Disney have decided to let movie fans get a look behind the scenes of the brand new Nutcracker film. So take a look as Keira Knightley, Mackenzie Foy, Helen Mirren, Guy Hendrix Dyas, Eugenio Derbez and Misty Copeland take us behind the scenes to show us just how much hard work went into The Nutcracker And The Four Realms.
Disney have given fans the first look at Mary Poppins Returns with the release of the trailer last night. The film is directed by Rob Marshall (Into The Woods, Chicago) and stars Emily Blunt (Edge Of Tomrrow, The Adjustment Bureau) as Mary Poppins with Colin Firth (A Single Man, The King’s Speech) playing William.
Cult director Eli Roth (Hostel, The Green Inferno) returns to the big screen this week with his brand new family ‘horror’ The House With A Clock In It’s Walls‘. Starring Cate Blanchett (Blue Jasmine, Lord Of The Rings),Jack Black (King Kong, School Of Rock) and Owen Vaccaro (Daddy’s Home, Mother’s Day) the film will be in cinemas this Thursday so watch out for it.
When Clara finds herself in a strange and mysterious parallel world that’s home to Land of Snowflakes, Land of Flowers and Land of Sweets, she must brave the ominous Fourth Realm and its ruling tyrant, Mother Ginger, to return harmony to the unstable world.
All Clara (Mackenzie Foy) wants is a key – a one-of-a-kind key that will unlock a box that holds a priceless gift from her late mother. A golden thread, presented to her at godfather Drosselmeyer’s (Morgan Freeman) annual holiday party, leads her to the coveted key—which promptly disappears into a strange and mysterious parallel world. It’s there that Clara encounters a soldier named Phillip (Jayden Fowora-Knight), a gang of mice and the regents who preside over three Realms: Land of Snowflakes, Land of Flowers and Land of Sweets. Clara and Phillip must brave the ominous Fourth Realm, home to the tyrant Mother Ginger (Helen Mirren), to retrieve Clara’s key and hopefully return harmony to the unstable world. Starring Keira Knightley as the Sugar Plum Fairy and featuring a special performance by Misty Copeland, Disney’s new holiday feature film “The Nutcracker and the Four Realms” is directed by Lasse Hallström and inspired by E.T.A. Hoffmann’s classic tale. In Cinemas November 2018.
DISNEY’S NUTCRACKER AND THE FOUR REALMS – IN CINEMAS NOVEMBER 22
Summary: Gru meets his long-lost charming, cheerful, and more successful twin brother Dru who wants to team up with him for one last criminal heist.
Australian Cinema Release Date: 15th June 2017
Australian DVD Release Date: 20th September 2017
Director: Kyle Balda, Pierre Coffin, Eric Guillon
Screenwriter: Ken Daurio, Cinco Paul
Cast: Julie Andrews (Gru’s Mom (voice)), Michael Beattie (The Scar Faced Man/TMZ Announcer (voice)), Russell Brand (Dr. Nefario (voice)), Steve Carell (Gru/Dru (voice)), Adrian Ciscato (Niko (voice)), Pierre Coffin (Mel/The Minions (voice)), Steve Coogan (Silas (voice)), Miranda Cosgrove (Margo (voice)), Dana Gaier (Edith (voice)), Andy Nyman (Clive (voice)), Trey Parker (Balthazar Bratt (voice)), Nev Scharrel (Agnes (voice)), Jenny Slate (Valerie Da Vinci (voice)), Kristen Wiig (Lucy Wilde (voice)),
Runtime: 90 mins
OUR DESPICABLE ME 3 REVIEWS & RATINGS:
If you’ve got kids then you’ve certainly heard of the Despicable Me franchise. What a lot of people don’t realise is that while Despicable Me has become one of the most popular film franchises amongst families it also changed the entire animated film game. There was once a time when Pixar ruled that market but the arrival of the original Despicable Me saw a new challenger enter the ring and that challenger took it straight up to Pixar blowing them out of the water.
This new Despicable Me movie is technically the fourth film in the franchise (three Despicable Mefilms and one Minions films) and shows that there is certainly still a lot of life left in these films as the creative team behind it has once again found new ways to breathe new life into it and keep it interesting.
This new film sees Gru (Steve Carrell) now firmly entrenched as Lucy’s (Kristen Wiig) life and work partner. And while Lucy is having trouble coming to terms being a mother to Margo (Miranda Cosgrove – School Of Rock, Drake & Josh), Edith (Dana Gaier – 30 Rock, The Icecream Truck) and Agnes (Nev Scharrel – Fun Size Horror: Volume One, Clippings) Gru is slowly getting used to now taking down villains instead of being one… but then even he fails the test when Balthazar Bratt (Trey Parker – ) steals one of the world’s largest diamonds.
The resulting stuff-up sees both Gru and Lucy fired from their jobs and while they are soul-searching at what they should do next with their lives Gru learns that he has a twin brother. Upon getting to know his brother Gru learns more and more about his life and soon finds himself wondering if turning his back on being a villain was really such a wise decision, especially when his beloved Minions leave him and start looking for greener pastures elsewhere.
Like the films before it in the franchise Despicable Me 3 has some great elements of humour that will have the whole family laughing while also touching on some very deep issues that many families have to come to grips with in everyday life – the storyline of Lucy trying to learn how to be a mother to the three girls is told in a way that many people could relate to. Likewise, the storyline of Agnes having to learn things such as unicorns not being real is something that every kid has to face at some time.
On the flipside, the film never loses site of the fact that it is also supposed to make families laugh. This is achieved in a number of different ways by the team of screenwriters behind the film, from the usual slapstick comedy of Gru and co getting hurt right through to the creativeness of the new villain – Balthazar Bratt. While the back story of being a childhood star may go right over the head of kids watching the film the great ‘music and dance battles’ that he is involved in certainly won’t. Credit needs to be paid on how creative they have been with this villain, Bratt actually ends up being memorable than any of the baddies Marvel have created recently.
Having praised the screenwriters for making Despicable Me 3 so funny I also have to point out that the film also lacks a little from the fact that the Minions don’t have such a big role this time around. Yes the Minions are around, and yes they do have their own little storyline, mainly about them leaving Gru, but that story almost feels tacked on and the film really does feel like it is lacking any brilliant ‘banana’ moments like we have had in the past… let’s hope instead that we get another Minions film sometime soon.
There is an air of difference around Despicable Me 3 to all the films in the series but this is a film that is going to be lapped up by those that have grown up watching the franchise. The film does have its laugh-out-loud moments and also contains some valuable life lessons. Yes, Gru is back and once again he is on a winner!
Average Subculture Rating (out of 5):
Other Subculture Entertainment Despicable Me 3 Reviews: You can listen to Dave’s Despicable Me 3 review on the 15/06/2017 episode of That’s Entertainment.
Summary: An iconic Australian story of family, friendship and adventure, between a young boy and a scrappy one-of-a-kind dog that would grow up to become an Australian legend.
Australian Cinema Release Date: 26th December 2016
Australian DVD Release Date: TBA
Director: Kriv Stenders
Screenwriter: Daniel Taplitz
Cast: Josie Alec (Abby), Caitlin Berestford-Ord (Catherine), Syd Brisbane (Big John), Bryan Brown (Grandpa), Kee Chan (Jimmy Umbrella), Justine Clarke (Diane Carter), Thomas Cocquerel (Stemple), Jon Doust (McLeod), Alla Hand (Gilliam Shaw), Jason Isaacs (Michael Carter), John Jarratt (Lang Hangcock), Hanna Mangan Laurence (Betty), Steve Le Marquand (Little John), Winta McGrath (Nicholas Carter), Zen McGrath (Theo Carter), Levi Miller (Mick), Kelton Pell (Durack), Igor Sas (Dr. Samuel), Calen Tassone (Taylor Pete)
Runtime: 88 mins
OUR RED DOG: TRUE BLUE REVIEWS & RATINGS:
Nobody ever expected the original Red Dog film to go onto the greatness that it did when it was released back in 2011. Somehow the little Aussie family film showed the world that the Australian film industry wasn’t dead. While the industry had seen many Aussie filmmakers try the comedy vein, it seems it was the family comedy vein that still had life in it. The film grossed over $21 million in Australia alone.
Of course, not surprisingly word of a Red Dog sequel started to seep through while the first film was still raking in money at the box office. The only man who didn’t seem interested in the concept was the director Kriv Stenders (Boxing Day) who was already busy on his next project – the cult film Kill Me Three Times starring Simon Pegg. Along the way, though something changed and now five years later we find ourselves sitting down to watch a prequel to the original – Red Dog: True Blue.
There is little wonder that Stenders was nervous about making another Red Dog film, a dud could tarnish the legacy that the first left behind. Luckily though Stenders once again teamed up with screenwriter Daniel Taplitz (Chaos Theory) and together the two men came up with a film that is different enough from the original film to give it its own identity, but not different enough to alienate fans of the first in the series.
This second film is told through the eyes of a Perth father Michael Carter (Jason Isaacs – Black Hawk Down) who after watching the original Red Dog movie in the cinema recounts the story of how he was actually the original owner of Red… or Blue as he was called back then. His story tells of his younger self (Levi Miller – Pan) being forced to leave home because of his mentally unstable mother and moving to outback Western Australia where he lived with his grandfather (Bryan Brown – Australia). On a cattle station.
The story sees Mick meet Blue and tells of the adventures that they had together including Mick falling in love for the first time, with his tutor the young and beautiful Betty (Hanna Mangan Laurence – Acolytes).
Fans of the original film will see very early on that Stenders and Taplitz are onto a winning formula when they see the creative way that leads to Michael Carter telling his story. While it seems a little strange for the film to be referencing the first film so openly, but at that same time it so creative that you can’t help but applaud at the pure genius act that the two men have managed to deliver.
While Red Dog: True Blue is creative it does lack a little of the emotion that we felt from the first film. I’m man enough to admit that I teared up twice during Red Dog, but here Stenders and co takes the film in a completely different direction, this time the film is a pure coming of age story that sees a young boy take his dog with him on the start of life’s journey. While the film does also have a few moments that are likely to make you chuckle it doesn’t have anywhere near as many comedic moments as the first movie either.
Those that benefit from Stenders work here is the cast. Levi Miller is almost unrecognisable as the younger version of Mick and he settles into the period style of the film well. It is great to see Hanna Mangan Laurence back on the big screen and hopefully, we see her there again soon while as usual Bryan Brown leads the way with a mature performance as he leads the cast despite seemingly being in auto-pilot for most of the film. The big scene stealer here though is John Jarratt (Wolf Creek) who has a cameo as mining magnate Lang Hancock… and boy is it a cameo to remember.
Red Dog: True Blue is a smooth, enjoyable ride for the whole family. It might not reach the heights that the first film did but it is still a film that holds its own and reminds audiences just how fun it still can be to watch a coming-of-age story. The fact that it is being released on Boxing Day makes it the perfect family cinema outing this holiday season.
Average Subculture Rating (out of 5):
IMDB Rating: No rating available.
Other Subculture Entertainment Red Dog: True Blue Reviews: Dave Griffiths broadcast a Red Dog: True Blue on 2UE’s That’s Entertainment on the 8th December, 2016.
Summary: The adventures of writer Newt Scamander in New York’s secret community of witches and wizards seventy years before Harry Potter reads his book in school.
Australian Cinema Release Date: 17th November 2016
Australian DVD Release Date: TBA
Country: USA, UK
Director: David Yates
Screenwriter: J.K. Rowling
Cast: Peter Braitmayer (Mr. Bingley), Gemma Chan (Madam Ya Zhou), Josh Cowdery (Henry Shaw Jnr/Senator Shaw), Johnny Depp (Grindelwald), Rudi Dharmalingham (Ranjit), Christian Dixon (Momolou Wotorson), Henry Douthwaite (Skender), Carmen Ejogo (Seraphina Picquery), Colin Farrell (Graves), Dan Fogler (Kowalski), Kevin Guthrie (Mr. Abernathy), Ellie Haddington (Mrs. Esposito), Dan Hedaya (Red), Tom Hodgkins (Barker), Denis Khoroshko (Banker Smirnoff), Zoe Kravitz (Lestrange), Alan Mandel (Mr. Goldstein), Ezra Miller (Credence Barebone), Samantha Morton (Mark Lou), Wunmi Mosaku (Beryl), Jenn Murray (Chastity Barebone), Martin Oelbermann (Heinreich Eberstadt), Ron Perlman (Gnarlack), Ronan Raferty (Langdon Shaw), Eddie Redmayne (Newt), Alison Sudol (Queenie), Jon Voight (Shaw Senior), Katherine Waterson (Tina), Matthew Wilson (Sam The Obliviator), Faith Wood-Blagrove (Modesty Barebone)
Runtime: 133 mins
OUR FANTASTIC BEASTS AND WHERE TO FIND THEM REVIEWS & RATINGS:
Welcome back to the Harry Potter universe. Over the years many franchises have tried to tap into the young adult mark. Twilight, The Hunger Games, Divergent etc have come and gone, and yes they have all done well at the box office… but none quite as well as the behemoth known as the Harry Potter franchise. See where Potter could gloat over the others was the fact that its films were not only embraced by fans but also received critical acclaim as well. Yes there was more than just a few of us that were drawn into a world consisting of Hogwarts, muggles and spells a plenty.
Now J.K. Rowling takes us back into the Harry Potter with Fantastic Beasts And Where To Find Them, this time there is even a more literal sense to that statement because for the first time in the franchise’s history Rowling puts on the hat of screenwriter… something it seems she should have done a long time ago.
While Fantastic Beasts And Where To Find Them is set in the Potter universe don’t be expecting the re-appearance of Harry, Ron and Hermoine. No this is set 70 years prior to the trio’s arrival at Hogwarts and centres on another of Dumbeldore’s students – the young wizard Newt Scamander (Eddie Redmayne – The Danish Girl) who travels to New York on the simple mission of returning one of the magical creatures that he has rescued back to its rightful home.
After an innocent mix-up with a baker who has dreams of setting up his own shop, Jacob Kowalski (Dan Fogel – Kung Fu Panda), some more of his menagerie escape into the Big Apple. There escape catches the eye of a recently demoted Ministry of Magic Detective, Porpentina Goldstein (Katherine Waterston – Steve Jobs) who immediately reports Scamander to her bosses Seraphina Picquery (Carmen Ejogo – Selma) and Percival Graves (Colin Farrell – Total Recall). They immediately believe that he is responsible for a spate of recent attacks that have put the magic world on the brink of war with the non-magics (America’s answer to muggles) and Scamander finds himself in a battle to not only protect his creatures but also find the real culprit for the attacks.
Many fans of the original Potter franchise are going to find themselves in for a journey of differences this time around. While Rowling allows the story to share some familiarities with the original series, things such as those practicing magic not being understood or accepted by those who view them as different, an awkward young wizard out of his depth and the basic battle of good versus evil she also takes some bold steps this time around. Fantastic Beasts And Where To Find Them sees her tackle stories as wide as police corruption and child abuse. Perhaps the biggest surprise this time around though is the scale of the events that Rowling has dreamed up. Alongside her director David Yates (The Legend Of Tarzan) Rowling has conjured up events and a plot that at times rivals the action and scale of a film like X-Men or Man Of Steel. She also allows the film to capture the class and style of 1930’s New York remarkably well too. To her credit she pulls it off so well we can only hope that we see her take on the role of screenwriter many more times in the future.
The other big surprise with this film is that despite its big scale action sequences and heavily slanted fantasy theme the film also allows for a great deal of characterisation. Without spending too much time on a tiresome ‘set-up’ of characters Rowling throws her audience in at the deep end with amazing results. You are quickly won of by the awkward Scamander while the comedic character traits of Jacob and Queenie (Allison Sudol – The Lucky One) quickly make them fan favourites. Romantic interests developing between Jacob Queenie as well as Scamander and Goldstein move the story along with the odd light moments sprinkled between the suspense around characters like Credence (Ezra Miller – The Perks Of Being A Wallflower) and Gellert Grindelwald (Johnny Depp – Pirates Of The Caribbean) keep the audience on the edge of their seats.
This characterisation also allows some actors to step up in ways you wouldn’t expect to them in a film like this. Colin Farrell relishes being in a film of this scale again and manages to steal many of the scenes he appears in. It’s like he knows that roles such as this are rare for him these days and he excels whether he is called upon to deliver an action sequence or a more dramatic emotional scene. Eddie Redmayne also makes the role of Scamander his own but the real surprises here at the performances of Katherine Waterson, Dan Fogler and Allison Sudol who step-up onto the big stage in a huge way and really show their talents. Sons Of Anarchy fans should also look out for Ron Pearlmanin a memorable cameo as well.
While I’ll admit that I was eagerly awaiting the arrival of Fantastic Beats I never expected to enjoy it as much as I did. The fact that Rowling can deliver a film with this much action is a real surprise while it seems she has created more characters that are likable enough to become household names. With the other announcement that there will be four more films in this franchise all I can say is bring them on… I can’t wait.
With the lucrative Harry Potter franchise done and dusted, author J K Rowling has expanded on her Potterverse with this stand alone tale set some seven decades before the adventures of the boy wizard. Fantastic Beasts And Where To Find Them serves as the launching pad for a new post-Potter franchise set against the world of magic and sorcery, and somewhat ambitiously another four films have been planned for the series so far.
The film follows the misadventures of magizoologist Newt Scamander (played by Oscar winner Eddie Redmayne) who has just completed a global excursion for the Ministry of Magic to document the varied and amazing array of magical creatures in the world. He will go on to write the fictional text book that became mandatory reading at Hogwarts.
But the time is now 1926 and the setting a pre-Depression era New York. It is also a time of heightened tensions between humans and the magical community, and suspicion, paranoia and intolerance that has driven most of the wizards underground. The magical community that keeps a low profile after the actions of dark wizard Gellert Grindelwald (a cameo from Johnny Depp). There is a secret society known as the Second Salemers that are leading a campaign to identify witches within the community.
Scamander has stepped off the boat for a short stop over in New York. He carries with him a battered leather suitcase that contains some samples of strange creatures great and small. He accidentally bumps into klutzy wannabe baker and no-maj (the American term for a muggle) Jacob Kowalski (Dan Fogler), who is also carrying a battered suitcase containing samples of his pastries. They somehow manage to switch suitcases, and Kowalski accidentally unleashes some fantastic beasts onto the unsuspecting city. The release of the creatures attracts the attention of the Magical Congress of The United States of America, a sort of magic police force.
Porpentina Goldstein (played by Katherine Waterston) is an auror, a dark wizard catcher, who has fallen out of favour with MCUSA and she sets out to redeem herself by catching Scamander and his creatures before they can bring harm to the city. She teems up with her mind reading sister Queenie (Alison Sudol), Scamander and Kowalski. But there is a mysterious threat to the city from some elusive and dangerous force that is also wreaking havoc. And the uncompromising Percival Graves (a sullen, sinister Colin Farrell), the director of Magical Security with MCUSA, also has his own agenda and is involved in some shady dealing with the troubled teen and ostracised wizard pupil Credence (Ezra Miller).
Rowling has written the screenplay herself which is based on the short story she wrote in 2011 and published under the pseudonym of Newt Scamander. But it is a little convoluted and very busy with several subplots. There are a lot of ideas at play here but not all of it works. As usual Rowling has created a world that operates within its own set of sometimes flexible rules, and she has created a unique language. Fantastic Beasts has a dark and whimsical tone that is far removed from the lighter tone of the early Potter movies.
The director is David Yates, who helmed the final four films of the Potter series, so he is familiar with the demands of the material. The action is dominated and overwhelmed by the impressive array of CGI effects in an effort to distract from the lack of cohesive narrative and well defined characters. Unlike the Potter series here we don’t get as emotionally involved with the characters. There are indeed some fabulous creations here, including a kleptomaniac platypus; but there is one creature that looks suspiciously like a deflated rubber toy! And the over the top finale almost destroys as much of New York as the Marvel characters.
There are some nice performances though. Redmayne brings a boyish quality to his reading of Scamander, and he brings plenty of nervous energy, nervous tics and mannerisms to the character that are somewhat endearing. Farrell is gruff and taciturn as the sinister Graves but he also appears bored at stages. Fogler provides plenty of comic relief. Waterston brings strength and a feisty quality to her Porpentina, while singer turned actress Subol brings a perky energy to her role. Jon Voight is wasted in a small and thankless role as Henry Shaw, a powerful newspaper magnate leading a crusade against magic and wizardry.
The film offers up a visually impressive environment, and it has been superbly shot by Philippe Rousselot, whose use of sepia tones imbues the material with a strong touch of nostalgia. The authentic period detail brings 1920s New York to life. Colleen Atwood’s costumes also add to the stylish and strong visual look of the film.
The film’s themes of intolerance, paranoia, bigotry and suspicion will resonate strongly with audiences, especially given recent political events in America. But this is a flawed film, and whether Fantastic Beasts and Where To Find Them has the legs to support another four films in the series remains to be seen.
You can listen to Nick Gardener’s Fantastic Beasts And Where To Find Them review from The Wednesday Motley Crew right here.
Fantastic Beasts And Where To Find Them, directed by David Yates and starring Katherine Waterston, Dan Fogler, Fine Frenzy and Eddie Redmayne, being with it the return of the Wizarding world we have all grown fond of from the Harry Potter series.
I loved that this film, even while being part of the Harry Potter franchise, gave its own reputation. It didn’t rely too much on the success of Harry Potter to make this film successful. The characters were all cast perfectly, the film had some genuinely funny moments and the action, drama and of course the magic were all balanced out really well in my opinion.
It was fantastic to see magic from the Wizarding world back on screen once again and at the same time bring concepts of the Wizarding world that were never discussed in Harry Potter. I loved that they kept this fresh and interesting with a whole new story line and broad range of new characters.
In some movies I find myself getting bored towards the middle of the film but in Fantastic Beasts there was nothing that allowed me to be bored because there was constantly something interesting happening on screen. The scenery, special effects and all over direction of the film was done really well and I highly recommend going and seeing the film if you are a Harry Potter fan.
Average Subculture Rating (out of 5):
Other Subculture Entertainment Fantastic Beasts And Where To Find Them Reviews: You can also listen to our Fantastic Beasts And Where To Find Them reviews on The Good The Bad The Ugly Film Show Ep #202. You can listen to Dave’s Fantastic Beasts And Where To Find Them review on the 10/11/2016 episode of That’s Entertainment.
Summary: Clinging to an unfinished letter written by her recently deceased father, young Momo moves with her mother from bustling Tokyo to the remote Japanese island of Shio. Upon their arrival, she begins to explore her new habitat, meeting local children and learning their routines and customs. However, it’s not long before several bizarre occurrences crop up around the previously tranquil island. Orchards are found ransacked, prized trinkets start disappearing and, worst of all, each morning after her mother leaves for work, Momo hears strange mumblings coming from the attic of their home. Annoyed by these creepy goings-on and her mother’s refusal to believe them, Momo embarks on a strange and supernatural adventure to discover the source of the mischief, which leads her to a trio of troublesome imps: the flatulent lizard Kawa, the childlike Mame and their hulking ogre leader Iwa. Momo also learns that her visit to the island is in some way connected to her father’s mysterious letter.
Australian Cinema Release Date: N/A
Australian DVD Release Date: 6th July 2016
Director: Hiroyuki Okiura
Screenwriter: Hiroyuki Okiura
Cast: Daizaburo Arakawa (Kazuo Miyaura (voice)), Frank Ashmore (Great Uncle (voice)), Bob Bergen (Mame (voice)), Kota Fuji (Yota (voice)), Kanoa Goo (Yota (voice)), Katsuki Hashimoto (Umi (voice)), Mia Sinclair Jenness (Umi (voice)), Karen Miyama (Momo Miyaura (voice)), Yuichi Nagashima (Mame (voice)), Toshiyuki Nishida (Iwa (voice)), Takeo Ogawa (Koichi (voice)), Amanda Pace (Momo Miyaura (voice)), Yoshida Sakaguchi (Great Uncle (voice)), Philece Sampler (Great Auntie (voice)), Stephanie Sheh (Ikuko Miyaura (voice)), Dana Snyder (Kawa (voice)), Ikuko Tani (Great Auntie (voice)), Fred Tatasciore (Iwa (voice)), Kirk Thornton (Kazuo Miyaura (voice)), Koichi Yamadera (Kawa (voice)), Yuka (Ikuko Miyaura (voice)), Rick Zieff (Koichi (voice))
Runtime: 120 mins
OUR A LETTER TO MOMO REVIEWS & RATINGS:
A Letter To Momo is a Japanese animated feature, produced by Production I.G. and directed by Hiroyuki Okiura. It is released on DVD and BluRay in Australia by Madman Entertainment.
A Letter To Momo is a beautiful story and very true-to-life in it’s character portrayal and relationship aspects. This then melds with the fantastic and supernatural as Momo meets her ‘guardian angels’ who have taken unique forms from an old comic she was reading.
Shocking and hilarious moments ensue as she tries to deal with an unreal situation on top her own emotional ordeals after the death of her father and sudden move to a new home.
As we settle into life at the same time as Momo we experience childhood again and feel her bashfulness as her mother tries to force a friendship with local children (only to embarrass Momo) and relive all of the typical moments of childhood.
The real stirring begins when we learn what has brought Momo and her mother to this new life and how deeply the impacts of recent tragedy still play on this child’s heart and mind. The natural and ‘everyday’ way that the storytelling works is something the director and writers should be commended for.
The characters are brilliant – the humans are believable and ‘true’, while the otherworldly are fantastic and engaging and lovable despite their mischief.
One cannot help but care for Momo and want the best for her in each situation. A few moments I wanted to cry for the emotional jolts and later again for the pure joy and enjoyment I took from this movie.
As usual, I watched the production in the original Japanese which I think is an absolute must for this movie. The portrayals are true for each character and not ‘hightened’ like mass media anime. This is a real character piece with honest emotion and performances which I think would be harmed by dubbing over language and mannerisms of an entirely different culture.
The honesty in which it is played makes for a unique and touching experience.
The production overall was, in a word: beautiful.
The unique style, much different than the usual anime ‘manga style’ adds to the believability and draws the viewer more deeply into the story. The production staff have made every effort to bring the audience into the story.
Beautifully painted backdrops, realistic characters and a realistic sense of movement in the animation show just how great the thought and effort has been in the making of this film. The simpler character style and painting creates a more realistic look than expected, with the more predictable and fantastic stuff left for the supernatural figures.
Great direction and storytelling has paid-off for a highly rewarding and encapsulating viewing experience.
This is a great DVD from Madman, which includes Featurettes on the making of the production (which is really great to watch to see how this splendorous movie came to life from concept to completion).
Also included are an art gallery, test clips and trailers. All of these make for a value-packed DVD and an intensely enjoyable and uplifting experience which has quickly become one of my favourite movies.
Average Subculture Rating (out of 5):
Other Subculture Entertainment Black Butler: Book Of Murder reviews: Nil.
Summary: Wide Open Sky follows the heart-warming story of an outback Australian children’s choir. Chronicling their journey from auditions to end-of-year concert, the trials of trying to run a children’s choir in a remote and disadvantaged region are revealed. Here, sport is king and music education is non-existent. Despite this, choir mistress Michelle has high expectations. She wants to teach the children contemporary, original, demanding music. It becomes clear for the children to believe in themselves, they all need someone who believes in them.
Summary: Sun Wukong, (The Monkey King) is a monkey born from a heavenly stone who acquires supernatural powers. After rebelling against heaven and being imprisoned under a mountain for 500 years, he later accompanies the monk Xuanzang on a journey to India. Thus, according to legend, Buddhism is brought to ancient China. This much beloved story, is as much a part of Asian culture as The Iliad and The Odyssey or The Wizard of Oz are to the West.
Australian Cinema Release Date: N/A
Australian DVD Release Date: 18th June, 2014
Country: China, Hong Kong
Director: Pou-Soi Cheang
Screenwriter: Tai-Li Chan, Kam-Yuen Szeto, Edmond Wong
Cast: Joe Chen (Princess Iron Fan), Kelly Chen (Goddess Of Mercy/Guanyin), Calvin Ka-Sing Cheng (Nezha), Siu-Fai Cheung (Heavenly King), Yun-Fat Chow (Jade Emporer), Yitian Hai (Master Puti), Peter Ho (Erlangshen), Aaron Kwok (Bull Demon King), Chung Him Law (Muzha), Cathy Yue-Yan Leung (Caixia Fairy), Gigi Leung (Chang’E), Jing Li (Green Monkey), Hua Liu (Dragon King Of The East Sea), Irene Wang (Caiyun Fairy), Zitong Xia (Ruxue), Hua Yan (Jade Warlord Guard), Donnie Yen (Sun Wukong/Monkey King), Zilin Zhang (Goddes Nu Wa)
Runtime: 90 mins
OUR THE MONKEY KING REVIEWS & RATINGS:
The Monkey King is a Hong Kong Chinese film based on classic stories most famously collected and retold in the novel “Journey To The West”, published anonymously but most commonly attributed to Wu Cheng’en. The screenplay of this film was written by Szeto Kam-Yuen, Edmond Wong, Lola Huo and Dali Chen.
The story revolves around Sun Wukong, the Monkey King, as he is raised to the Heavens to be taught higher skills and learning, including magic, and his subsequent fall and rise (and fall again). It is but an opening portion to the whole story of “Journey To The West”, but sets up and establishes the main character nicely.
The world created in the film is full of beautiful imagery and quite faithful to the legends and beliefs of the centuries these stories were told, even if being an embellished version of the origin part of Sun Wukong’s story. The CG elements were used quite successfully to realise the world and supply some great imagery. It is, however, let down a few times where modern audiences of Hollywood blockbusters might jeer, but it is not so bad as to ruin the overall aesthetic and charm of the movie. The locations created as well as the dragons we see throughout the film tend to be examples of the best computer effects work. I think the points where it falls a little flat are mostly to do with scene structure and how the elements are put together.
There is sometimes a ‘cartoony’ feel to the movie, but this does not jar with the overall tone, which is that of a grand adventure. Part of this is attributed to some of the slightly underdeveloped CG in scenes – such as the one where Sun links his tail affectionately with the vixen girl, Ruxue (Xia Zitong) – or when further animal spirit characters are introduced and they are all performers in costume rather than CG elements. The costume creations are marvellous in this movie, and for the animal spirits this works very well as you have real actors giving them character through movement and behaviour and making them interesting despite having no real development or stake in the plot.
Donnie Yen’s portrayal of Sun Wukong was exceptional, creating a whole character with well thought-out movement style for a monkey, carried right through to the development of a specific fighting style. The more subtle qualities he uses to portray the mischievous, yet good-hearted, protagonist through all of his furry make-up and costuming deserves much praise.
As something of a change to the tradition, Sun is given a love interest as a means to get him invested in the battle to come, and also as a means for the villainous Buffalo Demon King (Aaron Kwok) to manipulate the character into rash and wilful action.
It is the monkey’s impetuousness and naiveté that get him into trouble, as fundamentally he is a child character. This is essentially a morality tale with examples of our basic behaviours and what we need to learn to be better and enlighten ourselves; just as many old tales of myth, legend and religion have told us for centuries. This is an exciting action tale which subtly educates us on the way; a great and colourful adventure for children to watch but equally rewarding for an adult who can more clearly notice the depth.
For kids of the Seventies and Eighties, you may remember the Japanese TV series adaption of “Journey To The West”, titled “Monkey” (no, it’s not named ‘Monkey Magic’ – that’s just a line in the theme song lyrics!). Whether or not it is deliberate, it seems like the director may have given some nods to this famous and beloved series. Most notably was the execution of one of Sun’s tricks – the conjuring of an army (of clones of himself) created by the shedding of strands of his hair. The way it is shown took me right back to watching it in the old show, only with a bit more skill to the effects work.
On the whole, while some of these effects and the structure of the elements could have used some work, the movie itself is very well done and engaging. The end is set-up to carry on into the next chapter of the story where Sun Wukong begins the journey to the West with the boy monk, Tang Sanzang. This story begins in the sequel, released in February 2016.
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