Stan has released the official trailer and poster for the highly anticipated seven-part SHOWTIME event series THE LOUDEST VOICE, starring Academy Award® and Golden Globe® winner Russell Crowe as Fox News founder Roger Ailes. THE LOUDEST VOICE will premiere Monday, July 1 – Only on Stan.
THE LOUDEST VOICE is based on extensive reporting by Gabriel Sherman in his bestselling book, The Loudest Voice in the Room, which included interviews with more than 600 people and Sherman’s reporting for New York Magazine. In addition to Crowe, the star-studded cast also includes Academy Award nominee Naomi Watts as former Fox News anchor Gretchen Carlson, Golden Globe nominee Sienna Miller (Layer Cake) as Ailes’ wife Elizabeth, Oscar® nominee and Emmy® winner Seth MacFarlane (Family Guy) as former Fox News PR chief Brian Lewis, Screen Actors Guild Award® nominee Simon McBurney (The Theory of Everything) as News Corp leader Rupert Murdoch, Annabelle Wallis (Peaky Blinders) as former Fox News booker Laurie Luhn and Aleksa Palladino (Boardwalk Empire) as Ailes’ longtime assistant Judy Laterza. Guest stars include Emmy and Golden Globe nominee Josh Charles (The Good Wife) as Casey Close, Gretchen Carlson’s husband, and Josh Stamberg (The Affair) as former Fox executive, Bill Shine. Emmy nominee Kari Skogland (The Handmaid’s Tale) directed multiple episodes.
In today’s politically charged media landscape, no figure looms larger, even after his passing, than Roger Ailes, who molded Fox News into a force that irrevocably changed the conversation about the highest levels of government. To understand the events that led to the rise of the modern Republican Party, one must understand Ailes. The upcoming limited series takes on that challenge, focusing primarily on the past decade in which Ailes arguably became the Republican Party’s de facto leader, while also touching on defining events in Ailes’ life, including his experiences with world leaders that gave birth to Ailes’ political career and the sexual harassment accusations and settlements that brought his Fox News reign to an end. The series aims to shed light on the psychology that drives the political process from the top down.
The first episode of the event series was written by Oscar winner Tom McCarthy (Spotlight) and Sherman. The project is a co-production from SHOWTIME and Blumhouse Television (Sharp Objects, The Jinx, Get Out). In addition to Crowe, McCarthy serves as executive producer with Alex Metcalf and Emmy winner Jason Blum, as well as Marci Wiseman and Jeremy Gold for Blumhouse Television, Liza Chasin of 3dot Productions, Kari Skogland and Padraic McKinley.
THE LOUDEST VOICE will premiere on Stan July 1 with new episodes weekly
Stan has released the official trailer for the anticipated fourth season of BILLIONS, premiering on Monday, March 18 and starring Oscar® nominee and Emmy® and Golden Globe® winner Paul Giamatti and Emmy and Golden Globe winner Damian Lewis.
When everyone is out for revenge, no one is safe. This is never more true than in season four of BILLIONS. Bobby Axelrod (Lewis) and Chuck Rhoades (Giamatti), former enemies, and Wendy Rhoades (Maggie Siff), the chief counsellor to each, have come together to form an uneasy but highly effective alliance, aimed at the eradication of all their rivals, including Grigor Andolov (guest star John Malkovich), Taylor Mason (Asia Kate Dillon), Bryan Connerty (Toby Leonard Moore) and Waylon “Jock” Jeffcoat (guest star Clancy Brown). Ambition and betrayal have long been at the heart of BILLIONS, and this season all the characters find out exactly how high a price they’ll have to pay to satisfy those needs. The series also stars David Costabile, Condola Rashad, Kelly AuCoin, Jeffrey DeMunn and Malin Akerman, along with new guest stars Samantha Mathis, Kevin Pollak, Jade Eshete and Nina Arianda.
BILLIONS is created and executive produced by showrunners Brian Koppelman and David Levien. The series was also created by Andrew Ross Sorkin.
BILLIONS comes exclusively to Stan as part of its long-term partnership with SHOWTIME. Other shows include Jim Carrey’s KIDDING and Ben Stiller’s ESCAPE AT DANNEMORA, both currently available to stream, BLACK MONDAY starring Don Cheadle, premiering January 21 with a sneak peek now available, THE CIRCUS, Season 4, premiering January 28 and SMILF, Season 2 premiering January 29.
Season Four of BILLIONS premieres exclusively on Stan on March 18 with new episodes weekly, same day as the U.S.
Stan has today announced that the fourth season of the SHOWTIME hit drama series BILLIONS will premiere on Monday, March 18. Starring Oscar® nominee and Emmy® and Golden Globe® winner Paul Giamatti and Emmy and Golden Globe winner Damian Lewis. The first three seasons of BILLIONSare available on Stan.
When everyone is out for revenge, no one is safe. This is never more true than in season four of BILLIONS. Bobby Axelrod (Lewis) and Chuck Rhoades (Giamatti), former enemies, and Wendy Rhoades (Maggie Siff), the chief counsellor to each, have come together to form an uneasy but highly effective alliance, aimed at the eradication of all their rivals, including Grigor Andolov (guest star John Malkovich), Taylor Mason (Asia Kate Dillon), Brian Connerty (Toby Leonard Moore) and Waylon “Jock” Jeffcoat (guest star Clancy Brown). Ambition and betrayal have long been at the heart ofBILLIONS, and this season all the characters find out exactly how high a price they’ll have to pay to satisfy those needs. The series also stars David Costabile, Condola Rashad, Kelly AuCoin, Jeffrey DeMunn and Malin Akerman, along with new guest stars Samantha Mathis, Kevin Pollak, Jade Eshete and Nina Arianda.
BILLIONS is created and executive produced by showrunners Brian Koppelman and David Levien. The series was also created by Andrew Ross Sorkin.
The brand-new season of BILLIONSwill premiere March 18 on Stan
Seasons 1, 2 & 3 of BILLIONSare currently streaming exclusively on Stan
Stanwill exclusively premiereDEUTSCHLAND86, the sequel to the international award-winning historic spy thriller DEUTSCHLAND83, on October 20, with new episodes premiering weekly.
Created by Anna Winger and Jörg Winger, Deutschland86 picks up with Martin Rauch (Jonas Nay), his Aunt Lenora (Maria Schrader) and their colleagues at the East German foreign intelligence agency (HVA) three years after DEUTSCHLAND83. Abandoned by Moscow and desperate for cash, the East German leadership pushes their secret operatives to experiment with global capitalism and save their sinking socialist ship. Long banished to Africa for his sins in 1983, Martin Rauch is now sent back into the field. Dark deals and a dangerous mission lead him to South Africa, Angola, Libya, Paris, West Berlin and finally back to East Berlin, where he must make an impossible decision.
Our hero’s journey plays out to a soundtrack of international pop music – against a backdrop of Perestroika, proxy Cold Wars, the struggle to end Apartheid, a year of terror in Western Europe, and the creeping feeling back home in East Germany, that the end just might be near.
1986: East Germany is broke, Perestroika is real, terrorism plagues Europe, the AIDS crisis intensifies and the struggle against apartheid rages on. Banished for his sins in 1983, Martin Rauch wallows in limbo until his Aunt Lenora conscripts him into her plan to drum up hard currency abroad. They set off on an adventure through Africa, Western Europe and finally home to East Germany. Can mafioso-style Capitalism save Communism just in the nick of time?
Directed by Florian Cossen (Das Lied In Mir, NSU / Die Ermittler – Nur Für Den Dienstgebrauch) and Arne Feldhusen (Stromberg, Der Tatortreiniger), DEUTSCHLAND86 will see the return of cast members Jonas Nay, Maria Schrader, Sylvester Groth, Vladimir Burlakov, Ludwig Trepte, Alexander Beyer, Carina Wiese and Sonja Gerhardt. They will be joined this season by Anke Engelke (Ladykracher), Fritzi Haberlandt (Erbsen Auf Halb 6), Lavinia Wilson (Schoßgebete) and Florence Kasumba (Black Panther, Emerald City).
Executive Producers are Anna Winger, Jörg Winger, Sebastian Werninger and Ulrike Leibfried. Directors of Cinematography are Matthias Fleischer (Heidi) and Kristian Leschner (4 Könige).
DEUTSCHLAND86 is an UFA FICTION production in cooperation with Amazon Germany and Fremantle, supported by the German Motion Picture Fund, Medienboard Berlin-Brandenburg, Creative Europe Media – MEDIA Programme of the European Union and the Department of trade and industry South Africa.
The first season of the series – DEUTSCHLAND83 – won numerous accolades, including an International Emmy, Peabody Award, Adolf Grimme Award and Golden Camera award in Germany. Jonas Nay won the 2016 Golden Nymph for Best Actor at the Festival de Television in Monte Carlo, as well as the German Television Award for his portrayal of Martin Rauch.
Stan announced today it will exclusively premiere HEATHERS, a pitch-black satirical comedy series based on the cult classic film, on September 28 with all episodes dropping at once.
The ten-part series is set in the present day and follows Veronica Sawyer as she deals with a very different but equally vicious group of Heathers, led by the fashionable yet cutthroat Heather Chandler and her sidekicks Heather Duke and Heather McNamara. The much-anticipated reboot perfectly blends drama, love, rivalry and comedy into a modern-day masterpiece.
The series stars Melanie Field, Jasmine Mathews and Brendan Scannell as the new group of Heathers, Grace Victoria Cox as Veronica and James Scully as J.D. Shannen Doherty, who portrayed Heather Duke in the film, has a guest role in the series. Selma Blair, Kurt Fuller,Jamie Kaler, Wallace Langham, Drew Droege, Travis Schuldt and Deanna Cheng also star.
Jason Micallef (Butter), who wrote the pilot script, will serve as executive producer and showrunner, and Leslye Headland (Sleeping With Other People, Bachelorette) directed and was an executive producer on the pilot. Tom Rosenberg and GaryLucchesi executive produce for Lakeshore Entertainment.
HEATHERS will premiere September 28 exclusively on Stan, with all ten episodes dropping at once
Stan has announced that it will premiere the new limited SHOWTIME series ESCAPE AT DANNEMORA on November 19, with new episodes weekly, same day as the U.S.
Directed and executive produced by Emmy winner Ben Stiller, ESCAPE AT DANNEMORA is an eight-hour limited series starring Academy Award winners Benicio del Toro and Patricia Arquette and Golden Globe nominee Paul Dano.
ESCAPE AT DANNEMORA is based on the stranger-than-fiction prison break in upstate New York in the summer of 2015 which spawned a state-wide manhunt for two convicted murderers, aided in their escape by a married female prison employee who carried on months-long affairs with both men. Del Toro plays convicted murderer Richard Matt, an artistic yet intimidating force within the prison, who masterminds the escape. Arquette plays Tilly Mitchell, a working class wife and mother who supervises the prison tailor shop and becomes sexually involved with both men, ultimately agreeing to hide hacksaw blades in frozen hamburger meat to help them get out. Dano plays David Sweat, a convicted cop-killer who may have genuine feelings for Tilly and becomes a reluctant partner in Richard Matt’s plot.
The cast also features Golden Globe and Emmy nominee Bonnie Hunt, acclaimed actor Eric Lange and Emmy nominee David Morse. Produced by SHOWTIME, ESCAPE AT DANNEMORA is written and executive produced by Brett Johnson (Mad Men) and Oscar nominee Michael Tolkin (The Player),who met while working as writers on Ray Donovan. In addition to Stiller, Johnson and Tolkin, Bryan Zuriff (Steve Jobs, Ray Donovan), Bill Carraro (Blade Runner 2049, Terminator: Genisys), three-time Academy Award nominee, Michael De Luca (The Social Network, Fifty Shades of Grey) via Michael De Luca Productions, and Nicky Weinstock for Red Hour Productions serve as executive producers.
ESCAPE AT DANNEMORA comes exclusively to Stan as part of its long-term partnership with SHOWTIME. Other shows include WHO IS AMERICA, currently streaming, Jim Carrey’s KIDDING which will premiere soon and political docu-series THE CIRCUS, which returns September 17.
ESCAPE AT DANNEMORA will premiere exclusively on Stan November 19 with new episodes weekly, same day as the U.S
The Australian film industry has always had an interesting relationship with the genre of television. Over the years we’ve produced some pretty decent sci-fi programs – shows like ‘Farscape’ and ‘Spellbinder’ immediately spring to mind, but for some reason the people providing the money for the industry seem to shy away from the genre, instead looking to push more dour dramas onto the audience. Well now comes a sci-fi show that will hopefully change all of that – Cleverman. Mark my words this show is guaranteed to become a cult classic… it’s just that damn good.
Cleverman is set in the future, a time when Sydney is living under the threat of ‘hairies’ – a so called ‘subhuman’ species who are currently being considered a threat. People react different to the ‘hairies’, Governmental departments led by the likes of Geoff Matthews (Andrew McFarlane – ‘The Flying Doctors’) and McIntyre (Marcus Graham – ‘Mulholland Drive’) see them as a threat that needs to be contained and eventually eradicated. Business-men like Jarrod Slade (Iain Glen – ‘Game Of Thrones’) see them as a way of making a mountain money, while small-time operators like Koen West (Hunter Page-Lochard – ‘Spear’) and his best mate, Blair Finch (Ryan Corr – ‘The Water Diviner’) also see them as a cash cow. Then there are people like Waruu West (Rob Collins – ‘The Wrong Girl’) who are sworn to protect them as they see the treatment of the ‘hairies’ as the same way their Aboriginal ancestors were treated.
It is hard to put into words just how good ‘Cleverman’ really is. This sci-fi goes a lot further than most other shows in the genre and gets so political at times it makes you see Australian history in a whole different light. The screenwriters of this show have taken the wrongs of Australia’s past and condensed into such a format that anybody can see just how wrong the Government have handled things such as the stolen generation and Aboriginal deaths in Police custody over the years. Like the feature film, ‘Red Billabong’, ‘Cleverman’ also explores Aboriginal culture and mythology… two things I’ve probably learnt more about watching this television show then I ever did in my year at high school.
The political side of things pushed to the background this show also works because of the relationships between each of the characters. The growth surrounding the character of Koen has to be seen to be believed and the resulting conflict that these changes cause with his half-brother Waruu ignite the second half of this season. The real test comes when the audience sits in suspense as you wait to see which brother is going to make the right decisions in the season finale.
The hard edged nature of this show also lifts the program high above most other shows airing on television at the moment. Yes there are moments of violence as hairies and humans clash but is things such as a character knowing impregnating his wife with a hairy for scientific research and a hairy being forced into a sick form of prostitution that really makes this program stand out from the pack.
The edgy nature of the program also brings out the best in its cast. Aussie favourites like Tasma Walton (‘Blue Heelers’) and Deborah Mailman (‘The Secret Life Of Us’) are standouts in their strong roles but the stand out here is Iain Glen who dominates the acting stakes as he plays the mysterious Slade whose intentions are often questionable. Credit must also be paid to Hunter Page-Lochard and Rob Collins who both announce themselves as actors to watch in the future with strong performances that make this show a must see.
While firmly planted in the sci-fi genre ‘Cleverman’ is a show that takes a deep look at Aboriginal history and social issues while also providing enough believable drama between its characters to make you want to watch each week. The fact that Season One builds up to a crescendo that looks set to explode in Season Two means this is a show that you have to watch if you haven’t already done so.
Average Subculture Rating (out of 5):
Other Subculture Entertainment Cleverman Season 1 reviews: Nil.
Summary: About Erika who claims that popular boy, Sata is her boyfriend. She has no choice but to make him her fake boyfriend. Unfortunately,he may look like a sweet person, but he is actually an ultra sadist and treat her like a slave.
Wolf Girl & Black Prince is a Japanese animated series, revolving around an off-beat high school romance. It is released on DVD and BluRay in Australia by Madman Entertainment.
I found this series to be an enjoyable watch despite, or perhaps because of, my constantly conflicting feelings about the main pair’s romance. This romance is centred around Erika (the lying ‘wolf-girl’) and her ‘black prince,’ Kyoya.
What, at times, seems like an abusive relationship (or, at least, a pretend relationship) is complicated by sudden glimpses of care and sweetness throughout that keep you building hope in a happy outcome; just as Erika does as she realises the truth of her feelings and confesses her love to Kyoya.
By raising these conflicting feelings within its audience’s minds the story successfully manages to put us in Erika’s place. At times we want her to just end it; it’s a ridiculous situation to be in. And then we suddenly think that there’s more to it, and more to him, and maybe we want to give him another chance…
It’s just like a relationship – especially one that may not be good for us. Still, you do have to wonder why Erika does put up with it and this could be a question that makes you wonder if you want to keep watching once you are past the halfway point and our protagonist is still putting herself through emotional heartache.
However, the truth of the situation is that Erika constantly lands herself in the thick of it with her lies and exaggerations but ends up finding numerous friendships – which is what she set out to do in the first episode of the series as she starts her first day of high school. Find rewards like this is what really makes the show attractive and enticing.
A great array of supporting characters and interrelationships are shown throughout the series. Some characters could have benefited by more screentime, or a longer series, but as the story is Erika and Kyoya’s relationship this would have been extraneous to the main plot and dragged out the painful parts of the relationship to the point where you would probably stop watching.
A lot of time is spent hoping for more details into Kyoya’s past and reasons for his actions which are hinted at but held very close to the chest until the end, unfortunately. It would have been nice to put a bit more of this information in along the way, but it is worth pursuing to the end to get more pieces of the puzzle, despite the harder moments of character ‘sadism’ in the series.
This DVD is only presented in the original Japanese audio with English subtitles (which I prefer, anyway). The characters work with suitable voices that fit the usual archetypes and stereotypes, setting suitable tones for each moment of drama, humour, romance and so on. It is this voice work and the additional characters that keep the entertainment going and lighten the more emotionally draining moments.
This is a well-made series, done in the typical style with the primary focus on exaggerating Erika’s rollercoaster of emotions and highlighting important moments such as the flashbacks to Kyoya’s childhood.
I like that the production team did not resolve every little thing for each and every character, as this is how it is in real life. Despite some heightened drama, you walk away believing in the relationships and characters’ personal / internal dramas; like a window into a single chapter of someone’s life.
Focus is given to the romance and relationships and getting that to a certain point without wholly and conveniently fixing everything in everyone’s lives.
This is a ‘lite’ DVD set, with the only features being the usual textless opening and ending credits. I like this, however, as the theme tunes got stuck firmly in my head. Being a short, complete story I did not feel the set suffered from not having further features, as the real experience is the story itself.
This series is available in stores now from Madman Entertainment.
Average Subculture Rating (out of 5):
Other Subculture Entertainment Wolf Girl And Black Prince reviews: Nil.
Summary: At the behest of the Queen, Earl Ciel Phantomhive hosts a lavish dinner party attended by several of the finest members of polite society—as well as struggling author, Arthur. But as the party reaches its high, a terrible murder takes place and none other than the Earl himself is suspected of the crime.
As a violent storm rages on outside, the death count continues to climb. The Phantomhive household and their eminent guests find they must cooperate in order to solve this mystery before they too fall prey to the mysterious murderer. However, it seems that not even the perfect butler, Sebastian Michaelis, is safe from this horror.
OUR BLACK BUTLER: BOOK OF MURDER REVIEWS & RATINGS:
Black Butler: Book Of Murder is a 2 part miniseries, originally shown in Japanese cinemas, which acts as the fourth instalment of the ‘Black Butler’ anime franchise. It is released on DVD and BluRay in Australia by MadMan Entertainment.
The story revolves around a dinner party at the Phantomhive manour, as ordered by the Queen. Ciel Phantomhive is the Queen’s ‘watchdog’ and although just a boy he always carries out his orders and protects her majesty with the aid of his demonic butler, Sebastian.
In this instalment his loyalty is under scrutiny so the Queen order Ciel to host a dinner for her cousin, where trouble is expected. The trouble in question takes the form of an old-style murder mystery, of the kind seen in classic British mystery novels of Sir Arthur Conan-Doyle and Agatha Christie. This genre has been recreated particularly well, with the added twist of grand scheming and devilry that one expects from the Black Butler series.
Although this very genre-specific story is a slight departure from the usual style of the series, it is a faithful follow-on to the previous 3 instalments. A few inferences in the plot do incorporate details from the previous chapters, so knowledge of these makes for a more rewarding viewing. I found the story to be highly engaging with plot developments that keep you on the edge of your seat to discover the resolution.
Great characters fill this tale with most development being given to the guest cast, being that this is a finite miniseries. The regular cast have already been well developed so it is more important in this instance to get the bit-players across in a way that rounds their characters enough to understand their reactions and behaviours in the context of the narrative. That said, there does seem to be a little more impetus for Ciel to function on his own without relying on Sebastian.
I think the only loss in this regard is not seeing more of the Phantomhive staff have their unique character moments which usually come out more towards the end of each series as a bit of a surprise twist, but this time is incorporated from the start in more subtle ways. However, this leaves little wastage and things proceed naturally toward the ultimate resolution.
The Japanese voice cast are always impeccable and this is how I choose to view my anime. However, I did take the take to check out the American dub for the sake of this review. I don’t think a lot of the voices fit the characters too well – Sebastian for example sounds a little too old and less smooth as his character is often revealed to be.
However, props should be given to the American cast for taking the time and effort to provide suitable accents for each character and their background (predominantly British, with Chinese and Germanic characters). I appreciate that level of effort as it would be otherwise jarring to the audience who are supposed to be immersed in a drama in old England.
The art and animate was brilliant as usual, and the creators have successfully made reference to past elements and tied loose ends. This allows the series to move forward in a new chapter where they can, perhaps, create a new feel or a new beginning.
The characters are unique and their styles and those of Victorian London have been well presented and recreated, with a little bit of ‘anime flair’ to spice it up.
The settings are interesting and beautiful and help to immerse the audience in the world being presented. Action and animation are top quality and always a joy to watch. It’s always hard to look away, especially when Sebastian and the Phantomhive staff get into action.
The DVD is lite on special features, being more of a ‘special miniseries / movie collection’ rather than a full series in its own right. Included on this DVD release are the US trailer and Feature commentary on the second instalment by members of the US voice cast.
The commentary is good for those who watch the dubbed version and enjoy these performers, but for someone like me who enjoys the original soundtrack and the production as a whole it might have been nice to have a featurette or something.
On the whole, this is a very enjoyable anime, and I give it 4 out of 5.
Average Subculture Rating (out of 5):
Other Subculture Entertainment Black Butler: Book Of Murder reviews: Nil.