Tagged: Hannibal Buress

Summary: Peter Parker balances his life as an ordinary high school student in Queens with his superhero alter-ego Spider-Man, and finds himself on the trail of a new menace prowling the skies of New York City.

Year: 2017

Australian Cinema Release Date: 7th July 2017

Australian DVD Release Date: 18th October 2017

Country: United States

Director: Jon Watts

Screenwriter: John Francis Daley, Christopher Ford, Jonathan Goldstein, Chris McKenna, Erik Sommers, Jon Watts, Steve Ditko (original comic book), Jack Kirby (original comic book), Stan Lee (original comic book), Joe Simon (original comic book)

Cast: Isabella Amara (Sally), Tunde Adebimpe (Mr. Cobbwell), Abraham Attah (Abe), Michael Barbieri (Charles), Jacob Batalon (Ned), Garcelle Beauvais (Doris Toomes), Christopher Berry (Randy), Hannibal Buress (Coach Wilson), Michael Chernus (Phineas Mason/The Tinkerer), Kenneth Choi (Principal Morita), Kerry Condon (Friday (voice)), Jennifer Connolly (Karen/Suit Lady (voice)), Tyne Daley (Anne Marie Hoag), Ethan Dizon (Tiny), Robert Downey Jnr. (Iron Man/Tony Stark), Tiffany Espensen (Cindy), Chris Evans (Steve Rogers/Captain America), Jon Favreau (Happy Hogan), Donald Glover (Aaron Davis), Laura Harrier (Liz), Tom Holland (Peter Parker/Spider-Man), Michael Keaton (Adrian Toomes/Vulture), Stan Lee (Gary), Jorge Lendeborg Jr. (Jason), Selenis Leyva (Ms. Warren), Hemke Madera (Mr. Delmar), Michael Mando (Mac Gargan), Logan Marshall-Green (Jackson Brice/Shocker #1),Nitin Nohria (Dean Crimson), Gwenyth Paltrow (Pepper Potts), John Penick (Mr. Hapgood), Tony Revolori (Flash), Angourie Rice (Betty), Martin Starr (Mr. Harrington), Marisa Tomei (May Parker), J.J. Totah (Seymour), Gary Weeks (Agent Foster), Bokeem Woodbine (Herman Schultz/Shocker #2), Zendaya (Michelle)

Runtime: 133 mins

Classification: PG

 

OUR SPIDER-MAN: HOMECOMING REVIEWS & RATINGS:

 

Kyle McGrath’s Spider-Man: Homecoming Review:

Spider-Man: Homecoming follows the title character and his alter ego Peter Parker on his early steps of becoming the hero he yearns to be.  After being enlisted by Tony Stark/Iron Man to assist in Captain America: Civil War (2016) Peter Parker is dropped off home, given a shiny new Spider-Man costume and pretty much told “don’t call us, we’ll call you”. Ambitious to prove himself worthy of being an Avenger he sets out to fight crime wherever he can while also struggling with the pitfalls of being an otherwise normal high school kid. His enthusiasm may soon gets the better of him when he discovers an underground operation in dealing weapons made from the stolen technology leftover from previous Avengers battles.

The elephant in the room with Spider-Man Homecoming is that this is the 3rd big screen incarnation of Spider-Man since 2002. This time the web crawler officially being a part of the Marvel Cinematic Universe (MCU). The previous films each had their ups and downs but the general consensus seems to be that Sam Raimi’s Spider-Man films were better with Tobey Maguire making a better Peter Parker whereas The Amazing Spider-Man films found a better Spider-Man performance in Andrew Garfield with some other fan preferences such as Gwen Stacy as a love interest rather than skipping straight to Mary Jane Watson and mechanical web-shooters rather than organic (a distinction I never cared about).

Spider-Man Homecoming brings some new interesting things to the table while some others feel weaker. I believe Tom Holland walks the line quite well and works quite well as the younger less experienced and still in high school Peter Parker/Spider-Man.

Otherwise the films visuals and musical score felt a little generic never coming close to standing out as well as Sam Raimi and Danny Elfman did all the way back in 2002. Speaking of which the CGI of Homecoming itself looks not much better after 15 years of technological progress, often characters looking like something from a computer game or the transition between CGI to live action, such as Michael Keaton’s character leaving his “Vulture” wingsuit, appears quite jarring. Most of these large CGI sequences seem to take place at night too, it could have just been poor lighting in my cinema but it was extremely dark and felt like a possible shortcut with CGI usually looking more real with less lighting.

The film’s story itself reminded me of Kick-Ass be it without the style or comedy of Matthew Vaughn & Mark Millar with Peter trying to be a “friendly neighbourhood Spider-Man”. I found this to be an interesting new take on the character and something we’ve not yet seen in the MCU: a small time loser hero trying to do his thing in the shadow of giants like Thor, The Hulk or Captain America.

With any reboot certain changes had to be made so that the filmmakers aren’t just making the same film again. Flash Thompson Esther than being a stereotypical jock bully and symbol of everything Peter wished he could be is now a weedy little prick. The once elderly aunt May is now “hot aunt May” as the characters like to remind us and the less said about the new “MJ” the better.

Other major changes are that this is not another origin story. Rather picking up in the middle of Peter’s journey of self discovery as a super hero. An issue here is that while films like Tim Burton’s Batman or even the MCU’s The Incredible Hulk showed you don’t NEED to do an origin story to introduce your hero, you still do need to introduce them and Homecoming really does not. The feeling is that Spider-Man’s powers and back story don’t need to be given much thought because they’ve been done to death already. Well too bad. This is potentially people’s FIRST Spider-Man film and outside influences shouldn’t play any part in it. Not giving a proper set up because everyone should already know is like not introducing Harry Potter correctly in the film adaptation of Philosophers Stone because “well everyone’s read the book right?”

Peter’s character development this time comes more from his desire to prove himself than his feelings of guilt over his indirect involvement in his uncle’s death like before. This was an interesting change but to be honest the time Peter spends in this naive phase goes on way too long and most of the film seems to be him rescuing people from disasters he himself caused or his selfishly helping people in the first place only because he seeks glory and to be considered one of The Avengers. This would be like if Bruce Wayne in Batman Begins stayed in “scared angry man with a gun mode” until nearly the end of the film.

I think Peter himself is obsessed so much with the Avengers as a symptom of this film being obsessed with being considered part of the MCU. Again it’s an interesting way to approach at first but the Avengers just overshadow EVERYTHING in this film. Even the film’s title itself seems to more reference a “return home to the MCU” than anything in the film itself. The very first thing you see is a child’s drawing of them and the very last thing you’ll see is a post credits cameo from one of them and rarely 10 minutes will go by without some reference to them. Spider-Man’s motivation revolves around them, the film’s antagonist revolves around them and Tony Stark while barely making much of an appearance in the film is still focused on more than Michael Keaton as The Vulture leading to him feeling like a lackluster villain. Don’t get me wrong I’m glad he didn’t just want to turn the whole city into birds using a gas or something but when his entire scheme is spending 8 years stealing Avengers related tech, turning it into odd weapons and selling it out of the back of a van to random street thugs under bridges I have to ask “who cares?”.

The worst part of this is that the movie barely feels like it stars Spider-Man at all. Even his suit is some sort of Tony Stark designed super tech nonsense which only manages to downplay the ACTUAL superpowers Peter is supposed to have. Effectively he’s a super strong, super agile kid in a suit with a bunch of gadgets. It may as well also be what allows him to walk up walls as it does everything else for him!

If the film can’t go 10 minutes without an Avengers reference it also can’t seem to go 30 seconds without making a funny. In some kind of spray ‘n pray approach to comedy Homecoming is so afraid of being seen as taking itself too seriously that it hardly ever allows a scene to end without some gag tacked on just for the sake of it. Comedy relief only really works if you allow tension to build in the first place and when there are multiple gags happening it just drives a truck through the middle of a scene that’s designed to have you on the edge of your seat. Then when the big heavy scenes come along such as Michael Keaton trying to be intimidating they just don’t work. The film hasn’t earned that response from the audience because any other time it came close to a similar tone someone immediately then had to slip on a banana peel.

Spider-Man Homecoming unfortunately doesn’t hold a candle to Sam Raimi’s 2002 film. It’s lacking as an introduction to this new Spider-Man and feels too focused on latching on to the hugely popular MCU films to be comfortable in telling its own story and too eager to make its audience laugh to build any drama for its underdeveloped characters. As an addition to the mountain of superhero films it’s entertaining enough and different enough to warrant a viewing but not interesting enough to be very memorable.

 

 

Average Subculture Rating:  

 

 

IMDB Rating:  Spider-Man: Homecoming (2017) on IMDb

 

Other Subculture Entertainment Spider-Man: Homecoming Reviews: N/A

 

Trailer:

Bad Neighbours 2

 

Summary: Just as Mac (Seth Rogen) and Kelly (Rose Byrne) sell their home and plan on moving to the suburbs they suddenly find themselves under attack again as a sorority led by party girl Shelby (Chloe Grace Moretz) move in next door. The arrival of former frat boy Teddy (Zac Efron) has everybody asking which side he will decide to join.

Year: 2016

Australian Cinema Release Date: 5th May 2016

Australian DVD Release Date: TBA

Country: United States

Director: Nicholas Stoller

Screenwriter: Andrew Jay Cohen, Brendan O’Brien, Nicholas Stoller, Seth Rogen, Evan Goldberg

Cast: Ike Barinholtz (Jimmy), Spencer Boldman (Derek), Hannibal Buress (Officer Watkins), Rose Byrne (Kelly Radner), Jerrod Carmichael (Garf), Kiersey Clemons (Beth), Zac Efron (Teddy Sanders), Beanie Feldstein (Nora), Dave Franco (Pete), Carla Gallo (Paula), Selena Gomez (Madison), Kelsey Grammer (Shelby’s Father), Lisa Kudrow (Dean Carol Gladstone), Christopher Mintz-Plasse (Scoonie), Chloe Grace Moretz (Shelby), Seth Rogen (Mac Radner), Elise Vargas (Stella), Zoey Vargas (Stella)

Runtime: 92 mins

Classification: MA15+

 

OUR BAD NEIGHBOURS 2: SORORITY RISING REVIEWS & RATINGS:

 

David Griffiths:

The last few things have shown us that comedy sequels often do not live up to original film in the franchise… especially, so it seems, if that original film was an absolute comedy gem. Comedy fans have watched as franchise after franchise have taken this ill-fated path as – Zoolander 2, Horrible Bosses 2, Hangover 2 + 3 and Anchorman 2 have all fallen well short of the brilliance that their predecessor had brought. The result was scorn from film critics and comedy lovers right around the world.

Now we find ourselves sitting down to watch Bad Neighbours 2: Sorority Rising a film born into existence after the shock success of the 2014 adult rated comedy. With much of the key cast and crew returning for a second trip you could be excused for thinking that this film would be just as good… sadly that wasn’t the case.

This time around we find young parents Mac (Seth Rogen – This Is The End) and Kelly Radner (Rose Byrne – Insidious) expecting their second child and in the middle of selling their home as they decide to move their expanding family out to the suburbs. With the house sold the couple just have to hope that nothing goes wrong during the thirty day cooling off period.

Enter Shelby (Chloe Grace Moretz – Kick-Ass) who feels that the sororities are getting the raw end of the deal when she discovers that they can’t party the same way as fraternities. Desperate to proves that girls can do it just as well as boys she moves her sorority into the house next to Mac and Kelly’s causing the couple to realise that their nightmare is coming true. Worse still is the fact that after being thrown out by his best friend, Pete (Dave Franco – Now You See Me), former fraternity leader Teddy Sanders (Zac Efron – The Lucky One) is only too happy to teach them everything he knows.

Sadly though Bad Neighbours 2 is another sequel that struggles to get anywhere near the quirkiness and humor that the first film managed to produce. The sad thing about this film is that it should have been painfully clear for anyone watching the first cuts of the film to see what had gone wrong – yes the problems here at basic but enough to sink the film.

The main thing that drags down this film is some very lazy and poor screenwriting. At times it feels like the writers here forgot key points from the first film, things such as the fact that at the end of the film Mac and Teddy met up and seemingly settled their difference, yet at the beginning of this film it feels like they haven’t seen each other since the frat moved out and Teddy still has a score to settle. Likewise much of the ‘wrong’ comedy that made the first film work so well are missing here. At the screening I was at the audience burst into laughter the 2-3 times the writers were game enough to attempt a politically incorrect joke but for the rest of time barely raised a chuckle as attempted jokes just played out on the screen in front of them.

The other big issue with Bad Neighbours 2: Sorority Rising is the members of the sorority themselves. It seems like the writers were hamstrung with what they should do with most of the female characters this time around. On one hand they set up Shelby, Nora (Beanie Feldstein – Fan Girl) and Beth (Kiersy Clemons – Dope) as bad girls who want to live up life at college. Yet when it comes to the crust of things we see anything but and the girls end up becoming walking clichés whose actions seem to become very ‘unimportant’ to the writers. In one scene a big deal is made about the fact that Shelby is a virgin yet her ‘Shelby Lost Her Virginity’ is shown in a quick ten second montage. As if that isn’t made enough the writers seem to have borrowed the characteristics of the girls from Pitch Perfect – perhaps they didn’t think we would notice that the alternative girl, the larger girl and the strange-speaking Asian character act had all been done before.

Sadly it seems the sorority was ruined by writers who seemed to want to make the characters too politically correct and as a result they lost their hard edge. Remember back to the original film when Teddy, Pete and Scoonie (Chrisopher Mintz-Plasse – How To Train Your Dragon) were politically incorrect yet also had memorable characterisation? Well all of that is missing here from the girls of the sorority and boy does it show. Perhaps the writers needed to revisit films like Valentine and Sorority Row to see how ‘bad’ sorority girls should be written.

The other unfortunate losers when it comes to the writing are the cast. Rogen and Byrne are certainly held back from delivering the good comedic performances they did in the first film and while supporting cast members like Ike Barinholtz (Sisters) and Carla Gallo (We Bought A Zoo) do get the odd laugh here and there it just isn’t enough to save the film. And as for poor Chloe Grace Moretz, well this normally good actress is reduced to a ‘nothing’ role that is best to be left off her resume.

In reigning in Bad Neighbours 2: Sorority Rising and making it more politically correct than the original film in the franchise the powers-that-be behind the film have made this a largely unfunny film that rehashes old jokes and doesn’t even deserve to live in the shadow of its much more impressive brother. Fans of the original film beware, you will not get as many laughs this time around.

Stars(2)

 

 

Adam Ross:

You can hear Adam Ross’s full Bad Neighbours 2: Sorority Rising review on The Good The Bad The Ugly Film Show Ep #175.

Stars(3)

 

 

Greg King:

You can hear Greg King’s full Bad Neighbours 2: Sorority Rising review on The Good The Bad The Ugly Film Show Ep #175.

Stars(2.5)

 

 

Kyle McGrath:

Movie sequels can be very hit and miss for any number of reasons, for every Terminator 2 there’s a Terminator 3. Comedy sequels are much more miss than hit, this usually has to do with the set up for the original film not really being suited for a franchise. Some movies like 22 Jump Street or Robocop 2 feature self aware humor about this. As if the writers are nodding to the audience saying “yeah we know its silly, just go with it”. Not every comedy movie needs to break the fourth wall like this but it sometimes helps to know the filmmakers understood how ridiculous it was to make a sequel to something that was better suited as a one off. When they don’t then often the movie can come off as a shameless cash in.

Bad Neighbors 2 is the sequel to the hugely successful 2014 comedy. When we last left our protagonists new parents Mac (Seth Rogan) and Kelly (Rose Byrne) they had successfully defeated the troublesome fraternity and its leader Teddy (Zac Efron) who had moved in next door to their new home. They were content and ready to continue their lives without fear of loud late night parties next door or stray condoms in their front yard. Flash forward 2 years and Mac and Kelly are expecting a second child, despite all their money going into their new home in the first film it is apparently time to upgrade to another house in a different neighborhood. They’ve bought their new home, sold their “old” house to new home owners and are now waiting for the 30 day cool off period to end before they can officially move on. Much to their dismay at this point a sorority led by pot smoking partying Shelby (Chloe Grace Moretz) and her forgettable friends moves in to the old frat house next door and Mac and Kelly and the audience find history repeating itself.

Personally I really enjoyed the original Bad Neighbors. The characters were as believable as they needed to be, the improvisation (line-o-rama) scenes didn’t feel out of place and the humor was on par with what I expected. It was a somewhat average frat-house comedy but I enjoyed it. This movie didn’t quite match that. To be honest I didn’t have high expectations yet still I felt disappointed. Generally it feels like a lazy rehash of the original movie without any of the minimal characterization or even minimal originality which made it decent. The story largely playing out the same way we saw it 2 years ago but without the focus on the characters that was needed it streamed from one joke to the next without me ever seeing why I should care about anyone in the movie. The “this is sexist” angle is played out in such an over the top hamfisted but unfunny way im not sure why they bothered in the first place.

Bad Neighbors 2 is a movie which probably shouldn’t have been made. While not being quite as bad its very much on the Hangover 2 side of comedy sequels. I’m much more a fan of “follow ups” than sequels in this case where the same crew and principal actors make another movie in the same vein as the original rather than a straight sequel. I’d much rather Hot Fuzz than Shaun of The Dead 2. If only something similar had been done here.

Stars(2)

 

 

Nick Gardener:

You can hear Nick Gardener’s full Bad Neighbours 2: Sorority Rising review on The Good The Bad The Ugly Film Show Ep #175.

Stars(2)

 

 

Average Subculture Rating (out of 5):  Stars(2.5)

 

IMDB Rating:  Neighbors 2: Sorority Rising (2016) on IMDb

 

Other Subculture Entertainment Bad Neighbours 2: Sorority Rises reviews: You can also listen to our full Bad Neighbours 2: Sorority Rises review on The Good The Bad The Ugly Film Show Ep #175.

Trailer:

Daddy's Home

Summary: Brad Whitaker (Will Ferrell) has always wanted to be a Dad but an unfortunate accident in a dental chair has left that dream in tatters. However, now he is married to ready-made Mum, Sara (Linda Cardellini), but is finding winning over her children Dylan (Owen Vaccaro) and Megan (Scarlett Estevez) a lot harder than he thought it would be.

Hard work pays off though but just as the two kids are starting to warm to him Sara’s ex, the children’s father, the ever-ready, man-of-the-year-material Dusty Mayron (Mark Wahlberg) shows up and he has just one plan in mind – to make Brad look incompetent and to win back Sara and the kids.

Year: 2015

Australian Cinema Release Date: 26th December 2015

Australian DVD Release Date: TBA

Country: USA

Director: Sean Anders

Screenwriter: Sean Anders, Brian Burns, John Morris

Cast: Alessandra Ambrosio (Karen), Joel K. Berger (Corey from Red Bull), Kobe Bryant (himself), Hannibal Buress (Griff), Bill Burr (Jerry), Bobby Cannavale (Dr. Francisco), Jeff Caperton (Tom), Linda Cardellini (Sara), John Cena (Real Dad), Thomas Haden Church (Leo Holt), Troy Compas (Jim),  (Jamie Denbo (Doris), Scarlett Estevez (Megan), Will Ferrell (Brad Whitaker), LaMonica Garrett (Marco), Sadarias Harrell (Silverberg), Chris Henchy (Panda DJ/Jason Sinclair), Matthew Paul Martinez (Pete), Hector Presedo (Pepe), Owen Vaccaro (Dylan), Mark Wahlberg (Dusty Mayron), Brady Yarborough (Marty)

Runtime: 96 mins

Classification: PG

 

OUR DADDY’S HOME REVIEWS & RATINGS:

 

David Griffiths:

This year hasn’t been a great year for comedy. A lot have been released and lot have sucked. Well now comes Daddy’s Home which decides to do something a little different, and that is sit right in the middle of the road.

Actually to be honest Daddy’s Home is a bit of a strange watch. It is one of those movies that is completely ruined by the trailer. As a result of seeing most of the gags in the trailer you can pretty much watch this film with just a chuckle here and there. A shame because at times such as Brad skateboarding off a half-pipe into a power-line I found myself thinking ‘I probably would been laughing right now if it weren’t for the fact that I’ve already seen in the trailer in cinemas ten times.’ The sad thing is that happens for most of the laughs throughout the film which must be pretty disappointing for screenwriter/director Sean Anders.

Like Anders’ career itself (this is the man that brought us highs like We’re The Millers but also films like Dumb And Dumber To) a lot of the laughs in Daddy’s Home are all over the place. Yes a lot of the slapstick is ruined by the trailer but then some of the other comedy throughout the film seems to come from a weird place. While the ‘stories’ from Brad’s boss Leo (Thomas Haden Church) are often the funniest part of the film, there are other times when Anders’ humor feels mistimed or misplaced. Two examples are when Leo has a deeply personal conversation with Brad and then the camera pans back to reveal it is in the middle of a meeting with other people (feels forced) or when Leo and Brad are trying to convince Griff (Hannibal Buress) to aid Brad in a clichéd movie run-down-the-hall… that scene just goes on for far too long.

The other abnormality with the humor of Daddy’s Home is that it feels like Mark Wahlberg is a lot funnier in the film that what Will Ferrell is. It is obvious that even Anders knew the role of Dusty provided much of the laughs because at one point Ferrell was supposed to be Dusty before obviously someone realised that there is no way in hell he could pull off being an aloof tough Special Ops member. It what would have been an even bigger disaster Vince Vaughn was also considered for the role so we should be thankful that Wahlberg ends up playing Dusty because he is the highlight of the film… often stealing the limelight from Ferrell mid-scene.

Being out-acted this time round seems to be part of the landscape for Ferrell. His character is ‘boring’ which in fairness may have been Anders’ intention, but the flare shown by Wahlberg makes Dusty a much more impressive character while Ferrell also has a lot of his thunder stolen by Thomas Haden Church whose comedic timing and droll delivery works an absolute treat and he provides many of the laughs throughout the film.

Sure Anders certainly didn’t deliver a comedic masterpiece with Daddy’s Home but any filmmaker deserves not to have their ‘surprises’ or ‘laughs’ intended to impress the audience ruined by the trailer that is supposed to promote the film. With that putting the film behind the eight ball already Daddy’s Home is an up-and-down the film. The film seems to work best when it forgets about trying to be funny and instead goes for more touching scenes, like a step-Dad trying his best with his kids, but also falls on its face when it tries to ‘show-up’ other films’ stupidity like with dance-offs etc.  Daddy’s Home is a middle of the road comedy that doesn’t provide anywhere near as many laughs as it should.

 

Stars(2.5)

 

Sam Gironda:

Daddy’s Home directed by Sean Anders sees the story of a Dad and a Step Dad dealing with the facts of having two Dads in the one household. Brad (Will Ferrell) is a man who has always wanted to be a Dad and his life as a Step Dad to two kids and husband to his wife Sarah (Linda Cardellini) is going well until his wife’s ex-husband shows up. Dusty (Mark Wahlberg is a man who is tough and competitive which certainly is shown throughout the film.

 

Throughout the film Dusty and Brad go head to head and compete to prove to the kids and Sarah, who can be the better parent. What I loved about the film was the constant humour. In most comedy movies sometimes the humour seems almost like it is forced on you and almost makes you feel like they are trying so hard to make you laugh with scenes and jokes that aren’t very funny at all. In Daddy’s Home the humour was great. It was humour that was very quick in some cases and that’s what I loved. It was humour that we would all experience and things that we would laugh at in everyday life.

 

The one thing I thought of during this movie is that Mark Wahlberg and Will Ferrell were great together on screen. To me they were a comedy duo that I never expected and it would be great to see them do more films together in the future. Even though the film is a comedy there was some drama and emotional events which really portrayed what it is like for families where there are more than two parents. Daddy’s Home, I think, is a great movie for the whole family and is definitely worth seeing if you have the option of going to the cinema.

It was funny, enjoyable, had a good story line, great cast and was just an all over good film to watch. Daddy’s Home staring Will Ferrell and Mark Wahlberg is in cinemas now! Check it out!

 

Stars(3.5)

 

Average Subculture Rating (out of 5):  Stars(3)

 

IMDB Rating: Daddy's Home (2015) on IMDb

 

Other Subculture Entertainment Daddy’s Home reviews: You can listen to our full Daddy’s Home  review on a future episode of  The Good The Bad The Ugly Film Show. You can also read our Daddy’s Home review on The Book The Film The T-Shirt.

Trailer:

Bad Neighbours

Summary: A young family find their lives turned upside down when they suddenly find themselves living next door to a college fraternity house.

Year: 2014

Australian Cinema Release Date: 8th May, 2014

Australian DVD Release Date: TBA

Country: USA

Director: Nicholas Stoller

Screenwriter: Andrew J. Cohen, Bendan O’Brien

Cast: Chastey Ballesteros (Alecia), Ike Barinholtz (Jimmy), Hannibal Buress (Officer Watkins), Rose Byrne (Kelly Radner), Robbie Carlysle (Dr. Junk), Jerrod Carmichael (Garf), Ilia Constantine (Tiger), Ali Corbin (Whitney), Zach Cosby (Stink), Zac Efron (Teddy Sanders), Dave Franco (Pete), Carla Gallo (Paula), Brian Huskey (Bill Wazowkowski), Jake Johnson, Wendy Knight (Liz Cackowski), Lisa Kudrow (Carol Gladstone), Jason Mantzoukas (Dr. Theodorakis), Christopher Mintz-Plasse (Scoonie), Bobby Moynihan, Demetice Nguyen (Noah), Randall Park, Craig Roberts (Assjuice), Seth Rogen (Mac Radner), Halston Sage (Brooke), Pascal Shin (Justin), Kira Sternbach (Brittany), Elise Vargas (Stella), Zoey Vargas (Stella), D.J. Waldman (Ruth Bader Ginsburg)

Runtime: N/A

Classification:CTC

OUR BAD NEIGHBOURS REVIEWS & RATINGS:

David Griffiths:

The last few years haven’t been kind to the whole comedy genre… especially with the films coming out of Hollywood. Adam Sandler has continued on his merry way of delivering absolute rubbish and he seems to have dragged down most other comedy teams down with him. The exceptions were Ted and Bad Grandpa, films that nailed there mark and achieved exactly what they set out to do… and that is make people laugh. Now comes another film that could join the class of those two – Bad Neighbours – which in my case made me laugh so much I couldn’t breathe.

With Nicholas Stoller (the director who brought us Forgetting Sarah Marshall) at the helm Bad Neighbours sees young married couple Mac (Seth Rogen) and Kelly Radner (Rose Byrne) trying to come to the terms that they are now the parents of a young daughter named Stella. They both want to remain cool, they want to attend raves, smoke their weed but somehow still be good parents. It seems to be a losing battle though with the pair falling asleep before they even make it out the front door at times.

Then their world literally changes when the house next door to them is bought by a college fraternity. A frat house that is led by the misdirected Teddy Sanders (Zac Efron), the nerdy but cool Pete (Dave Franco) and the appendage ‘gifted’ Scoonie (Christopher Mintz-Plasse). At first Mac and Kelly try to befriend the frat and it seems like the film is heading down the ‘buddy film’ route but then an incident involving the Police soon turns things sour.

With the division lines drawn between Mac and Kelly and Teddy and co a ‘brutal’ neighbourhood war breaks out which sees the Frat house still trying to organise an event they will always be remembered for while finding themselves under the watchful eye of their Dean, Carol Gladstone (Lisa Kudrow) who will do anything to keep their college from ‘negative headlines.’ With this in mind Mac and Kelly devise a plan to bring down the Frat.

The reason Bad Neighbours works so well is because as director Stoller leads this film to go directly where he wants it to go, and do what he wants it to do – and that is make people laugh. Sure the screenplay could have gone into some massive back stories for all the characters involved, but that would have bogged down the film and made it a bit of snore-fest with some laughs just splattered here and then… much the same as Judd Apatow’s recent efforts.

But Stoller and crew take a different route here. Instead it sets up nearly all the characters as likable but reveals very little about anything else. You like them, you care for them… bang that’s all it really needs. Stoller then loads up on gags that actually work – the proof being that in the large audience I saw this film in that people of all ages were reduced to laughing until they cried.

There does need to be a little warning though, at times the humour in the film does very crass, and if you didn’t like films like Ted or American Pie etc then this isn’t the film for you. To those that did like these kinds of films though you will be in absolute heaven as the script tries, and pulls off, varies styles of humour from witty one liners, to sight gags and some brilliant gross-out humour that will at times have you laughing while trying to cover your eyes.

Also making Bad Neighbours the good film that it becomes is the cast. Seth Rogen is on absolute fire here. He points behind him the disappointment of films like The Green Hornet and once again reminds audiences why he should still be considered one of the best comedic leading men of our age. He is also well supported by Rose Byrne who completely surprised Australian audiences when she seemingly turned her back on dramatic acting and was cast in Bridesmaids. Since then she has shown just what a fine comedic actress she is, and she continues that here in Bad Neighbours as she plays a Mum desperate to be cool. Some actresses of Byrne’s calibre might agree to do a film like this but shirk away from some of the more risqué scenes, but here Byrne gladly lines up with Rogen to deliver some ‘interesting’ scenes including one that sees her get ‘milked like a cow.’

Despite the limits of their characterisation the actors behind the Frat boy team also come to the fore. Christopher Mintz-Plasse simply does what is asked of him while Dave Franco seems to turn the clock back and seems much younger then he actually is. Like Byrne he also once again reminds audiences that he too is up to pulling off comedic roles when it is asked of him. The star of the Frat boys though is of course Zac Efron who has delivered a mixture of films since ending the High School Musical franchise. From gritty films such as The Paperboy to comedies such as this one he has really revealed himself as a young actor who is more than just a pretty face and can deliver whatever is asked of him.

Bad Neighbours is the kind of film where everything comes together perfectly. A hilarious script, some great comedic directing and a cast willing to go to great lengths for laughs all come together and deliver one of the funniest films to have surfaced in a long time. It’s crass and wrong but this is a film will have you in stitches.

Stars(4)

Average Subculture Rating (out of 5): Stars(4)

IMDB Rating:  Neighbors (2014) on IMDb

Other Subculture Media Reviews of ‘Bad Neighbours′: Nil.

Trailer:

Sleepwalk With Me

Summary: “I’m going to tell you a story, and it’s true… I always have to tell people that.” So asserts comedian-turned-playwright-turned-filmmaker Mike Birbiglia directly to the viewer of his autobiographically inspired, fictional feature debut. We are thrust into the tale of a burgeoning stand-up comedian (Birbiglia) struggling with the stress of a stalled career, a stale relationship, and wild spurts of severe sleepwalking. Based on the successful one-man show, SLEEPWALK WITH ME engages in passionate and personal storytelling that transfigures intimate anguish into comic art.

Year: 2013

Australian Cinema Release Date: 4th April, 2013

Australian DVD Release Date: TBA

Country: USA

Director: Seth Barrish, Mike Birbiglia

Screenwriter: Mike Birbiglia, , Joe Birbiglia, Seth Barrish, Ira Glass

Cast: Lauren Ambrose (Abby), Mike Birbiglia (Matt Pandamiglio), Danny Borbon (Tommy), Hannibal Buress (Hannibal), Marylouise Burke (Aunt Lucille), Teddy Cariez (Pedro), Aya Cash (Hannah), Wyatt Cenac (Chris), William C. DeMent (himself), Lucy DeVito (Hilary), Philip Ettinger (Doug), Sondra James (Colleen), Carol Kane (Linda), Alex Karprovsky (Ian Gilmore), Jessi Klein (Lynn), Ben Levin (Philip), John Lutz (Chip), Marc Maron (Marc Mulheren), Emily Meade (Samantha), Cristin Milioti (Janet), Ron Nakahara (Ron), Amanda Perez (Tammy), Henry Philips (Henry), James Rebhorn (Frank), Kristen Schaal (Cynthia), Amy Schumer (Amy), Jason Selvig (Dave), Ray Thomas (Dr. Regan), David Wain (Pete), London Wainwright III (Uncle Max), Angelic Zambrana (Melissa)

Runtime: 81 mins

Classification:M

Dave Griffiths’s ‘Sleepwalk With Me’ Review: Please check Episode #26 of our The Good The Bad The Ugly Podcast for our review of ‘Sleepwalk With Me’.

Other Subculture Media Reviews of ‘Sleepwalk With Me′: Nil.

Rating: N/A

IMDB Rating:Sleepwalk with Me (2012) on IMDb