A very special guest landed at Hall H at Comic-Con today with star Tom Cruise dropping by to deliver the first trailer and poster from the eagerly anticipated Top Gun: Maverick.
The film is due in cinemas on June 25th 2020.
eOne and Universal Pictures announced today that Australian screen legend BRYAN BROWN will tour the country to promote new film PALM BEACH.
Star and Producer of the film, Bryan will embark on the national tour, joined in various cities by Director RACHEL WARD, fellow screen legend SAM NEILL, along with ensemble cast JACQUELINE MCKENZIE and HEATHER MITCHELL.
Palm Beach is a drama/comedy about a group of lifelong friends reuniting to celebrate a special birthday with Sydney’s iconic Palm Beach providing a stunning backdrop for the unfolding drama. Starring Bryan Brown, Richard E Grant, Aaron Jeffery, Jacqueline McKenzie, Heather Mitchell, Sam Neill, Greta Scacchi and Claire van der Boom, the good times roll, with loads of laughter, lavish meals, flowing wine and fantastic music, but tensions slowly mount, and deep secrets soon emerge.
An Australian production, the film was shot entirely on Sydney’s idyllic Northern Beaches around Palm Beach, Pittwater, and Barrenjoey Headland.
Cast will attend Local Premieres and Q & A screenings and be available for press opportunities throughout their visit in Adelaide, Perth, Melbourne, Sydney, Brisbane, Gold Coast, Sunshine Coast and Cairns.
From writer-director Keith Sutliff, a non-stop thrill ride through the streets of Los Angeles, The Refuge on digital July 12.
A getaway driver finds himself in harm’s way when he gets caught up in a job involving casino heist money in the adrenaline-charged new crime thriller from Keith Sutliff.
KS Pictures presents The Refuge, starring Keith Sutliff (The Mason Brothers), Julien Cesario (Close Range), Matthew Webb (127 Hours), Reine Swart (The Lullaby), Stefanie Estes (Bethany), Demeterius Stear (Death Pool), Martin Copping (“Hawaii Five-O”) and Cheyenne Buchanan (A Dark Place).
Available on digital platforms July 12.
Stan and Screen Australia, in association with Create NSW today announced a new Stan Original series ‘The Commons’, which will commence production in Sydney and its surrounds next week. The series will be produced by Playmaker in association with Sony Pictures Television who will also handle worldwide sales of the series.
The series will star Golden Globe Winner and three-time Emmy Nominee, Joanne Froggatt (Liar, Downton Abbey, A Crooked Somebody), as well as Damon Herriman (Once Upon A Time in Hollywood, Judy and Punch, Stan’s Perpetual Grace, LTD) in a supporting role.
The eight-hour drama was created by showrunner Shelley Birse (The Code) and written by Shelley Birse, Matt Ford (House Husbands, Hiding), Michael Miller (Pulse, Cleverman) and Matt Cameron (Secret City, Bloom).
Set in the very near future, ‘The Commons’ is a character-driven thriller which plays out at the intersection of climate change and the cutting edge of biotechnology. Part mystery, part relationship drama, it puts a very human face on what’s coming down the road and the heroism that lies inside us all when our backs are against the wall.
Executive produced by Playmaker’s David Taylor and David Maher (Reckoning, Bloom, The Code), Stan’s Nick Forward, Graham Yost (The Americans, Sneaky Pete, Justified) and Fred Golan (Sneaky Pete, Justified, Roswell), and Shelley Birse, ‘The Commons’ is being produced by Diane Haddon (Reckoning, The Code, Friday On My Mind) with Jeffrey Walker (Lambs of God, Modern Family, Riot) as set up director.
“The pairing of Shelley Birse and the legendary Graham Yost is such an exciting prospect. And with actors of the calibre of Joanne Froggatt and Damon Herriman joining the cast, alongside a stellar creative team, ‘The Commons’ continues to demonstrate our ambition as the home of original Australian productions. Thank you to Screen Australia, Create NSW and our partners at Playmaker and Sony Pictures Television for helping us bring Shelley’s incredible vision to the screen,” said Stan’s Chief Content Officer Nick Forward.
Screen Australia’s Head of Content Sally Caplan said “We’re thrilled to see creator Shelley Birse, following on from the success of her series The Code, team up again with Playmaker, as well as an experienced team of writers to deliver this timely drama. Putting a spotlight on the challenges of climate change, ethical boundaries, and the place of motherhood in saving the planet, ‘The Commons’ is set to be a compelling and original series and I can’t wait to see it.”
Create NSW’s Executive Director, Investment & Engagement Elizabeth W. Scott said “I’m delighted that the strength of the NSW screen industry has again attracted another significant production to the State. Thanks to an incentive from our Made in NSW Footloose Australian TV Drama Fund, ‘The Commons’ will provide over 290 jobs across cast, crew and for post-production. With an instantly recognisable cast and experienced crew I know Playmaker’s new production will thrill audiences at home and worldwide.”
“The Commons is a great example of how we look to collaborate across Sony to bring exciting new projects to audiences around the world,” said Wayne Garvie, Sony Pictures Television’s President of International Production. “It’s terrific that Shelley and the Playmaker team are working with Graham Yost and our colleagues from SPT’s US arm to produce this riveting drama.”
“We are delighted to once again be working with Shelley and an extraordinary team of creatives to bring this exciting and powerful drama to life,” said Playmaker’s Taylor and Maher.
‘The Commons’ is a Stan Original Series produced by Playmaker with major production investment from Screen Australia in association with Create NSW. Financed with support from Stan, Sony Pictures Television will handle worldwide sales of the series, which is set to premiere in 2020.
Universal Pictures have this morning released the trailer for THE WHITE CROW. Directed by Ralph Fiennes, the film tells the incredible true story of legendary Russian ballet dancer Rudolf Nureyev and his defection to the West in 1961.
A young man of just 22, dressed in a black beret and a dark narrow suit, is on an aeroplane flying from St Petersburg to Paris. It is 1961 and Rudolf Nureyev, not yet the imperious figure of legend, is a member of the world-renowned Kirov Ballet Company, travelling for the first time outside the Soviet Union.
Parisian life delights Nureyev and the young dancer is eager to consume all the culture, art and music the dazzling city has to offer. But the KGB officers who watch his every move become increasingly suspicious of his behaviour and his friendship with the young Parisienne Clara Saint. When they finally confront Nureyev with a shocking demand, he is forced to make a heart-breaking decision, one that may change the course of his life forever and put his family and friends in terrible danger.
From Nureyev’s poverty-stricken childhood in the Soviet city of Ufa, to his blossoming as a student dancer in Leningrad, to his arrival at the epicentre of western culture in Paris in the early 1960s and a nail-biting stand-off at the Le Bourget airport, “THE WHITE CROW” is the true story of an incredible journey by a unique artist who transformed the world of ballet forever.
Transmission Films has released a new trailer for RIDE LIKE A GIRL, the feature film about Michelle Payne, the first female jockey to win the Melbourne Cup. It is the directorial debut from renowned actor Rachel Griffiths and stars Teresa Palmer, Sam Neill, Sullivan Stapleton, Magda Szubanski and introduces Stevie Payne. RIDE LIKE A GIRL will be released in cinemas on 26th September 2019 and the film will captivate and inspire families across Australia.
As a little girl, Michelle Payne dreams of the impossible: winning the Melbourne Cup — horse-racing’s toughest two-mile race. The youngest of 10 children, Michelle is raised by single father Paddy. She leaves school at 15 to become a jockey and after early failures she finds her feet, but a family tragedy, followed by her own near fatal horse fall all but ends the dream. But with the love of her dad and her brother Stevie, Michelle will not give up. Against all the medical advice, and the protests of her siblings, she rides on, and meets Prince of Penzance. Together they overcome impossible odds for a shot at the dream: a ride in the 2015 Melbourne Cup, at odds of 100 to 1. The rest is history.
Every now and then a film comes along that you just know will launch its lead actor into super-stardom. That is certainly the case when you watch Jessie Buckley in Wild Rose. The gifted Irish actress has made a name for herself in television shows like Taboo but nothing quite prepared anybody for her amazing portrayal of a young woman who has just been released from prison and wants to try and make a name for herself as a country singer in Glasgow in brand new feature film Wild Rose.
“When I first got the script I got it through Tom Harper (the director of Wild Rose) who I had worked on War & Peace with,” says Buckley. “I just love him so much so he could have told me to lay down on a railway and I probably would of. Then I read the script and I was just blown away by the humanity of it. It felt like I was reading a prison break film for all these women that were trying to escape these limitations that society had been trying to tell them that they had to be in. Like for Sophie Okonedo’s character she has been given this life as a house-wife and through Rose-Lynn she breaks out of what her purpose is, and then Rose-Lynn kind of encourages all the women to be courageous and have wants of their own because she is so tenacious in wanting something for herself, and wanting something that is beyond what everybody has told her that she is allowed. I had never seen a female character be so bold, so rusty and unchained. Her bravery and tenacity just blew me away.”
“I grew up in a very musical household,” says Buckley when the conversation turns to the musical side of the film. “My Mom is a harpist and a singer and my Dad is always playing something, or singing, or writing poetry. So it was a very musical house and we listened to everything from Irish traditional music through to blues, jazz, musicals to classical. Yeah, my ears were always open to all kinds of music.”
“I hope it resonates with as many people as possible,” says Buckley thinking really deeply about her answer. “It is… um… it is about an ordinary person doing something really extraordinary and against the odds. She is told that she is allowed to dream and I think that is something that a lot of people relate to – young girls, older girls, men and women – and you know that it is scary to want something for yourself in your life and I hope that it will reach a lot of people realise that if you want something enough and if you believe that you have a purpose to do something that it is possible and you don’t have to sacrifice yourself for that, not who you are or where you come from… it certainly tells that story.”
Wild Rose is in cinemas now.
To celebrate the 40th anniversary of the Oscar-winning Vietnam cult war epic this July, STUDIOCANAL will release a special, never-before-seen cut restored with breathtaking realism by Coppola himself to the highest and finest audio and visual standards, for a truly visceral cinema experience.
Forty years after its original release, audiences will get the chance to experience Apocalypse Now Final Cut, a never-before-seen and newly restored cut of Coppola’s spectacular cinematic masterpiece in a way which the director believes “looks better than it has ever looked and sounds better than it has ever sounded”. STUDIOCANAL and Coppola are “thrilled beyond measure to present the best version of the film to the world”, with special theatrical screenings planned across UK, Germany and Australia.
Restored from the original negative for the first time ever, Apocalypse Now Final Cut is Coppola’s most complete version of his multi-awarded classic -a haunting journey into madness that fascinated generations of movie lovers and now feels even more monumentally alive than ever before.
Apocalypse Now was nominated for 8 Academy Awards® (including Best Picture) and won 2 Academy Award® for Best Cinematography and Best Sound, 2 BAFTAs for Best Direction and Best Supporting Actor and the Palme d’Or in Cannes. Starring Academy Award® winner Marlon Brando (1972, Best Actor, The Godfather), Academy Award® winner Robert Duvall(1983, Best Actor, Tender Mercies), Golden Globe® winner Martin Sheen (2001, Best Actor – TV Series, “The West Wing”), Academy Award® nominee Dennis Hopper (1986, Best Supporting Actor, Hoosiers), Academy Award® nominee Laurence Fishburne (1993, Best Actor, What’s Love Got to Do with It), and Academy Award® nominee Harrison Ford (1985, Best Actor, Witness), the film follows Army Captain Willard (Martin Sheen), a troubled man sent on a dangerous and mesmerizing odyssey into Cambodia to assassinate a renegade American colonel named Kurtz (Marlon Brando), who has succumbed to the horrors of war and barricaded himself in a remote outpost.
The best visual and sound technologies have been used to present Coppola’s true vision of the film: one that delivers deep, visceral visual and auditory impact. “The audience will be able to see, hear and feel this film how I always hoped it could be—from the first ‘bang’ to the final whimper” said the film-maker.
This is the first time the original negative has ever been scanned and over 11 months and 2,700 hours were spent on cleaning and restoring the film’s 300,173 frames.
The Apocalypse Now Final Cut restoration has been brought to life through ultra-vivid picture quality with Dolby Vision®, delivering spectacular colours never before seen on a screen, with highlights that are up to 40 times brighter, and blacks that are 10 times darker.
Apocalypse Now Final Cut has been mixed in Dolby Atmos® to offer a truly immersive sound experience and it has been enhanced Meyer Sound Laboratories’ newly developed Sensual Sound™, a technology engineered to output audio below the limits of human hearing.
The theatrical screenings will include a video introduction by Francis Ford Coppola, and selected screenings will also feature a Q&A between Coppola and Steven Soderbergh, filmed at the 2019 Tribeca Film Festival.