Summary: Divorced real estate agent Frank Mollard’s (Anthony LaPaglia) is struggling to deal with divorce and his place in the world when he is suddenly surprised from a phone call by Sarah (Julia Blake) an elderly woman who reminds Frank of his own mother who is now deceased.
Australian Cinema Release Date: 28th April 2016
Australian DVD Release Date: TBA
Director: Matthew Saville
Screenwriter: Matthew Saville
Cast: Wayne Anthony (Noel Lang), Julia Blake (Sarah), John Clarke (Phillip Lang), Justine Clarke (Wendy), Terence Crawford (Staurt), Indiana Crowther (Frank Jnr.), Mikaela Davies (Olivia), Donal Forde (Damian), Patrick Graham (Ian Treggoning), Anthony LaPaglia (Frank Mollard)
Runtime: 110 mins
A film is supposed to make you feel a range of different emotions when you watch it, but very often it’s how you feel as you leave the cinema that is the most important. Will you leave feeling entertained? Informed? The one thing you probably shouldn’t be feeling when you leave the cinema is empty… but sadly that is the way I found myself feeling as I left the cinema after a screening of A Month of Sundays… something that I should add that the friends with me were feeling as well.
To be honest that completely surprised me because in the past I have adored the films made by Australian director Matthew Saville. His debut feature Noise was a fresh alternative Police drama that had me really raving about the brilliance of the film, while his last film Felony again visited the boys in the blue and kept its audience guessing from start to finish.
That is the first thing that hits you about A Month Of Sundays it is very different to anything that Saville has done before. Instead of going down the crime path this film centres around Frank Mollard (Anthony LaPaglia – Without A Trace) a real estate agent who has found himself in a deep funk as he struggles to see any importance in his work and is also dealing with the fact that his now famous wife, Wendy (Justine Clarke – Look Both Ways), has left him and he has no idea how to connect with his son, Frank Jnr. (Indiana Crowther – newcomer).
Then along comes something that sparks a little bit of interest in Frank’s life. He receives an accidental phone call from Sarah (Julia Blake – Don’t Be Afraid Of The Dark), a retired librarian who reminds him of his mother. While Frank’s uncaring boss, Phillip Lang (John Clarke – The Man Who Sued God) warns him against it Frank finds himself drawing closer to Sarah.
A quick read through of the summary of the film and you see that it could have been possible for A Month Of Sundays to have been a very thought provoking film. To its credit the film does explore topics such as how an older male deals with the break-up of a marriage, the loss of his mother and also trying to relate to his teenage son, but the film just does not go deep enough into any of those topics to make it worthy film. The film also doesn’t allow its audience to feel sorry for Frank enough, we simply see him as a morose (and kind of boring) individual and as a result you just never really develop a connection to him. Worse still is the fact that the filmmakers obviously think that the audience with side with Frank and not support Sarah’s son in his belief that Sarah and Frank’s friendship is a little strange. Truthfully it is easier to see the son’s point of view than it is to see Frank’s.
One of the biggest problems with the film though is that it just seems to cruise along at a steady pace with very little highs. The major high throughout the film is the comedic style of John Clarke, which most Australians would have come to know and love with his political satire on A Current Affair. Clarke’s style steals nearly every scene that he is in and it is often his one liners that are the stand out. He even manages to deliver some good emotional scenes as we see his character battle with dealing with the fact that his elderly father has lost his mind.
As usual Anthony LaPaglia is good but really doesn’t get a lot to work with. He breezes through his scenes while wearing the same emotion on his face in nearly every scene. He is well supported by Justine Clarke and newcomer, Indiana Crowther. The clear standout here though is Julia Blake who commands the screen in every scene she appears in and once again she has managed to deliver another great performance.
A Month Of Sundays is a little bit of a letdown for all the Matthew Saville fans out there. Slow and unremarkable this is a film that I doubt that I will revisit.
A Month Of Sundays is the third film from writer/director Matt Saville (a veteran of television with credits ranging from the telemovie The King to sitcom Please Like Me), and is something of a change of pace for a filmmaker widely considered as one of our best. His first two films were the multi-award winning Noise and Felony, both character-driven police dramas that explored themes of guilt, responsibility, family and secrets. A Month Of Sundays is a more introspective drama about a man undergoing a midlife crisis who gets a new lease on life after he meets an elderly woman. It deals with universal themes of family, loss, grief, mortality, dysfunctional relationships, the dream of owning your own home, regeret and redemption, and a variety of complex mother/son relationships.
The central character here is Frank Mollard (played by Anthony LaPaglia, from tv series Without A Trace, the recent Holding The Man, and AFI award winning dramas Balibo, Lantana, etc), a real estate agent who has fallen into a pit of despair and is sleepwalking through his life at the moment. He is having trouble selling houses, even in the midst of a real estate boom. His mother has recently died, he is still dealing with the breakdown of his marriage to Wendy (Justine Clarke), who is finding fame as the star of a new television medical drama, and is having difficulty relating to his teenaged son (newcomer Indiana Crowther). His job is selling houses that belong to the soon to be deceased, which further adds to his emotional turmoil and sense of grief.
Then he receives phone call from the elderly Sarah (Julia Blake), who accidentally rang his number when trying to call her own son. Intrigued by their brief conversation and the sense of comfort it briefly provided, Frank arranges to meet Sarah and through her he explores his own grief and emotional confusion. His presence soon proves an irritant to her real son Damien (Donal Forde), who works as an IT expert. But eventually Sarah becomes something of a surrogate mother figure and her wisdom and life experiences eventually help snap Frank out of his ennui and he begins to reconect with the world around him.
But unfortunately this earnest and well meaning but contrived melodrama is the lesser of Saville’s three films. It is uneven in both tone and pacing. There are problems with the script and the characterisation as we don’t really identify with some of the characters here or even care that much about them.
Veteran cinematographer Mark Wareham (Felony, BoyTown, etc) makes good use of the leafy tree lined suburban streets of Adelaide and gives the film a strong sense of location and a strong visual surface.
LaPaglia is good at conveying the fragility and vulnerability of the male psyche and he does a good job here bringing some unexpected layers to his nuanced portrayal of Frank. A nice touch sees Frank describe every location he enters in terse real estate terms: “Meticulously renovated family home; untouched period charm; late Victorian style; scope to further improve…” Although 79, Blake is still a formidable screen presence and she brings gravitas to her role as Sarah. But the best moments of the film centre around Frank’s shifty boss Philip (a scene stealing performance by comic John Clarke), a shifty hustler with a heart of stone. Clarke brings his usual dry, deadpan wit to the role and I wanted more of his character and less of the melodramatic stuff about dysfunctional families and midlife crises that we have seen in numerous other similarly themed films.
But overall A Month Of Sundays is a rather trite and pedestrian affair that will struggle to resonate with a wider mainstream audience.
Anthony LaPaglia plays sour faced estate agent, Frank Mollard, who could be a human stand in for Droopy the Dog should he ever fail to turn up for work. Frank is still wrestling with unaired feelings about his mother’s death the previous year, his ex-wife is carving a successful career as an actress and his distant son appears to be following suit. He’s also become disenfranchised with his job; watching potential first time home owners lose out to middle-aged hipster property tycoons. When he receives a call from a sweet old lady called Sarah (Julia Blake) who has misdialled, Frank spies an opportunity to claw back some of the happiness he once had.
There’s something about A Month of Sundays, the latest film from director Matthew Saville, that doesn’t quite stick. For all intents and purposes the goods it puts on display are tempting; great cast, sunny locale and a touching underdog story that often resonates with Australian audiences. And yet it all feels a bit too light, particularly when stacked up against Saville’s previous work, such as Felony and Noise.
The trailer suggests that this will be a bittersweet drama about two people forming a cross-generational friendship in which they’ll laugh, cry, and possibly even learn something at the end of the day. However, Sarah, played wonderfully by Julia Blake, is merely one of several characters who walk in and out of scene to validate Frank’s demeanour. We learn an awful lot about the bitter agent, but very little about the dear OAP who likes to use the Dewey decimal system to keep her books in order at home. Affectations do not a personality make.
When a turning point in the film sees Sarah receive some tragic news, it makes the same misstep as Me and Earl and The Dying Girl, by denying her agency and instead focussing on how poor Frank will cope. LaPaliga is brilliant, but this film should really be more of a two-hander than it is. However, it’s not all doom and gloom, as Jack Clarke steals a number of scenes as Frank’s boss Peter Langdon. Even then though his acidic one-liners are hampered by scenes involving his mentally ill father that feel like they were taken from another film.
As feel good movies go, this is pretty much by the numbers stuff and it’s such a shame that a talented person like Saville would make such a misstep. However, in the right mood, A Month of Sundays is perhaps a non-taxing classic Sunday arvo film waiting to happen.
Other Subculture Entertainment A Month Of Sundays reviews: You can also listen to our full A Month Of Sunday review on The Good The Bad The Ugly Film Show Ep #174.
This week on The Good The Bad The Ugly Film Show Dave, Greg and Nick take a look at new release films ‘A Month Of Sundays,’ ‘Captain America: Civil War,’ and ‘Mother’s Day’. This episode also contains interviews with Robert Downey Jnr., Chris Evans, Scarlett Johansson, Jennifer Aniston, Kate Hudson and Britt Robertson.
Also make sure you are listening this week for your chance to win a The Man Who Knew Infinity pack thanks to our good friends from Icon. The pack contains a double pass for you to go and see The Man Who Knew Infinity and copies of Slumdog Millionaire, The World’s Fastest Indian, The Motorcycle Diaries, Nowhere Boy, Love & Mercy and I’m Not There on DVD. The pack is worth $140. To win just listen to this week’s episode of The Good The Bad The Ugly Film Show, and tell us how many stars Adam gives Captain America: Civil War and then private message us your answers on either our Facebook or Twitter pages.
You can listen to the show or download it for free from our Podcast Channel – Listen/Download here.
To celebrate the release of new Australian film A Month Of Sundays (starring Anthony Lapaglia and John Clarke, directed by Matthew Saville) our good friends at Cinema Nova have given us 5 double passes to a very special screening of the film next Thursday night.
To win tickets just be one of the first five people to private message us with the word ‘Lapaglia’ on our Facebook page.
Should you miss out on our free passes don’t forget that you can purchase tickets to a special Q&A screening of the film (with Anthony Lapaglia, John Clarke and Matthew Saville on a panel hosted by Tom Ryan) which will be taking place at Cinema Nova this Thursday night @ 8pm. Tickets can be purchased right here.
Swinging in from old Blighty, John Noonan has been writing about movies and TV for several years. Starting off with his personal ramblings about the state of advertising in the UK with his puntastic defunct blog, ‘Ad’s All Folks’, John founded the film blog Early Bird Film Society.
Since moving to Melbourne over five years ago, John has written for websites and publications, such as FilmInk, Horrornews.net and Monster Pictures. His proudest moment to date is that he can heard having a slap fight with Laurence R Harvey on the commentary for the Australian release of The Editor.
Currently John Noonan has 4 reviews on Subculture Entertainment:
Dave Griffiths has worked as a journalist for over twenty years now -covering topics including film, television, music, travel and sport (with a main focus on AFL Football).
That time has seen him host the popular X-Wired television program for seven seasons as well as write for various magazines such as Buzz Magazine, Heavy Mag, Stage Whispers, The Banner and Eternity. Dave is currently the Head Film Writer for Heavy Mag and also writes reviews for Thailand’s The Phuket News newspaper.
He has even branched out into writing online for Subculture Entertainment, Media Search and The Book The Film The T-Shirt. He also worked as the online editor for Entertainment 360 for three years.
Dave’s radio work has seen him work on various radio stations including Talking Lifestyle, 3RPP, Triple R and Light FM. He is currently the co-host of Melbourne’s 94.1FM’s breakfast show ‘The Motley Crew’ and he can sometimes be heard on J-Air’s ‘First On Film’. David is also the co-host of two popular podcasts – ‘The Good, The Bad, The Ugly Film Show,’ and ‘The Popcorn Conspiracy’
As far as Film Reviewing goes David is an elected committee member of AFCA (Australian Film Critics Association and a member of IPRESCI (International Federation of Film Critics)/FIPRESCI (Fédération Internationale de la Presse Cinématographique).
He has also served as a jury member for a number of international film festivals and is considered an expert on cult cinema, horror movies and Australian films.
Dave is also a keen screenwriter and is currently working on a new comic book series.
Currently David Griffiths has 39 Film Reviews on Subculture Entertainment
Currently David Griffiths has 51 Film Interviews on Subculture Entertainment
Currently David Griffiths has 10 Music Reviews on Subculture Entertainment
Currently David Griffiths has 43 Music Interviews on Subculture Entertainment
Currently David Griffiths has 11 Theatre/Comedy Interviews on Subculture Entertainment
Currently David Griffiths features on 5 episodes of The Popcorn Conspiracy
Greg King has had a life long love of films. He has been reviewing popular films for over 15 years. Since 1994, he has been the film reviewer for BEAT magazine. His reviews have also appeared in the Herald Sun newspaper, S-Press, Stage Whispers, and a number of other magazines, newspapers and web sites.
Greg also hosts Movies At Dusk on 3WBC 94.1FM every Sunday between 7-7pm. The two hour show includes interviews with film makers, reviews and news from the world of film and entertainment. he also co-hosts the breakfast show The Wednesday Motley Crew with David Griffiths every Wednesday morning between 7-10am on 3WBC 94.1FM.
Greg also presents film reviews regularly on Terry Phibbs’ Dusk program every Sunday at 6.30pm on 3WBC 94,1FM and at 2.30pm as part of Peter Cassidy’s Saturday Afternoon Program.
He was the producer of Media Moves Cinema Scene, heard every Saturday morning from 11.00am to 12 noon, on radio station 3CR in Melbourne.
Greg is also the secretary of the Australian Film Critics Association.
When not viewing movies, Greg’s other passions include reading, listening to music, and the St Kilda football club.
Currently Greg King has 12 reviews on Subculture Entertainment