Tagged: Alternative

 

Budding singer songwriter Bri Clark is making waves across the Australian music scene with her latest single ‘Giving Up’. The Perth artist quickly captured the attention of the industry when the track was nominated for the 2018 Vanda & Young songwriting competition prior to its official release in September. Debuting at #1 for its first two weeks in the world on the triple j unearthed charts, the track was added to Spotify’s New Music Friday AU & NZ and the New Alt Indie playlists. ‘Giving Up’ has had an instantaneous effect on the Australian music community. After rallying a wake of fans from far and wide with her haunting vocals, brooding melodies and dark pop vibes Bri Clark is excited to share a new live video of the powerful song as well as treat her East Coast audience to a pair of intimate upcoming performances.

Crafting a sound that is entirely of its own ilk, Bri Clark channels a sense of heavy weightlessness on ‘Giving Up’. The single is a reflective memoir of a crumbling relationship that builds from soft, beckoning guitar strumming to soaring heights of layered vocal harmonies. The new live video from John Aliaga recorded at Vision Studios, Perthsees the young artist stripping the layered production back to its raw beginnings of just Bri, her voice and her fingertips. Seated at a grand piano with nothing but a peppering of warm tungsten bulbs, the performance is an exquisite taste of what’s to come at her live shows.

As an inaugural recipient of APRA’s female songwriter mentorship in 2018, Bri has had the opportunity to work and collaborate with a spread of fellow musicians and industry professionals and most recently featured on the well-received single ‘What We’ve Done’by Angus Dawson. Fresh off the back of the APRA AMCOS SongHubs intensive song writing boot camp, a standout performance at Bigsound’s Songwriter Showcase, and WA’s annual WAMFestBri Clark is thrilled to finally venture across the way to treat Melbourne and Sydney to a pair of intimate live shows this November. She will also take part in Specific Music’s 50 Songs In 5 Days, an APRA AMCOS sponsored, invite only songwriting event which brings together world-class songwriters, artists and producers.

With a voice steeped in pain, yet undeniably mesmerising Bri Clark can capture and hold a room in the palm of her hand. Do not miss your chance to catch this noteworthy name in Australian music. Expect big things.

‘Giving Up’ Single Launch Shows
Wednesday 21 November
Leadbelly, Sydney
Supporting AMISTAT
Tickets $17.85 via Moshtix

Tuesday 27 November
Some Velvet Morning, Melbourne
With Ariela Jacobs
8pm
Pre sale tickets $10 + bf via bit.ly/BriClarkArielaJacobs

Other upcoming shows:
Thursday 29 November
Mojo’s Bar, Fremantle
Supporting Holy Holy, with Clews
8pm
Tickets $39 via Oztix

Friday 30 November
The Rosemount Hotel, Perth
Supporting Holy Holy, with Clews
8pm
Tickets $40 via Oztix

 

Everybody has a wild side, something sinister just under the surface.

Leave it to He Danced Ivy to draw out that madness in their wild new single Spitting On Infinity; a thrashing ruckus full of distorted guitars and unique satirical lyrics that will have you feeling wilder than the house party it was recorded during.

To celebrate the release of Spitting On InfinityHe Danced Ivy will be taking to the stage with international legends Polyphia and Intervals on  Monday, September 24.

Spitting On Infinity is the perfect tune for a wild Saturday night, recorded in part during one of those wild Saturday nights when the group gathered a choir of their best mates in a Fortitude Valley parking lot.

“We gathered 25 of our closest friends and crammed them into an outdoor carpark to record the big last chorus group vocals. I don’t know how we didn’t get shut down, but listening back to our wild carpark-choir is easily one of our greatest memories,” saidbassist, Mitch.

All for the theatrics, He Danced Ivy always weave some kind of insane narrative into their music; just try to piece this one together.

“The song tells this story of this narcissist that’s in a relationship that’s falling apart. All the classic culprits are there; in-law drama, compartmentalized emotions, backstabbing, and the false hope that things will get better,” said lead vocalistDave.

“Each feeling is painted with equal parts with and sleaze as the narcissist loses all care for subtlety. They begin to revel in the opportunity to lie, cheat, and steal; hell with the consequences. They’re finished, all that’s left is to spit on infinity and piss on the sun,” said lead guitaristSean.

Spitting On Infinity is the follow up to their Frankenstein’s monster of a single,Guillotines, released in July, which saw the boys step loudly into the spotlight scoring a rotation spot on triple j Unearthed, support from community radio and taste-maker blogs across the country.

 

The band isn’t just a way of life, its been much more than that. To us, as a family, writing music of such honesty, and reaching people who feel it similarly, is as profound an expression of art and life as its possible to be. People have said to me it must be cathartic to write songs like this. I often say the real gift is in the people I do it with. For what we share and what we mean to each other when all is said and done.The landscapes are internal” Daniel Cavanagh

Internal Landscapes showcases the highly influential Liverpool sextet’s uncompromising dedication to fearless artistry. They’ve continually evolved since 1990 by placing hope in the future – from leaving the underground scene they were fundamental in establishing to continually mesmerising the world with dramatic post-progressive alternative rock that knows no borders.

The release of Internal Landscapes follows an extensive worldwide headline tour, including performances at Download FestivalArcTanGent and Wembley Arena with Opeth in support of their 2017 studio album The Optimist. The release won the Album of the Year at the Progressive Music Awards ’17, reached the top 10 in the Polish charts, top 20 in Germany, top 40 in the UK, and has 5.8 million track streams on Spotify. This built on the success of their previous Kscope material, which also won at the Progressive Music Awards, including Album of the Year, Live Event of the Year & Multimedia Package of the Year for 2010’s We’re Here Because We’re Here, 2012’s Weather Systems and 2013’s Universal.

This collection, curated by the band, selects the best works from their prolific output on the ground-breaking label Kscope since 2008. In this time the band left their heavier roots and transcended into emotional heaviness that resonated deep within the heart of the listener. It takes its name from the band’s perhaps most heartfelt song, from their most popular album of the period, Weather Systems.

Daniel Cavanagh has provided the album sleeve notes and the artwork was created by long-time collaborator Travis Smith

Internal Landscapes will be released on CD, LP and available through usual download and streaming platforms.

It is available to pre-order at anathema.lnk.to/InternalLandscapesPR
 

Tracklisting 
1. Anathema [06:41]
2. Untouchable part 1 [06:14]
3. Untouchable part 2 [05:33]
4. Thin Air [06:00]
5. Ariel [06:29]
6. Can’t Let Go [04:34]
7. Dreaming Light [05:47]
8. Are you There? [05:11]
9. J’ai Fait Une Promesse [03:33]
10. Leaving It Behind [04:27]
11. Springfield [05:42]
12. Distant Satellites [08:07]
13. Internal Landscapes [08:37]

 

The need for someone isn’t always pretty, it’s messy. It’s more desperate, like an addict afraid of losing the drug.
Sometimes the most powerful expression of a relationship isn’t “you complete me”.
It’s “when you’re here, I don’t want to die.”

Produced by Dave Hammer (JEFFE, Nicole Millar, Gideon Benson), the surprisingly uplifting new single “mess around your room” is about being there when it is not convenient, for either party. It’s about sticking around through the mess.

mess around your room” is out now on all digital platforms.

Peter Sonic will be playing some debut live shows in Sydney, Brisbane, and Melbourne in July and August.

Peter Sonic is a 6″3 powerhouse of emotional melody. Combining southern gothic tunes with a new wave emphasis, it’s the voice that creeps into the back of your mind, it’s the itching urge for disaster.
He also makes coffee. He also really likes to dance.   
Drawing influences from the genius of David Bowie, the theatricality of Kate Bush, the despair of Lana Del Ray, the character of Clint Eastwood in The GoodThe Bad & The Ugly, and the grit of Steinbeck and HemingwayPeter Sonic is an expression of the contradictions of life; the passion and the apathy, the hope and despair, the organic and synthetic, the quiet and chaotic.
mess around your room” is a follow up to tribal drum-fuelled, groove-laden, new wave pop anthem debut single “the cracks“, which has clocked over 250,000 streams on Spotify/Apple Music and has been played on triple j, Double j, triple j unearthed, ABC local, triple R, and SYN radio.

mess around your room” is out now.