Category: Music News

For a band that’s been together since 2012, ABANDONED BY BEARS is just hitting their prime with ‘Headstorm,’ their spirited new single out today. The track comes from their upcoming sophomore album, Headstorm, set for release on August 24, 2018.

“Even if you have the clearest view on life, on what you want to reach or where you want to go, new obstacles will come along setting you off course. ‘Headstorm’ is about taking the most important goal of your life and keep striving for it when this mystery called life throws you curve balls,” laments bassist Gustav Ericksson. “The video speaks for itself. We took a look at today’s pop culture to poke fun at situations you would see a more ‘baller’ artist in. It’s all in good fun and we had a blast making it!”

Fronted by the dual vocal combo of Leon Ekelund and Fredric Andersson, ABANDONED BY BEARS is rounded out by guitarist Jacob Devinder and Max Fahlman on drums. The Swedish noise mob released The Years Ahead in 2016 under Victory Records and spent a quarter of that year in the US touring ever possible corner. They returned in 2017 for another taste of America before closing out the year with their first ever tour of the UK. Due to overwhelming demand, the UK will receive the first taste of Headstorm as the Swede’s invade Europe starting July 1st. Plans for their third US visit are in the works for this fall.

ABANDONED BY HEARS On Tour 2018

7/1 Huddersfield, UK @ The Parish

7/2 Nuneaton, UK @ Queens Hall

7/3 Wrexham, UK @ Atomic

7/4 Bridgwater, UK @ Cobblestones

7/5 Southampton, UK @ Suburbia

7/6 Torquay, UK @ Apple & Parrot

7/7 London, UK @ The Slaughtered Lamb

7/10 Zug, CH @ Industrie 45

7/13 Milano, IT @ Circolo Svolta

7/14 Parma, IT @ Circolo Mu Never Say PMMP Festival

8/18 Sodertalje, SE @ Spinnrocken High 5ive Summer Fest

 

Underworld and Iggy Pop announce details of a 4 track EP, Teatime Dub Encounters, due for release on July 27th via Caroline Australia.

While overseeing the soundtrack for T2 TrainspottingUnderworld’s Rick Smith arranged a meeting with Iggy Pop in a room at the Savoy Hotel on London’s Strand to discuss working on collaborative music for the film.

Says Rick Smith “Iggy was staying at The Savoy and graciously said ‘yeah you know we we can meet and talk about something’ because we both felt a strong connection to Trainspotting and to Danny. I turned up thinking I’ve got one chance here to convince this gentleman that we should work together. So I turned up with basically half my studio, hired a hotel room, set up and sat waiting.”

Their respective tracks “Lust for Life” and “Born Slippy (Nuxx)” had perfectly bookended the first Trainspotting film two decades previously. On arrival, Iggy found a fully working studio set up and eagerness to get cracking.

Says Iggy Pop “When you are confronted with somebody who has a whole bloody studio there in the hotel room, a Skyped director who has won the Oscar recently and a fucking microphone in front of you and 30 finished pieces of very polished music, you don’t want to be the wimp that goes ‘uh uhhh’, so my mind was racing.”

Teatime Dub Encounters is the result of a few clandestine hotel room recording sessions, that began a few weeks after Underworld and Iggy Pop had each released their last albums (Barbara Barbara, we face a shining future and Post Pop Depression respectively) on the same day (March 18th 2016). It is neither historical or a tribute to past work, it is the work of artists in motion, engaged in a process that they both bring to all of their work – one that uses spontaneity as a spur for creativity.

The first track from Teatime Dub Encounters – “Bells & Circles” – was premiered live as part of Underworld’s recent headline performance at the BBC Biggest Weekend Belfast. A second track – “I’ll See Big” – is streaming everywhere now. Something of a flipside to “Bells & Circles”, “I’ll See Big” is a wash of gorgeous ambient sound that features Iggy recounting how friends – however dysfunctional – have saved him from a lifetime of bad decisions. The lyrics for “I’ll See Big” were inspired by a conversation Iggy had with Danny Boyle about the subtext of both Trainspotting films.

 

Underworld & Iggy Pop
Teatime Dub Encounters EP

Out July 27th via Caroline Australia

 

 

Paul McCartney invites you on a musical journey to Egypt Station, estimated time of arrival September 7, 2018 by way of EMI Music Australia.

Sharing a title with one of Paul’s own paintings, Egypt Station is the first full album of all-new McCartney music since 2013’s international chart-topping NEW. Preceded by two of its tracks just released as double A-sides – plaintive ballad “I Don’t Know” and raucous stomper “Come On To Me – Egypt Station was recorded between Los Angeles, London and Sussex, and produced (with the exception of one Ryan Tedder track) by Greg Kurstin (Adele, Beck, Foo Fighters).

Of the forthcoming album’s enigmatic title, Paul says, “I liked the words ‘Egypt Station.’ It reminded me of the ‘album’ albums we used to make.., Egypt Station starts off at the station on the first song and then each song is like a different station. So it gave us some idea to base all the songs around that. I think of it as a dream location that the music emanates from.”

True to the inspiration behind its title, Egypt Station’s 14 songs combine to convey a unique travelogue vibe. Between the opening and closing instrumentals “Station I” and “Station II,” each song finds Paul capturing a place or moment before transporting the listener seamlessly to the next destination. Stops along the way include an acoustic meditation on present day contentedness (“Happy With You”), a timeless anthem that would fit on virtually any album of any McCartney era (“People Want Peace”), and an epic multi-movement closer clocking in at seven minutes with a song suite structure harkening back to the days of Paul’s previous combos (“Despite Repeated Warnings”). The result is a kaleidoscopic journey through myriad musical locales and eras, yet firmly rooted in the here and now–with Paul’s singular unmistakable melodic and lyrical sensibility serving as a guide.

Confirmation of Egypt Station’s release puts an end to speculation about a new Paul McCartney album that began with the whiting out of his Instagram account as Paul turned up at various landmarks in Liverpool. The capper was a June 9 surprise gig at Liverpool’s tiny Philharmonic Pub, during which “Come On To Me” was debuted alongside a set of classics spanning Paul’s career. Further details to come…

DOWNLOAD / STREAM “I DON’T KNOW” HERE

DOWNLOAD / STREAM “COME ON TO ME” HERE

PRE-ORDER “EGYPT STATION” HERE

 

Sheppard’s second album ‘Watching the Sky’ has stormed home this week, landing at #1 on the ARIA Albums chart as the band trekked across the country to meet fans. With their single ‘Hometown’ riding high at radio and on Seven’s ‘House Rules’ promos, the band have gone one better than their #2 debut ‘Bombs Away’, proving not only that the Australian public still love pop rock, but also that you don’t need a major label to hit the top.

Sheppard have silenced the nay-sayers, cementing their place in Australian music history with both an ARIA #1 single and now album under their belts. The Brisbane act have created an Australian music legacy which now includes FOUR gold and platinum accredited hits, including the recent radio smashes ‘Keep Me Crazy’ and ‘Coming Home’ and are well on their way to number five with the new single ‘Hometown’.

“This album has been over three years in the making and for it to reach the top is both satisfying and humbling,” said George Sheppard. “From years of recording, travelling the world, doing live shows and finally promoting the record across four states in the last week, it has been a long process and we’re just so glad that people are enjoying the album finally.”

“When you craft an album like this, you hope that it will connect, but to have real people turn up to the record store or jump online and support us by buying the record is what really matters,” saidAmy Sheppard. “Thank you to all our fans and those that have helped us on our journey. Our first number one album is such a special milestone for us…… we’ll be celebrating tonight!”

Refusing to be defined by either their success or their detractors, Sheppard have steered their own ship as an independent band, making their own decisions and building a dedicated team that has proven a strong alternative to the majors. ‘Watching the Sky’ is the fifth Australian album to top the ARIA albums chart this year, with all five coming from indie labels, highlighting a shift in the Australian music landscape.

“Sheppard have well and truly shown that even in the world of pop rock, independent is the way to go and it’s a sign that where Aussie music is concerned, the majors are well off the pace,” saidSheppard manager Michael Chugg. “This year’s albums chart is proof positive that Australian fans want Australian music and if the corporate record and media industries can’t or won’t meet the demand, the indie scene is ready, willing and able to step up and carry the torch for our culture.”

“When Sheppard had their first hit with ‘Let Me Down Easy’ they said it couldn’t be repeated,” said Chugg. “Then we had ‘Geronimo’ and they said it was a fluke. Now they’re up to hit number five and have proven today that they are a solid album band as well. These kids work damn hard and it’s time to step back to celebrate and respect what they have achieved both for themselves and for Australian independent music.”

‘Watching The Sky’ features 14 brand new Sheppard tracks including the Australian hits‘Hometown’, ‘Keep Me Crazy’ and ‘Coming Home’ and Latin American top 10 ‘Edge Of The Night’.

Calum Scott is back in Australia to lend his formidable vocal talents to Nine’s The Voice Grand Finale tonight, performing live on this massive TV event.

Co-inciding with this appearance, Frontier Touring is thrilled to confirm that Scott, the man behind one of the world’s most recognisable and loved renditions of Robyn’s ‘Dancing On My Own’, will play his first ever Australian and New Zealand shows this October. The tour will begin at Auckland’s Powerstation on Tuesday 23 October before crossing the Tasman for shows in Brisbane, Sydney and Melbourne.

Scott’s heartwarming appearance on Britain’s Got Talent in 2015 shot him to instant global stardom, and when he officially released his audition song ‘Dancing On My Own’ as the lead single from his debut album Only Human, it took the world by storm. The track quickly accumulated more than 6.5 million worldwide sales, reached 5x Platinum in Australia and saw the former recruitment officer from Hull nominated for the Brit Award for British Single Of The Year. Upon its release, his album resonated strongly with Australian audiences, peaking at #5 on the ARIA Albums Chart.

Only Human is the result of a long, cathartic songwriting journey. Filled with deeply personal material, Scott’s ability to transform pain into beauty is undeniable, whether he is addressing coming out to his father, unrequited longing, adolescent isolation, or the gratitude he feels toward his sister Jade, who pushed him to sing on stage for the first time and auditioned alongside him on Britain’s Got Talent.

Scott’s elegantly sculpted pop centres on his soulful vocals and heartfelt lyrics, exemplified in gently uplifting single ‘You Are The Reason’ (currently certified 2x Platinum in Australia), aching piano ballad ‘Hotel Room’ and hit single ‘Rhythm Inside’. The singer’s ability to consistently build on his gift for poignant, emotionally charged performances is a sure sign of the lasting impact the Englishman will continue to have on all who hear his voice. To experience it in the flesh is unmissable. Don’t miss a very special rendition of ‘You Are The Reason’ as Calum performs live on The Voice (Channel 9) tonight!

‘Scott’s stunningly pure voice is affecting enough in itself, but his lyrics on every one of the [album’s] tracks are vulnerable and raw.’ – Billboard

‘With Only Human, (Calum Scott) makes an impressive splash… a compelling debut album.’ – Huffington Post

2018 has certainly been a significant year for the 29 year old as he took his upbeat yet deceptively anguished balladry on the road for his first headline tour across the UK and Europe in May. This October, it’s our turn.

‘[‘No Matter What’] left concert goers captivated as Scott’s voice radiated throughout a silent crowd. Upon finishing the song, Scott couldn’t hold his emotions back and walked to the back of the stage to dry his eyes as he received one of the biggest ovations of the night.’ – The Courier Online

Fans down under are in for a treat when Calum Scott plays his very first Australian and New Zealand dates, showcasing his stunning debut album, Only Human.

 

CALUM SCOTT
AUSTRALIA & NEW ZEALAND
OCTOBER 2018

Presented by Frontier Touring, [V] (AU) and More FM (NZ)

FRONTIER MEMBERS PRE-SALE via frontiertouring.com/calumscott  Runs 24 hours from: Tue 19 Jun (2pm AEST/NZST)
or ends earlier if pre-sale allocation exhausted

GENERAL PUBLIC ON SALE  Begins: Thu 21 Jun (10am AU local time/12noon NZST)

 

Tue 23 Oct       The Powerstation | Auckland, NZ, 18+  ticketmaster.co.nz | Ph: 0800 111 999

Thu 25 Oct       The Tivoli | Brisbane, QLD , 18+   ticketmaster.com.au | Ph: 136 100

Fri 26 Oct          Metro Theatre | Sydney, NSW, 18+   ticketek.com.au | Ph: 132 849

Sat 27 Oct         Max Watt’s | Melbourne, VIC, 18+   oztix.com.au | Ph: 1300 762 545

Following up the worldwide top 10 video chart success “Act I”Tarja and earMUSIC are happy to announce the release of the long-awaited follow up “Act II” this July.

Filmed during Tarja’s world tour “The Shadow Shows”, during which the influential heavy rock singer circled the world for 7 ½ times with over 300.000 km travelled and played over 200 shows in 40 countries in front of 1 million people, “Act II” consists of the singer’s very intimate 75 minute set filmed and recorded live at the Metropolis Studio in London, UK and the breathtaking live performance of one of her shows in Milan, Italy, and previously unreleased interviews and photo galleries.

The theatrical rock adventure “Act II” combines two incredible, yet slightly different live performances on video:

The first chapter, “Metropolis Alive”, has been filmed two months prior to the release of Tarja’s 2016 success “The Shadow Self”. 20 winners from all over Europe were lucky to witness Tarja’s intimate, yet rocking 75 minute set at renowned Metropolis Studios in London, UK where the singer performed songs from her then unreleased album – for the first time in front of an audience.

“Act II’s” second chapter has been recorded on November 29th, 2016 at the magnificent Teatro della Luna Allago in Milan, Italy and includes numerous hits from all four Tarja albums such as “Innocence”“Die Alive”“Until My Last Breath” as well as an incredible cover of Muse’s classic “Supremacy”. That night’s set list also enchants the soprano’s long-time fans with a medley consisting of the distinctive Nightwish evergreens “Ever Dream”“Slaying The Dreamer” and “The Riddler”. All topped off with a remarkable acoustic set which presents Tarja classics in a brand new way.

Even though the shows deliberately differ in look, sound, approach to the music and adrenalin, both have one thing in common: from the very first to the very last tune, the state of the art production displays Tarja’s energetic performance and her graceful, charming presence.

“Live videos became more and more mere documentations focusing on a band’s performance in a remote, distant and technical way. The lightshow and the LED’s only support the band’s performance but have no significance of their own.

With “Act II” it is different. Here everything has a significance, every little detail is important because it is not only a live-recording, a live-documentation.

In the video, every song was treated in order to transport the feeling I wanted to express live at the show. As close as possible to the way the audience might have felt it that night. We used additional footages, used video snippets, photos and graphics and worked with lights, framings and reflections, changed colours and created moods, distorted pictures and inserted slides. And sometimes we kept the pure picture because itself it transported everything we wanted.

“Act II” is not a live-video, it is a live-art-video and you are free to discus it very controversially; what is exactly what I want.”

Act II” will be released on July 27th, 2018 on earMUSIC as 2CD digipak, 3LP Gatefold (180g, black), DVD, Blu-ray, Limited Mediabook 2CD+2BD (incl. two full live shows filmed at Hellfest in France and Woodstock Festival in Poland as bonus) and Digital.

A wide variety of exclusive, limited fan items and bundles can be found on Tarja’s official web shop:
https://tarja.tmstor.es

“Act I”, Tarja’s first ever live release, charted Top 10 all over Europe as well as almost all over the world, with a sensational #5 in Germany’s General Charts. The video version even remained for over two months at the peak of the Finnish music video charts.

“Act II” keeps the energy and aesthetics of its predecessor, but adds a new chapter to the live saga in a brand new way.

“Turn of the lights, volume up and dive into the show!” – Tarja

 

TRACK LIST

2CD

CD1

No Bitter End / 500 Letters / Eagle Eye / Demons In You / Lucid Dreamer / Shameless / The Living End / Calling From The Wild / Supremacy / Tutankhamen – Ever Dream – The Riddler – Slaying the Dreamer

CD2

Goldfinger / Deliverance // Acoustic Set: Until Silence – The Reign – Mystique Voyage – House of Wax – I Walk Alone // Love To Hate / Victim of Ritual / Undertaker / Too Many / Innocence / Die Alive / Until My Last Breath

3LP+download code

Side A

No Bitter End / 500 Letters / Eagle Eye / Demons In You

Side B

Lucid Dreamer / Shameless / The Living End / Calling From The Wild

Side C

Supremacy / Tutankhamen – Ever Dream – The Riddler – Slaying the Dreamer / Goldfinger / Deliverance

Side D

Until Silence – The Reign – Mystique Voyage – House of Wax – I Walk Alone

Side E

Love To Hate / Victim of Ritual / Too Many

Side F

Undertaker / Innocence / Die Alive / Until My Last Breath


BD // DVD

Filmed at Metropolis Studios, London, UK, 6th of June 2016

No Bitter End / Eagle Eye / Sing For Me / Love To Hate / The Living End / Medusa / Calling From The Wild / Victim Of Ritual / Die Alive / Innocence / Until My Last Breath / Too Many

Filmed at Teatro della Luna Assago in Milan, Italy, 29th of November, 2016

Against The Odds / No Bitter End / 500 Letters / Eagle Eye / Demons In You / Lucid Dreamer / Shameless / The Living End / Calling From The Wild / Supremacy / Tutankhamen – Ever Dream – The Riddler – Slaying the Dreamer / Goldfinger / Deliverance // Acoustic Set: Until Silence – The Reign – Mystique Voyage – House of Wax – I Walk Alone // Love To Hate / Victim of Ritual / Undertaker / Too Many / Innocence / Die Alive / Until My Last Breath

Bonus Material

Interviews with Tarja and band members

PhotoGallery 1: Through the eyes of the fans

PhotoGallery 2: From stages and streets by Tim Tronckoe

Limited Mediabook

BD1

Filmed at Metropolis Studios, London, UK, 6th of June 2016

No Bitter End / Eagle Eye / Sing For Me / Love To Hate / The Living End / Medusa / Calling From The Wild / Victim Of Ritual / Die Alive / Innocence / Until My Last Breath / Too Many

Filmed at Teatro della Luna Assago in Milan, Italy, 29th of November, 2016

Against The Odds / No Bitter End / 500 Letters / Eagle Eye / Demons In You / Lucid Dreamer / Shameless / The Living End / Calling From The Wild / Supremacy / Tutankhamen – Ever Dream – The Riddler – Slaying the Dreamer / Goldfinger / Deliverance // Acoustic Set: Until Silence – The Reign – Mystique Voyage – House of Wax – I Walk Alone // Love To Hate / Victim of Ritual / Undertaker / Too Many / Innocence / Die Alive / Until My Last Breath

Bonus Material

Interviews with Tarja and band members

PhotoGallery 1: Through the eyes of the fans

PhotoGallery 2: From stages and streets by Tim Tronckoe

 

BD2

Filmed at Woodstock Festival, Poland, 16th of July, 2016

Against The Odds / No Bitter End / Demons In You / 500 Letters / Ciaran’s Well / Supremacy / Calling From The Wild / Tutankhamen – Ever Dream – The Riddler – Slaying the Dreamer / Innocence / Victim Of Ritual / Die Alive / Until My Last Breath / Over The Hills And Far Away

Filmed at Hellfest, France, 19th of June, 2016

No Bitter End / Never Enough / Ciaran’s Well / Calling From The Wild / Supremacy / Victim Of Ritual / Tutankhamen – Ever Dream – The Riddler – Slaying the Dreamer / Die Alive / Until My Last Breath

CD1

No Bitter End / 500 Letters / Eagle Eye / Demons In You / Lucid Dreamer / Shameless / The Living End / Calling From The Wild / Supremacy / Tutankhamen – Ever Dream – The Riddler – Slaying the Dreamer

CD2

Goldfinger / Deliverance // Acoustic Set: Until Silence – The Reign – Mystique Voyage – House of Wax – I Walk Alone // Love To Hate / Victim of Ritual / Undertaker / Too Many / Innocence / Die Alive / Until My Last Breath

 

 

Australian electronic dance luminaries THE PRESETS – Julian Hamilton and Kim Moyes – unveil their highly anticipated fourth studio album HI VIZ today.  Featuring the singles “Do What You Want”, which featured in triple j’s Hottest 100 songs of 2017, classic dance floor filler “14U+14ME”, and “Downtown Shutdown”, which is currently triple j’s most played song of the week, HI VIZ is destined to enhance The Presets’ already formidable reputation.

THE PRESETS’ are credited as producers on the album, while most of the record has been mixed by John Hanes who created the classic mix of “Uptown Funk”, as well as working more recently with the likes of Sia, Bruno Mars and Major Lazer.  Apocalypsocollaborator Scott Horscroft also mixed several HI VIZ tracks while Flume engineer Eric J mixed “Beethoven” – the pair’s nod to their Conservatorium years.

The release of HI VIZ will be followed by a national tour across June.  Commencing in Perth on June 13, it heads to Adelaide, Melbourne, Canberra, Wollongong, Sydney, Brisbane, winding up on the Gold Coast on June 29.

Julian said today, “However you are experiencing HI VIZ today – whether you’re at home with the vinyl, in the car with the CD, or streaming it off your phone on the way to work – just promise us one thing… that you’re gonna blast it loud.”

Both Julian and Kim individually produce other artists outside their Presets collaborations, and many of the artists with whom they’ve worked make HI VIZ cameos. “Are You Here?” features the DMA’s, whose latest album was co-produced by Kim, Alison Wonderland guests on “Are You Out Of Your Mind?” while Jake Shears from Scissor Sisters adds vocals to “Tools Down”.

It’s been a decade since The Presets delivered anthems like “My People”, “Talk Like That” and “This Boys In Love”. The pair had been making waves in Sydney’s clubs since forming in 2003 and signing to the influential Modular Records, but it was their 2008 Oz chart topper, Apocalypso, that first introduced them to wider audiences. That album was certified triple platinum and won them six ARIA Awards in their homeland. By contrast, 2012’s critically acclaimed Pacifica was comparatively introspective but epic gigs around the world – from Glastonbury Festival and Coachella to Splendour In The Grass – forged the duo’s reputation as Australian electronic music trailblazers.

HI VIZ OUT TODAY – DOWNLOAD / STREAM HERE

WATCH EXCLUSIVE BEHIND THE SCENES FOOTAGE FROM “DOWNTOWN SHUTDOWN” VIDEO HERE:

 

 

The need for someone isn’t always pretty, it’s messy. It’s more desperate, like an addict afraid of losing the drug.
Sometimes the most powerful expression of a relationship isn’t “you complete me”.
It’s “when you’re here, I don’t want to die.”

Produced by Dave Hammer (JEFFE, Nicole Millar, Gideon Benson), the surprisingly uplifting new single “mess around your room” is about being there when it is not convenient, for either party. It’s about sticking around through the mess.

mess around your room” is out now on all digital platforms.

Peter Sonic will be playing some debut live shows in Sydney, Brisbane, and Melbourne in July and August.

Peter Sonic is a 6″3 powerhouse of emotional melody. Combining southern gothic tunes with a new wave emphasis, it’s the voice that creeps into the back of your mind, it’s the itching urge for disaster.
He also makes coffee. He also really likes to dance.   
Drawing influences from the genius of David Bowie, the theatricality of Kate Bush, the despair of Lana Del Ray, the character of Clint Eastwood in The GoodThe Bad & The Ugly, and the grit of Steinbeck and HemingwayPeter Sonic is an expression of the contradictions of life; the passion and the apathy, the hope and despair, the organic and synthetic, the quiet and chaotic.
mess around your room” is a follow up to tribal drum-fuelled, groove-laden, new wave pop anthem debut single “the cracks“, which has clocked over 250,000 streams on Spotify/Apple Music and has been played on triple j, Double j, triple j unearthed, ABC local, triple R, and SYN radio.

mess around your room” is out now.

 

After their award winning 2017 release I Must Be Somewhere, Raised By Eagles are delighted to be back on the road, playing selected dates from June – August taking in Queensland, New South Wales, Victoria  – and for the very first time, Tassie.  We know it’s cold out there – but Raised By Eagles are a band worth heading out into a winter’s night for.

When you see Raised By Eagles perform live it’s as if they draw breath together.  You’d swear Luke Sinclair, Nick O’Mara, Johnny Gibson and Luke Richardson have played in this band since time began. Then there’s the music itself; it’s evocative, old-soul Americana coming out of men surely not old enough to play it with such integrity, sincerity and presence – but they do.

This is a band with no need for gimmickry or lip service to the latest pop culture or trend.  With I Must Be Somewhere, and their previous  release Diamonds In The Bloodstream, Raised By Eagles have delivered an impossibly stunning suite of songs that stands tall and timeless, built on a foundation of rock solid songwriting, musicianship, a good dose of mongrel and something that simply can’t be taught – soul. So grab your coat, grab your scarf, gather your friends & head out the door to warm yourselves up with one of Australia’s finest alt-country rock bands.  You’re invited – just ask Nick!

 

Hannah Cameron’s voice is that of pure awe. The disarming young alt-folk artist has been carefully crafting delicate refrains to match it for the last few years, growing ever grander with each release. Her latest single ‘What’s It For’ is a striking culmination of this, which has already seen Cameron rally an influx of devoted fans, multiple spins on triple j, inclusions in Spotify’s Deep Dark Indie and Electric Grit playlists, and a recent addition to rotation on Sydney’s FBi Radio. Now, the distinguished singer songwriter is excited to reveal a new live recording of ‘What’s It For’ and announce an east coast album tour just around the corner.

Recently lifted from Hannah’s forthcoming album I Lay Where You Lie coming Friday 8 June‘What’s It For’ observes the rapidly shifting changes we face amidst the digital age and relishes in the simplicity of times bygone. Shot at the refreshingly obstinate Railway Hotel which hasn’t changed a crumb in the past 45 odd years, this flawless live performance strips ‘What’s It For’ back to its humble scaffolds and finds real strength there. Directed, filmed and edited by Andy Johnson with sound tracked and mixed byJono Steer, the video gives a glimpse into the raw and honest storytelling of Hannah Cameron live. 

We shot the video at The Railway Hotel in Fitzroy North. It’s this wonderful establishment, which has somehow managed to shirk the gentrification that has swept through every other Melbourne pub on this side of town. I wrote What’s It For about the way that we, often unwittingly, allow external forces to influence our behaviour and our relationships and it just kind of struck me that this was a place that had remained true to itself for decades despite all the movement and transformation going on around it. So between that and the fish tank it felt like the perfect backdrop.” – Hannah Cameron

A taste of what’s to come, the video celebrates the announcement of an East Coast album tour taking to Melbourne, Brisbane, Sydney, and regional Victoria, kicking it all off with a pair of shows at Bello Winter Music Festival. Having opened for the likes of Broads, LULUC, Leah Senior, Coda Chroma and more, Hannah Cameron live is an absolute treat, and this is your chance to see her at her finest yet. Do not sleep on it.

I Lay Where You Lie Album Tour Dates
Friday 13 + Sunday 15 July
Bello Winter Music Festival, Bellingen
Tickets: www.bellowintermusic.com

Thursday 9 August
Northcote Social Club, Melbourne
Tickets via www.eventbrite.com

Friday 10 August
Junk Bar, Brisbane
Tickets via thejunkbar.oztix.com.au

Saturday 18 August
The Bridge Hotel, Castlemaine
Tickets on the door

Saturday 25 August
Golden Age Cinema and Bar, Sydney
Free Entry

‘What’s It For’ is out now via iTunes / Bandcamp Spotify

I Lay Where You Lie is out globally Friday 8 June and available to for pre-sale nowvia Bandcamp