OPETH are pleased to announce Australian headline shows for December 2019
There are few bands that can or will match Sweden’s Opeth. Since forming in the tiny Stockholm suburb of Bandhagen in 1990, the Swedes have eclipsed convention, defiantly crushed the odds, and, most importantly, crafted 12 stunningly beautiful, intrinsically intense albums, to become one of the best bands on the planet; whether that be live or on record. Ask any Opeth fan. Enquire with any band that’s shared the proverbial pine with the Swedes. Or, get a label representative to talk Opeth. They’ll all tell you the same thing: Opeth are peerless. And they’re only getting better.
December 2019 will see Opeth performing a stunning set of classic tracks from throughout their 30-year career as well as introducing Australian audiences to astounding new material from their forthcoming studio album.
There is little need to delve further into just how good this band is. If you’ve been fortunate enough to have been present at one of their concerts previously then you know full well that these will be shows not to be missed. If you are yet to witness the awesome power of Opeth live, then it’s time to join the legions of music fans who know already that there will never be a band like Opeth again.
OPETH AUSTRALIAN TOUR DATES
Adelaide – Tuesday 10 December – Thebarton Theatre
Perth – Wednesday 11 December – Astor Theatre
Melbourne – Friday 13 December – Palais Theatre
Sydney – Saturday 14 December – State Theatre
Brisbane – Sunday 15 December – Tivoli Theatre
General public onsale: Friday 10th May – 9am AEST/*Perth on sale 9am AWST
The iconic, GRAMMY-winning guitaristSLASH and his band SLASH FT. MYLES KENNEDY AND THE CONSPIRATORS have released their brand new live video, Boulevard Of Broken Hearts.
The Boulevard Of Broken Dreams video was recorded at Slash’s SOLD OUT live performance at The Eventim Apollo, London on Wednesday 20th February 2019. The stunning video features the album version of the song overlaid with intimate backstage footage and live footage from the Eventim Apollo and shows why SLASH FT. MYLES KENNEDY AND THE CONSPIRATORS are such an incendiary live draw. The track is taken from the most recent studio album Living The Dream. The video was shot and edited by Dan Sturgess.
The live performance video acts as the perfect precursor to SLASH FT. MYLES KENNEDY AND THE CONSPIRATORS remaining tour dates throughout 2019. May and June sees Slash tour South America, before returning to Europe though June and July. The band then play Israel, Canada and the USA through July and August 2019.
Living The Dream (Snakepit Records/Sony Music Australia) is the third full-length offering from SLASH FT MYLES KENNEDY AND THE CONSPIRATORS. The Los Angeles Times described the album as,“his best work since the demise of Velvet Revolver. …full of “unexpected funk, boogie, blues and garage rock influences.” While Rolling Stone declared the album, “a biting blues filigree at the end of a riff, weeping solos full of long notes, boogie-woogie riffs.” Elsewhere, Classic Rock hailed, “the bands third and Best Album, ‘The Great Pretender’ is the album’s masterpiece and one of the best things Slash has ever done.” Fans can purchase or streamLiving The DreamHERE. Fueled by the Top 5 rock songDriving Rain, its live-action, animated video as well as the best critical acclaim of their career,Living The Dream debuted with 10, Top 10 chart placements around the world and #4 on the Australian ARIA chart. The first single Driving Rainwhich jumped to #5 this week and climbing–marks the band’s 6thconsecutive, Top 10 single at radio and SLASH’s fastest-rising single ever in his solo career.
On May 31, Concord Records Via Caroline Australia will release The Traveler, an album of experience and profound resonance by the Kenny Wayne Shepherd Band. The album was recorded in Los Angeles, while on a break from their uncompromising tour schedule that left them road-tested and ready to rock, The Traveler showcases some world-class musicians: vocalist Noah Hunt, drummer Chris “Whipper” Layton (formerly of Stevie Ray Vaughan’s Double Trouble), bassist Kevin McCormick, and keyboardists Jimmy McGorman and Joe Krown, features ten songs including eight new originals co-written by KWS and some of Nashville’s most in-demand songwriters, plus incendiary covers of Buffalo Springfield’s “Mr. Soul” and Joe Walsh’s “Turn to Stone.”
“Because of my family, my friends, and my fans I’ve been able to explore the depths of music and chase songs wherever they may lead me,” says Kenny Wayne. “We’ve been able to do things and go places that were once just a dream, and it’s all because of the music and the people who support it. The Traveleris a return on their investment.”
Co-produced by Shepherd and Marshall Altman,The Traveler features some of the most distinctive music of Kenny Wayne’s storied career. New originals “Woman Like You,” “Long Time Running,” “I Want You,” “Gravity” and “Tailwind” (whose heartfelt lyrical metaphor provides the album’s title image) offer a scintillating balance of finesse and firepower, while the artist pays tribute to his influences with the album’s two covers. The seed for Shepherd’s menacing take on “Mr. Soul” was planted when he performed the song at a benefit show with Springfield founders Stephen Stills and Neil Young, and his epic reading of Joe Walsh’s “Turn to Stone” was first performed by Shepherd at a fundraising concert honoring Walsh.
Now a quarter century into a career that started when he was 16, Shepherd is staying busier than ever with the release of The Traveler.
Kenny Wayne Shepherd has sold millions of albums worldwide and, in addition to his five Grammy nominations, has won two Billboard Music Awards, a pair of Orville H. Gibson awards, the Blues Foundation’s Keeping The Blues Alive award and two Blues Musicawards. He’s had six #1 blues albums and a string of #1 mainstream rock singles. His last album, 2017’s Lay It On Down, debuted at #1 on three different Billboardcharts: Blues, Current Rock Albums, and Internet Albums. American Songwriter noted “There’s sufficient nitro-burning, blues-drenched shredding to keep live audiences playing their air guitars. But Shepherd’s obvious attention to and insistence on exceptional material with musical inventiveness continues to impress, and 22 years into his career raises him and Lay It On Down above his plentiful competition.”
Sydney based Electronic artist STARA has just released her stunning new single ‘I Like Being Alone,’.
STARA artfully blends elements of Electronic, Hip Hop and Dance music to forge her unique sonic. She meticulously crafts a bold, dusky soundscape that borrows from many musical realms and seamlessly comes together to form one complex melting point.
STARA debuted in 2016 with the release of project ‘CHAPTERS’. The collection of four tracks from the project gained over 1 million online streams and was aired on radio stations all over the world. Complex AU quickly listed STARA as “one to watch this year.”
The young songstress then dropped her debut EP ‘Simulacra’ in 2018.
The EP received high praises from the likes of Purple Sneakers,DJaneMag (UK), Brown Girl Gang and Pretty Broad. STARA toured the EP across the US; playing sold-out headline shows throughout LA, Seattle, Portland and Las Vegas.
New single ‘I Like Being Alone,’ is available for download on all major online stores.
Melbourne rockers Palace Of The King are saying goodbye to the album cycle surrounding last years scorcher of a record, Get Right With You Maker, (released a year ago in April 2018 via Golden Robot Records) with a special LIVE version of the albums title track recorded at The Corner Hotel in Melbourne!
Frontman Tim Henwood says of the song, This live version of – Get Right With Your Maker, was recorded in a packed, hot, and sweaty Corner Hotel in Melbourne a few months back. Our album (of the same name) actually didn’t include this song other than a hidden acoustic track on the CD.
We loved the track so much however, and the audience reaction to it in Europe on our last tour, that we felt it was important to record an electric version which was released at the end of 2018.
As with most songs in the POTK live show, GRWYM grew and developed a life of it’s own at the live shows, so we wanted to share this with you before bringing you new music from our forthcoming album very soon..
Palace Of The King supported the Get Right With Your Maker album with near constant touring throughout 2018, including a huge 8 country European tour before heading back to Australia for sold out, seperate tours with Baby Animals, Rose Tattoo and The Screaming Jets.
The guys are showing no signs of stopping with a mountain of tour dates coming up over the winter months!
TOUR DATES POTK, The Screaming Jets & The Poor
Fri, May 10: Doyalson RSL, Doyalson
Sat, May 11: Metro Theatre, Sydney
POTK & Rose Tattoo
Fri, June 21: Edge Hill Tavern, Cairns
Sat, June 22: Kirwan Tavern, Townsville
Sun, June 23: Mt Pleasant Hotel, Mackay
Tues, June 25: Emerald Star Hotel, Emerald
Wed, June 26: Harvey Road Tavern, Gladstone
Fri, June 28: Beachouse Hotel, Hervey Bay
Sat, June 29: Villa Noosa Hotel, Noosa
Sun, June 30: Highfields Tavern, Toowoomba
POTK Headline Shows
July 5: Albury SS&A
July 6: Frankie’s Pizza, Sydney
July 13: The Bendigo Hotel, Melbourne
Rue Morgue Records will be releasing an exclusive boutique seven inch single of one of Australia’s finest bands… Palace Of The King.
The track ‘Get Right With Your Maker’ backed with ‘One Of These Days’ will be available for sale via the Rue Morgue Records website AND the Golden Robot Records site as well.
We’re beyond stoked to be bringing you this release in association with Golden Robot Records and having said that, Rue Morgue Records is elated to be working with Tim and the boys as well!
We promise this is going to be a fantastic release for all concerned.
Rue Morgue Records Label head Raptis says, “I have photographed Palace Of The King many times in my other vocation as a Rock Photographer and I always enjoy the performance the band brings forth. To be able to work on them in what will be a very special project is incredible personally, and for a fledgling label such as Rue Morgue Records! Let’s take things up a notch hey?”
Palace Of The King – Get Right With Your Maker available soon at Rue Morgue Records and Golden Robot Records.
Watch this space!
Formed in late 2012, Palace Of The King – nameless at that point – quickly recorded a 3 track demo and developed the vision of a blues-in fused rock and roll band. Far from a grave-robbing retro trip, Palace Of The King has just as much in common with Rival Sons, Graveyard & JackWhite as they do Led Zeppelin, Black Sabbath & Deep Purple. Remember when bands released an album a year and toured ’til the wheels fell off the tour van?
Having spent their formative years storming stages in every corner of Australia – alongside bands as varied as Airbourne and The Tea Party – and priming themselves for an international assault, Palace Of The King took their finely-honed live show through Europe in October 2015. Armed with 2 EPs, a full-length vinyl LP and a second full length studio album; this is a band that has earned their stripes and wear them with pride. “Palace Of The King is literally like a huge ground shaking Palace of RIFFS, SOUL and Rock’n’Roll.” comments Joel O’Keeffe, lead singer and guitarist of Airbourne.
“With more hooks and lines than a hard working Bering Sea fishing fleet they are guaranteed to tangle you up, reel you in and blow you away with their unique six-stringing, soul singing, sexy stomping Rock’n’Roll! They are the real fuckin’ deal! Crank up POTK!”
In 2015, it was time for the White Bird to take flight. From three minute funk-infused rockers through to seven minute Sabbath-esque crushers, Palace Of The King seized the opportunity to explore every intricate corner of their influences and craft a debut album that caught a band at a point where ‘scratching the surface’ wasn’t nearly enough.
In 2016 the band unveiled Valles Marineris on 15th July 2016 (Europe/ UK), Valles Marineris deepened Palace Of The King’s footprint on the international rock music scene by expanding on the “raw, energetic, imaginative and boundary-pushing”
(Dedicated Rocker Society) qualities of their debut through an all- new 10 track collection of blues and psych-infused hard rock. Lead by the bruising gospel-tinged riffathon of ‘Let The Blood Run Free’, Valles Marineris is both eclectic and unrelenting right through to the final eerie piano fadeout of album closer ‘Into The Black’.
In support of the Valles Marineris album POTK toured constantly throughout 2016/17 covering Europe as headliners and as guest with Airbourne, hitting America for the second time and multiple laps of Auatralia as headline act and also as guests with The Angels, Baby Animals and the Screaming jets.
In classic road dog style the band recorded at every opportunity when they were off the road and they have captured the raw energy of the stage on the new album
Get Right With Your Maker. From the moment the epic album opener I Am The Storm envelopes you it’s hard not to think that this is the sound of a band that has come of age, and once the fist pumping anthem
It’s Been A Long Time Coming hits you in the face you know it.
The ‘freight train’ metaphor may be overused. But you’d be hard-pressed to find one that is better-suited to a band that has played constantly, released a mountain of music and expanded their markets at such a prolific rate.
Palace of the King are set to release brand new music across 2019 through Golden Robot Records.
Victorian Hardcore crew MIRRORS are returning to the fray of the Australian hardcore and heavy scene with their heaviest and toughest offering to date. They will be releasing their new EP ‘Cold Sanctuary’ on Friday May 10th, with pre-orders live right now at all good online platforms and streaming outlets. The four-piece have also given the world the first taste of the record today, releasing the title track and a video.
2019 will see the band’s ceaseless efforts coalesce with the release of their 2nd EP “Cold Sanctuary”. With their first EP establishing a commentary on the world around them, “Cold Sanctuary” ventures inwards. With maturity comes introspection, and this new effort delves into the psyche, trying to navigate and make sense of the chaotic chatter of our inner most thoughts, begging for reprieve. To compliment this unrelenting theme is a backdrop of earth shattering production, rivalling any band on the world stage, bringing their deepest, strongest and most dynamic compositions to date alive. ‘Cold Sanctuary’ is a reflection on decades of experience and work among the collective that is MIRRORS. Bear witness!
‘Cold Sanctuary’ was Produced by Ionei Heckenberg (Ocean Sleeper), was Mixed and Mastered by Lance Prenc (Gravemind, Alpha Wolf, Pridelands) and the Vocals were recorded by Scottie Simpson (Alpha Wolf).
Vocalist Patty Goodman, says that Cold Sanctuary, the title track of the EP, “…explores the terrifying state between wakefulness and sleep. arguably self inflicted, a female entity torments and strangles the one constantly stuck in this state.”
Formed in late 2016 by Gippsland natives Patty Goodman (vocals) and Tyson Taifer (guitar), metalcore outfit Mirrors quickly turned the eyes and ears of Australian listeners towards Regional Victoria with the release of their debut EP “Fool’s Paradise” in 2017. The 6 track release revealed the sound and delivery of a unit that had been functioning for many years, but after a mere 12 months of their existence they were invited to play alongside Parkway Drive, Architects and many more at the hallowed Unify festival.
Backed by fellow long time friend Jake Mackin (bass) and recently enlisted Melbourne based drummer Rob Brens, the four piece followed up their EP with the release of the single Circus, which showed a staggering step up in sound, maturity and production. From here, Mirrors set about bringing this evolution to clubs around Australia, supporting the likes of Thornhill, The Devil Wears Prada, Ocean Grove and Alpha Wolf just to name a few.
MIRRORS’ ‘Cold Sanctuary’ EP will be released on Friday May 10th. Pre-orders are going live this Friday, March 15 at all good online platforms and streaming outlets, and first single ‘Cold Sanctuary’ will be available for sale and streaming same day.
Melbourne-based indie-rock trio Halcyon Drive are celebrating a major milestone today, with the release of their long-awaited debut album ‘Elephant Bones’.
Recorded and co-produced by Eskimo Joe legend Joel Quartermain (Meg Mac, Dustin Tebbutt, British India), the twelve-track record arrives on a wave of hype triggered by the success of five previously released singles – ‘Silver Ray’, ‘Agnosia’, ‘The Birds’, ‘Only Youth’ and fresh cut ‘Reach’ – all of which have won acclaim across the likes of triple j, Spotify, MTV, community radio and worldwide tastemaker blogs.
Weaving together pure pop hooks and intricate rhythms, Halcyon Drive’s maiden LP brims with a rare, off-kilter energy. From the heartfelt lows of ‘Satellite‘ to the in-your-face attitude of ‘Agnosia’, it’s a richly diverse offering characterised by considered lyricism, no safe choices, and most definitely no clichés.
Lead singer Michael Oechsle describes the album as a truly collaborative effort, “a kind of creative ping-pong” between himself and drummer/co-writer Max Pamieta. It’s a record that continually pushes and pulls on the bands roots, exploring new sonic territory on each track.
‘Elephant Bones’ also represents the culmination of three years’ worth of relentless writing and touring from the triple j Unearthed finds, whose career has encompassed sold-out headline shows, performances at The Hills are Alive Festival, Festival of The Sun and a support slot on Stereophonics’ sold-out Australian tour.
And to celebrate today’s big release, Halcyon Drive will naturally be hitting the road once again. They’ve just announced a slew of national headline dates, which will see them hit stages in Brisbane, Sydney and Melbourne.
There aren’t many bigger names in metal than SLAYER and Australia is extremely lucky they get to experience one last time and to farewell this legendary band as they hit Download Festival and sideshows in Brisbane and Adelaide with fellow Big Four brothers ANTHRAX and the Polish Hammer ofBEHEMOTH.
What can be said about SLAYER that already hasn’t been said? So far into their career and the final album ‘Repentless’ scored their highest ever Australian chart entry at #3 on the ARIA Chart. An incredible achievement this far into their career! Don’t miss this last chance to witness part of what has been an incredible history!
In 1981 when SLAYER first formed in Huntington Park, CA, bassist/vocalist Tom Araya was 20 years old and worked as a respiratory therapist, guitarist Jeff Hanneman, a rehearsal studio employee at the time, was 17, drummer Dave Lombardo was 16 and delivered pizza, and 17-year old Kerry King was a full-time guitarist. At that time, there were no blueprints, no set paths, no boundaries or steps to follow; SLAYER’s new hybrid of metal and punk, heavier, faster and darker than the rest, assaulted the world and set a new standard, defining not only a genre, but an attitude.
Tom Araya, Kerry King, Gary Holt and Paul Bostaph sat down and talked about all things SLAYER:
Fast forward 38-years and SLAYER remains the preeminent punk-thrash-metal band that other heavy acts are measured against and aspire to, and up-and-coming metal heads continue to revere and emulate. Slayer is a metal juggernaut, with songs that are dark, aggressive and without mercy, mirroring the turmoil and aberrations of our society.
Their membership in “The Big Four” – Metallica, Slayer, Megadeth and Anthrax – the four bands that defined the thrash/metal genre – secures the band’s place in music history. The five-time nominated, two-time Grammy-winners have also accumulated an abundance of certified Gold Albums along with “Best…” awards from media outlets all over the world, including Kerrang!, SPIN, Metal Hammer, Revolver, and Esquire. SLAYER even has its own exhibit in the Smithsonian Institute. Throughout SLAYER‘s history, the band has never faltered in unleashing its extreme and focused sonic assault, and repudiating temptations, SLAYER has chosen to remain crushing and brutal, steadfastly refusing to cater to the mainstream. Jeff Hanneman passed in 2013, and Exodus guitarist Gary Holt has been filling in for him since. Paul Bostaph, Slayer’s drummer from 1992 – 1996, then 1997 – 2001, rejoined Araya and King in 2013 and remains behind the kit.
In September 2015, Slayer released Repentless, the band’s 12th studio album, the first without Hanneman, first with Holt on guitar, first with producerTerry Date, and first on Nuclear Blast Records, to widespread rave reviews and the highest chart debut of the band’s career. The band also teamed up with director BJ McDonnell for three high-concept and brutal music videos for the album’s title track, then for “You Against You,” and the most recent, “Pride in Prejudice,” racking up a combined 28+-million views. Dark Horse Comics published a three-issue comic book series in 2016, based on McDonnell’s original story concept for the videos and written by “Metalocalypse” director Jon Schnepp.
After a remarkable three-and-a-half decades, SLAYER announced its decision to do one last world tour and then move on. All Hail SLAYER.
Brisbane’s melodic hardcore quartet She Cries Wolf took the Australian Heavy Music scene by surprise late in February with the surprise-release of their third full-length ‘Liar’! Teasing the record anonymously with the hashtag #everyonelovestheliar in the weeks prior, they unleashed it on February 22. Now today, they are announcing that in May 2019, they will take it all around the country alongside their mates in Heists on the Australian Liar Tour, presented by Black Sun Bookings. Tickets are on sale now for the tour dates in May at blacksun.oztix.com.au.
She Cries Wolf’s album Liar has turned heads with its uncompromising fury and agression – with Hysteria Mag saying that they “…dive deep into fear and loathing for a strong and surprising return.”, killyourstereo.com espousing that “She Cries Wolf haven’t sounded this malevolent, this bleak, nor this aggressive, and the proof is really in the pudding of how well that’s paid off for them.” and Depth Magazine praising the emotional honesty of the record, saying that “Liar is an expunging of fury, standing up for oneself, seeing promises through, facing blame, and seeking for others to take responsibility, even if this means that you end up alone; the truth mattering more than popularity. The result is something surprisingly artful…”
The Australian Liar Tour takes She Cries Wolf and Heists to Melbourne May 17 at Last Chance Rock N Roll Bar, Adelaide May 18 at Crown & Anchor, Canberra May 24 at UC Hub, Sydney May 25 at Factory Floor, Brisbane June 1 at Crowbar Brisbane and Perth at Amplifier on June 2.
Joining She Cries Wolf on the Australian Liar tour at Heists from Sydney. Heists dropped their monstrous latest single ‘Defeated’ late in 2018 on December 12 and have been riding its popularity since. Heists have previously taken the stage alongside artists such as The Plot In You, Stick to your Guns & Terror, Deez Nuts, Dream On Dreamer and more.