre that is being held back by some average Hollywood films.
Summary: A quiet observation of the triumphs and defeats of daily life, along with the poetry evident in its smallest details.
Australian Cinema Release Date: 22nd December 2016
Australian DVD Release Date: TBA
Country: United States, Germany, France
Director: Jim Jarmusch
Screenwriter: Jim Jarmusch
Cast: Adam Driver (Paterson), Golshifteh Farahani (Laura), Chasten Harmon (Marie), William Jackson Harper (Everitt), Frank Harts (Luis), Barry Shabaka Henley (Doc), Rizwan Manji (Donny), Brian McCarthy (Jimmy), Method Man (himself), Nellie (Marvin), Trevor Parham (Sam), Troy T. Parham (Dave)
Runtime: 118 mins
OUR PATERSON REVIEWS & RATINGS:
Film director Jim Jarmusch’s work isn’t everybody’s cup of tea. His films are often described by the average cinema goer as ‘hard to get’ and you can always guarantee that his films are going to make you think. His last film, Only Lovers Left Alive,may have been a vampire movie… but even that was a flick with a difference. Now comes one of Jarmusch’s most cinema-friendly films, Paterson… but even this is going to have to you thinking deeply long after you leave the cinema.
Paterson tells a simple tale. It follows the lives of Paterson (Adam Driver – Star Wars: The Force Awakens), a poet who spends his days working as a bus driver, and his partner Laura (Golshifteh Farahani –Body Of Lies) who dreams drift from being a cup-cake mogul to starting a country music career. Ironically they live in Paterson, New Jersey and for the most part, the film follows Paterson’s regular day of going to work, listening to his passenger’s conversations, writing poetry, walking his dog and visiting his local bar.
As you can ascertain from the film’s synopsis Paterson is one of those films where very little happens plot-wise yet while you are watching the movie you never find yourself getting bored. Jarmusch is a talented enough storyteller to know that you can get away with very little plot if you fill your film with enough interesting characters to hold your audience’s interest. Here, Jarmusch does that in bucket loads. While his life may be a little boring Paterson himself is a character that you find yourself rooting for because he is such a nice character and completely unaware of what a great poet he is.
The secondary source of interest for the audience in Paterson is the interesting characters that Jarmusch chooses to have interact with Paterson. Whether it be passengers such as two men who know nothing about women, teenage anarchists or those that chat to Paterson in his local bar – a barman obsessed with celebrities who lived in Paterson, Doc (Barry Shabaka Henley – Collateral) or Everett (William Jackson Harper – True Story) and Marie (Chasten Harmon – Elementary) a young couple in disarray, these characters each bring something unique to the story at hand.
Part of what makes Paterson such an interesting film is you never really know what Jarmusch is setting his audience up for. Is he planning on giving Paterson that one moment when he meets the right person who can help launch his career as a poet or even deliver the time when he finally realises that he does, in fact, have a talent that the world deserves to hear. Then, of course, the darker side of your imagination wonders whether or not Jarmusch is planning on putting his characters through something traumatic that will change their lives forever.
Jarmusch’s writing also allows for some decent performances from his leads. Fans of Adam Driver will quickly tell you that he is capable of more than what we saw in his recent performance in The Force Awakens. Serious movie fans will know that over the years Driver has delivered some powerful performances in serious films like What If, Midnight Specialand Inside Llewyn Davis, and once again he delivers the goods here as he portrays the very melancholy Paterson. This film also introduces most fans to a bright, new star in Golshifteh Farahani. This fresh face shows pure talent as she plays the free-spirited Laura and you get a real feeling that she is somebody that we are going to see a lot of in the near future.
If you go into Paterson expecting a high-octane film, then you will be sorely disappointed. Instead, once again Jim Jarmusch has created an interesting film that is largely a character study of two everyday people. This is a film that will have you debating what Jarmusch is trying to say with the film and will also have you seeing Adam Driver as a potential Oscar nominee.
Average Subculture Rating (out of 5):
Other Subculture Entertainment Paterson Reviews: Nil
Summary: An iconic Australian story of family, friendship and adventure, between a young boy and a scrappy one-of-a-kind dog that would grow up to become an Australian legend.
Australian Cinema Release Date: 26th December 2016
Australian DVD Release Date: TBA
Director: Kriv Stenders
Screenwriter: Daniel Taplitz
Cast: Josie Alec (Abby), Caitlin Berestford-Ord (Catherine), Syd Brisbane (Big John), Bryan Brown (Grandpa), Kee Chan (Jimmy Umbrella), Justine Clarke (Diane Carter), Thomas Cocquerel (Stemple), Jon Doust (McLeod), Alla Hand (Gilliam Shaw), Jason Isaacs (Michael Carter), John Jarratt (Lang Hangcock), Hanna Mangan Laurence (Betty), Steve Le Marquand (Little John), Winta McGrath (Nicholas Carter), Zen McGrath (Theo Carter), Levi Miller (Mick), Kelton Pell (Durack), Igor Sas (Dr. Samuel), Calen Tassone (Taylor Pete)
Runtime: 88 mins
OUR RED DOG: TRUE BLUE REVIEWS & RATINGS:
Nobody ever expected the original Red Dog film to go onto the greatness that it did when it was released back in 2011. Somehow the little Aussie family film showed the world that the Australian film industry wasn’t dead. While the industry had seen many Aussie filmmakers try the comedy vein, it seems it was the family comedy vein that still had life in it. The film grossed over $21 million in Australia alone.
Of course, not surprisingly word of a Red Dog sequel started to seep through while the first film was still raking in money at the box office. The only man who didn’t seem interested in the concept was the director Kriv Stenders (Boxing Day) who was already busy on his next project – the cult film Kill Me Three Times starring Simon Pegg. Along the way, though something changed and now five years later we find ourselves sitting down to watch a prequel to the original – Red Dog: True Blue.
There is little wonder that Stenders was nervous about making another Red Dog film, a dud could tarnish the legacy that the first left behind. Luckily though Stenders once again teamed up with screenwriter Daniel Taplitz (Chaos Theory) and together the two men came up with a film that is different enough from the original film to give it its own identity, but not different enough to alienate fans of the first in the series.
This second film is told through the eyes of a Perth father Michael Carter (Jason Isaacs – Black Hawk Down) who after watching the original Red Dog movie in the cinema recounts the story of how he was actually the original owner of Red… or Blue as he was called back then. His story tells of his younger self (Levi Miller – Pan) being forced to leave home because of his mentally unstable mother and moving to outback Western Australia where he lived with his grandfather (Bryan Brown – Australia). On a cattle station.
The story sees Mick meet Blue and tells of the adventures that they had together including Mick falling in love for the first time, with his tutor the young and beautiful Betty (Hanna Mangan Laurence – Acolytes).
Fans of the original film will see very early on that Stenders and Taplitz are onto a winning formula when they see the creative way that leads to Michael Carter telling his story. While it seems a little strange for the film to be referencing the first film so openly, but at that same time it so creative that you can’t help but applaud at the pure genius act that the two men have managed to deliver.
While Red Dog: True Blue is creative it does lack a little of the emotion that we felt from the first film. I’m man enough to admit that I teared up twice during Red Dog, but here Stenders and co takes the film in a completely different direction, this time the film is a pure coming of age story that sees a young boy take his dog with him on the start of life’s journey. While the film does also have a few moments that are likely to make you chuckle it doesn’t have anywhere near as many comedic moments as the first movie either.
Those that benefit from Stenders work here is the cast. Levi Miller is almost unrecognisable as the younger version of Mick and he settles into the period style of the film well. It is great to see Hanna Mangan Laurence back on the big screen and hopefully, we see her there again soon while as usual Bryan Brown leads the way with a mature performance as he leads the cast despite seemingly being in auto-pilot for most of the film. The big scene stealer here though is John Jarratt (Wolf Creek) who has a cameo as mining magnate Lang Hancock… and boy is it a cameo to remember.
Red Dog: True Blue is a smooth, enjoyable ride for the whole family. It might not reach the heights that the first film did but it is still a film that holds its own and reminds audiences just how fun it still can be to watch a coming-of-age story. The fact that it is being released on Boxing Day makes it the perfect family cinema outing this holiday season.
Average Subculture Rating (out of 5):
IMDB Rating: No rating available.
Other Subculture Entertainment Red Dog: True Blue Reviews: Dave Griffiths broadcast a Red Dog: True Blue on 2UE’s That’s Entertainment on the 8th December, 2016.
Summary: When Robert Langdon wakes up in an Italian hospital with amnesia, he teams up with Dr. Sienna Brooks, and together they must race across Europe against the clock to foil a deadly global plot.
Australian Cinema Release Date: 13th October 2016
Australian DVD Release Date: 18th January, 2017
Country: United States, Japan, Turkey, Hungry
Director: Ron Howard
Screenwriter: David Koepp, Dan Brown (novel)
Cast: Cesare Cremonini (Ignazio Busoni), Ida Darvish (Marta), Jon Donahue (Richard Savage), Mehmet Ergen (Mirsat), Ben Foster (Bertrand Zorbist), Tom Hanks (Robert Langdon), Felicity Jones (Dr. Sienna Brooks), Irrfan Khan (Harry Sims ‘The Provost’), Sidse Babett Knudsen (Dr. Elizabeth Sinskey), Xavier Laurent (Antoine), Fausto Maria Sciarappa (Parker), Paolo Antonio Simioni (Dr. Marconi), Omar Sy (Christoph Bruder), Ana Ularu (Vayentha)
Runtime: 121 mins
OUR INFERNO REVIEWS & RATINGS:
Inferno sees the arrival of yet another attempted franchise reboot in 2016. We’ve seen Ghostbusters and Bridget Jones’s Baby arrive with mixed success now we find Academy Award winning director Ron Howard (A Beautiful Mind) rebooting the Robert Langdon franchise some seven years after its last instalment.
Based on the novel by Dan BrownInferno begins with Robert Langdon (Tom Hanks – Forrest Gump) waking up in a hospital with no memory of how he got there and being hunted by a assassin (Ana Ularu – Serena). After managing to escape with Dr. Sienna Brooks (Felicity Jones – The Amazing Spider-Man) Langdon starts putting together the pieces and realises that he must try and stop an apocalyptic event set by Bertrand Zorbist (Ben Foster – Warcraft: The Beginning) who believes his actions will actually save the world.
But as Langdon tries to overcome memory loss and put the pieces together to solve the mystery things are made even more difficult by him when he realises he doesn’t know which World Health Organisation agent he can trust, Dr. Elizabeth Sinskey (Sidse Babett Knudsen – Westworld) or Christoph Bruder (Omar Sy – Jurassic World). To add to their confusion the audience also learns there is a puppet-master in the wings in the form of Harry Sims (Irrfan Khan – Life Of Pi).
While watching Inferno you do start to realise that this is going to be a film that divides its audience. For the regular popcorn set this is going to be a film that delivers a fairly decent, if not at times confusing, crime thriller plot that shows you just as many European landmarks as a Bond film. For the more seasoned film goer though this is a film that reveals some of the laziest filmmaking Ron Howard will deliver during his career with a clichéd plot that just follows the same sequence over and over – Langdon arrives in a city, goes to find the puzzle piece, is chased by Police and uses an ancient tunnel to escape and then moves on to the next city. There is also a level of inconsistence around the character of Robert Langdon that surfaces right throughout this film and despite the work of screenwriter, David Koepp (Jurassic Park), to pass it off as part of Langdon’s amnesia it simply doesn’t work.
Rather than being a gritty thriller Inferno becomes more of a fun ride as the audience gets to see European city of European city while there is a mid-level of suspense and you try in your mind to put the pieces together at the same time as Langdon does… although that it made a hell of a lot easier if you are up to date on your Dante. The big tip for the audience is to not let to get too bogged down in the ‘historical’ parts of this film or you will be scratching your head and hurling popcorn as you struggle to work out what the hell is going on.
Likewise this is a movie that Tom Hanks just seems to breeze through. While Sully recent saw Hanks once again reveal his wonderful character acting skills here Hanks wears the character of Robert Langdon like an old slipper, it’s a role that he is obviously comfortable in but doesn’t deliver the acting heights that we know he is capable of. The same can be said for Felicity Jones who isn’t given a huge amount to work with and even disappears for a quarter of the film. The big winner in the acting stakes is Sidse Babett Knudsen who makes good use of the screen time she is given. Omar Sy and Irrfan Khan are also wasted in their roles, the latter being given a role very similar to a poor man’s Bond villain as he plays a character that leaves the audience asking… is that even a profession?
The best way to enjoy Inferno is to just go into the cinema expecting a fun film. While it isn’t exactly a borefest it certainly lacks the suspense of Angels & Demons and is a lot more clichéd than the Da Vinci Code. Did the Robert Langdon franchise need Inferno? Probably not!
Summary: A story set on the offshore drilling rig Deepwater Horizon, which exploded during April 2010 and created the worst oil spill in U.S. history.
Australian Cinema Release Date: 6th October 2016
Australian DVD Release Date: TBA
Director: Peter Berg
Screenwriter: Matthew Michael Carnahan, Matthew Sand
Cast: Joel Allen (Old Man Carl), Stella Allen (Sydney), Jonathan Angel (Gordon Jones), Peter Berg (Mr. Skip), Robert Walker Branchaud (Doug Brown), Anthony Centonze (Dan Barron/Roughneck #1), Joe Chrest (Sims), James DuMont (O’Bryan), J.D. Evermore (Dewey A. Revette), Henry Frost (Shane M. Roshto), Douglas M. Griffin (Landry), Garrett Hines (Wyman Wheeler), Michael Howell (Roy Wyatt Kemp), Kate Hudson (Felicia), Jason Kirkpatrick (Aaron Dale Burkeen), Garrett Kruithof (Karl Kleppinger Jnr.), Brad Leland (Kaluza), David Maldonado (Kuchta), John Malkovich (Vidrine), Terry Milam (Keith Blair Manuel), Dylan O’Brien (Caleb Holloway), Mayla Parker (Natlie (voice)), Jason Pine (Stephen Ray Curtis), Gina Rodriguez (Andrea Fleytas), Kurt Russell (Jimmy Harrell), Jeremy Sande (Adam Weise), Juston Street (Anthony Gervasio), Ethan Suplee (Jason Anderson), Deneen Tyler (Paula Walker), Mark Wahlberg (Mike Williams), Ronald Weaver (Donald Clark)
Runtime: 107 mins
OUR DEEPWATER HORIZON REVIEWS & RATINGS:
Peter Berg (Friday Night Lights) has to be one of the most underrated film directors going around. Barring the ill-fated Battleship Berg has created always created films and television shows that felt as natural as can be. Lone Survivor made the audience feel that they were right there on the battlefield while many made the mistake of watching Friday Night Lights and thought they were watching a reality television show about a High School football team. Now Berg has taken that natural style of film-making and introduced it to the disaster film genre.
Deepwater Horizon tells the true story of electrician Mike Williams (Mark Wahlberg – Lone Survivor) who in 2010 left his wife, Felicia (Kate Hudson – Almost Famous), and once again went to work on the oil rig named ‘Deepwater Horizon’ in the Gulf Of Mexico. What he didn’t know was that on that fateful day due to poor work safety practices by BP an accident would occur that would cause the rig to erupt into flames. Suddenly Mike and his colleagues including his boss Mr. Jimmy (Kurt Russell – The Thing), radio operator Andrea Fleytas (Gina Rodriguez – Filly Brown), hard worker Caleb Holloway (Dylan O’Brien – The Maze Runner) and BP representative Vidrine (John Malkovich – Red 2) all find themselves fighting for their lives.
As a filmmaker Berg should be congratulated for his work with Deepwater Horizon. It was no secret that some of the survivors of the real Deepwater Horizon disaster were hesitant in wanting this film to be made, but they need not of worried. Berg certainly doesn’t ‘trivialize’ the memory of the men who died on that fateful day by making this a popcorn action film. Instead he makes this a character drama about not only the men who died on that day but also shows the world the valiant actions of people like Mike Williams whose brave acts saved many of the workers. To his credit Berg also doesn’t hide the facts of exactly what happened that day – no he points the finger firmly at BP without any hesitation even though he wouldn’t have known how the huge corporation would have reacted to it.
Many films these days claim to be suspenseful but few filmmakers have the skills to make the audience feel as part of the action and suspense as Berg does here. While with Lone Survivor the audience felt they were there on the side of the hill during the battle here Berg’s realistic style of directing makes the audience feel you are right there on the rig with Mike… you even at times feel like you can feel the heat of the flames against your skin.
Berg’s filmmaking is also well supported by his screen writers who don’t waste time making this film too scientific. The audience is given bite-sized pieces of information about what an oil rig does and what has gone wrong here but they never forget that at the heart of this film it is a character drama. So instead of focusing on the ins and outs of the rig they concentrate the suspense around a man trying to get home to his daughter and wife and a scared woman trying to survive in order to see her partner again. The fact that little things like a dinosaur tooth for show-and-tell and car problems back home are so seamlessly inserted into the script just go even further into humanizing this story. Having said that though it is also important to point out the Berg and his cinematographer, Enrique Chediak (The 5th Wave), also create some amazing action sequences as the rig burns against a night sky.
As a director Berg also brings the best out in his cast. Here Mark Wahlberg delivers the best of both worlds as he plays the action hero extremely well but also has the dramatic acting ability to pull off the character driven elements of the screenplay as well. Kurt Russell also benefits from one of the more meatier roles he has been given over the years and he is well matched by John Malkovich who is technically this film’s ‘bad guy.’ Despite her limited screen time Kate Hudson is also one of the standouts of the film.
Deepwater Horizon is proof that a modern day disaster film can actually find the right mix of action and character drama. Brilliant directing by Peter Berg makes this one of the must see films of 2016.
Average Subculture Rating (out of 5):
Other Subculture Entertainment Deepwater Horizon Reviews: Nil