Category: Film

Dunkirk Poster

Over the years Christopher Nolan has made a name for himself as one of the finest directors of the modern era. He has been nominated for three Oscars over the years and has been the man at the helm of critically acclaimed movies such as Memento, The Dark Knight Trilogy, Inception and Interstellar.

Now Nolan’s work returns to the big screen in a way that we haven’t seen before. Dunkirk is a movie that critics are saying is not just a film – it’s an experience unto itself – a work of art if you like. Somehow Nolan has taken veteran actors like Tom Hardy and Mark Rylance and mixed them with newcomers like Harry Styles and Fionn Whitehead and the end result is one of the most visually spectacular war films you are ever likely to see.

It doesn’t take long listening to Nolan talk about Dunkirk to realise that this is a film that he was passionate about, due to the subject matter, from the very beginning. “Well as for most British people the story of Dunkirk is something that we grow up with,” he explains. “I can’t even remember the time I was first told about the events of Dunkirk. As a storyteller you are always looking for gaps in the culture or in the cultural record – stories that should have been made into modern films and haven’t been and Dunkirk is certainly one of those. I think it is one of the great stories of human history and it hasn’t been addressed in modern films until now. People of Britain talk about the Dunkirk spirit and I think the residence of the story is different for different people but at the heart is community heroism in the face of adversity. It is not so much a story about individual heroics as it is a story about a community effort. It’s about how as a society, as a group of people we can achieve so much more than we can individually.”

One of the aspects that has wowed critics about Dunkirk is how Nolan has managed to weave the stories of the land, air and sea at Dunkirk together so brilliantly well and he says that he wanted to do that but keep an intensity throughout the film. “I wanted to do that but to have an intensity,” he says. “Dunkirk is a survival story and it is a story about 400,000 men trapped on a beach with the enemy moving in on them from all sides. It is a story about a desperate time, they had to get these guys back home, and I wanted to put the audience on the beach with these guys, and put the audience in the cockpit of a Spitfire battling the enemy in the air and I wanted to put them in a small boat heading over to help these guys. So to do that I decided to tell the story with intensity but with subjectivity and from three different points of view. Over the course of the story they all braid together and you get a more coherent look at the bigger picture of Dunkirk.”

Nolan also goes in depth into how he achieved the feat of shooting this film with very limited CGI. “What we did was try to shoot in camera as much as possible,” he says. “That way we could do as much for real as we could. We want the film to feel tactile and physical and authentic. We want it to play in the present tense so the audience feels like they are there and there is no screen between them and the events of the past. To do that I felt very strongly that we shouldn’t use too much special effects so we tried to do as much in camera as possible by sourcing real planes from the era, real boats and putting the actors into as much closeness of the reality as possible. At least in a way that we could do it that was still safe.”

Part of the idea for making Dunkirk was planted in Nolan’s mind when he made a crossing of the channel himself. “I made the crossing with Emma (Thomas – the producer of Dunkirk) and a friend of mine who owned a small boat,” he explains. “We made the crossing to Dunkirk at about the same time of year that the evacuation had taken place and it was far more difficult than any of us had expected. The channel really did not co-operate, the seas were very rough and it took a very long time, something like nineteen hours, for us to get over there, so the difficulty and the fear of that without people dropping bombs on us, and the feat of that without there being a war zone at the end of the journey, that experience really cemented to me an admiration for the people that took part in the real evacuation. That really was the driving force behind why I wanted to make this film.”

During the filming of Dunkirk there were leaked reports of weather creating havoc for the crew while they filmed at Dunkirk and Nolan was only too happy to tell us all about that. “Filming at the actual location seemed like the best way to get close to the truth,” Nolan says. “When you walk that beach , we walked it a lot, you feel the history there. We had to re-build huge sections of The Mole, which is this big structure that spans out into the sea. There were men essentially trapped on it, and that re-creation of history poses a lot of logistical challenges but ultimately to be able to re-stage these events with historical accuracy felt like an important part of what we were trying to do and gave us a good basis to the making of the film.”


Dunkirk is in Australian cinemas right now.




Atomic Blonde PosterMove over Evelyn Salt and James Bond because Charlize Theron is crashing through the spy pack with her brilliant portrayal of Lorraine Broughton in one of the films that is promising to be one of the big box office winners of 2017 – Atomic Blonde.

Based on a popular graphic novel Atomic Blonde sees Theron play a spy who gets involved in a little Cold War action when she is sent by MI6 to investigate rumours of a list that contains the names and identities of some of the world’s top spies falling into the wrong hands in Berlin alongside another operative, played by James McAvoy. Added to the mix is the fact that the film is directed by David Leitch, the man who co-directed James Wick.

For Theron though this really was a passion project as she was one of the brains behind the film as well. “I didn’t choose it,” she explains. “I saw potential in this graphic novel and I think I wanted to develop something that had a protagonist in it that was very close to what Lorraine was in that graphic novel. Somebody that could be a female protagonist that lives and breathes in a world that is mostly dominated by males and live in an environment where she can play by all the same rules that the boys do in that world. So, somebody unapologetic, interesting, layered, conflicted and you know somebody struggling with her own humanity. I think they were all the things that made me want to develop a character like that. I read a couple of the pages of the graphic novel that were sent to us, it was an unpublished graphic novel at the time and that’s what sparked the interest in wanting to buy the rights and develop Atomic Blonde.”

When asked to explain the character of Lorraine a little more deeply Theron laughs. “Well she works for MI6, she is very good at her job. She has made peace with the fact that she chose to live in this world, and it is a tough world to live in, especially for a woman, but she is good at it but she likes doing it and she carries the consequences of all of that… and I think there is something very empowering about her.”

With every critic talking about how intense the espionage storyline of Atomic Blonde it wasn’t much of a surprise to learn that Theron is a very big fan of espionage and spy movies in general. “I like the spy-thriller aspect of it,” she says. “I think I’m also fascinated about how you can take those stories and turn them on their heads a little bit because I think we’ve seen a lot of the spy thriller genre and we’ve seen how they go from act to the next act and I think I was interested in how you could take that, not only in the story but in the look and feel of what those movies normally look like and then turn that on its head and make it something super energetic and fun.”

Theron also admits there was a little bit of pre-planning that went into playing Lorraine as well. “I didn’t do any research into how they walked or silly things like that,” she says. “But I was really interested in finding out what kinds of people do that job, it takes a certain personality to do that job and I guess even to want to do that job. There were some interesting things once I started reading about things, especially during this time period when operatives would go into areas where their agencies would just abandon them and a lot of them at the time were more prompted to  take the job if they were having issues in their family life or if they were dealing with alcoholism or something that would almost make them self combust – that was a really interesting idea. And once we started shooting it I was very interested in the ‘why’ because it is a tough, cold world to be in.”

Anyone that has seen John Wick knows that director David Leitch likes to make his fight scenes as realistic as possible so there is very little surprise to learn that he really put Theron and the rest of the Atomic Blonde cast through their paces and it sounds like she wouldn’t have wanted it any other way. “I wanted to do this in a way that was believable,” she explains. “I knew that is was going to take a lot of work to fight like that, but I never wanted anybody to say that a woman couldn’t do that so that was important and I think that was what drove me to want to be as capable as I ended up being as physical as I could be. I trained for two and a half months and then I kind of continued that as we made the film.”

Theron is quick to admit that working with Leitch who has previously been a stunt man himself had both positives and negatives. “There was a bit of both,” she says with a smile. “The positive was that he knew where to put a camera, he knew how to shoot stunts and do action. He is so comfortable in that world, that he as eye for it and he definitely has a passion for it, but yeah I think that in other hands I probably wouldn’t have been pushed as hard, but I wanted that… I wanted somebody to expect more from me and push me more, and he was amazing at that.”

Of course some of the most intense scenes that Theron had to create in Atomic Blonde was alongside actress Sophia Boutella who most people would recognise from her recent performance in The Mummy. Theron says she is brilliant to work with. “She is great, I absolutely love her,” she says smiling. “We were very lucky in finding her because the role of Lasalle was very tricky, it had to be somebody that had a strength about them but also an incredible vulnerability. In a way she had to be broken but fully functioning because of that story and that is tough to find somebody that has that and she has that in spades. She is so beautiful in this film.”


Atomic Blonde is in Australian cinemas on the 3rd August.

Melbourne Comedy's Rising Stars

With Melbourne Comedy’s Rising Stars returning to Melbourne for another bout Dave Grifftihs caught up with the host of the night, Michael Shafar to see what he has in store for everybody this time around.

You can listen to or download our Michael Shafar interview right here.


After SOLD OUT shows, Melbourne’s hottest line-up of emerging comedians is back with a very special line-up of comedians from TV and radio! 

Hosted by Michael Shafar (Triple J’s Good Az Friday, writer for Channel 10′s The Project), the line-up includes Ben Knight (ABC’s The Warriors), Nick Capper (Channel 31′s About Tonight), Jess Perkins (Triple J and ABC’s Comedy Up Late) and RAW Comedy winners Danielle Walker and Matt Stewart!

The secret to the show’s success lies in its curation. Melbourne Comedy’s R ising Stars is dedicated to introducing comedians who are on their way up. These are comics who have performed to sell-out crowds internationally, all over the country and at the Melbourne International Comedy Festival.

See the future of Australian comedy on one stage. Bookings are highly recommended.

Show Details: Melbourne Comedy’s Ri sing Stars

Dates and Times: Saturday 5 August, 10pm.

Cost: $25-32

Venue: The Butterfly Club, 5 Carson Place, Melbourne 3000

Tickets: https://thebutterflyc -rising-stars-2017

Melbourne Comedy Rising Stars2

Terminator 2 3D

In celebration of the 25th anniversary, three-time Academy Award® winning director James Cameron has taken his epic action/sci-fi masterpiece, starring Arnold Schwarzenegger in his most iconic role, to the next level by restoring the film to 4K and converting it into immersive 3D.

It has been 10 years since the events of TERMINATOR. Sarah Connor’s ordeal is only just beginning as she struggles to protect her son, John, the future leader of the human resistance against the machines, from a new Terminator sent back in time to eliminate John Connor while he’s still a child.

Sarah and John don’t have to face this terrifying threat alone, however. The human resistance has managed to send them an ally, a warrior from the future ordered to protect John Connor at any cost. The battle for tomorrow has begun in TERMINATOR 2: JUDGEMENT DAY 3D, hitting cinemas August 24 for a limited season – one-week-only! For more information just check

To celebrate this very special event Subculture Entertainment has teamed up with Studio Canal and is giving you a chance to win a double pass to see Terminator 2: Judgement Day 3D.  at a very special screening to be held in Sydney on the 10th August. To win simply go to our Facebook page or our Twitter page and tell us in a private message what state of America Arnold Schwarzneggar became Governor of?


Wind River_Prize Pack_Admit2+DVD

Thanks to our good friends at Icon Films we have a very special Fight For Survival pack to giveaway to celebrate the release of Wind River in cinemas on August 10th.

The pack contains a double pass to go and see Wind River (starring Jeremy Renner and Elizabeth Olsen) and DVD copies of Beasts Of The Southern Wild, Crash, Once Were Warriors, Edge Of Darkness, The Captive and The Grey.

To win simply go to our Facebook page or our Twitter page and tell us in a private message what your favourite Jeremy Renner movie is.


Girls Trip

Producer Will Packer (Ride Along and Think Like a Man franchises, Almost Christmas) presents Girls Trip, a new comedy from director/producer Malcolm D. Lee. When four lifelong friends—Regina Hall, Queen Latifah, Jada Pinkett Smith and Tiffany Haddish—travel to New Orleans for the annual Essence Festival, sisterhoods are rekindled, wild sides are rediscovered, and there’s enough dancing, drinking, brawling and romancing to make the Big Easy blush. James Lopez, head of motion pictures for Will Packer Productions, and Preston Holmes, executive producer.

Girls Trip is set to be released in Australia in July.


The full breadth of The Darkness’ legendary rise to the top, spectacular slide to the bottom and steady climb back up the greasy pole of rock’n’roll is soon to be laid bare in glorious detail. Currently in production is a philosophical, darkly humorous and deeply personal documentary of The Darkness’ comeback, due for release in 2018.

The documentary is being created by world-renowned photographer and filmmaker Simon Emmett (Jay Z, Matt Damon, Helen Mirren). He has recorded over 250 hours of footage to date, capturing the past, present, hopes, dreams and inner mental turmoil of The Darkness. Until July 31 2017 the film is garnering funding through Indiegogo, with a variety of exclusive pre-order items here.

As Justin explains, “As soon as ‘Permission To Land’ was wrapped up I already knew it was going to be a mega smash. But I also knew that the second album would not be, and that we’d split up, and I knew we’d come back together and I knew the comeback would be fabulous. The fabulous element of the comeback hasn’t materialised as yet, but it’s all a work in progress. To be frank – the story of The Darkness is: years of perspiration, overnight sensation, over-saturation, temporary separation, reunion elation, career renovation, ‘Pinewood Smile’ creation!”