Tagged: Claire Foy

Summary:

A look at the life of the astronaut, Neil Armstrong, and the legendary space mission that led him to become the first man to walk on the Moon on July 20, 1969.

Year: 2018

Australian Cinema Release Date: 11th October 2018

Australian DVD Release Date: TBA

Country: United States

Director: Damien Chazelle

Screenwriter: Josh Singer, James R. Hansen (based on the book by)

Cast: Christopher Abbott (Dave Scott), Mark Armstrong (Paul Haney), Chandler Barron (Scott Carpenter), Skyler Bible (Richard Gordon), Connor Colton Blodgett (Mark Armstrong), Leon Bridges (Gil Scott-Heron), Callie Brown (Young Bonnie White), Kyle Chandler (Deke Slayton), Jason Clarke (Ed White), Steve Coulter (Guenter Wendt), Ethan Embry (Pete Conrad), J.D. Evermore (Chris Kraft), Ryan Clay Forbes (Bill Anders), Claire Foy (Janet Armstrong), Patrick Fugit (Eliott See), Matthew Glave (Chuck Yaeger), Ryan Gosling (Neil Armstong), Edmund Grant (Older Ed White Jnr.), Choppy Guillotte (John Young), Lukas Haas (Mike Collins), Oliver Hamilton (Pat White), James R. Hansen (Dr. Kurt Debus), Robert Hatch (Joe Schmitt), Braydyn Nash Helms (Young Eddie White Jnr.), Ciaran Hinds (Bob Gilruth), Helen S. Jackson (Louise Sheron), Brian d’Arcy James (Joe Walker), Shaun Eric Jones (Wally Schirra), Jonathon Kankolenski (Young Edward Higgins II), John F. Kennedy (himself – archive), Michael Lee Kimel (Bill Moon), William Gregory Lee (Gordon Cooper), Dutin Lewis (Ralph Morse), George Linkenback (Col. Frank Borman), Ben Owen (John Hodge), Greg Puckett (Charles Berry), Willie Repoley (Jim Fucci), Kermit Rolison (George Mueller), Pablo Schreiber (Jim Lovell), Margo Schroeder (June Hoffman Armstrong), Brady Smith (Butch Butchart), Claire Smith (Older Bonnie White), Corey Michael Smith (Roger Chaffee), Lucy Brooke Stafford (Karen Armstrong), Andrew Stahl (Ken Mattingly), Jim Stearns (David Hammock), Corey Stoll (Buzz Aldrin), Kris Swanberg (Marilyn See), William G. Tomek (Donald Babbitt), Kurt Vonnegut Jr. (himself – archive), Kent Wagner (Fred Haise), Gavin Warren (Young Rick Armstrong), John David Whalen (John Glenn), Shea Whigham (Gus Grissom), Luke Winters (Older Rick Armstrong), Perry Zulu Jnr. (Robert Lawrence)

Runtime: 141 mins

Classification: M

 

OUR FIRST MAN REVIEWS & RATINGS:

 

Dave Griffiths Review:

 

When you think of space exploration we now days think of the romanticised Hollywood version of space travel. Unless you can think back to realistic movies like Apollo 13 it is easy to forget that it only takes a second for space exploration to become a nightmare for all involved. Sure we have sci-fi movies like Aliens that enhance the extra-terrestrial horror that many believe might be out there, somewhere, but very few films capture the horrors of the unknown and the impact it had on its first explorers like First Man does.

Director Damian Chazelle (Whiplash, La La Land) doesn’t have to develop scary looking aliens in order to create horror for intrepid test pilot and engineer Neil Armstrong (Ryan Gosling – Drive, Blue Valentine) and his wife Janet (Claire Foy – Season Of The Witch, Vampire Academy). Like he did with Whiplash Chazelle just shows human life in its purest form… which for this family provided more horror than most couples could withstand. From the loss of their daughter which led to Armstrong joining the NASA Space Program in the first place, dangerous test missions that place Neil’s life in danger nearly every day through to the anguish that Janet endures on the days she knows that her husband is doing such tests. Chazelle just stirs the pot and lets the human emotions in the film bubble and boil until they explode.

Neil and Janet’s solace come from their best friends Ed White (Jason Clarke – Zero Dark Thirty, Terminator Genisys), his wife Pat (Olivia Hamilton – Don’t Worry He Won’t Get Far On Foot, The Last Tycoon) and Neil’s immediate boss the caring yet determined Deke Slayton (Kyle Chandler – Friday Night Lights, Argo). Even so Pat and Janet’s ‘talking’ is normally disguised as children’s play dates, Neil seems happy to talk to Ed about the mission but pushes him away when the talk turns personal and while Deke does what he can to help his test pilots at the same time he is the man who has to make tough calls like switching off intercoms so wives can’t hear their husbands in peril and writing death announcements for missions he has to appear to be ‘confident’ for.

First Man could have easily suffered from Titanic-syndrome, a film where the audience knows the ultimate outcome and therefore just sits on the edge of their seat waiting for the expected finale but here Chazelle, who is aided brilliantly by his screenwriter Josh Singer (The West Wing, The Post), takes the audience on a different kind of journey. He captures moments they never told us about during our High School science classes. The raw, claustrophobic feel a test pilot feels as he hurled into orbit in what seems like a sardine can that they aren’t even sure will make the journey, the moments that wives find out that their husbands haven’t returned from a flight and the protests that occurred in America when the loss of life made people realise that these test pilots were really guinea pigs in what seemed like a cruel experiment. Then of course there is the tension an astronaut’s job puts on his family life and here we see painful moments such as the one where Janet has to plead with Neil to tell his children that he may not come back from his moon mission.

Just like he did with Whiplash Chazelle also brings out the best in his cast and helps them bring their character’s pain and anguish to the fore. Claire Foy delivers her best role to date and if she doesn’t at least receive an Oscar nomination for this performance then something is seriously wrong. As an actress she delivers on every level as Janet is put through an emotional ringer and these are the kinds of performances that the Academy should be applauding – ones that test an actress and her acting abilities. Equally good is Ryan Gosling as Neil Armstrong. When cast as an All-American hero, a real life Captain America if you will, you wouldn’t expect an actor to have to become emotional dark and foreboding, but that is exactly what is expected of Gosling here. Forget his pretty boy looks because here Gosling calls on the acting skills that saw him create memorable characters in films like Drive or The Place Beyond The Pines… he is absolutely brilliant.

First Man is the first film of 2018 that I have seen where my thought throughout was ‘this needs to be an Oscar film.’ From start to finish it felt like the film was taking me on a claustrophobic ride with its characters. The sequences in which the pilots are conducting test flights are moments of sheer cinematic masterpiece, where visuals and sound effects come together in a way that creates a horror that you never expected. This combined by outstanding dramatic acting performances from its leads and again I find myself putting the five stars down on a Damian Chazelle film. First Man is sheer brilliance, a lesson in dramatic filmmaking.

 

 

 

 

Average Subculture Rating (out of 5): 

 

 

IMDB Rating: First Man (2018) on IMDb

 

Other Subculture Entertainment First Man Reviews: N/A

Trailer:

Vampire Academy

Summary: Rose Hathaway is a Dhampir, half human/vampire, guardians of the Moroi, peaceful, mortal vampires living discretely within our world.

Year: 2014

Australian Cinema Release Date: 7th March, 2014

Australian DVD Release Date: TBA

Country: USA, UK, Romania

Director: Mark Waters

Screenwriter: Daniel Waters, Richelle Mead (novel)

Cast: Mai Arwas (Lucy), Jackson Bews (Jered), Harry Bradshaw (Bruno), Gabriel Byrne (Victor Dashkov), Ashley Charles (Jesse), Macy Chipping (Young Rose), Zoey Deutch (Rose Hathaway), Rory Fleck-Byrne (Andre), Claire Foy (Ms. Karp), Lucy Fry (Lissa Dragomir), Sami Gayle (Mia Rinaldi), Nick Gillard (Kenneth), Edward Holcroft (Aaron), Sarah Hyland (Natalie), Danila Kozlovsky (Dimitri Belikov), Olga Kurylenko (Headmistress Kirova), Shelley Longworth (Feeder Norrine), Chris Mason (Ray), Cameron Monaghan (Mason), Bronte Norman-Terrell (Camilla), Ben Peel (Spiridion), Ryan Prescott (Nick), Joely Richardson (Queen Tatiana), Dominic Sherwood (Christian Ozera), Ramon Tikaram (Mr. Meisner), Dominique Tipper (Guardian Gabriela)

Runtime: 105 mins

Classification:M

OUR VAMPIRE ACADEMY REVIEWS & RATINGS:

Nick Gardener: Stars(2)

Please check Nick’s Vampire Academy review of that is available on The Good The Bad The Ugly Film Show Ep #70

David Griffiths:

I’m sure there was a moment at some time when a production team got together to discuss turning Richelle Mead’s Vampire Academy novels into a feature film. Someone in that meeting obviously stood up and said “hey the kids all seem to like 2 Broke Girls do you reckon we could incorporate some of the sassy dialogue from that into this?” Well it may have seemed like a good idea at the time, and true it’s worked in films such as Saved and Easy A in the past but sadly screenwriter, Daniel Waters just wasn’t up to the job and as a result Vampire Academy fails in its bid to become the next Harry Potter or Twilight.

The film begins with Dhampir Rose Hathaway (Zoey Deutsch) and Lissa Dragomir (Lucy Fry) the Moroi (peaceful vampire mortal) that she is protecting being rounded up and shipped back to Vampire Academy after twelve months on the run.

While Rose and Lissa are furious at being made return to what is actually a vampire boarding school they are shown show by teachers and trainers there, including Dimitri Belikov (Danila Krozlovsky), Victor Dashkov (Gabriel Byrne) and Headmistress Kirova (Olga Kurylenko), that this was a dangerous exercise due to the fact that it appears that Lissa is very likely to become the next Vampire Queen.

As the pair try to once again fit into a school where it now seems they are very much the outcast Rose soon realises that Lissa’s life is very much in danger, something that Lissa seems very dismissive of. This spurs Rose to team up with Dimitri and Lissa’s love interest Christian Ozera (Dominic Sherwood) and try to work out who is so desperate to have the young royal all to themselves.

The biggest problems facing Vampire Academy is the fact that director Mark Waters (who is best known for delivering the big teenage hit Mean Girls) was given an absolute dog script to work with… oh and of course some pretty average acting talent as well. At times Vampire Academy does show glimpses of being the half-way decent teenage sci-fi flick it could have been but at other times it is let down by some of the worst dialogue and most clichéd moments that audiences have seen on screens since they witnessed the debacle that was Taylor Lautner’s Abduction.

There are times during this film that the dialogue is so bad that the audience bursts out into laughter at just how lame it really is. Yes this one film where the script really didn’t need editing it needed to be ripped up and thrown into a bin before another screenwriter gave it a whirl. And if Daniel Waters’ dialogue isn’t bad enough the audience also has to put up with the fact that he also didn’t know whether he wanted this film to be a serious sci-fi/fantasy film or somewhat of a comedy. Sometimes it seems that Vampire Academy looks like it is going to fit into the Harry Potter vein and then at other times it becomes so cheesy it almost feels like you are re-watching Vampires Suck.

Then there is the acting which can largely described as downright atrocious. It is obvious that the likes of Lucy Fry and Danila Kozlovsky were hired because of their looks rather then their acting abilities because there are times during the film when they both make the cast of The Young And The Restless look like Oscar winners. Even poor Olga Kurylenko and Gabriel Byrne trip up on the script that leaves them with little more to do than just be working clichés… surely some Razzie nominations must be headed their way. In fact the only cast member of Vampire Academy that can hold her head high is Zoey Deutsch. The young actress, who most would know for her appearance in Beautiful Creatures puts in a good acting performance in which she seems to call upon the acting talents of Kat Dennings and Eliza Dushku and actually announces herself as an actress who hopefully has a future ahead of her.

From it’s clichéd poorly written script to the fact that it seems to borrowed little things from every vampire television show or movie from the last twenty years Vampire Academy is one film that seemed to be doomed from the moment its screenwriter put pen to paper.

Stars(2)

Average Subculture Rating (out of 5): Stars(2)

IMDB Rating:  Vampire Academy (2014) on IMDb

Other Subculture Media Reviews of ‘Vampire Academy′: Please check The Good The Bad The Ugly Film Show Ep #70 for our full Vampire Academy review.

Trailer: