Tagged: Jon Favreau

Summary: Peter Parker balances his life as an ordinary high school student in Queens with his superhero alter-ego Spider-Man, and finds himself on the trail of a new menace prowling the skies of New York City.

Year: 2017

Australian Cinema Release Date: 7th July 2017

Australian DVD Release Date: 18th October 2017

Country: United States

Director: Jon Watts

Screenwriter: John Francis Daley, Christopher Ford, Jonathan Goldstein, Chris McKenna, Erik Sommers, Jon Watts, Steve Ditko (original comic book), Jack Kirby (original comic book), Stan Lee (original comic book), Joe Simon (original comic book)

Cast: Isabella Amara (Sally), Tunde Adebimpe (Mr. Cobbwell), Abraham Attah (Abe), Michael Barbieri (Charles), Jacob Batalon (Ned), Garcelle Beauvais (Doris Toomes), Christopher Berry (Randy), Hannibal Buress (Coach Wilson), Michael Chernus (Phineas Mason/The Tinkerer), Kenneth Choi (Principal Morita), Kerry Condon (Friday (voice)), Jennifer Connolly (Karen/Suit Lady (voice)), Tyne Daley (Anne Marie Hoag), Ethan Dizon (Tiny), Robert Downey Jnr. (Iron Man/Tony Stark), Tiffany Espensen (Cindy), Chris Evans (Steve Rogers/Captain America), Jon Favreau (Happy Hogan), Donald Glover (Aaron Davis), Laura Harrier (Liz), Tom Holland (Peter Parker/Spider-Man), Michael Keaton (Adrian Toomes/Vulture), Stan Lee (Gary), Jorge Lendeborg Jr. (Jason), Selenis Leyva (Ms. Warren), Hemke Madera (Mr. Delmar), Michael Mando (Mac Gargan), Logan Marshall-Green (Jackson Brice/Shocker #1),Nitin Nohria (Dean Crimson), Gwenyth Paltrow (Pepper Potts), John Penick (Mr. Hapgood), Tony Revolori (Flash), Angourie Rice (Betty), Martin Starr (Mr. Harrington), Marisa Tomei (May Parker), J.J. Totah (Seymour), Gary Weeks (Agent Foster), Bokeem Woodbine (Herman Schultz/Shocker #2), Zendaya (Michelle)

Runtime: 133 mins

Classification: PG

 

OUR SPIDER-MAN: HOMECOMING REVIEWS & RATINGS:

 

Kyle McGrath’s Spider-Man: Homecoming Review:

Spider-Man: Homecoming follows the title character and his alter ego Peter Parker on his early steps of becoming the hero he yearns to be.  After being enlisted by Tony Stark/Iron Man to assist in Captain America: Civil War (2016) Peter Parker is dropped off home, given a shiny new Spider-Man costume and pretty much told “don’t call us, we’ll call you”. Ambitious to prove himself worthy of being an Avenger he sets out to fight crime wherever he can while also struggling with the pitfalls of being an otherwise normal high school kid. His enthusiasm may soon gets the better of him when he discovers an underground operation in dealing weapons made from the stolen technology leftover from previous Avengers battles.

The elephant in the room with Spider-Man Homecoming is that this is the 3rd big screen incarnation of Spider-Man since 2002. This time the web crawler officially being a part of the Marvel Cinematic Universe (MCU). The previous films each had their ups and downs but the general consensus seems to be that Sam Raimi’s Spider-Man films were better with Tobey Maguire making a better Peter Parker whereas The Amazing Spider-Man films found a better Spider-Man performance in Andrew Garfield with some other fan preferences such as Gwen Stacy as a love interest rather than skipping straight to Mary Jane Watson and mechanical web-shooters rather than organic (a distinction I never cared about).

Spider-Man Homecoming brings some new interesting things to the table while some others feel weaker. I believe Tom Holland walks the line quite well and works quite well as the younger less experienced and still in high school Peter Parker/Spider-Man.

Otherwise the films visuals and musical score felt a little generic never coming close to standing out as well as Sam Raimi and Danny Elfman did all the way back in 2002. Speaking of which the CGI of Homecoming itself looks not much better after 15 years of technological progress, often characters looking like something from a computer game or the transition between CGI to live action, such as Michael Keaton’s character leaving his “Vulture” wingsuit, appears quite jarring. Most of these large CGI sequences seem to take place at night too, it could have just been poor lighting in my cinema but it was extremely dark and felt like a possible shortcut with CGI usually looking more real with less lighting.

The film’s story itself reminded me of Kick-Ass be it without the style or comedy of Matthew Vaughn & Mark Millar with Peter trying to be a “friendly neighbourhood Spider-Man”. I found this to be an interesting new take on the character and something we’ve not yet seen in the MCU: a small time loser hero trying to do his thing in the shadow of giants like Thor, The Hulk or Captain America.

With any reboot certain changes had to be made so that the filmmakers aren’t just making the same film again. Flash Thompson Esther than being a stereotypical jock bully and symbol of everything Peter wished he could be is now a weedy little prick. The once elderly aunt May is now “hot aunt May” as the characters like to remind us and the less said about the new “MJ” the better.

Other major changes are that this is not another origin story. Rather picking up in the middle of Peter’s journey of self discovery as a super hero. An issue here is that while films like Tim Burton’s Batman or even the MCU’s The Incredible Hulk showed you don’t NEED to do an origin story to introduce your hero, you still do need to introduce them and Homecoming really does not. The feeling is that Spider-Man’s powers and back story don’t need to be given much thought because they’ve been done to death already. Well too bad. This is potentially people’s FIRST Spider-Man film and outside influences shouldn’t play any part in it. Not giving a proper set up because everyone should already know is like not introducing Harry Potter correctly in the film adaptation of Philosophers Stone because “well everyone’s read the book right?”

Peter’s character development this time comes more from his desire to prove himself than his feelings of guilt over his indirect involvement in his uncle’s death like before. This was an interesting change but to be honest the time Peter spends in this naive phase goes on way too long and most of the film seems to be him rescuing people from disasters he himself caused or his selfishly helping people in the first place only because he seeks glory and to be considered one of The Avengers. This would be like if Bruce Wayne in Batman Begins stayed in “scared angry man with a gun mode” until nearly the end of the film.

I think Peter himself is obsessed so much with the Avengers as a symptom of this film being obsessed with being considered part of the MCU. Again it’s an interesting way to approach at first but the Avengers just overshadow EVERYTHING in this film. Even the film’s title itself seems to more reference a “return home to the MCU” than anything in the film itself. The very first thing you see is a child’s drawing of them and the very last thing you’ll see is a post credits cameo from one of them and rarely 10 minutes will go by without some reference to them. Spider-Man’s motivation revolves around them, the film’s antagonist revolves around them and Tony Stark while barely making much of an appearance in the film is still focused on more than Michael Keaton as The Vulture leading to him feeling like a lackluster villain. Don’t get me wrong I’m glad he didn’t just want to turn the whole city into birds using a gas or something but when his entire scheme is spending 8 years stealing Avengers related tech, turning it into odd weapons and selling it out of the back of a van to random street thugs under bridges I have to ask “who cares?”.

The worst part of this is that the movie barely feels like it stars Spider-Man at all. Even his suit is some sort of Tony Stark designed super tech nonsense which only manages to downplay the ACTUAL superpowers Peter is supposed to have. Effectively he’s a super strong, super agile kid in a suit with a bunch of gadgets. It may as well also be what allows him to walk up walls as it does everything else for him!

If the film can’t go 10 minutes without an Avengers reference it also can’t seem to go 30 seconds without making a funny. In some kind of spray ‘n pray approach to comedy Homecoming is so afraid of being seen as taking itself too seriously that it hardly ever allows a scene to end without some gag tacked on just for the sake of it. Comedy relief only really works if you allow tension to build in the first place and when there are multiple gags happening it just drives a truck through the middle of a scene that’s designed to have you on the edge of your seat. Then when the big heavy scenes come along such as Michael Keaton trying to be intimidating they just don’t work. The film hasn’t earned that response from the audience because any other time it came close to a similar tone someone immediately then had to slip on a banana peel.

Spider-Man Homecoming unfortunately doesn’t hold a candle to Sam Raimi’s 2002 film. It’s lacking as an introduction to this new Spider-Man and feels too focused on latching on to the hugely popular MCU films to be comfortable in telling its own story and too eager to make its audience laugh to build any drama for its underdeveloped characters. As an addition to the mountain of superhero films it’s entertaining enough and different enough to warrant a viewing but not interesting enough to be very memorable.

 

 

Average Subculture Rating:  

 

 

IMDB Rating:  Spider-Man: Homecoming (2017) on IMDb

 

Other Subculture Entertainment Spider-Man: Homecoming Reviews: N/A

 

Trailer:

The Jungle Book

With the film about to be released we decided it was time to bring you this series of The Jungle Book interviews.

 

Scarlett Johansson

Jon Favreau

Christopher Walken

Sir Ben Kingsley

Bill Murray

Idris Elba

Lupita Nyong’o

Neel Sethi

Entourage

Summary: 

Entourage picks up where the television series left off but with a couple of changes. Ari Gold (Jeremy Piven – Old School) takes on the new role of a studio boss and he instantly places his head on the chopping block when he gives his star client Vince (Adrian Grenier – The Devil Wears Prada) the rights to direct a mega blockbuster film called Hyde. This is a move that Hollywood quickly slams pointing out that Vince and his producer/manager Eric (Kevin Connolly – The Notebook) are ill equipped to be in charge of such a big film. The result is that soon Ari is being hauled over the coals by his boss John Ellis (Alan Dale – Captain America: The Winter Soldier) and the executive producer’s over zealous son Travis McCreadle (Haley Joel Osment – The Sixth Sense) who decides straight away that he wants Vince’s brother, Johnny Drama’s (Kevin Dillon – Platoon) scenes cut from the movie.

Things aren’t much better on the personal front for our stars either. Vince’s marriage ends after nine days, Eric’s realationship with Sloan (Emmanuelle Chriqui – Wrong Turn) is strained despite the fact she is about to give birth, Johnny’s one night stand ends up in a sex tape while Turtle (Jerry Ferrara – Lone Survivor) who is now a millionaire suddenly finds himself with the hots for MMA star Ronda Rousey (herself – Furious 7).

 

Year: 2015

Australian Cinema Release Date: 4th June, 2015

Australian DVD Release Date: TBA

Country: USA

Director: Doug Ellin

Screenwriter: Doug Ellin, Rob Weiss

Cast: Nina Agdal (Bridgite), Jessica Alba (herself), Raquel Alessi (Jennifer), David Arquette (himself), Tom Brady (himself), Warren Buffettt (himself), Gary Busey (himself), Brian Carenard (Saigon), Emmanuelle Chriqui (Sloan), Andrew Dice Clay (himself), Rhys Coiro (Billy Walsh), Common (himself), Kevin Connolly (Eric), Mark Cuban (himself), Alan Dale (John Ellis), Baron Davis (himself), Billy Dec (himself), Kevin Dillon (Johnny Drama), Christine Donlon (Paula), Nora Dunn (Dr. Deanne Emily Marcus), Lucas Ellen (Jonah), Alice Eve (Sophia), David Faustino (himself), Jon Favreau (himself), Jerry Ferrara (Turtle), Sabina Gadecki (Melanie), Kelsey Grammer (himself), Jim Gray (himself), Adrian Grenier (Vince), Rob Gronkowski (himself), Armie Hammer (himself), Tameka Harris (herself), Thierry Henry (himself), Terrence Jenkins (himself), Martin Landau (Bob Ryan), Matt Lauer (himself), Rex Lee (Lloyd), Chad Lowe (himself), Tim Maculan (Dr. Feldman), Sonny Marinelli (Randy),  Clay Matthews (himself), Debi Mazar (Shauna), Maria Menounos (herself), Scott Mescudi (Allen), Alyssa Miller (herself), Piers Morgan (himself), Shad Moss (Charlie Williams), Liam Neeson (himself), Ed O’Neill (himself), Haley Joel Osment (Travis McCredle), Henry Penzi (himself), Shervin Pishevar (himself), Jeremy Piven (Ari Gold), Breanne Racano (Katie), Emily Ratajkowski (herself), Perrey Reeves (Mrs. Ari), Rocky (Arnold), Ronda Rousey (herself), Bob Saget (himself), David Spade (himself), Nick Smyth (Alex), T.I. (himself), George Takei (himself), Billy Bob Thornton (Larsen McCredle), Mike Tyson (himself), Dominico Vacca (himself), Scott Vener (himself), Mark Wahlberg (himself), Pharrell Williams (himself), Russell Wilson (himself), Constance Zimmer (Dana Gordon)

Runtime: 104 mins

Classification: MA15+

 

OUR ENTOURAGE REVIEWS & RATINGS:

 

David Griffiths:

This is the first time ever in my career that I have ever written a biased review. See I’m not stupid enough to know that if 80% of the people on this planet walked into a cinema to watch Entourage they would not like… possibly a great deal of them would even despise it. But see I am unashamed huge fan of the television series that sparked this movie and despite a lot of press saying the opposite there is no way that anybody who had never seen (or hated) the television series would ever like this film, or even possibly understand one single thing that is going on throughout the film. So yes this is a review written by a very biased Entourage fan who was as excited about this film arriving as I was about any other blockbuster this year.

The thing that works best and is going to appeal to fans of the television series is the fact that screenwriter/director Doug Ellin (Kissing A Fool) didn’t decide to do what most television spin off movies do and make the film too different from the television series. There’s no sending the cast into space or back in time or any of that crap, no instead he literally makes the film feel like an extended television episode. To a certain extent he even has the ‘opening credits’ that true fans of the show would know and love and changing Ari and Vince’s careers isn’t exactly out of the realm of things that could have happened in the real world. Yes to be blunt Ellin makes the Entourage movie work because he keeps it realistic.

The irony of what I said before is that for all the reasons that non-Entourage fans would get lost in this film are most of the reasons that true fans will love it. Ellin doesn’t go over the top filling in character’s back stories just to appease the ‘newcomers’ to the franchise. So as a result if you take the character of Eric as an example to a newcomer he looks like a bad guy. The kind of guy who is racing off having sex with whoever he meets while his ex is pregnant… now any true fan of the series knows that Eric isn’t a bad guy and is just making some bad decisions in his life. Likewise with Turtle, how is a newcomer supposed to know he was a fat sponger for a long time, so how would they understand some of the humor aimed at him? And for that matter how would they also understand some of the jokes about Johnny or why Ari is so frustrated that Lloyd (Rex Lee – Young & Hungry) wants him to be part of his wedding? Actually how would they even know who Lloyd is? And how will they get the same laughs out of seeing Mark Wahlberg (Ted) appear in the movie if they don’t know the series was loosely based on his life? No Entourage is firmly a film only for those that fell in love with the series.

For the fans though Entourage is a real gem. Ellin’s comedic moments work a treat, especially when he isn’t trying (Ari punching a picture of a kitten while denying having an anger problem is classic) and the throwaway lines at the expense of characters or real life celebrities all hit the spot well. Ellin also loads this film with celebrity cameos that all really work, to his credit none of them seem forced not even the short ones featuring the likes of Liam Neeson or Kelsey Grammer for example, they all feel natural and will be lapped up by the audience.

What else works with Entourage is the drama and intrigue that the script and storyline manages to bring to the table. As the film goes on and Vince is more and more reluctant to show his film to anyone you actually do find yourself wondering whether he has really made a masterpiece or whether it will be a piece of rubbish. Then when things such as the sex tape and Travis’ interference into Hyde increases the sinking feeling that this film is going to see Ari and Vince have a very public fall from the Hollywood elite seems more and more likely. It is stuff like that that shows this is a classy film that really knows how to draw its audience in.

As we all learned from the television series Kevin Connolly and Jeremy Piven are the acting gold when it comes to Entourage. Adrian Grenier might be the public face and star of this film but Piven owns him right throughout the film. Ari is back bigger and meaner than ever and Piven lets himself run with that stealing scenes from his co-stars as he finds just the right mix of comedy and drama to really shine. Likewise Connolly who plays the ‘wet puppy’ this time around but does absolutely nothing wrong in a role that can lift his Hollywood star.

Whether you love or hate Entourage will come down solely to whether or not you were a fan of the television series. Go into this film without having ever seen an episode and you are going to be completely lost, but if you enter the cinema having watched the series throughout then this is going to feel like you are catching up with old friends. Entourage is far from the perfect film but it is a good continuation of a television series that obviously has more stories to tell. If however this is the last that we see of Entourage then I think fans will be truly happy with the one it ends. This is one for the Entourage fanboys only.

 

 

Stars(3)

 

 

Average Subculture Rating (out of 5):  Stars(3)

 

IMDB Rating: Entourage (2015) on IMDb

 

Other Subculture Entertainment Jurassic World reviews: You can also read our Jurassic World review on The Book The Film The T-Shirt.

Trailer:

Avengers 2

We all know that popularity is everything in the Entertainment game so what have been the Top 25 Movies and Television shows that internet users have been searching for over the past week?

  1. Avengers: Age Of Ultron – Robert Downey Jnr, Chris Evans, Mark Ruffalo, Chris Hemsworth
  2. Guardians Of The Galaxy – Chris Pratt, Vin Diesel, Bradley Cooper, Zoe Saldana
  3. Sons Of Anarchy – Charlie Hunnam, Katey Sagal, Mark Boone Junior, Tommy Flanagan
  4. Teenage Mutant Ninja Turtles – Megan Fox, Will Arnett, William Fichtner, Noel Fisher
  5. Game Of Thrones – Lean Headey, Peter Dinklage, Maisie Williams, Emilia Clarke
  6. The Walking Dead – Andrew Lincoln, Jon Bernthal, Sarah Wayne Callies, Steven Yuen
  7. The Giver – Brenton Thwaites, Jeff Bridges, Meryl Streep, Taylor Swift
  8. If I Stay – Chloe Grace Moretz, Mireillle Enos, Jamie Blackley, Joshua Leonard
  9. Batman v Superman: Dawn Of Justice – Amy Adams, Henry Cavill, Jason Momoa, Ben Affleck
  10. American Horror Story – Evan Peters, Jessica Lange, Sarah Paulson, Frances Conroy
  11. Doctor Who – Matt Smith, David Tennant, Jenna Coleman, Karen Gillan
  12. The Hunger Games: Mockingjay Part 1- Jennifer Lawrence, Josh Hutcherson, Liam Hemsworth, Woody Harrelson
  13. Divergent – Shailene Woodley, Theo James, Kate Winslet, Jai Courtney
  14. Sin City: A Dame To Kill For – Mickey Rourke, Jessica Alba, Josh Brolin, Joseph Gordon-Levitt
  15. Once Upon A Time – Gennifer Goodwin, Jennifer Morrison, Lana Parrilla, Josh Dallas
  16. Breaking Bad – Bryan Cranston, Aaron Paul, Anna Gunn, Betsy Brandt
  17. Edge Of Tomorrow – Tom Cruise, Emily Blunt, Bill Paxton, Brendan Gleeson
  18. Arrow – Stephen Amell, Katie Cassidy, David Ramsey, Susanna Thompson
  19. The Maze Runner – Dylan O’Brien, Kaya Scodelario, Will Poulter, Thomas Brodie Sangster
  20. Fury – Brad Pitt, Shia LaBeouf, Logan Lerman, Michael Pena
  21. Orange Is The New Black – Tayor Schilling, Danielle Brooks, Taryn Manning, Emma Myles
  22. The Fault In Our Stars – Shailene Woodley, Ansel Elgort, Nat Wolff, Laura Dern
  23. Chef – Jon Favreau, Robert Downey Jnr, Dustin Hoffman, Scarlett Johansson
  24. Outlander – Caitriona Balfe, Sam Heughan, Graham McTavish, Duncan Lacroix
  25. Lucy – Scarlett Johansson, Morgan Freeman, Min-sik Choi, Amr Waked

Hannah Marshall

Australian actress Hannah Marshall (Packed to the Rafters) has won the Best Actress Award at the Inaugural Niagara Integrated Film Festival for her role in the time travel comedy feature film The Infinite Man. The film also screens tomorrow at the Edinburgh International Film Festival and will have its Australian Premiere at the 2014 Melbourne International Film Festival before releasing in Australian cinemas in September.

NIFF, founded by Bill Marshall (Founder and Chair Emeritus of the Toronto International Film Festival – TIFF), pairs premiere festival films with the premiere hospitality of the Niagara Wine Region. The festival screening, a special event with a paired three-course dinner and featuring local wines, was the Canadian Premiere of the film and Hannah was in attendance to accept the award. In a coup for Australia, the Best Actor award was won by Geoffrey Rush for his role in The Best Offer.

This is the fourth major North American screen of the film, following the recent New York premiere screening at Brooklyn’s rooftop cinema, a screening at the Newport Beach Film Festival and the World Premiere at South by Southwest earlier this year, which generated much critical acclaim, and saw the film make the time.com list of ‘ten films that made SXSW spectacular this year’, alongside Wes Anderson’s Grand Budapest Hotel, and Jon Favreau’s Chef.

Hannah Marshall is best known for her role as Loretta Schembri in Packed to the Rafters, for which she received a Logie nomination for Most Popular New Female Talent (2011).

Starring Josh McConville (The Turning), Hannah Marshall and Alex Dimitriades, The Infinite Man is a time travel comedy-romance about Dean (Josh McConville), a man whose attempts to construct the perfect romantic weekend backfire when he traps his lover Lana (Hannah Marshall) in an infinite loop.

The Infinite Man is the feature film debut for writer/director Hugh Sullivan and is produced by Kate Croser (Danger 5, My Tehran for Sale) and Sandy Cameron, executive produced by Jonathan Page and Cameron Rogers. DOP is Marden Dean (Fell).

The Infinite Man was produced by Hedone Productions in association with Bonsai Films, with investment from the South Australia Film Corporation (SAFC) through their FilmLab funding initiative, and development assistance from Screen Australia.

FilmLab is a $4.2million development initiative of the South Australian Film Corporation (SAFC), funded by the South Australian government. Designed to develop filmmakers who have a track record in short form to take the next step into long form film production, the initiative was also built to find unique new voices in Australian cinema.

 

The Infinite Man will be released in Australian cinemas in September 2014 by Infinite Releasing with international sales handled by Shoreline Entertainment.

The Infinite Man

The World Premiere of time travel comedy The Infinite Man has generated an overwhelmingly positive response at the SXSW Film Festival and is the only Australian film to make the time.com list of ‘ten films that made SXSW spectacular this year’, alongside Wes Anderson’s Grand Budapest Hotel, and Jon Favreau’s Chef. Moviefone today ranked it as the second best film at the fest behind Richard Linklater’s Boyhood. Both Screen Daily and The Hollywood Reporter supported the idea of international distribution, while Indiewire and The Playlist likened it to the time travel greats, with The Playlist rating it as an overall festival highlight.

Starring Josh McConville (The Turning), Hannah Marshall and Alex Dimitriades, The Infinite Man is a time travel comedy-romance about Dean (Josh McConville), a man whose attempts to construct the perfect romantic weekend backfire when he traps his lover Lana (Hannah Marshall) in an infinite loop.

Producers Kate Croser (Danger 5, My Tehran for Sale) and Sandy Cameron have just returned from the festival, which they attended with writer director Hugh Sullivan, lead actress Hannah Marshall, EP Cam Rogers, DOP Marden Dean, and composer/sound designer Jed Palmer. They said of the experience of the past week: “We knew the SXSW film festival was the ideal place to launch The Infinite Man because of its reputation for unearthing breakout indie films, but after three sold out screenings we’ve been really overwhelmed by how enthusiastically the US audiences and critics have embraced the film and we’re looking forward to bringing it home to Australian audiences later in the year.”

Screen Daily’s glowing review called it ‘fresh, intriguing and always watchable’ and endorsed international distribution, ‘The time travel film may well be a well-worn movie genre, but Australian film The Infinite Man takes it off in all new directions as an oddball inventor uses his device to try and craft the perfect moment for he and his girlfriend. An elegantly filmed three-hander, it is a smart, funny and oddly romantic indie film that deserves to find international distribution as well as further festival exposure.

The Hollywood Reporter was equally as enthusiastic ‘”Smart Aussie comedy…The metaphoric possibilities of time-travel fantasies are unusually well exploited in The Infinite Man… the Aussie import would be easy to market in arthouses despite the absence of familiar faces on- or off-screen.”

Moviefone rated it as ‘the most quietly devastating and imaginatively inventive movie at the festival… all around jaw-dropping’. Leading indie film website Twitch dubbed it ‘‘Indie time travel mayhem at its best…the kind of movie you are going to want to watch time and time again. And time again… And time again...’.

Indiewire called it ‘An exemplary time travel comedy’ and ‘an impressively minimalist storytelling acheivement’, placing it in the company of classics of the genre: ‘Time travel mix-ups have provided ample fodder for a range of comedic material, from Back to the Future to Safety Not Guaranteed. The Australian romcom The Infinite Man is part of a rare breed that uses the constant pileup of future and past events to enhance its humor and intelligence at once.’

The Playlist said it, ‘might have been the best thing we saw all week. … an uncanny comedy that mixes the metaphysics of Groundhog Day with the emotionality of Eternal Sunshine of the Spotless Mind and a splash of the tech-y nerdiness of Primer. Comparing this film to those classics is kind of like carrying around a loaded gun, but it’s apt just the same’. Further praise went to director Hugh Sullivan for his debut feature “Every so often you see a movie at one of these festivals that seems to announce (loudly) a true filmmaking talent, one that should be watched closely in the years to come; “The Infinite Man” is one of those movies…a wildly creative, thrilling, unforgettable, heartbreaking work of a singular, visionary filmmaker. “The Infinite Man” is infinitely brilliant.”

The Infinite Man was produced by Hedone Productions in association with Bonsai Films, with investment from the South Australia Film Corporation (SAFC) through their FilmLab funding initiative, and development assistance from Screen Australia.

FilmLab is a $4.2million development initiative of the South Australian Film Corporation (SAFC), funded by the South Australian government. Designed to develop filmmakers who have a track record in short form to take the next step into long form film production, the initiative was also built to find unique new voices in Australian cinema.

 

The Infinite Man will be released in Australian cinemas in 2014 by Infinite Releasing with international sales handled by Shoreline Entertainment.

The Wolf Of Wall Street

Summary: Jordan Belfort (DiCaprio) is the son of an accountant, hoping to make it big on Wall Street as a stockbroker. Following the crash of 1987 Belfort reinvents himself with the help of Donnie Azoff (Jonah Hill) and close group of unscrupulous friends, starting brokerage firm Stratton Oakmont. Rapidly becoming wealthy beyond his wildest dreams, Belfort develops a hard-partying lifestyle that soon attracts the attention of federal government.

Year: 2014

Australian Cinema Release Date: 23rd January, 2014

Australian DVD Release Date: TBA

Country: Australia

Director: Martin Scorsese

Screenwriter: Terence Winter, Jordan Belfort (book)

Cast: Ashlie Atkinson (Rochelle Applebaum), Jon Bernthal (Brad), Loretta O. Booz (Wendy), P.J. Byrne (Nicky ‘Rugrat’ Koskoff), Chris Caldovino (Rocco #1), Katarina Cas (Chantalle), Aya Cash (Janet), Kyle Chandler (Agent Patrick Denham), Kenneth Choi (Chester Ming), Robert Clohessy (Nolan Drager), Shea Coleman (Skylar Belfort (14 months old)), Carla Corvo (Pam), Dan Daily (Honorary Raymond Samitz), Leonardo DiCaprio (Jordan Belfort), Bo Dietl (himself), Jean Dujardin (Jean Jacques Saurel), Christine Ebersole (Leah Belfort), Giselle Eisenberg (Skylar Belfort (4 Years Old)), Michael Engberg (Smith), Jon Favreau (Manny Riskin), Danny Flaherty (Zip), Marcus Antonio Gonzalez (Rocco #2), Ted Griffin (Agent Hughes), Jonah Hill (Donnie Azoff), Jake Hoffman (Steve Madden), Christina Jeffs (Venice), Spike Jonze (Dwayne), Dustin Kerns (Ben Jenner), Stephen Kunken (Jerry Fogel), Stephanie Kurtzuba (Kimmie Blezer), Aaron Lazar (Blair Hollingsworth), Ben Leasure (Brantley), Fran Lebowitz (Honorary Samantha Stogel), Joanna Lumley (Aunt Emma), J.C. MacKenzie (Lucas Soloman), Johnnie Mae (Violet), Rizwan Manji (Kalil), Matthew McConaughey (Mark Hanna), Madison McKinley (Heidi), Mackenzie Meehan (Hildy Azoff), Cristin Miliroti (Teresa Petrillo), Ron Nakahara (Rocky Aoki), Michael Nathanson (Barry Kleinman),  Sandra Nelson (Aliyah Farran), Dierdre Reimold (Nicole), Rob Reiner (Max Belfort), Margot Robbie (Naomi Lapaglia), Barry Rothbart (Peter DeBlasio), Brian Sacca (Robbie ‘Pinhead’ Feinberg), Jon Spinogatti (Nicholas the Butler), Ethan Suplee (Toby Welch), Natasha Newman Thomas (Danielle Harrison), Emily Tremaine (Cristy), Shea Whigham (Captain Ted Beecham), Joe Zaso (Bernardo), Henry Zebrowski (Alden ‘Sea Otter’ Kupferberg)

Runtime: 180 mins

Classification:R18+

OUR WOLF OF WALL STREET REVIEWS & RATINGS

Adam Ross: Stars(5)

Please check Adam’s The Wolf Of Wall Street review of that is available on The Good The Bad The Ugly Film Show Ep #65

 

Greg King: Stars(3.5)

Please check Greg’s The Wolf Of Wall Street review of that is available on www.filmreviews.net.au

Nick Gardener: Stars(3.5)

Please check Nick’s The Wolf Of Wall Street review that is available on Southern FM

David Griffiths:

First I do have to admit a real bias when I am reviewing The Wolf Of Wall Street – I am an avid Martin Scorsese film and also an avid Leonardo DiCaprio, yes I have been in heaven for the past few years while they are collaborated together on five films. And yes while films such as Shutter Island and The Departed would make my ‘Greatest Films Ever Made’ list, I am not biased enough to admit that these two have made some ordinary films together, especially The Aviator.

So where does The Wolf Of Wall Street fit on the Leonardo DiCaprio/Martin Scorsese scale. Well to be honest it is pretty bloody high up, because this is a good… no make that… great film. But to preface that I should say this film does go above and beyond to get its R18+ rating because Scorsese has pretty much made a film about a world of sleaze.

Under Scorsese’s wonderful direction DiCaprio plays Jordan Belfort, a young man who is introduced into the world of Wall Street finance by the ‘out there’ Mark Hanna (Matthew McCounaughey) who teaches Jordan the things he needs to succeed are cash, drugs and sex… and that you get them anyway you can.

Jordan’s first journey into Wall Street though doesn’t last after the crash of 1987 and soon Hanna disappears out of the picture and Jordan is left to resurrect himself, this time through a backyard operation that pretty much just sells worthless penny deals. But Jordan sees promise in that and soon he, and his new found buddy the loud Donnie Azoff (Jonah Hill), begin their new operation that has the sole aim of making them money.

Once Jordan is once again wealthy he again reaches Wall Street doing illegal deal after illegal deal while his weaknesses are still cash, drugs and sex… this time with his future wife, the beautiful Naomi Lapaglia (Margot Robbie). Everything is going well until a Federal Agent (played by Kyle Chandler) starts sniffing around Jordan and aims to bring him down.

With The Wolf Of Wall Street Scorsese is once again at the top of his game. He is cunning with the way that he tells this story – yes at times he glorifies the sick lifestyle that Jordan lives, but he also dramatically shows the downside of this lifestyle to the point where anybody watching the film would be an idiot to want to get involved in the finance world. At times Jordan appears to be a God, but that image is shattered when Scorsese allows the grime to reach the surface in shocking acts such as seeing Jordan punch his wife in the stomach. Those that criticize The Wolf Of Wall Street and point out that Scorsese is trying to glorify this film are on the wrong track completely because he is trying to do anything but that.

The critics that have pointed out that Scorsese goes back and reuses some of his old Goodfellas style are right, but always the inventor Scorsese also uses comedy to full affect in The Wolf Of Wall Street… perhaps to give his audience a rest from the onslaught, while he is also creative in the way that he allows Jordan to narrate this film, especially in the sense that Jordan seems to be able to pick and choose what he feels the audience will understand. He may be in his seventies but at least Scorsese is still a director willing to try new things.

Once again Scorsese also gets the best out of Leonardo DiCaprio. Just like he did in Django Unchained DiCaprio relishes the fact that he gets to play an unlikable character here and he is well deserved of all the awards he has been nominated for. But this isn’t just the DiCaprio show, oh no Matthew McConaughey steals the show with his brief performance, Kyle Chandler is once again smooth in his role while Jonah Hill provides more than just comedic relief showing that he is a genuine dramatic actor these days. However the person that deserves a big tick for The Wolf Of Wall Street is Australian actress Margot Robbie who shows that she is more than just a pretty face and delivers some intense acting during her sometimes vicious scenes with DiCaprio. Yes she well and truly deserves her ‘star on the rise’ label.

As previously mentioned The Wolf Of Wall Street is not a film that will be enjoyed by all. It is a powerful, and yes at times graphic film. It may be a little long (some of the scenes wouldn’t have suffered if the editor had been a bit more brutal) but this film once again shows why Martin Scorsese is a living legend when it comes to filmmaking.

Stars(4)  

Average Subculture Rating (out of 5): Stars(4)

IMDB Rating:  The Wolf of Wall Street (2013) on IMDb

Other Subculture Media Reviews of ‘The Wolf Of Wall Street′: Please check The Good The Bad The Ugly Film Show Ep #65 for our full The Wolf Of Wall Street review.

Trailer:

Iron Man 3

Summary: Tony Stark uses his ingenuity to fight those who destroyed his private world and soon goes up against his most powerful enemy yet: the Mandarin.

Year: 2013

Australian Cinema Release Date: 24th May, 2013

Australian DVD Release Date: TBA

Country: USA

Director: Shane Black

Screenwriter: Shane Black, Drew Pearce, Stan Lee (comic), Don Heck (comic), Larry Lieber (comic), Jack Kirby (comic)

Cast: Paul Bettany (Jarvis (voice)), Rustam Branaman (Agent Danbury), Don Cheadle (James Rhodes/War Machine), James Badge Dale (Eric Savin), Dale Dickey (Mrs. Davis), Robert Downey Jnr (Iron Man/Tony Stark), Jon Favreau (Happy Hogan), Chris Gethard (Juan), Jim Gunter (Mr. Davis), Rebecca Hall (Maya Hansen), Ashley Hamilton (Jack Taggert), Ben Kingsley (The Mandarin), Stan Lee (Stan The Man), Noa Lindberg (Michele Cusick), Keith Middlebrook (Agent Adams), Indra Patel (Jan Georgoh), Gwyneth Paltrow (Pepper Potts), Guy Pearce (Aldrich Killian), Mark Ruffalo (Bruce Banner), William Sadler (Sal Kennedy), Marco Sanchez (Vice President Sanchez), Ty Simpkins (Harley), Stephanie Szostak (Ellen Brandt), Xueqi Wang (Dr. Wu), Justin Wheelon (Alex Matthews), Bridger Zadina (Richie), Yvonne Zima (Miss Elkridge)

Runtime: 130 mins

Classification:M

Dave Griffiths’s ‘Iron Man 3’ Review: Please check Dave’s review of ‘Iron Man 3’ that is available on the Helium Entertainment Channel.

Other Subculture Media Reviews of ‘Iron Man 3′: Check Episode #29 (available 25th April, 2013) of our The Good The Bad The Ugly Podcast for a more in-depth review of ‘Iron Man 3’.

Rating: 3/5

IMDB Rating:Iron Man 3 (2013) on IMDb

Identity Thief

Summary: Horrible Bosses’ Jason Bateman and Bridesmaids’ Melissa McCarthy lead the cast of Identity Thief, an all-star comedy in which a regular guy is forced to extreme measures to clear his name. With everything to lose after his identity is stolen, he’ll find out how crazed you can get trying to settle a bad credit score.

Year: 2013

Australian Cinema Release Date: 4th April, 2013

Australian DVD Release Date: TBA

Country: USA

Director: Seth Gordon

Screenwriter: Craig Mazin, Jerry Eeten (story)

Cast: Brett Baker (Alec), Jonathan Banks (Paolo), Jason Bateman (Sandy Patterson), Matthew Burke (Ken Talbott), Morris Chestnut (Detective Reilly), John Cho (Daniel Casey), Kevin Covais (Kevin), Jason Davies (Kyle), Clark Duke (Everett), Lori Beth Edgeman (Arlene), Ben Falcone (Tony), Jon Favreau (Harold Cornish), Morgan Hinkleman (Young Diana), Maggie Elizabeth Jones (Jessie Patterson), Mary-Charles Jones (Franny Patterson), Melissa McCarthy (Diana), Colton Medlin (Neil), Carlos Navarro (Luis), Robert Patrick (Skiptracer), Amanda Peet (Trish Patterson), Genesis Rodriguez (Marisol), Eric Stonestreet (Big Chuck), T.I. (Julian), Steve Witting (Carl)

Runtime: 111 mins

Classification:MA15+

Dave Griffiths’s ‘Identity Thief’ Review: Please check Dave’s review of ‘Identity Thief’ that is available on the Helium Entertainment Channel.

Other Subculture Media Reviews of ‘Identity Thief′: Check Episode #27 (will be available on April 11th) of our The Good The Bad The Ugly Podcast for a more in-depth review of ‘Identity Thief’.

Rating: 2.5/5

IMDB Rating:Identity Thief (2013) on IMDb