Tagged: Danger 5

Hannah Marshall

Australian actress Hannah Marshall (Packed to the Rafters) has won the Best Actress Award at the Inaugural Niagara Integrated Film Festival for her role in the time travel comedy feature film The Infinite Man. The film also screens tomorrow at the Edinburgh International Film Festival and will have its Australian Premiere at the 2014 Melbourne International Film Festival before releasing in Australian cinemas in September.

NIFF, founded by Bill Marshall (Founder and Chair Emeritus of the Toronto International Film Festival – TIFF), pairs premiere festival films with the premiere hospitality of the Niagara Wine Region. The festival screening, a special event with a paired three-course dinner and featuring local wines, was the Canadian Premiere of the film and Hannah was in attendance to accept the award. In a coup for Australia, the Best Actor award was won by Geoffrey Rush for his role in The Best Offer.

This is the fourth major North American screen of the film, following the recent New York premiere screening at Brooklyn’s rooftop cinema, a screening at the Newport Beach Film Festival and the World Premiere at South by Southwest earlier this year, which generated much critical acclaim, and saw the film make the time.com list of ‘ten films that made SXSW spectacular this year’, alongside Wes Anderson’s Grand Budapest Hotel, and Jon Favreau’s Chef.

Hannah Marshall is best known for her role as Loretta Schembri in Packed to the Rafters, for which she received a Logie nomination for Most Popular New Female Talent (2011).

Starring Josh McConville (The Turning), Hannah Marshall and Alex Dimitriades, The Infinite Man is a time travel comedy-romance about Dean (Josh McConville), a man whose attempts to construct the perfect romantic weekend backfire when he traps his lover Lana (Hannah Marshall) in an infinite loop.

The Infinite Man is the feature film debut for writer/director Hugh Sullivan and is produced by Kate Croser (Danger 5, My Tehran for Sale) and Sandy Cameron, executive produced by Jonathan Page and Cameron Rogers. DOP is Marden Dean (Fell).

The Infinite Man was produced by Hedone Productions in association with Bonsai Films, with investment from the South Australia Film Corporation (SAFC) through their FilmLab funding initiative, and development assistance from Screen Australia.

FilmLab is a $4.2million development initiative of the South Australian Film Corporation (SAFC), funded by the South Australian government. Designed to develop filmmakers who have a track record in short form to take the next step into long form film production, the initiative was also built to find unique new voices in Australian cinema.

 

The Infinite Man will be released in Australian cinemas in September 2014 by Infinite Releasing with international sales handled by Shoreline Entertainment.

The Infinite Man

The World Premiere of time travel comedy The Infinite Man has generated an overwhelmingly positive response at the SXSW Film Festival and is the only Australian film to make the time.com list of ‘ten films that made SXSW spectacular this year’, alongside Wes Anderson’s Grand Budapest Hotel, and Jon Favreau’s Chef. Moviefone today ranked it as the second best film at the fest behind Richard Linklater’s Boyhood. Both Screen Daily and The Hollywood Reporter supported the idea of international distribution, while Indiewire and The Playlist likened it to the time travel greats, with The Playlist rating it as an overall festival highlight.

Starring Josh McConville (The Turning), Hannah Marshall and Alex Dimitriades, The Infinite Man is a time travel comedy-romance about Dean (Josh McConville), a man whose attempts to construct the perfect romantic weekend backfire when he traps his lover Lana (Hannah Marshall) in an infinite loop.

Producers Kate Croser (Danger 5, My Tehran for Sale) and Sandy Cameron have just returned from the festival, which they attended with writer director Hugh Sullivan, lead actress Hannah Marshall, EP Cam Rogers, DOP Marden Dean, and composer/sound designer Jed Palmer. They said of the experience of the past week: “We knew the SXSW film festival was the ideal place to launch The Infinite Man because of its reputation for unearthing breakout indie films, but after three sold out screenings we’ve been really overwhelmed by how enthusiastically the US audiences and critics have embraced the film and we’re looking forward to bringing it home to Australian audiences later in the year.”

Screen Daily’s glowing review called it ‘fresh, intriguing and always watchable’ and endorsed international distribution, ‘The time travel film may well be a well-worn movie genre, but Australian film The Infinite Man takes it off in all new directions as an oddball inventor uses his device to try and craft the perfect moment for he and his girlfriend. An elegantly filmed three-hander, it is a smart, funny and oddly romantic indie film that deserves to find international distribution as well as further festival exposure.

The Hollywood Reporter was equally as enthusiastic ‘”Smart Aussie comedy…The metaphoric possibilities of time-travel fantasies are unusually well exploited in The Infinite Man… the Aussie import would be easy to market in arthouses despite the absence of familiar faces on- or off-screen.”

Moviefone rated it as ‘the most quietly devastating and imaginatively inventive movie at the festival… all around jaw-dropping’. Leading indie film website Twitch dubbed it ‘‘Indie time travel mayhem at its best…the kind of movie you are going to want to watch time and time again. And time again… And time again...’.

Indiewire called it ‘An exemplary time travel comedy’ and ‘an impressively minimalist storytelling acheivement’, placing it in the company of classics of the genre: ‘Time travel mix-ups have provided ample fodder for a range of comedic material, from Back to the Future to Safety Not Guaranteed. The Australian romcom The Infinite Man is part of a rare breed that uses the constant pileup of future and past events to enhance its humor and intelligence at once.’

The Playlist said it, ‘might have been the best thing we saw all week. … an uncanny comedy that mixes the metaphysics of Groundhog Day with the emotionality of Eternal Sunshine of the Spotless Mind and a splash of the tech-y nerdiness of Primer. Comparing this film to those classics is kind of like carrying around a loaded gun, but it’s apt just the same’. Further praise went to director Hugh Sullivan for his debut feature “Every so often you see a movie at one of these festivals that seems to announce (loudly) a true filmmaking talent, one that should be watched closely in the years to come; “The Infinite Man” is one of those movies…a wildly creative, thrilling, unforgettable, heartbreaking work of a singular, visionary filmmaker. “The Infinite Man” is infinitely brilliant.”

The Infinite Man was produced by Hedone Productions in association with Bonsai Films, with investment from the South Australia Film Corporation (SAFC) through their FilmLab funding initiative, and development assistance from Screen Australia.

FilmLab is a $4.2million development initiative of the South Australian Film Corporation (SAFC), funded by the South Australian government. Designed to develop filmmakers who have a track record in short form to take the next step into long form film production, the initiative was also built to find unique new voices in Australian cinema.

 

The Infinite Man will be released in Australian cinemas in 2014 by Infinite Releasing with international sales handled by Shoreline Entertainment.

Alex Dimitriades

It is with Texas-sized pleasure that Hedone Productions announces today that the World Premiere of Australian feature film The Infinite Man has been confirmed for the prestigious South by Southwest (SXSW) festival in the US in March. The Infinite Man is the only Australian film selected to screen in the ‘Visions’ section of the festival, which presents audacious, risk-taking artists in the new cinema landscape that demonstrate raw innovation and creativity in narrative filmmaking.

2014 marks the 20th year of SXSW Film, which has grown rapidly in recent years, with Variety observing that ‘the industry will look back at 2013 as a game-changer for SXSW’. Encompassing music and interactive technologies as well as film, the festival is uniquely positioned as a creative hub like no other, with the Sydney Morning Herald last week nominating SXSW as one of the ten festivals to change your life. SXSW Film takes place in Austin, Texas from 7 – 15 March.

The trailer has been released today and can be previewed online at: https://vimeo.com/83463530

The anticipated feature debut from director Hugh Sullivan, starring Josh McConville, Hannah Marshall and Alex Dimitriades, The Infinite Man is a time travel comedy-romance about Dean (Josh McConville), a man whose attempts to construct the perfect romantic weekend backfire when he traps his lover Lana (Hannah Marshall) in an infinite loop.

 “We are thrilled to premiere The Infinite Man at the SXSW Film Festival, given its reputation as one of the best launching pads for indie films like ours. Recent SXSW premieres include Lena Dunham’s Tiny Furniture, Harmony Korine’s Spring Breakers and Duncan Jones’ Source Code and we couldn’t be happier to be in that company”, said Kate Croser, Producer.

 The Infinite Man is the anticipated feature film debut of writer/director Hugh Sullivan whose short films have screened in official selection at the Palm Springs International Shortfest, Flickerfest and the Melbourne International Film Festival. As a winner of the Spirit of Youth Award – Moving Pictures in 2006, Hugh received a one-year mentorship with director Phillip Noyce.

 The Infinite Man stars acclaimed actor Josh McConville (Underbelly, Wild Boys, Redfern Now) in his first feature film lead role as the gifted scientist and control freak Dean. Widely regarded for his work on the stage, Josh was crowned Best Actor at the Sydney Theatre Awards in 2013 for his role in Griffin Theatre’s The Boys. Josh’s feature film debut came in 2013 in David Wenham’s directorial debut Commission from the celebrated anthology film The Turning, in which he starred starring alongside Hugo Weaving.

Hannah Marshall, who stars as Dean’s girlfriend Lana, is best known for her role as Loretta Schembri in Packed to the Rafters, one of the highest rating shows on Australian television, for which received a Logie nomination for Most Popular New Female Talent (2011). AACTA award winner Alex Dimitriades (The Slap, Head On) stars as Lana’s ex-boyfriend, the disgraced 1980s Olympian, Terry.

 The film is produced by Hedone Productions’ Kate Croser (Danger 5, 100 Bloody Acres) and Sandy Cameron. Croser also produced My Tehran For Sale, which was filmed in Tehran and went on to screen in Official Selection at Toronto, Vancouver, Busan and Rotterdam International Film Festivals and won the IF Independent Spirit Award (2009). Cameron Rogers and Jonathan Page (Mary and Max, The Babadook) are Executive Producers.

 The Infinite Man was produced by Hedone Productions in association with Bonsai Films, with investment from the South Australia Film Corporation (SAFC) through their FilmLab funding initiative, and development assistance from Screen Australia.

 FilmLab is a $4.2million development initiative of the South Australian Film Corporation (SAFC), funded by the South Australian government. Designed to develop filmmakers who have a track record in short form to take the next step into long form film production, the initiative was also built to find unique new voices in Australian cinema.

The Infinite Man will be released in Australian cinemas in 2014 by Infinite Releasing with international sales handled by Shoreline Entertainment.

The Sapphires

And the nominees are:

FEATURE FILM

AACTA AWARD FOR BEST FILM
Burning Man
Lore
The Sapphires
Wish You Were Here

AACTA AWARD FOR BEST DIRECTION
Jonathan Teplitzky, Burning Man
Cate Shortland, Lore
Wayne Blair, The Sapphires
Kieran Darcy-Smith, Wish You Were Here

AACTA AWARD FOR BEST ORIGINAL SCREENPLAY
Burning Man
Mental
Not Suitable For Children
Wish You Were Here

AACTA AWARD FOR BEST ADAPTED SCREENPLAY
Lore
The Sapphires

AACTA AWARD FOR BEST CINEMATOGRAPHY
Burning Man
Lore
The Sapphires
Wish You Were Here

AACTA AWARD FOR BEST EDITING
Burning Man
The Sapphires
Wish You Were Here
X

AACTA AWARD FOR BEST SOUND
Burning Man
Lore
The Sapphires
Swerve

AACTA AWARD FOR BEST ORIGINAL MUSIC SCORE
33 POSTCARDS
A Few Best Men
Mental
Not Suitable For Children

AACTA AWARD FOR BEST PRODUCTION DESIGN
Burning Man
Killer Elite
Lore
The Sapphires

AACTA AWARD FOR BEST COSTUME DESIGN
Burning Man
Lore
Mental
The Sapphires

AACTA AWARD FOR BEST LEAD ACTOR
Joel Edgerton, Wish You Were Here
Matthew Goode, Burning Man
Chris O’Dowd, The Sapphires
Guy Pearce, 33 POSTCARDS

AACTA AWARD FOR BEST LEAD ACTRESS
Toni Collette, Mental
Deborah Mailman, The Sapphires
Felicity Price, Wish You Were Here
Sarah Snook, Not Suitable For Children

AACTA AWARD FOR BEST SUPPORTING ACTOR
Ryan Corr, Not Suitable For Children
Liev Schreiber, Mental
Antony Starr, Wish You Were Here
Gary Waddell, The King Is Dead!

AACTA AWARD FOR BEST SUPPORTING ACTRESS
Essie Davis, Burning Man
Rebecca Gibney, Mental
Deborah Mailman, Mental
Jessica Mauboy, The Sapphires

AACTA AWARD FOR BEST YOUNG ACTOR
Brenna Harding, Puberty Blues
Ed Oxenbould, Julian
Saskia Rosendahl, Lore
Lily Sullivan, Mental

AACTA AWARD FOR BEST VISUAL EFFECTS
Iron Sky
Killer Elite
The Sapphires
Utopia Girls — How Women Won The Vote

AACTA RAYMOND LONGFORD AWARD
Al Clark

TELEVISION

AACTA AWARD FOR BEST CHILDREN’S TELEVISION SERIES
The Adventures of Figaro Pho
Dance Academy — Series 2
Flea-bitten!
Guess How Much I Love You — The Adventures of Little Nutbrown Hare

AACTA AWARD FOR BEST TELEVISION COMEDY SERIES
A Moody Christmas
Danger 5
Lowdown — Season 2
Shaun Micallef’s Mad As Hell

AACTA AWARD FOR BEST LIGHT ENTERTAINMENT TELEVISION SERIES
Adam Hills In Gordon Street Tonight — Series 2
Agony Aunts
Gruen Sweat
The Hamster Wheel — Series 1

AACTA AWARD FOR BEST REALITY TELEVISION SERIES
The Amazing Race Australia
MasterChef Australia — Series 4
My Kitchen Rules — Series 3
The Voice

AACTA AWARD FOR BEST TELEVISION DRAMA SERIES
Puberty Blues
Rake — Season 2
Redfern Now
Tangle — Season 3

AACTA AWARD FOR BEST TELEFEATURE OR MINI SERIES
Beaconsfield
Devil’s Dust
Howzat! Kerry Packer’s War
Underground

AACTA AWARD FOR BEST DIRECTION IN TELEVISION
The Amazing Race Australia
Beaconsfield
Howzat! Kerry Packer’s War
Jack Irish: Bad Debts

AACTA AWARD FOR BEST SCREENPLAY IN TELEVISION
A Moody Christmas — Episode 5 “Water Under the Bridge”
Lowdown — Season 2 — Episode 3 “One Fine Gay”
Puberty Blues — Episode 5
Redfern Now — Episode 6 “Pretty Boy Blue”

AACTA AWARD FOR BEST LEAD ACTOR IN A TELEVISION DRAMA
Jimi Bani, Mabo
Anthony Hayes, Devil’s Dust
Lachy Hulme, Howzat! Kerry Packer’s War
Richard Roxburgh, Rake — Season 2

AACTA AWARD FOR BEST LEAD ACTRESS IN A TELEVISION DRAMA
Ashleigh Cummings, Puberty Blues
Essie Davis, Miss Fisher’s Murder Mysteries
Susie Porter, Dangerous Remedy
Leah Purcell, Redfern Now

AACTA AWARD FOR BEST GUEST OR SUPPORTING ACTOR IN A TELEVISION DRAMA
Luke Carroll, Redfern Now
Abe Forsythe, Howzat! Kerry Packer’s War
Aaron Jeffrey, Underbelly Badness
Dan Wyllie, Puberty Blues

AACTA AWARD FOR BEST GUEST OR SUPPORTING ACTRESS IN A TELEVISION DRAMA
Shareena Clanton, Redfern Now
Mandy McElhinney, Howzat! Kerry Packer’s War
Susan Prior, Puberty Blues
Laura Wheelwright, Underground

AACTA AWARD FOR BEST PERFORMANCE IN A TELEVISION COMEDY
Patrick Brammall, A Moody Christmas
Barry Crocker, The Strange Calls
Damon Herriman, Laid — Series 2
Frank Woodley, Woodley

SHORT FILM

AACTA AWARD FOR BEST SHORT ANIMATION
The Hunter
LEGO Star Wars: The Padawan Menace
The Maker
Sleight of Hand

AACTA AWARD FOR BEST SHORT FICTION FILM
B I N O
Dumpy Goes to the Big Smoke
Julian
Transmission

AACTA AWARD FOR BEST SCREENPLAY IN A SHORT FILM
B I N O
Dumpy Goes to the Big Smoke
Julian
Transmission

DOCUMENTARY

AACTA AWARD FOR BEST FEATURE LENGTH DOCUMENTARY
A Common Purpose
The Curse of the Gothic Symphony
Dr Sarmast’s Music School
Storm Surfers 3D

AACTA AWARD FOR BEST DOCUMENTARY UNDER ONE HOUR
All the Way
I Can Change Your Mind About Climate
The Man Who Jumped
Then the Wind Changed

AACTA AWARD FOR BEST DOCUMENTARY SERIES
Go Back to Where You Came From
Once Upon a Time in Cabramatta
Singapore 1942 – End of Empire
Sporting Nation

AACTA AWARD FOR BEST DIRECTION IN A DOCUMENTARY
Dr Sarmast’s Music School
Fighting Fear
Go Back to Where You Came From
Once Upon a Time in Cabramatta

AACTA AWARD FOR BEST CINEMATOGRAPHY IN A DOCUMENTARY
Dr Sarmast’s Music School
Fighting Fear
Go Back to Where You Came From
Storm Surfers 3D

AACTA AWARD FOR BEST EDITING IN A DOCUMENTARY
Chateau Chunder — A Wine Revolution
Dr Sarmast’s Music School
Once Upon a Time in Cabramatta
Storm Surfers 3D

AACTA AWARD FOR BEST SOUND IN A DOCUMENTARY
Dr Sarmast’s Music School
Once Upon a Time in Cabramatta
Paul Kelly — Stories of Me
Singapore 1942 – End of Empire