Category: Film Genre

Hailee Steinfeld and John Cena star in BUMBLEBEE! On the run in the year 1987, Bumblebee finds refuge in a junkyard in a small Californian beach town. Charlie, on the cusp of turning 18 and trying to find her place in the world, discovers Bumblebee, battle-scarred and broken. When Charlie revives him, she quickly learns this is no ordinary, yellow VW bug.

Directed by: Travis Knight

Starring: Hailee Steinfeld, Pamela Adlon, John Cena, Stephen Schneider, Jorge Lendeborg Jr., Jason Drucker, Kenneth Choi, Ricardo Hoyos, Abby Quinn, Rachel Crow, and Grace Dzienny

A cavalcade of stars, including superstars Ben Affleck, Jamie Foxx, Marlee Matlin, Gary Sinise, Jane Seymour, William H.Macy and Geena Davis, feature in CinemAbility : The Art of Inclusion, releasing October 5 on digital from Leomark Studios.

From Director Jenni Gold, the 1st wheelchair using female in the Director’s Guild, and released to coincide with October’s National Disability Employment Awareness Month,CinemAbility reveals a compelling and often amusing look at the history of disability portrayals in entertainment. From the early days of silent films to present-day Hollywood blockbusters, this historic film takes a detailed look at the evolution of “disability” in entertainment over the last 120 years by going behind the scenes to interview celebrities, filmmakers, and studio executives.

With heart and humor, CinemAbility: The Art of Inclusion utilizes clips from Hollywood’s most beloved motion pictures and television programs to shine a light on how the media impacts society and the  monumental effect  these  portrayals  have  on  inclusion.

Featuring Ben Affleck, Jamie Foxx, Marlee Matlin, Gary Sinise, Jane Seymour, Adam Arkin, William H.Macy, Helen Hunt, Kyle MacLachlan, Daryl Mitchell, Beau Bridges, Richard Donner, Peter Farrelly, Randal Kleiser and many more!

CinemAbility : The Art of Inclusion, written by  Jenni Gold and Samuel W. Reed, releases on VOD October 5 from Leomark Studios.

DIRECTOR’S STATEMENT
CinemAbility is in part a love letter to Hollywood, an industry that has consumed my life, and partly a wake-up call. Growing up as a wheelchair user I found many of the representations of people with disabilities on screen to be confusing. I remember every year my family would watch Affair to Remember when it aired on TV and I always found it odd that after Deborah Kerr became a wheelchair user she could no longer pursue the man she loved. I remember hating the sappy Movie of the Week style representations in the 70’s and 80’s. The person in the wheelchair was always syrupy sweet or angry and bitter. It wasn’t until Friday the 13th part 2 came out that I saw a wheelchair user the way I wanted to be seen. He was a cool teenager hanging out in the cabin in the woods just like everyone else, he had a girlfriend just like everyone else, and right before he was about to have the night of his life, he got killed by Jason, just like everyone else. His disability was not the topic and was not a factor in his story line.
As a filmmaker who loves the rich history of Hollywood, I realized that a historical overview of disability portrayals had never been done, and that’s certainly one of the aspects of the project that drew me in. It was fresh and exciting, but as we continued to research and interview more people about their recollections of disability portrayals in film it became clear that this was not the whole story. There was more behind these characters and depictions than the stereotypes that emerged, which in some instances are still adhered to. In fact, what we found was much richer, in that there is a strong correlation between these depictions and how people with disabilities are treated, and as portrayals have become more well-rounded and realistic, actual people with disabilities have become more accepted socially, and more integrated into society.
Being a director with a disability and the only DGA wheelchair using director member, the last thing I wanted to do was make another cookie-cutter documentary about disability. But soon I realized that a film like CinemAbility must be made, and if not by me then who? I knew this story first hand and I knew how to tell it.  So, slowly I started to pitch it and soon I was interviewing A-List Academy Award Winners, Academy of Motion Picture and Guild Presidents, Producers, Studio Executives and the Showrunners of some of the hottest shows on TV.  Hollywood heavyweights came to  the forefront because these are caring people who are interested in good causes, and they realize inclusion is important. They all had something viable and important to say and even had some personal realizations that I caught on camera.
By connecting the dots between how people with disabilities are portrayed and how they are perceived in public, we were able to broaden the story beyond disability, to any minority group that has at one time or other been underrepresented or misrepresented in our media. We show how Sydney Poitier films impacted an entire Civil Rights Movement and how Will & Grace opened the door for homosexual civil rights. But  where did that leave people with disabilities.
I found out very quickly that the changing of portrayals of disabilities in the 80’s lead us toward a major victory in 1990 with the signing of the Americans with Disabilities Act, but after a backslide in these depictions, we might be able to get into the building, but what was the perception of people like me once we were in it? Would there be job opportunities if perceptions were still based on the understanding one gets from what we see in the media?
It suddenly became clear to me that this film was much more important than just recapping the history of a few interesting characters in the history of film, but about documenting the shaping of perceptions of minority groups through the media. And in doing so, I created a platform to do some reshaping of my own. This film has the ability to break down these stereotypes in a way that had never been done before. And most importantly it is done in a fun and entertaining way! People normally hear about a disability-themed documentary and they run for the hills, but those brave enough to take a peek are shocked to find they have a good time and laugh while also being challenged intellectually. As a storyteller, that is my entire goal.
When we started this project over a decade ago, disability was not included in most diversity initiatives, but that is now changing due to new crop of talented, passionate & determined actors with disabilities who have stormed into Hollywood and aren’t taking “no” for an answer. Enlightened Showrunners and Producers are also starting to take chances on stories, characters, and actors that are “different,” and yet it still remains that hardly anyone with a disability is working behind the scenes in Hollywood. It seems to be the perfect time for CinemAbility to open people’s eyes to something new.
DIRECTOR’S BIOGRAPHY
Emmy Winner Jenni Gold is considered a triple threat in the world of entertainment. Her editing and screenwriting skills serve as a foundation for her directorial efforts which have received multiple awards and have placed her among the best in her field. As the only female wheelchair using Director Member of the Directors Guild of America, Jenni is the co-founder of Gold Pictures, Inc, a development and production company which was established in 2001.
In addition to directing the award-winning film CinemAbility, Jenni has become an expert on the power the media has in shaping perceptions, and is an advocate for total inclusion. She serves on the advisory board of the Geena Davis Institute on Gender in Media and has produced a number of films and corporate web series, servicing such well-known clients as The Christopher & Dana Reeve Foundation.
Jenni recently co-produced the soon-to-be-released film Tiger starring Mickey Rourke and Janel Parrish, and she is in post on a horror/comedy film which she directed titled, Aaah Roach, starring Casper Van Dien, Grace Van Dien, Barry Bostwick, and Jason Mewes. Jenni has also co-written and is developing a number of narrative feature films including the suspense thriller Adrenaline and a family film, Lucky. Jenni was also interviewed along with many other high-powered female directors in the newly released documentary This Changes Everything about discrimination in Hollywood.

 

Following his Best Picture Academy Award® winner Moonlight, writer/director Barry Jenkins adapts James Baldwin’s acclaimed novel IF BEALE STREET COULD TALK, a love story set in 1970s Harlem, New York. After her fiancé Fonny (Stephan James) is arrested for a crime he didn’t commit, 19-year-old Tish (newcomer Kiki Layne) and her family struggle against a corrupt justice system in this powerful, brilliantly crafted drama.

IF BEALE STREET COULD TALK had its World Premiere at the 2018 Toronto International Film Festival, where it was Runner-Up for the People’s Choice Award.

 

Uncork’d Entertainment announces a digital/VOD release date of October 2nd for new action-vigilante feature DEATH KISS.

Filmed in Northern California, the film stars Robert Kovacs (who has gained attention for his uncanny resemblance to a certain well-known action star), Daniel Baldwin (JOHN CARPENTER’S VAMPIRES), Richard Tyson (KINDERGARTEN COP, TWO MOON JUNCTION), Eva Hamilton (horror fest fave RUIN ME), Stormi Maya, Leia Perez, Reese Austyn, and Sam Story.

DEATH KISS concerns a vigilante with a mysterious past who goes to a crime-infested city and takes the law into his own hands, at the same time protecting a young mother and her child.

Writer-director is Rene Perez (PLAYING WITH DOLLS: HAVOC).  Producer is Jeff Miller (THE TOYBOX, OUIJA HOUSE), through his company Millman Productions.  Gary Jones helped executive produce through his company Mosquito Entertainment.  Zach Carter served as Supervising Producer.

“Rene’s movie is very cool and stylish.  It feels like a throwback to the Cannon films of the ’80s,” says Miller.  “After an enthusiastic response at Texas Frightmare Weekend in May, we’re excited to show the film to the general public.”

The DVD, with special features such as director’s commentary and the trailer, will be released December 4th.

Cult director Eli Roth (Hostel, The Green Inferno) returns to the big screen this week with his brand new family ‘horror’ The House With A Clock In It’s Walls‘. Starring Cate Blanchett (Blue Jasmine, Lord Of The Rings), Jack Black (King Kong, School Of Rock) and Owen Vaccaro (Daddy’s Home, Mother’s Day) the film will be in cinemas this Thursday so watch out for it.

We all know Paul Dano as an actor who has done amazing work in films like Prisoners and Love & Mercy but now Dano takes the director’s chair with the new film Wildlife. The film, starring Jake Gyllenhaal (Brokeback Mountain, Nightcrawler) , Carey Mulligan (Shame, Never Let Me Go) and Aussie Ed Oxenbould (Better Watch Out, The Visit) today had its trailer released to the public.

 

The cast of the new powerful crime drama The Hate U Give has given us a behind the scenes look of thef film that is due to hit cinemas in October. Starring Amandla Stenberg (The Darkest Minds, The Hunger Games), Regina Hall (Scary Movie, Girls Trip), Anthony Mackie (The Hurt Locker, Captain AMerica: Civil War) and Common (Wanted, Suicide Squad) the film is also directed by George Tillman Jnr (Faster, Notorious).

 

With The Predator hitting cinemas this week we thought it would be a good chance to go  behind the scenes and meet the team of McKenna (Boyd Holbrook – Logan, The Host), Nebraska (Trevante Rhodes – Moonlight, 12 Strong), Coyle – (Keegan-Michael Key – Tomorrowland, Let’s Be Cops), Lynch (Alfie Allen – Game Of Thrones, John Wick), Baxley (Thomas Jane – The Mist, Boogie Nights) and Nettles (Augusto Aguilera – 8, Ice).

Artsploitation has announced the home video release of the Dutch action/sci-fi thriller Molly.  The English-language first feature from co-directors Colinda Bongers and Thijs Meuwese, Molly premiered at the Imagine Film Festival, where Screen Anarchy raved, “like with Turbo Kid two years ago, ingenuity is the name of the game here”.  Molly will be available nationwide October 2nd on Blu-ray, DVD and Digital HD, including iTunes, Amazon Instant Video, Google Play, Vudu and more.
Julia Batelaan makes her feature film debut as the titular Molly, the latest addition to the pantheon of teens standing between evil and the end of the world.
Molly is an electrifying and imaginative tale of one young woman’s determined struggle to survive in an inhospitable world. In a barren landscape ravished by war, a super-powered young woman roams the violent post-apocalyptic landscape, armed only with a bow and arrow, to confront the dangers around her.  When a sadistic ringmaster who runs an underground fight club hears of her supernatural abilities, he sends his sociopathic marauders to capture her and make her a star attraction in his cage fights.