Tagged: Hugo Weaving

 

Sci-fi fans get excited – the new trailer for Mortal Engines has just landed. Produced by Peter Jackson (The Lord Of The Rings, King Kong) and directed by Christian Rivers (who worked with Jackson on both The Lord Of The Rings and Hobbitt trilogies) the film stars Hugo Weaving (V For Vendetta, The Matrix) and Stephan Lang (Avatar, Don’t Breathe).

With Oz Comic Con returning to Melbourne on the 9-10th June we have started chatting to some of the guests who will be attending this year’s event. Today we chat to Australian actor Andrew Lees who before becoming a major villain in the hit series The Originals had roles in The Pacific, Home & Away, Rescue Special Ops and Dance Academy. Now Andrew will also appear in two feature films this year – the gritty thriller Unfriended: Dark Web and alongside Hugo Weaving and Stephen Lang in Mortal Engines.

You can listen to our Andrew Lees interview below.

 

 

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Transmission Films invites Australian audiences on a personal journey through Australian cinema with David Stratton, our most revered film critic, when DAVID STRATTON: A CINEMATIC LIFE releases in cinemas this year.
DAVID STRATTON: A CINEMATIC LIFE is an intimate journey with David Stratton, from his first boyhood cinema experience in England, to his migration to Australia as a ‘ten pound pom’ in 1963 and onto his present day reflections on the iconic themes that run through our cinematic legacy.
While David turned his passion for cinema into a profession, a growing band of courageous Australians turned their enthusiasm for storytelling into an extraordinary body of work. Alongside David, this absorbing documentary includes commentary from some of the most recognisable names in Australian cinema including Gillian Armstrong, Eric Bana, Bryan Brown, Russell Crowe, Judy Davis, Nicole Kidman, George Miller, Sam Neill, Geoffrey Rush, Fred Schepisi, Warwick Thornton, Jacki Weaver and Hugo Weaving.
“David Stratton is a true champion of Australian cinema. The opportunity to share his unique personal story on the big screen is a privilege,” said Transmission Films Joint Managing Director Andrew Mackie.
DAVID STRATTON: A CINEMATIC LIFE is written and directed by Sally Aitken (Getting Frank Gehry, Streets of Your Town) and produced by Jo-anne McGowan and executive produced by Jennifer Peedom (Sherpa).
DAVID STRATTON: A CINEMATIC LIFE will open in cinemas nationally on March 9th. David Stratton will be in attendance at select Q&A screenings across the country from late February, with more details coming soon.

Margaret Pomeranz

As part of the National Film and Sound Archive of Australia’s (NFSA) bid to restore some of the most iconic films made throughout Australian cinematic history the NFSA have just launched a Pozible campaign to help restore Jocelyn Moorhouse’s first film ‘Proof’ which also launched the careers of Hugo Weaving and Russell Crowe.

As an Ambassador for NFSA Margaret Pomeranz sat down with our very own Dave Griffiths to not only talk about the restoration project as a whole but also why ‘Proof’ has been selected as the next film to restore. IF you wish to donate to the campaign you can do so here.

You can listen to or download our Margaret Pomeranz interview right here.

MIFF Premiere Fund

The State Government of Victoria has delivered a $900,000 renewal of the Melbourne International Film Festival MIFF Premiere Fund, which provides strategic minority co-financing to new Australian films that then go on to premiere at MIFF.

“The MIFF Premiere Fund’s continuation is important for MIFF, audiences, local filmmakers, and the State’s creative economy,” said MIFF Chair Claire Dobbin. “Generating a pipeline of world premieres for MIFF, and screenings for the MIFF Premiere Regional Showcase, the Premiere Fund helps MIFF remain the Southern Hemisphere’s leading film event.”

“Together with MIFF 37ºSouth Market & Accelerator, the MIFF Premiere Fund reinforces Melbourne’s position as a creative industries capital,” said MIFF Industry Director and Premiere Fund Executive Producer Mark Woods. “Securing finance for independent Australian films is always a challenge and the contribution of the Premiere Fund has helped close the financing gap on some 45 films. The Fund is also proud of its part in fostering diversity and equality with nearly 50% of the Premiere Fund titles having feature debut directors, 31% having female directors and 53% female producers, while 13% had indigenous elements, 29% CALD community elements and 9% LGBTI engagement.”

The MIFF Premiere Fund is one of a suite of MIFF Industry Programs, which also include MIFF 37ºSouth Market, Australia’s only festival-based movie financing market, and the MIFF Accelerator emerging director workshop.

With combined budgets of more than $100 million, the MIFF Premiere Fund’s 45 films include the likes of BRAN NUE DAE starring Geoffrey Rush, BALIBO starring Anthony LaPaglia, THE TURNING featuring Cate Blanchett, Rose Byrne and Hugo Weaving, feature documentaries ELECTRIC BOOGALOO and IN BOB WE TRUST and the recent hit children’s film PAPER PLANES, starring Sam Worthington and David Wenham, that grossed nearly $10 million at the local box office. Following their world premieres at MIFF, the MIFF Premiere Fund-supported films also tour regionally with the MIFF Premiere Regional Showcase and have been selected for numerous overseas festivals including Cannes, Berlin, Toronto and Sundance.

“I strongly believe our industry in Victoria and MIFF is elevated by the significant opportunities the MIFF Premiere Fund provides and so it is wonderful that the Government is continuing the MIFF Premiere Fund,” said Seph McKenna, Head of Australian Production at Roadshow Films, the distributor of MIFF Premiere Fund-supported Bran Nue Dae, These Final Hours and this year’s family hit, Victorian Director Rob Connolly’s Paper Planes. “The MIFF Premiere Fund is an investment by the Government that guarantees Melbourne remains Australia’s premier film festival for all its constituencies from punter to filmmaker.”

“It is imperative for the state of filmmaking in Victoria that both the MIFF Premiere Fund and MIFF 37ºSouth Market continue to thrive and so I am thrilled that the Government is renewing the MIFF Premiere Fund,” said Lizzette Atkins who produced Rock N Roll Nerd, The Triangle Wars, Aim High In Creation and the upcoming Looking for Grace (starring Richard Roxburgh and Radha Mitchell) with MIFF Premiere Fund assistance. “Speaking from experience, the MIFF Premiere Fund can play a critical role in a project reaching its final budget.”

“I am delighted the State Government will continue to support the MIFF Premiere Fund,” said Antony I Ginnane, who produced Last Dance and Patrick with MIFF Premiere Fund support. “The MIFF Premiere Fund has punched above its weight and each individual contribution it has made to fiction and documentary features has helped expand the quantum of Victorian production and provide vital employment.”

“I fully support the MIFF Premiere Fund – one of the most amazing film funds in Australia – if not the world!” said Veronica Fury who produced Machete Maidens Unleashed, Curse of the Gothic Symphony, First Fagin, Electric Boogloo and the upcoming Neon with MIFF Premiere Fund assistance. “It is a valuable and critical asset to Victoria and to Melbourne and so I am thrilled that the Government will allow this valuable and vital Fund to continue.”

“I wholeheartedly applaud the continuation of the MIFF Premiere Fund and its work in keeping Victorian independent film on the national and international landscape,” said producer/director Richard Lowenstein who, with Lynn-Maree Milburn, has made feature documentaries Auto Luminescent, In Bob We Trust and the upcoming Ecco Homo with MIFF Premiere Fund support.

“Finding financial support for films by new directors is increasingly difficult and the Government’s continuation of the MIFF Premiere Fund is very important for Victorian filmmakers,” said producer Philippa Campey who has produced Bastardy and Galore with MIFF Premiere Fund assistance. “I wholeheartedly support the continuation of this pivotal Fund which has become a fundamental part of our local sector and will be increasingly critical in the future with its support of quality, independent feature-length projects.”

“The wonderful thing about the MIFF Premiere Fund is it invigorates the 37ºSouth Market at MIFF and connects Victorian film-makers into the international film financing system opening up opportunities for networking and co-production that would otherwise not be there,” said producer John Moore who is producing the upcoming Putuparri & The Rainmakers with MIFF Premiere Fund support.

The Hobbit Battle Of Five Armies

Summary: Peter Jackson’s last foray into the world of Middle Earth begins with Lake-town under severe attack after Smaug (voiced by Benedict Cumberbatch) has left the Mountain and is looking for revenge. Bilbo (Martin Freeman) and co can do very little but watch as the attack occurs.

Meanwhile while others group together to rescue Gandalf (Ian McKellan), Bilbo is left stunned as the Mountain has a strange affect on Thorin (Richard Armitage) who seems to be going crazy as he insanely looks for the Heart Of The Mountain. His group grow increasingly worried as various armies march on the mountain to claim it and Thorin continues his search without honouring his debts or even bothering to help those who are trying to defend the Mountain.

Year: 2014

Australian Cinema Release Date: 26th December, 2014

Australian DVD Release Date: TBA

Country: USA, New Zealand

Director: Peter Jackson

Screenwriter: Philippa Boyens, Guillermo del Toro, Peter Jackson, Fran Walsh, J.R.R. Tolkien (novel)

Cast: Richard Armitage (Thorin), Erin Banks (Lobeila Sackville Baggins), Timothy Bartlett (Master Worrywort), John Bell (Bain), Manu Bennett (Azog), Nick Blake (Percy), Cate Blanchett (Galadriel), Orlando Bloom (Legolas), Jed Brophy (Nori), Adam Brown (Ori), John Callen (Oin), Billy Connolly (Dain), Benedict Cumberbatch (Smaug/Necromancer (voice)), Luke Evans (Bard), Martin Freeman (Bilbo Baggins), Stephen Fry (Master Of Laketown), Ryan Gage (Alfrid), Mark Hadlow (Dori), Peter Hambleton (Gloin), Miranda Harcourt (Olga), Ian Holm (Old Bilbo), Brian Hotter (Otho Sackville Baggins), Stephen Hunter (Bombur), Kelly Kilgour (Soury), William Kircher (Bifur), Martin Kwok (Ragash (voice)), Christopher Lee (Saruman), Evangeline Lilly (Tauriel), Simon London (Feren), Sylvester McCoy (Radagast), Ian McKellan (Gandalf), Thomasin McKenzie (Astrid), Graham McTavish (Dwalin), Mark Mitchinson (Braga), James Nesbitt (Bofur), Mary Nesbitt (Tilda), Peggy Nesbitt (Sigrid), Dean O’Gorman (Fili), Lee Pace (Thrandiul), Sarah Peirse (Hilda Bianca), Mikael Persbrandt (Beorn), Allan Smith (Ragash), Merv Smith (Tosser Grub), Conan Stevens (Keep Of The Dungeons), Ken Stott (Balin), John Tui (Bolg), Aidan Turner (Kili), Hugo Weaving (Elrond)

Runtime: 145 mins

Classification: M

 

OUR THE HOBBIT: THE BATTLE OF FIVE ARMIES REVIEWS & RATINGS:

 

Adam RossYou can check out Adam’s The Hobbit: The Battle Of Five Armies review on The Good The Bad The Ugly Film Show Ep #111.

Stars(3)

 

Greg KingYou can check out Greg’s The Hobbit: The Battle Of Five Armies review on www.filmreviews.net.au

Stars(2.5)

 

Nick GardenerYou can check out Nick’s The Hobbit: The Battle Of Five Armies review on The Good The Bad The Ugly Film Show Ep #111.

Stars(3)

 

David Griffiths:

Peter Jackson’s Middle Earth six-peat is understandably a life-long ambition that he wanted to achieve. Outside of George Lucas and Star Wars it is arguable that no director in the history of cinema has ever shown so much dedication to a series of films. And let’s be honest while The Lord Of The Rings trilogy were a real feat in filmmaking The Hobbit series has rarely reached the same amazing peaks. The first film while serviceable at times seemed more like a documentary on a walking tours of New Zealand than it did as a huge mythical epic, while it was also plagued by the new technology Jackson brought to the film which had some cinema goers feeling like they were watching the film in fast forward.

What gave us hope that Jackson would be back to his best with The Hobbit: The Battle Of Five Armies was its predecessor, The Hobbit: The Desolation Of Smaug. Smaug was what everybody was expecting from this series, Jackson back to being able mix good characterisation with some very creative action, but sadly it seems that film is going to be the high mark of the series because Five Armies seems to be completely hit or miss.

The Hobbit: The Battle Of Five Armies is going to be a film that will be enjoyed if you like epic battles, but if you’re a serious movie buff there will still be things that seriously irk you about the film. The battle itself is lengthy but to be honest the directors of Game Of Thrones seem to have spoilt us so much over the past couple of seasons that even some of the action here seems to be a little disappointing on the big screen.

There are several moments during which the audience will be left completely scratching their heads. For example the scene in which Galadriel (Cate Blanchett), Saruman (Christopher Lee) and Elrond (Hugo Weaving) sweep in to save Gandalf not only contains some shockingly bad special effects that look like they may have been lifted from a 1980s straight-to-video nasty but also leaves you wondering that with the power of Elrond on show for all to see why he doesn’t then and go and help out with the battle?

Then to be honest there are some incredibly amazing moments in the film as well. Some of Legolas (Orlando Bloom) and Thorin’s fight scenes with Orcs on the ice-cap mountain do look extremely good, despite the fact that at times such as Legolas’ rock-jumping sequence the audience is left having to suspend their believability of what it is happening. Then Jackson also creates some very touching moments between characters that tug on the audience’s heart strings in a way that an epic action film like this shouldn’t be able to. The up-and-down nature of The Hobbit series seems to battle itself to no end in this finale of the franchise.

With such a huge ensemble cast gathering together for this final film, it’s understandable that some actors don’t get the screen they deserve. As previously mentioned actors like Hugo Weaving and Cate Blanchett have their skills completely underused while Billy Connolly seems to only turn up for the comedic effect of playing Dain. The big winners out of The Hobbit: The Battle Of Five Armies are Orlando Bloom, who on the back of his performance in Smaug should have done enough to remind Hollywood producers that he is always a pretty decent actor in big blockbusters, Martin Freeman and Richard Armitage. Freeman has become a really easy actor to warm to throughout the series while Armitage who was mainly a television actor before this series of films has really revealed himself to be a seriously good character actor who should have a huge career ahead of him.

It is sad that Jackson’s Middle Earth saga has come to a close, it is even sadder that it has had to happen with such a mediocre film, especially when you take into consideration the lofty heights set by The Lord Of The Rings trilogy. That may well be something that comes to haunt Jackson’s career from here on in as it is just too easy to compare anything he makes now back to a series that really changed the cinema landscape. The best hope that The Battle Of Five Armies has is that it is like Unexpected Journey and begins to grow on you the more times that you watch it.

Stars(3)

Average Subculture Rating (out of 5):  Stars(3)

 

IMDB Rating: The Hobbit: The Battle of the Five Armies (2014) on IMDb

 

Other Subculture Entertainment The Hobbit: The Battle Of Five Army reviews: For our full The Hobbit: The Battle Of Five Armies review make sure you check out The Good The Bad The Ugly Film Show Ep #111. You can also read our review on The Book The Film The T-Shirt.

Trailer:

The Mule

Entertainment One and THE MULE filmmakers are thrilled with the results of their decision to release THE MULE first to digital on November 21, followed by Blu-Ray, DVD and digital rental on December 3 in Australia.

This strategy, which allows the film to be seen immediately on any device, at any time, saw THE MULE open in, and maintain, the #1 position on the iTunes charts in the Independent genre. It is currently the iTunes #2 Thriller, #2 Drama and #4 Comedy, and ranked #8 on the iTunes charts against all films on store, in the company of a number of heavyweight blockbusters.

THE MULE DVD and Blu-Ray has also received significant support and engagement from retail and rental partners. It has shipped close to 11,000 units three weeks out from Christmas, a time of year dominated by blockbusters.

Along with a national marketing campaign, the local release of THE MULE was supported with a Sydney and Melbourne publicity tour, which included screenings and public Q&A sessions. Events for the film extended to a world first virtual premiere; an experience for fans to join the filmmakers, cast, as well as their international guests, in communal movie-watching and live tweeting. Fans from around the globe pressed play on Sunday 7 December at 3pm EST simultaneously with Angus Sampson, Leigh Whannell, Ewen Leslie, John Noble, Georgina Haig and Chris Pang, resulting in #TheMuleLive trending as the 4th highest topic Australia wide on Twitter, where it continued to trend for 90 minutes.

Louise Balletti, Head of Digital at Entertainment One said Results for THE MULE are on target with our forecast for our elevated campaign. We are thrilled that people have engaged in this new way, and we’re very pleased with the outcome”.

Australian critics have embraced THE MULE; including 4 stars from Margaret Pomeranz (At The Movies) calling it savvy, funny, and at times vicious… a tense, well-acted and very original thriller”, 3.5 stars from Leigh Paatsch (News Limited) stating “The Mule never buckles under the weight it must carry” and 4 stars from Luke Buckmaster (The Guardian) labeling it fiendishly smart and entertaining comedy”.

THE MULE is available now on Blu-Ray, DVD and Digital Download in Australia and New Zealand. The film is also available digitally in USA and Canada.

ABOUT THE MULE:
Directed by Angus Sampson and Tony Mahony, THE MULE is a darkly comic ride through crime, corruption and one man’s ability to defy his bodily functions. Penned by Leigh Whannell (Saw, Insidious), Angus Sampson and Jaime Browne, it stars Hugo Weaving alongside Sampson and Whannell, plus an ensemble cast including Ewen Leslie, Geoff Morrell, Georgina Haig, Noni Hazlehurst and John Noble.

The Good The Bad The Ugly Film Show Logo

This week on The Good The Bad The Ugly Film Show Adam, Dave, Greg and Nick take a look at new release films ‘Exists’, ‘Maps To The Stars,’ ‘The Hunger Games: Mockingjay Part 1,’ ‘Rock The Casbah,’  and ‘The Dark Horse′ . Dave and Greg also take a look at two films screening at Monsterfest this week ‘Honeymoon’ and ‘There’s Something In The Pilliga’. This episode also contains an interviews with Robert Pattinson, Jennifer Lawrence, Liam Hemsworth, Angus Sampson, Hugo Weaving, Neil Foley, Daniel Armstrong and Iqbal Barkat

To listen to the show you can download it for free from our Podcast Channel – Listen/Download here.

The Mule

Summary: Inspired by true events, The Mule tells the story of a naive man who is detained by federal police with lethal narcotics hidden in his stomach. Alone and afraid, ‘the Mule’ makes a desperate choice; to defy his bodily functions and withhold the evidence… literally. By doing so he becomes a ‘human time bomb’; dragging cops, criminals and concerned family into his impossible escapade.

Year: 2014

Australian Cinema Release Date: 21st November, 2014

Australian DVD Release Date: TBA

Country: Australia

Director: Tony Mahony, Angus Sampson

Screenwriter: Jaime Browne, Angus Sampson, Leigh Whannell

Cast: Georgina Haig (Lawyer), Noni Hazlehurst (Mum), Ewen Leslie (Paris), Geoff Morrell (Dad), John Noble (Pat Shepherd), Chris Pang (Phuk), Lasarus Ratuere (Josh), Angus Sampson (Ray Jenkins), Marsha Vassilevskaia (Tiffany), Hugo Weaving (Croft), Leigh Whannell (Gavin)

Runtime: 104 mins

Classification: MA15+

 

OUR THE MULE REVIEWS & RATINGS:

 

Greg King: You can check out Greg’s Winter Sleep review on www.filmreviews.net.au

Stars(4)

 

David Griffiths:

Australia has always had a knack of making good retro drama films. Films like Two Hands, Dirty Deeds and even Animal Kingdom spring straight to mind. Throw in the fact that despite the amount of times he has been horribly mis-cast on the big screen Aussie audiences still seem to love Angus Sampson and you would think that The Mule is a sure fire winner for Screen Australia.

But as every film journalist seems to like reminding people to film in Australia in its darkest days. So dark at the moment that the people behind The Mule have decided to go about its release in a very unique way. Instead of The Mule being screened in cinemas right across the country it will only appear on a couple of screens before then becoming available to the mass community online. Of course all that aside you would still expect that The Mule be a decent film if the people are expected to watch it. And that’s where you might be in for a surprise.

Flashback to 1983, a simpler time in Australia and the mighty Aussies were locked in a seven race fight with America to win the America’s Cup for the first time. At the same time a little Aussie battler named Ray Jenkins (played by Angus Sampson) was involved in a battle of his own. See normally Ray was a sensible man, he listened to his mother (Noni Hazelhurst), he played footy and he fixed televisions for a dodgy boss.

But then during an end of season footy trip to Asia, which his Mum didn’t want him to go on in the first place, Ray listened to his Dad (Geoff Morrell) and his wannabee criminal mate, Gavin (Leigh Whannell), and decided to fill his stomach with condoms full of heroin. It should have been an easy crime but instead Ray messed up at Melbourne Airport and soon finds himself locked in a room with hardened Federal Agent Croft (Hugo Weaving) and the kinder Federal Agent Paris (Ewen Leslie) who decide they will hold onto Ray until he literally spills his guts. That’s when Ray decides that he can sit them out and hold out… or should that be on… until they can longer hold him.

The Mule is actually a breath of fresh air in the Australian film industry because it gets so many things right. First of all as a first time director Tony Mahony (who shares the directional duties with Sampson) pretty much nails this film. He captures the period of 1983 well (despite the odd modern train appearing) and manages to mix the right amount of violence, comedy, drama and suspense together in a way that is not too dissimilar to an early Quentin Tarrantino. It’s rare that you watch a film where you find yourself barracking for a drug trafficker but just like the legendary Australian 2 yacht, here Ray is an Aussie battler taking it right up to the ‘big giants’ that want his scalp.

Mahony is of course aided by a wonderfully written script by Sampson and Whannell. While the film doesn’t quite find itself in the realm of Two Hands it does mix its genres well and is enough to make its audience go through a whole range of emotions. There are moments when you are find yourself laughing out loud, gagging and almost vomiting at some of the things that Ray has to do with the condoms and at other times find the cinema to be in a state of suspense and it becomes unclear just how far Pat Shepherd (John Noble) and is henchmen are willing to go to silence Ray and his family. And as if the script hasn’t already delivered enough to like by then it then has a huge twist that most audience members certainly won’t see coming.

The cream on the cake in this film is the casting. The normally strong Noni Hazlehurst and Geoff Morrell once again deliver gold but it is the two leading men here who lead this ship to the winning post. It’s not too cruel to say that Sampson has been badly miscast a number of times over his career, none more obvious than in Incidious, but here Sampson delivers everything you would want to see a comedic leading man deliver. The fact that he also does well during the dramatic scenes shows that perhaps we have all misjudged Sampson over the years and he just need the right role to show us all what he is really capable of.

Then opposite Sampson of course is Hugo Weaving who goes into complete bad guy mode playing ruthless, sexist, 1980s Federal Agent Croft to a tee. Croft allows Weaving to deliver some well timed punches to the stomach, sarcastic wit and beautifully delivered snarls alarmingly well and you hope the fact that this is one of Weaving’s best roles might mean that a few more people want to hunt down a copy of The Mule and give it a watch.

The Mule could well be Australia’s sleeper hit film of the year. It seems to take the qualities that most Australians like to see in their cinema and place it all together – the crime grit of a movie like Animal Kingdom mixed with that quirky Australian humor that saw Red Dog become such a big hit and just a hint of the battler story that made The Castle a must see. While the electronic release may frighten off some people The Mule is one Aussie film that is a must see this year.

Stars(4)

 

Average Subculture Rating (out of 5):  Stars(4)

 

IMDB Rating: The Mule (2014) on IMDb

 

Other Subculture Entertainment The Mule reviews: For our full The Mule review please check The Good The Bad The Ugly Film Show Ep #105 . You can also read Dave’s The Mule review on The Book The Film The T-Shirt.

Trailer:

The Mule Still

Entertainment One and THE MULE filmmakers are thrilled to announce the Australian feature film THE MULE will launch to Australian audiences on iTunes and other digital platforms on November 21, ensuring that the film can be seen immediately on any device, at any time. The film will simultaneously launch in the USA, Canada and New Zealand.

THE MULE filmmakers and actors Angus Sampson, Leigh Whannell and Hugo Weaving will support the local release via a Sydney and Melbourne publicity tour, including event screenings and public Q&A sessions, ahead of its local launch.

This innovative release model is a unique offering for an Australian film, and will allow viewers to watch THE MULE how and when they want, on the device of their choice. THE MULE will be available for customers to pre-order on iTunes from Monday 29 September.

Troy Lum, Managing Director of Entertainment One Australia said “This style of release is testament to the vision of the filmmakers to present their film to the widest possible audience across the country and for eOne’s desire to drive new and unique ways to connect films with audiences in an ever changing landscape.”

Inspired by true events, THE MULE tells the story of a naive man who is detained by the federal police while he has lethal narcotics hidden in his stomach. Alone and afraid, ‘the Mule’ makes a desperate choice; to defy his bodily functions and withhold the evidence… literally. By doing so he becomes a ‘human time bomb’; dragging cops, criminals and concerned family into his impossible escapade.

Directed by Angus Sampson and Tony Mahony, THE MULE’S darkly comic screenplay was penned by three of Australia’s most exciting on and off screen talents; Leigh Whannell (Saw, Insidious), Angus Sampson and Jaime Browne. It stars Hugo Weaving alongside Sampson and Whannell with a fantastic ensemble cast including Ewen Leslie, Geoff Morrell, Georgina Haig, Noni Hazlehurst and John Noble. Filmed primarily in Melbourne, and Bangkok Thailand, the film received funding support from Screen Australia and Film Victoria.

THE MULE premiered to widespread acclaim at the 2014 South by Southwest festival and has been invited to enjoy its European premiere at the BFI London Film Festival in October.

Following the film’s digital release, THE MULE will be available on Blu Ray, DVD and on digital rental from December 3.