Tagged: Guns N Roses

The world’s fastest growing independent record label, Golden Robot Records, continues it’s upward trajectory into 2019.  Starting the year off with a bang, the label is honored to welcome to the family, the guitar icon Gilby Clarke!

Gilby recently signed a GLOBAL deal with Golden Robot Records which will see a brand new solo album – The Gospel Truth – released this year. This will be Gilby’s first in over 15 years!

Mark Alexander-Erber, Golden Robot Entertainment Group Founder and President: says of signing Clarke; ‘I couldn’t be happier to sign such an incredible artist like Gilby Clarke to our GRR international roster. He is totally authentic through and through. He brings such a wealth of experience to his songwriting, playing and producing and I know the world is ready for his new solo album which is a long time coming. It is an honour to release this record.

Clarke explains his excitement about the signing  “I am so happy to be a part of the Golden Robot family for my new solo record. I use the word family because I feel like I found a home. We share the same passion for Rock n Roll! Rock N Roll is alive n’ well & together we will turn it up loud!”

Best known for his tenure in the mighty Guns N Roses, Gilby has a long and storied career of which, GNR is only a part. Arriving in Hollywood as a 17 year old punk from Cleveland, Gilby soon found himself as a ghost writer and session player for former Runaway’s manager, Kim Fowleywho then urged him to join the band, Candy.  Gilby proved a little too rough and ready for the polished power-poppers and found himself a home both with hard-rockers Kill For Thrills and as a songwriter for Virgin Records.

Then a late night call from Slash changed everything… Gilby joined Guns N Roses in late 1991, replacing the recently departed Izzy Stradlin. For the next 3 years, Gilby strapped in for the wildest ride of his life, playing stadiums the world over and appearing on Guns N Roses, Spaghetti Incident, Live Era ’88-’91 and The Greatest Hits albums.

After GNR’s mid 90’s implosion, Gilby, armed only with his Les Paul, went back to Virgin and launched his solo career. Receiving critical acclaim for his albums Pawnshop Guitars, The Hangover, Rubber, 99 Live and Swag, he began the new millennium touring with the likes of Nancy Sinatra, Heart, The MC5 and with his old band mate in Slash’s Snakepit.

In 2006, Gilby joined forces with Motley Crue’s Tommy Lee and former Metallica bassist Jason Newsted to form Rock Star Supernova. The band hosted the TV show of the same name in search of a singer and toured the US, Canada, Australia and New Zealand in early 2007.

In 2012 Gilby reunited with his former GNR bandmates and performed with them as they were inducted into the Rock N Roll Hall of Fame.  That same year Gilby joined Kings of Chaos with ex GNR members Matt Sorum and Duff McKagan and an all-star rotating roster of icons that featured Steven Tyler, Joe Elliot, Nikki Sixx, Glen Hughes and many more.

Now in 2019, Gilby is preparing to unleash his first new solo music in nearly two decades! An old school mash-up of Keef, Johnny Thunders, and B.B. King, Gilby’s new album is full of fist-pumping rock ’n’ roll songs with fat choruses, bluesy licks and trademark solos! It’s Classic rock, a new version of what Gilby likes to do and that’s… LOUD GUITARS!

The album features drumming from legendary John Mellencamp and Chickenfoot sticksman Kenny Aronoff and Stephen Perkins from Jane’s Addiction, Porno For Pyro & Infectious Grooves.

The Gospel Truth will be released in the first half of 2019. More details coming very soon!

Gilby joins fellow GNR band mate, Dizzy Reed who was one of the first international signings to Golden Robot Records and released his solo album, Rock N Roll Ain’t Easy to critical praise in early 2018.

Gilby Clarke is now part of an international roster that includes such iconic artists as, Guns ’N’ Roses keyboardist Dizzy ReedPuddle Of MuddLittle CaesarRaveneyeThe Lazys and the all star A New Revenge which features Tim ‘Ripper’ Owens, Keri Kelli, Rudy Sarzo and James Kottak 

Plus, Golden Robot Records boasts an incredible line up of Aussie acts, led by Rose TattooThe SuperjesusMisex and featuring Steve KilbeyPalace Of The KingJailbirdsFyre ByrdThe KidsDestrendsFlickertail and many more.  Watch out for more incredible names who will be joining GRR’s international roster in the near future!

Golden Robot Records now own four record labels and have teams in every major market in the world: Sydney, Los Angeles, New York, Hamburg, London, Tokyo and Auckland.  With globally experienced music industry veterans heading up key roles in A&R, Management, Marketing and Publicity, Golden Robot Records are able to give their roster maximum exposure and support.

With nine days to go before the arrival of new Alice In Chains album Rainier Fog (BMG), anticipation is ramping up with the release of new single Never Fade . Never Fade is the third Rainier Fog song release following So Far Under and  The One You Know.

Recorded with producer Nick Raskulinecz (his 3rd consecutive album with the band) and mixed by Joe Barresi (Queens of the Stone Age, Tool), Rainier Fog will be available digitally, as well as on CD and limited-edition double 180-gram clear LP with white and black splatter (the latter is available only from the band’s online store HERE).
RAINIER FOG follows 2013’s Grammy nominated The Devil Put Dinosaurs Here, which entered Billboard’s Top 200 chart at No. 2 and debuted at No. 1 on Billboard’s Alternative Albums, Top Rock Albums, Hard Rock Albums charts and the iTunes Rock Album Chart. Its first two singles, “Stone” and “Hollow,” both shot to No. 1 on Billboard’s Mainstream Rock Tracks chart and “Voices” hit No. 3. All three tracks stayed on the chart for over 20 weeks.

Guns N’ Roses bassist and New York Times Best-Selling Author Duff McKagan recently wrote an Alice In Chains bio to accompany the album release (scroll down to read in its entirety).

Rainier Fog is another step further into the brilliance and musicality of what we have now come to expect from AIC,” wrote McKagan. “Sean Kinney’s super-unique drum style tells one epic story, Inez’s brooding bass lines tell yet another, Duvall’s guitar prowess and lead vocals guide and narrate and nurture the triumph and torture of the subject matter, and Cantrell’s jaw-dropping songwriting, vocals, and now-legendary riff-master approach all combine for another simply brilliant effort.”

“This is a band to cherish and be thankful to have as our own,” says McKagan. “Our living and breathing gauge of what is right with rock and fucking roll.”

 

ALICE IN CHAINS BIOGRAPHY BY DUFF McKAGAN

Alice In Chains have always done it their way. From the beginnings of their career until now, AIC has defied any sort of categorization or mold.  No particular trend over their now-30-year career, has influenced them to do the more popular zig or zag of that moment.

A quick look at their stats proves they’ve been doing it right: over 30 million records sold, two No. 1 albums, six Top 10’s on the Billboard 200, five No. 1 singles, sixteen Top 10 hits, 9 Grammy Award nominations…I could go on.

They stay true to themselves—the deep introspect, the sheer and terrifying swan dives into dark areas of the human experience and the elation of overcoming.

And of course, overcome they have.

But there’s no reason at this point in the Alice In Chains story to dwell on the past. The loss of Layne Staley was brutal and heart-wrenching and he is missed by all for damn sure, and the subsequent loss of original bassist Mike Starr was just as soul-crushing for all who knew him, but to watch Jerry Cantrell, Sean Kinney and Mike Inez gather themselves along with the brilliant William Duvall, was to me, like watching “Rocky” in 1976 as a 12-year-old. The underdog who put in all the hard work and experienced all the hard knocks and hidden trap doors life could throw at you, yet rose to fight back with elegance and power.

Only they knew what they had at first, but with the release of 2009’s “comeback” record, Black Gives Way To Blue, debuting at #5 on the Billboard 200 and spawning two No. 1 singles and two Grammy nominations, the band remained at the very top of their game. The whole rock n’ roll world seemed to rejoice at once. This was our “Rocky” story.

Proving that album’s success was no fluke, the release that followed, 2013’s The Devil Put Dinosaurs Here (the title a tongue-in-cheek jab at creationists), debuted at No. 2 on the Billboard 200, also featured two No. 1 hits and earned a Grammy nod. Along the way, they continued to play to packed-house crowds around the world.

On a personal note, I’m convinced the band doesn’t give a damn about Grammys or any sort of award-driven accolade. They make music for and about their ardent fans. Attending an AIC show is akin to going to church and coming out cleansed and feeling generally better about the chaos that is this life. Their pure artistry and songwriting takes us all to another place.

The newest record, Rainier Fog (the title a soaring tribute to Seattle itself) is another step further into the brilliance and musicality of what we have now come to expect from AIC. Sean Kinney’s super unique drum style tells one epic story, Inez’s brooding bass lines tell yet another, Duvall’s guitar prowess and lead vocals guide and narrate and nurture the triumph and torture of the subject matter, and Cantrell’s jaw-dropping songwriting, vocals, and now-legendary riff-master approach all combine for another simply brilliant effort.

“The One You Know” will rip your fucking head off, as will “So Far Under” and title track “Rainier Fog, and the searingly apropos “Red Giant” is deadly truth to power.  “All I Am” and “Fly” give time for deeper inner-reflection and that classic AIC sound-scaping that we all love. From top to bottom, Rainier Fog is, like all great Alice In Chains albums, “all killer and no filler.”

This is a band to cherish and be thankful to have as our own. Our living and breathing gauge of what is right with rock and fucking roll.
Duff McKagan