Category: Electronica / Dance

Revered naughties front woman and vintage fashion queen Ella Hooper recently revealed her latest solo endeavour ‘To The Bone’ – a certified dancefloor filler and instant pop anthem. Plunging deep into disco, indie and multifaceted pop tropes alike, the single isHooper’s boldest, most bombastic yet, and is set to be a standout set-list highlight this September when she takes on two massive Brisbane venues at the 2018 BigsoundFestival. In celebration, the acclaimed artist is laying down one hell of a film clip courtesy of fellow musician, performer, DJ and director Tanzer.

With a vividness to rival that of the technicolour op shop fiend herself, Tanzer has created a colourful, joyous clip that so perfectly encapsulates the anthemic charisma and kinetic energy of ‘To The Bone’. In this fantastical visual collage of saturated colour, live performance, and found imagery, Hooper and her band twist and turn through Tanzer’sdisco-apocalypse world as if it’s their final dance on earth. An undeniably unique vision, ‘To The Bone’ is as wacky as it is sexy, and as sonically diverse as it is visually invoking – conjuring the healing energy of disco and the staunch grit of rock in true Ella fashion.

Having spent the last few years splitting her time between playing a series of reformation shows for Killing Heidi’s 20th anniversary, as well as dancing on her own two feet across a myriad of media gigs as a musician, radio presenter, TV host and DJing nationally forGroovin’ The MooElla Hooper remains one of Australia’s most prolific performers. Backed by her accomplished live band featuring members of Jade Imagine, Machine Translations, Handsome, The Cactus Channel, RockWiz & more, Hooper will perform at Brisbane venues Family and The Valley Drive In across two back-to-back dates at this year’s Bigsound showcase.

Whether it’s aiming to fill the dance floor, or create a pin drop moment of serene reflection, the music Ella makes is genuine and multilayered, cathartic and refreshing, with her talent for connection and genuine reverence for the art of a good rock show forever at the forefront of her creative vision.

Do not miss the chance to see this incredible performer at the top of her game at this year’s Bigsound Festival.


Ella Hooper 2018 Bigsound Showcases
Wednesday 5 September
11:20pm – 11.50pm
8 McLachlan St, Fortitude Valley

Thursday 6 September
11:40pm – 12.10am
The Valley Drive In
27 Warner Street, Fortitude Valley
Tickets via

Other Upcoming Shows
Sunday 16 September
‘Femmo Fest 2018’
The Tote, Melbourne
feat. Madeline Lehman & The Desert Swells, Leah Senior, Baby Blue and more
Doors 1pm
Tickets via The Tote website



Underworld and Iggy Pop announce details of a 4 track EP, Teatime Dub Encounters, due for release on July 27th via Caroline Australia.

While overseeing the soundtrack for T2 TrainspottingUnderworld’s Rick Smith arranged a meeting with Iggy Pop in a room at the Savoy Hotel on London’s Strand to discuss working on collaborative music for the film.

Says Rick Smith “Iggy was staying at The Savoy and graciously said ‘yeah you know we we can meet and talk about something’ because we both felt a strong connection to Trainspotting and to Danny. I turned up thinking I’ve got one chance here to convince this gentleman that we should work together. So I turned up with basically half my studio, hired a hotel room, set up and sat waiting.”

Their respective tracks “Lust for Life” and “Born Slippy (Nuxx)” had perfectly bookended the first Trainspotting film two decades previously. On arrival, Iggy found a fully working studio set up and eagerness to get cracking.

Says Iggy Pop “When you are confronted with somebody who has a whole bloody studio there in the hotel room, a Skyped director who has won the Oscar recently and a fucking microphone in front of you and 30 finished pieces of very polished music, you don’t want to be the wimp that goes ‘uh uhhh’, so my mind was racing.”

Teatime Dub Encounters is the result of a few clandestine hotel room recording sessions, that began a few weeks after Underworld and Iggy Pop had each released their last albums (Barbara Barbara, we face a shining future and Post Pop Depression respectively) on the same day (March 18th 2016). It is neither historical or a tribute to past work, it is the work of artists in motion, engaged in a process that they both bring to all of their work – one that uses spontaneity as a spur for creativity.

The first track from Teatime Dub Encounters – “Bells & Circles” – was premiered live as part of Underworld’s recent headline performance at the BBC Biggest Weekend Belfast. A second track – “I’ll See Big” – is streaming everywhere now. Something of a flipside to “Bells & Circles”, “I’ll See Big” is a wash of gorgeous ambient sound that features Iggy recounting how friends – however dysfunctional – have saved him from a lifetime of bad decisions. The lyrics for “I’ll See Big” were inspired by a conversation Iggy had with Danny Boyle about the subtext of both Trainspotting films.


Underworld & Iggy Pop
Teatime Dub Encounters EP

Out July 27th via Caroline Australia


Australian electronic dance luminaries THE PRESETS – Julian Hamilton and Kim Moyes – unveil their highly anticipated fourth studio album HI VIZ today.  Featuring the singles “Do What You Want”, which featured in triple j’s Hottest 100 songs of 2017, classic dance floor filler “14U+14ME”, and “Downtown Shutdown”, which is currently triple j’s most played song of the week, HI VIZ is destined to enhance The Presets’ already formidable reputation.

THE PRESETS’ are credited as producers on the album, while most of the record has been mixed by John Hanes who created the classic mix of “Uptown Funk”, as well as working more recently with the likes of Sia, Bruno Mars and Major Lazer.  Apocalypsocollaborator Scott Horscroft also mixed several HI VIZ tracks while Flume engineer Eric J mixed “Beethoven” – the pair’s nod to their Conservatorium years.

The release of HI VIZ will be followed by a national tour across June.  Commencing in Perth on June 13, it heads to Adelaide, Melbourne, Canberra, Wollongong, Sydney, Brisbane, winding up on the Gold Coast on June 29.

Julian said today, “However you are experiencing HI VIZ today – whether you’re at home with the vinyl, in the car with the CD, or streaming it off your phone on the way to work – just promise us one thing… that you’re gonna blast it loud.”

Both Julian and Kim individually produce other artists outside their Presets collaborations, and many of the artists with whom they’ve worked make HI VIZ cameos. “Are You Here?” features the DMA’s, whose latest album was co-produced by Kim, Alison Wonderland guests on “Are You Out Of Your Mind?” while Jake Shears from Scissor Sisters adds vocals to “Tools Down”.

It’s been a decade since The Presets delivered anthems like “My People”, “Talk Like That” and “This Boys In Love”. The pair had been making waves in Sydney’s clubs since forming in 2003 and signing to the influential Modular Records, but it was their 2008 Oz chart topper, Apocalypso, that first introduced them to wider audiences. That album was certified triple platinum and won them six ARIA Awards in their homeland. By contrast, 2012’s critically acclaimed Pacifica was comparatively introspective but epic gigs around the world – from Glastonbury Festival and Coachella to Splendour In The Grass – forged the duo’s reputation as Australian electronic music trailblazers.





Australian electronic dance pioneers THE PRESETS are back with a vengeance, announcing today that their long awaited fourth studio album HI VIZ is set for release on May 18 through EMI Music Australia, and will be followed by a national tour across June, taking in Perth, Adelaide, Melbourne, Canberra, Wollongong, Sydney, Brisbane and the Gold Coast.

Their return was heralded in spectacular fashion late last year with the first taste of new music from HI VIZ – the urgent “Do What You Want”, which featured in triple j’s Hottest 100 songs of 2017 and the sweeping “14U+14ME”, which is among the tastemaker station’s most played songs of 2018.  Most of the album has been mixed by John Hanes who created the classic mix of “Uptown Funk” as well as working more recently with the likes of Sia, Bruno Mars and Major Lazer.  Apocalypso collaborator Scott Horscroft also mixed several HI VIZ tracks while Flume engineer Eric J mixed “Beethoven” – the pair’s sly nod to their Conservatorium years.

“We wanted to make something that was literally meant to get you out of your head”, explains Julian Hamilton. “All the songs on HI VIZ are outward looking so in that respect it’s much more like our earlier stuff.  It’s about trying to capture that energy you get on a great night out with your friends when you get to leave everything else behind you for a while.  We essentially tried to create the soundtrack to a party that we would want to go nuts at.”

“It’s taken us ages to make this album because we just kept writing and recording more and more songs”, reflects Kim Moyes. “At one point we had about 50 contenders and, like us, they were all over the map mood wise. Eventually we decided – fuck it – let’s just pick the most ‘up for it’ songs. Those tracks are always the most fun for us to play live anyway so we thought ‘why not have a whole album of them?’”.

Both Julian and Kim individually produce other artists outside their Presets collaborations, so it’s not surprising that they, once again, are credited as Producers for their own album. It’s also apt that some of the artists with whom they’ve worked should make HI VIZcameos. For example, “Are You Here?” features indie rockers the DMA’s, whose latest release was co-produced by Kim. Similarly Alison Wonderland – for whom The Presets recently created a widely played remix – guested on the beaty “Are You Out Of Your Mind?” while Jake Shears from Scissor Sisters added vocals to the dark’n’steamy “Tools Down”.

It’s been a decade since The Presets first set festival fields alight with breakthrough anthems like “My People”, “Talk Like That” and “This Boys In Love”. The pair had been making waves in Sydney’s clubs since forming in 2003 and signing to the influential Modular Records, but it was their 2008 Oz chart topper, Apocalypso, that first introduced them to wider audiences. That album was certified triple platinum and won them six ARIA Awards in their homeland. By contrast, 2012’s critically acclaimed Pacifica was comparatively introspective but epic gigs around the world – from Glastonbury Festival and Coachella to Splendour In The Grass – forged the duo’s reputation as Australian electronic music trailblazers.

HI VIZ lands May 18 and the album is available for pre-order from today, visit:





With special guest Roland Tings


For complete tour and ticketing, visit:












Fan pre-sale: 11am, Monday April 9 until 11am, Wednesday April 11

French electronic duo, The Blaze share stunning new single and video ‘Heaven’, following the track’s world first play via Zane Lowe at Beats 1 this week.

The enigmatic duo comprised of cousins Guillaume and Jonathan Alric, rekindle their musical and visual poetry with self-directed music video for latest single ‘Heaven’, paving the way for a first full-length album to be released in June 2018. Both halves of the project are music producers and film directors with creative control of every aspect of their output and the result of their combined talent is nothing short of breathtaking.

Conceived as a great escape through the sunbathed countryside, one should perceive ‘Heaven’ as a revived “Déjeuner sur l’Herbe” where the thriving youth gets back to the center of the stage to finally exude happiness. As already portrayed in award-winning productions ‘Virile’ and ‘Territory’, The Blaze’s take on freedom is coupled, for now, with a re-appropriation of collective imaginary and aesthetics. In a scenery where fields outshine concrete, the traditional and bucolic picnic is also about dancing and booty-shaking. Beat by beat, the scope widens almost endlessly, echoing the ecstatic and raptured heart of the community that gathered together, and of every single listener. ‘Heaven’ is meant to be the final part of the triptych and if ‘Heaven’ marks the end of their first opus, it also confirms that The Blaze have just opened an even wider realm of possibilities.

Beginning their story with inaugural track, Virile, released in 2016, the duo then went on to release their debut Territory EP in April 2017. The Blaze have a very unique way of working, producing the music and visuals at the same time, in tandem as it were. Their incredible musical and directorial skill have not gone unnoticed, winning numerous awards from the likes of Grand Prix at Cannes Lions, the Best Directors award at Berlin Music Video Awards, UK Music Video Awards to name but a few. New single Heavenarrives as the final piece of the triplicate presented by The Blaze, adding to the growing anticipation for their upcoming full-length release. No strangers to a glowing live review, The Blaze played their biggest headline show to date at Pitchfork Paris last year, and will bring their captivating live show to Coachella this April, Reading & Leeds in August, Primavera, Parklife, Garorock, Europavox, Mainsquare, Melt, Art Sonic, Lollapalooza Paris, Dockville, Lovebox.

An overwhelming sense of humanity surrounds all that The Blaze create. Whether you see two friends sharing a special moment in Virile, that sweet feeling of home in Territory or are perhaps familiar with the work of French painter Manet and his piece Dejeuner sur l’herbe in Heaven, The Blazes’ work is completely open to interpretation, for everybody, equally. They have one wish, that you’re able to feel.

The Blaze new single ‘Heaven’ is OUT NOW. Their debut album is set for release June 2018. 

European Festival Dates

April 13th – COACHELLA MUSIC FESTIVAL – Palm Springs (US)
April 20th – COACHELLA MUSIC FESTIVAL – Palm Springs (US)
June 2nd – PRIMAVERA – Barcelona (ES)
June 10th – PARKLIFE – Manchester (UK)
June 28 – GAROROCK – Marmande (FR)
June 30th – EUROPAVOX – Clermont-Ferrand (FR)
July 4th – ROSKILDE FESTIVAL- Roskilde (DK)
July 7th – MAIN SQUARE FESTIVAL – Arras (FR)
July 13th – LOVEBOX FESTIVAL – London (UK)
July 14th – MELT – Berlin (DE)
July 20th – ART SONIC – Briouze (FR)
July 22nd – VIEILLES CHARRUES – Carhaix (FR)
August 19th – DOCKVILLE FESTIVAL – Hamburg (DE)
August 24th – LEEDS & READING – Reading (UK)
August 25th – LEEDS & READING – Leeds (UK)


Rebel Yell has made her mark in Aus for creating confronting techno music. Grace Stevenson, the individual behind Rebel Yell, has once again delivered a unique brooding track.

We are very excited to announce the release of her latest single ‘Pressure Drop’.

‘Pressure Drop’ is officially released this Friday, February 16 and is the first single to be taken from her debut album Hired Muscleset for release this June!

Pressure Drop’ is a song describing a Rebel Yell set, a track about experiencing the night and dancing – “Rebel yell, feel the pressure”.

Stevenson creates a heavy, haunting experience within her music. With a Korg ESX-1, volca bass and vocal processor amongst others in tow, Rebel Yell summons a unique and dark style of EBM bangers. Rebel Yell is a musical enforcer, her music effortlessly convinces or reminds you, that she is the boss.

‘Pressure Drop’, was directed by Triana Hernandez and edited by Stevenson herself. Hernandez had the following to say about the new clip –

“The music video for “Pressure Drop” is an ode to the 90s, rave culture and club-kids. It explores the muscular intensity of the track through the energy of primary school kids in their own environment – their classroom. When it comes to dancing like no one’s watching kids are the fucking best.”

We are so excited to be delivering a full-length Rebel Yell album this year and know you will all feel the pressure.


Deep at work on his next EP, Perth’s favourite computer wizard Sable is slipping out some new goodies to tide you over. After wetting the appetites of his legions of fans with the gummy trap vibrations of ‘Mt Moon’, John “Sable” Dewhurst let’s his Pokemon obsession bubble to the surface on two brand new tracks straight from the underground of Kanto, presenting ‘Thunderwave’ and ‘Surf’ off the 2-track offering.

Last rearing his head above ground for a collaboration with Bloc Party hero Kele Okereke on icey track, ‘The One’, Sable turned up to the session with a glistening beat, that perfectly glides around Kele‘s unmistakable vocals, showing another string to the talented young producers bow.
With both new tracks, ‘Thunder Wave’ and ‘Surf’ voiced by the eerie vocaloid machine, childlike voices float over earth shaking drums that would crush any club systems they’re unleashed upon. The track contains enough Sable laced sunshine to make for one hell of a head phone party too.
The perfect soundtrack to watching the Australian Summer comes around once more, and as clubland starts to heat up, there’s nobody turning the temperature gauge to full quite like Sable.

Dropping on SoundCloud & Bandcamp by the time you finish reading this, the release will also see a strictly limited run of 7″ vinyl, exquisitely packaged in a die cut sleeve. You can cop one of the limited edition Sable Pokemon cards if you get there in time – in true booster-pack fashion, one in every 20 is holographic! Fresh off the back of his heavily lauded Splendour In The Grass sunset slot, don’t miss him on his national run of dates kicking off this October in Sydney.

Fri Oct 17 // Father @ Villa // PERTH
Sat Oct 18 // Chinese Laundry // SYDNEY
                  Fri Oct 24 // Oh Hello // BRISBANE
Sat Oct 25 // Flinders Social // TOWNSVILLE
Fri Oct 31 // IOHYOU @ Liberty Social // MELBOURNE
Sat Nov 1 // Carmens @ Miranda // SYDNEY
Sun Nov 2 // Zhivago // ADELAIDE
Fri Nov 8 // The Factory // SUNSHINE COAST


The duo of Axwell /\ Ingrosso, former members of the legendary Swedish House Mafia, has been signed to an exclusive contract with Universal Music Group, to release new music and content in 2014 on Def Jam Recordings in the U.S. and Virgin/EMI in the UK, with their debut album coming in early 2015. In Australia they will be released though EMI.

This will be the first official album from Axwell /\ Ingrosso, whose previous band, Swedish House Mafia never released a full studio album, despite selling over 10 million records worldwide.  (Two compilation albums were issued in 2010 (Until One) and 2012 (Until Now), on Virgin Records/Astralwerks.)

“We are proud at Def Jam to have Axwell /\ Ingrosso choose us to be their label home. Their music is forward, innovative, invigorating and boundless,” said Steve Bartels, CEO of Def Jam Recordings. “Def Jam has the artistry and energy of DJ culture within its pedigree, right there in our logo. This is a significant moment for all of us as at Def Jam.”

Swedish House Mafia was renowned for selling out Madison Square Garden in nine minutes for their concert in 2012, without any album in the marketplace.  The group disbanded in March 2013, after playing their final sets that month at the Ultra Music Festival in Miami. Emerging as a duo, Axwell /\ Ingrosso premiered new music with influential BBC radio personality Zane Lowe in late March 2014. “I was lucky enough to go down to the studio this week, listen to a whole bunch of songs. It’s going to be incredible,” Lowe raved on air. “It’s a whole new era for these two.”

In early June, the band landed back in the US for their first headlining gigs at Governors Ball in New York City, followed by Electric Daisy Carnival in Las Vegas. The Los Angeles Times heralded their set: “Freed from the expectations of being in one of the globe’s biggest bands, the duo’s set was simultaneously more challenging and more playful than anything their previous project could do…Axwell /\ Ingrosso’s set found them working out different ideas about tension and song craft…One new tune, which fans have given a working title of “On My Way,” felt like it had pop-hit potential with an immediately memorable chorus. But the long, well-spaced drum builds and crowd-teasing pacing felt entirely new for the duo.”

Axwell /\ Ingrosso (with third member Steve Angello) began collaborating in 2007 as Swedish House Mafia, which became a multi-platinum household name success across Europe by the end of 2010, with “One” featuring Pharrell, and “Miami 2 Ibiza” vs. Tinie Tempah.  “Save the World” extended their run into 2011, along with “Antidote” vs. Knife Party. 

“Don’t You Worry” featuring John Martin was SHM’s breakthrough hit in 2012, #1 in the UK, Sweden and Australia, and Top 10 in most territories around the world, including the U.S., where it was certified RIAA triple-platinum.  It was in late-2012 when SHM announced they would disband at the end of their “One Last Tour” in 2013, paving the way for this year’s emergence of Axwell /\ Ingrosso.


Despite their laidback shoegaze sound, Hamjam have been particularly busy lately; signing to WA label, Pilerats, releasing a free download of their bizarre and wonderful cover of ILOVEMAKKONEN, Club Going Up On A Tuesday, (which was covered by iconic online destination, The Fader) and are now offering up the first single, Love from their self-titled debut.  Available for pre-order from 22nd September before its official release on 10th October, buy the EP to receive Love instantly.

These Perth based garage heroes are incoming and quietly making their name across the nations backyard party scene. With the duo’s forthcoming self-titled EP finally complete, this single marks the crunchy guitar ridden, knackered tone of psychedelia the Hamjam boys are promising to release and it’s some of the most infectious, skuzzy, sing-along guitar music you’ll hear all year.
Channeling the live energy of some of the countries favourite new guitar bands and featuring current members of The Growl and GunnsHamjam eschew the impossibly structured fine mess of the aforementioned legends in favour of swampy blown out guitar rhythms, and slap-in-the-face drum work.
Think hot box vocal echoes, seasick wurtilizers and proper stomp box worship, throwing together thrashy & loose & effortlessly chill, in a way only the West Coast can. This is off-kilter guitar pop music at it’s finest, from two of Perth, Australia’s finest idiots.