Tagged: Denis Villeneuve

 

FeatureBladeRunnerRemake

Director Denis Villeneuve has given us a first look at his dystopian universe that has been created for the Blade Runner sequel that he is currently working on.

Villeneuve has told the press “I’ve always been attracted to science-fiction films with strong visual signatures that lead us into unique parallel worlds and the original ‘Blade Runner’ is by far the best of all time. Ridley Scott had the genius to blend science-fiction and film noir to create this unique exploration of human condition. The new ‘Blade Runner’ is an extension of the first movie a few decades later.

Sony also released the following information about the film:

Denis Villeneuve (SicarioPrisoners) is directing and principal photography is scheduled to begin this month.  The film will be released by Warner Bros. in North America and Sony Pictures Releasing International will distribute in all media for all overseas territories.

The sequel is set several decades after the 1982 original, with Harrison Ford reprising his iconic role as Rick Deckard. The film is written by Hampton Fancher and Michael Green, and succeeds the initial story by Fancher and David Peoples based on Philip K. Dick’s novel Do Androids Dream of Electric Sheep. Story details are not being revealed.

Cast includes:  Ryan Gosling, Harrison Ford, Robin Wright, Ana de Armas, Sylvia Hoeks, Carla Juri, Mackenzie Davis, Barkhad Abdi, Dave Bautista, David Dastmalchian and Hiam Abbass.

Frank Giustra and Tim Gamble, CEO’s of Thunderbird Films, will serve as executive producers. Ridley Scott will also executive produce. Bill Carraro will executive produce.

Untitled Blade Runner Sequel releases in Australia October 5, 2017.

Sicario

Summary: When FBI Agent Kate Macer (Emily Blunt), her partner Reggie (Daniel Kaluuya) and her boss, Jennings (Victor Garber) accidentally uncover a Mexican drug cartel’s house of death Kate suddenly finds herself thrust into a brand new, very dangerous world.

With Jennings’ blessing Kate finds herself recruited to join a black-op mission led by special Agent Matt graver (Josh Brolin) and a Columbian operative known only as Alejandro (Benicio Del Toro). The mission soon sees Kate very much in the middle of the borderland drug war in a word where there seems to be no rules whether you are on the side of good or evil.

Year: 2015

Australian Cinema Release Date: 24th September 2015

Australian DVD Release Date: TBA

Country: USA

Director: Denis Villeneuve

Screenwriter: Taylor Sheridan

Cast: Edgar Arreola (Guillermo), Jon Bernthal (Ted), Emily Blunt (Kate Macer), Josh Brolin (Matt Graver), Julio Cedillo (Fausto Alarcon), Benicio Del Toro (Alejandro), Laurence Scott Deveraux (Alex Driver), Jeffrey Donovan (Steve Forsing), Victor Garber (Dave Jennings), David Garver (Bob Fisks), Maximiliano Hernandez (Silvio), Daniel Kaluuya (Reggie Wayne), Lora Martinez-Cunningham (Jacinta), Jesus Nevarez-Castillo (Eliseo), Hank Rogerson (Phil Coopers), Bernardo P. Saracino (Manuel Diaz), Boots Southerland (U.S. Marshall Keith), Adam Taylor (U.S. Marshall Kevin), Matthew Tompkins (Jessie Garza), Raoul Trujillo (Rafael), Kevin Wiggins (Burnett)

Runtime: 121 mins

Classification: M

 

OUR SICARIO REVIEWS & RATINGS:

 

David Griffiths:

No I’m not chucking in my card to the Comic Book And Cult Film Lovers Association but one of the films I was most looking forward to this year was Sicario. Yes I am not too embarrassed to admit that the fact that a certain director is at the helm of a movie is sometimes enough to make me wanna see a film and that was certainly the case here. See to me Denis Villeneuve’s last film was a cinematic masterpiece. I can watch Prisoners over and over again and find something new that I like about each time, add that to the fact that Villeneuve was directing a borderland crime film starring Josh Brolin and yes Sicario had me at hello. My biggest fear for Sicario was that Hollywood would have claimed Villeneuve and that he would decide to rope in his grittiness and harshness, luckily that certainly isn’t the case here.

Many have labeled Sicario a blockbuster for this year, yet that title just doesn’t seem to fit comfortably with this film. This film is harsh, bloody harsh and it’s not hard to see that the popcorn set are going to struggle with the film’s brutal opening in with Kate finds a house that contains more dead bodies than your local morgue. And in typical Villeneuve fashion he doesn’t make it easy watch for its audience, no as he goes in for the close-up on a decaying man’s face you are well and truly aware of the fact that while he is making a Hollywood film he certainly hasn’t been claimed by Hollywood.

Visually Sicario is a blessing. Villeneuve along with DOP Roger Deakins have made this movie look like some kind of modern day western with it’s yellow tinge and cinematic aerial desert shots, and somehow that works wonders with Brolin and Del Toro cruising around like modern day Sherrifs seeking vengeance. Sadly though Sicario’s screenplay isn’t always as good as the visuals the audience are being treated to. Unlike Prisoners this film has some weak points that leave the audience shaking their head, nothing major but little moments like Kate picking up the Police Officer in the bar… isn’t it just too much coincidence that her partner would just happen to be good friends with the guy?

Still there are powerful moments in Sicario, moments that are so powerful that they will stick in your mind for ages. From the fact that this is a very much anti-Mexican tourism video as Villeneuve takes you past bodies hanging from Mexican border-town overpasses to suspenseful scenes such as the border battle which will have any cinema lover watching with baited breath. Then there is the magnificent finale with Del Toro and a dining table… I’m not going to say anything else but that as I don’t want to spoil the film… but hell it is one of the most suspenseful scenes you are going to see in cinema for a long, long time. Adding to the suspense all throughout this film is the pounding soundtrack that simply becomes a character upon itself.

Now you may have heard some people criticize Emily Blunt’s acting performance in Sicario. Don’t believe it. She puts in a great effort and those complaining about her performance are simply looking for something that doesn’t need to be there. Kate is not Lara Croft in a Police uniform. She’s a very innocent but good at her job cop normally used to dealing with hostage situations who suddenly finds herself thrown into a world she just doesn’t understand. Anyone that goes into this film expecting Blunt to be the gun-ho character she was in Edge Of Tomorrow is going to be disappointed, it’s just not what Kate is.

Then there is Brolin and Del Toro who knock their performances out of the park. Brolin is gruff and rough as you expect him to be and is well backed up by Del Toro who has an air of mystery about him from the moment he first appears on the screen here. Some of the Del Toro’s performances have been a little questionable recently (no I still have not recovered from that scene with him, Diaz and a windshield in The Counselor) but here he bounces back with a brutal performance and for once he doesn’t over act his way through it. He’s just on song.

If you’re a fan of Denis Villeneuve’s past films you are certainly not going to be disappointed by Sicario. It is brutal, rough and in-your-face, just the way a crime thriller should be. Brolin and Del Toro bring their A-Games and this is one film that is a must see for 2015.

Stars(4)

 
 

 

 

Adam Ross:

You can hear Adam’s full Sicario review on The Good The Bad The Ugly Film Show Ep #147

 

 

 

Stars(4)

 

 

 

 

Greg King:

You can read Greg’s full Sicario review on www.filmreviews.net.au

 

 

 

Stars(4)

 

 

 

Nick Gardener:

 

You can hear Nick’s full Sicario review on The Good The Bad The Ugly Film Show Ep #147

 

 

 

 

 

 

Stars(4)

 

 

 

 

 

Average Subculture Rating (out of 5):  Stars(4)

 

IMDB Rating: Sicario (2015) on IMDb

 

Other Subculture Entertainment Sicario reviews: You can listen to our full Sicario  review on The Good The Bad The Ugly Film Show Ep #147. You can also read our Sicario review on The Book The Film The T-Shirt.

Trailer:

Django Unchained

Well the sun has set on another year in cinema land. Films came, films went. Some exceeded expectations, others went away quickly never to be watched again. But if you are looking for the cream of the crop in 2013, then these are this writer’s favorite ten films.

“Django Unchained” – This is a borderline film for most people’s Top Ten lists this year. In some countries it opened in 2012, in other countries it opened in January 2013, so let’s call it a 2013 film. “Django Unchained” was director/screenwriter Quentin Tarantino at his absolute best. The script sizzled with great one liners and brilliant characterization and while the film did lapse a little (incidentally at about the time that Tarantino himself appeared on the screen), the film did more than enough to be one of this year’s best films. As if the script wasn’t enough to win you over, you then have some marvellous performances by Leonardo DiCaprio and Samuel L. Jackson that make this film a must see.

“The Way Way Back” – Every now and then a coming-of-age film comes along that reminds you just how good this genre can be when it is done the right way. Directors Nat Faxon and Jim Rash certainly go the formula right when they put together “The Way Way Back.” The film saw Steve Carell play one of the best against-type roles of all time as he played the emotional abusive father of Duncan (Liam James) while Sam Rockwell put in one of the finest performances of his career as he played the fun-loving owner of a water theme park. If you didn’t get to see “The Way Way Back” when it hit cinemas make sure you check it out when it reaches shelves on DVD.

“Mud” – There was a time when actor Matthew McConaughey was considered a joke. He acted in poorly written romantic comedies that used him more for his looks rather than acting ability. As a result people started to believe that McConaughey was a poor actor, but he turned that around with some great performances in “Bernie” and “Magic Mike.” 2013 saw McConaughey deliver another powerful performance in “Mud,” a small-time drama in which he plays an escaped convict using an island as a hideaway who uses two local boys Ellis (Tye Sheridan) and Neckbone (Jacob Lofland) to help him escape. Director, Jeff Nichols, manages to make this drama an intense thriller by drawing the audience in and making them wonder exactly what Mud is hiding or willing to do in his escape.

“Rust And Bone” – When people talk about some of the acting performances of 2013, it is surprising how many people seem to skip right over Marion Cotillard’s performance in French film “Rust And Bone.” In what is at times a harrowing film Cotillard plays Stephanie, a young woman who loses her legs in an accident involving a killer whale at the marine park at which she works. In an extraordinary piece of screenwriting, Stephanie’s life is completely turned upside down when she meets Alain (Matthias Schoenaerts), an out-of-luck guy who loves to get involved in backyard fights. “Rust And Bone” may have been a gritty drama, but it is also one of the most intense romances to have surfaced in 2013, making it one of the most underrated films of the year.

“Prisoners” – One of the biggest surprises of this year has been the fact that when all the talk of Oscar nominations has been circulating, the film “Prisoners” hasn’t been getting more love. To be blunt “Prisoners” is one of the best crime thrillers to have surfaced since “Silence Of The Lambs.” Director, Denis Villeneuve makes this an intense thriller that sees Australian Hugh Jackman play Keller Dover a father who is pushed to the absolute extreme when his daughter goes missing along with her friend. Out-acting Jackman, just, is Jake Gyllenhaal who plays one of the most intriguing script cops of all time in Detective Loki. This is one crime thriller that will keep you guessing until the very end.

“Flight” – With “Flight,” cinema goers walked into the cinema expecting to see another disaster film. Denzel Washington would play a pilot who had to save a plane load of people as something went wrong … it would be a simple film right? Director, Robert Zameckis surprised everyone by delivering a film that opened with pilot, Whip Whitaker (Washington) snorting cocaine and drinking before boarding a flight. The film then became a well-written thriller after the plane crashes and the investigation tries to work out whether Whip is a hero or a villain. Sensational writing and a great performance by Washington makes for one hell of a film.

“The Paperboy” – One of the other big surprises of 2013 was the film “The Paperboy.” Zac Efron doesn’t normally spell one of the films of the year but this time the young actor really delivered. Efron plays Jack Jansen, a young boy that works at his father’s local newspaper who teams up with his older brother Ward (Matthew McConaughey) who is a journalist working on a racial murder case. Director, Lee Daniels, gets the absolute best out of his cast. Efron and McConaughey are sensational and are well supported by Nicole Kidman and John Cusack, who both act against type remarkably well.

“Broken” – Just when it looked like it was going to be a lean year for British films along came “Broken.” Directed by Rufus Norris “Broken” was a nasty little film that showed British society at its absolute worst. Told through the eyes of a young girl named Skunk (Eloise Laurence), “Broken” tells the story of the violent events that occur at the end of what should be quite English street. From a man who accused of being a sexual monster, to a broken marriage that is affecting some young children and a father who simply cannot cope any more, this is a film where the audience is left wondering who (if anyone) is going to be left emotionally okay (or even alive) by the final credits. “Broken” is British drama at its best.

“What Maisie Knew” – Another surprisingly good film for 2013. On the surface “What Maisie Knew” looked like it would be a film that should be on the Hallmark channel. Instead it became a gritty drama told through the eyes of a young girl named Maisie (Onata Aprile). This young girl becomes the victim of a bitter custody battle between her washed up rock star mother, Susanna (Julianne Moore), and her proud art-dealing Dad, Beale (Steve Coogan). The film had the power to emotionally affect anybody watching it as it soon becomes painfully plain that neither parents want the girl; they just don’t want their ex-partner to have her. “What Maisie Knew” delivers one of the most emotional scripts of the year.

“The Railway Man” – Rounding out the top ten is a late contender with the Australian/British co-production “The Railway Man.” Over the years a lot of filmmakers have told the story of how men cope when they return from war. Few, however, have focused on a story where a victim returns and faces the man who tortured them. Based on a hit novel, “The Railway Man” centers around Eric Lomax (Colin Firth), a man whose war demons come to the surface after he has married Patricia Wallace (Nicole Kidman). As the ghosts who have haunted him since he was a POW forced to work on the Thai Burma Railway come to the fore, Patricia inspires him to return to the scene of the crime, unaware that it will result in a tense standoff with Nagase (Hiroyuki Sanada). The scenes of the two men confronting each other made for some of the best cinematic moments of 2013.

It would be neglectful not to also mention the following films when talking about the best films of 2013. Also worth a look is “Thanks For Sharing” (with a surprisingly good performance by Pink), “Lygon Street: Si Parla Italiano,” “West Memphis Three,” “Trance,” “A Place Beyond The Pines,” “Performance (A Late Quartet),” “Silver Linings Playbook,” “Compliance,” “The Impossible,” “Warm Bodies” and “Ain’t Them Bodies Saints.”

Now that 2013 is out of the way, it is time to wait and see what new gems film lovers can uncover in 2014. Bring it on!