Tagged: Josh McConville

 

Thanks to our good friends at Icon Films Subculture has two 1% packs to give away. Each pack will contain a copy of 1% on DVD and a limited edition 1% stubby holder.

To WIN simply go to our Facebook page and private message us the name of one of the stars of 1%.

1% is directed by Stephen McCallum (Hunger, Inferno) and stars Ryan Corr (The Water Diviner, Wolf Creek 2), Abbey Lee (Mad Max: Fury Road, Gods Of Egypt), Aaron Pederson (Mystery Road, Goldstone), Simone Kessell (San Andreas, Of Kings And Prophets) and Josh McConville (The Merger, The Infinite Man) and tells a story of brotherhood, loyalty, ambition and betrayal, set within the world of Australian motorcycle gangs. This modern day Macbeth follows Paddo, heir to the throne of the Copperheads MC who must assume the mantle whilst club leader Knuck does time in jail. Paddo’s vision for the club’s future and compromises he must make for his mentally disabled brother sets the stage for the ultimate power play.

1% will be released on DVD through Icon on the 6th March 2019.

DVD Packshot

Summary: In the very near future, creatures from ancient mythology must live among humans and battle for survival in a world that wants to silence, exploit and destroy them.

Year: 2016

Australian DVD Release Date: 1st September 2016

Country: Australia

Directors: Wayne Blair (4 episodes), Leah Purcell (2 episode)

Screenwriters: Jane Allen (1 episode), Jon Bell (2 episodes), Michael Miller (6 episodes)

Main Cast: Jada Alberts (Nerida West), Tony Briggs (Boondee), Rob Collins (Waruu West) , Ryan Corr (Blair Finch) , Stef Dawson (Ash Kerry), Iain Glen (Jarrod Slade),  Marcus Graham (McIntyre), Rarriwuy Hick (Latani), Deborah Mailman (Aunty Linda), Andrew McFarlane (Matthews) , Frances O’Connor (Charlotte Cleary), Hunter Page-Lochard (Koen West), Tamala Shelton (Alinta West), Tyson Towney (Djukara), Tasma Walton (Araluen)

Sub Cast: Jeremy Ambrum (Jake) – 5 episodes, Benson Jack Anthony (Gub) – 5 episodes, Lilly Bader (Lilly) – 1 episode, Adam Briggs (Maliyan) – 6 episodes, Jack Charles (Uncle Jimmy) – 1 episode), Jerome Cosgrave (Jumbhi) – 3 episodes, Lynette Curran (Virgil) – 2 episodes, Nancy Denis (Eve) – 5 episodes, Isaac Drandic (Harry) – 5 episodes, Kamil Ellis (Mungo) – 6 episodes, Rhondda Findleton (Frankie) – 5 episodes, Sean Hawkins (Joel) – 1 Episode, Aileen Huynh (Everick) – 3 episodes, Trevor Jamieson (Uncle Max) – 5 episodes, Jack Kingsley (Aiden) – 1 episode, Alexis Lane (Kora) – 6 episodes, Kathy Marika (Ngumunga) – 2 episodes, Rosharyn Marr (Young Koen) – 1 episode, Julian Maroude (Anton) – 1 episode, Jack Mars (Cameron) – 1 episode, Josh McConville (Dickson) – 3 episodes, Robyn Nevin (Jane O’Grady) – 1 episode, Sam Paronson (Taki) – 1 episode, Rahel Romahn (Ludo) – 1 epsiode, Mark Simpson (Holbeck) – 1 episode, Waverley Stanley Jnr. (Kulya) – 6 episodes, Miranda Tapsall (Lena) – 1 epsiode, Jenny Templeton (Alice) – 1 episode, Ben Toyer (Jamie) – 1 episode, Elijah Valadian-Wilson (Young Waruu) – 3 episodes, Katie Wall (Rowena) – 3 episodes, Leeanna Walsman (Belinda) – 4 episodes, Val Weldon (Jirra) – 2 episodes, Georgia Wilde (Melissa) – 1 episode, Matthew Wilkinson (Kennedy) – 2 episodes, Dylan Young (Nick) – 1 episode,

Runtime: 6 x 50 mins eps

Classification: MA15+

 

CLEVERMAN SEASON 1 REVIEWS & RATINGS:

 

Dave Griffiths:

The Australian film industry has always had an interesting relationship with the genre of television. Over the years we’ve produced some pretty decent sci-fi programs – shows like ‘Farscape’ and ‘Spellbinder’ immediately spring to mind, but for some reason the people providing the money for the industry seem to shy away from the genre, instead looking to push more dour dramas onto the audience. Well now comes a sci-fi show that will hopefully change all of that – Cleverman. Mark my words this show is guaranteed to become a cult classic… it’s just that damn good.

Cleverman is set in the future, a time when Sydney is living under the threat of ‘hairies’ – a so called ‘subhuman’ species who are currently being considered a threat. People react different to the ‘hairies’, Governmental departments led by the likes of Geoff Matthews (Andrew McFarlane – ‘The Flying Doctors’) and McIntyre (Marcus Graham – ‘Mulholland Drive’) see them as a threat that needs to be contained and eventually eradicated. Business-men like Jarrod Slade (Iain Glen – ‘Game Of Thrones’) see them as a way of making a mountain money, while small-time operators like Koen West (Hunter Page-Lochard – ‘Spear’) and his best mate, Blair Finch (Ryan Corr – ‘The Water Diviner’) also see them as a cash cow. Then there are people like Waruu West (Rob Collins – ‘The Wrong Girl’) who are sworn to protect them as they see the treatment of the ‘hairies’ as the same way their Aboriginal ancestors were treated.

It is hard to put into words just how good ‘Cleverman’ really is. This sci-fi goes a lot further than most other shows in the genre and gets so political at times it makes you see Australian history in a whole different light. The screenwriters of this show have taken the wrongs of Australia’s past and condensed into such a format that anybody can see just how wrong the Government have handled things such as the stolen generation and Aboriginal deaths in Police custody over the years. Like the feature film, ‘Red Billabong’, ‘Cleverman’ also explores Aboriginal culture and mythology… two things I’ve probably learnt more about watching this television show then I ever did in my year at high school.

The political side of things pushed to the background this show also works because of the relationships between each of the characters. The growth surrounding the character of Koen has to be seen to be believed and the resulting conflict that these changes cause with his half-brother Waruu ignite the second half of this season. The real test comes when the audience sits in suspense as you wait to see which brother is going to make the right decisions in the season finale.

The hard edged nature of this show also lifts the program high above most other shows airing on television at the moment. Yes there are moments of violence as hairies and humans clash but is things such as a character knowing impregnating his wife with a hairy for scientific research and a hairy being forced into a sick form of prostitution that really makes this program stand out from the pack.

The edgy nature of the program also brings out the best in its cast. Aussie favourites like Tasma Walton (‘Blue Heelers’) and Deborah Mailman (‘The Secret Life Of Us’) are standouts in their strong roles but the stand out here is Iain Glen who dominates the acting stakes as he plays the mysterious Slade whose intentions are often questionable. Credit must also be paid to Hunter Page-Lochard and Rob Collins who both announce themselves as actors to watch in the future with strong performances that make this show a must see.

While firmly planted in the sci-fi genre ‘Cleverman’ is a show that takes a deep look at Aboriginal history and social issues while also providing enough believable drama between its characters to make you want to watch each week. The fact that Season One builds up to a crescendo that looks set to explode in Season Two means this is a show that you have to watch if you haven’t already done so.

Stars(5)

 

 

Average Subculture Rating (out of 5):   Stars(5)

 

IMDB Rating:  Cleverman (2016) on IMDb

 

Other Subculture Entertainment Cleverman Season 1 reviews: Nil.

 

Trailer:

2016 MIFF

Down Under

Summary: A black comedy set during the aftermath of the Cronulla riots, it is the story of two carloads of hotheads from both sides of the fight destined to collide.

Year: 2016

Australian Cinema Release Date: 11th August 2016

Australian DVD Release Date: TBA

Country: Australia

Director: Abe Forsythe

Screenwriter: Abe Forsythe

Cast: Fayssal Bazzi (D-Mac), Josef Ber (Sgt.Bryce Halliday), Chris Bunton (Evan), Ruby Burke (Destiny), Suppakorn Chuwongwut (Nutt), Arka Das (Steve), Michael Denkha (Ibrahim), Harriet Dyer (Stacey), Alexander England (Shit-Stick), David Field (Vic), Damon Herriman (Jason), Josh McConville (Gav), Marshall Napier (Graham), Henry Nixon (Sgt. James McFadden), Julia Ohannessian (Rashida), Lap Phan (Terry), Robert Rabiah (Amir), Rahel Romahn (Nick), Justin Rosniak (Ditch), Anthony Taufa (Taufa), Christiaan Van Vurren (Doof), Lincoln Younes (Hassim), Dylan Young (Az)

Runtime: 90 mins

Classification: TBC

 

OUR DOWN UNDER REVIEWS & RATINGS:

 

John Noonan:

Sometimes the best comedy is the darkest. In Duck Soup, The Marx Brothers’ led Freedonia into a good old fashioned knees up to celebrate the oncoming war that will swamp the country. The terrorists in Chris Morris’ Four Lions are shown to be petty, back stabbers that argue about Mini-Babybels and struggle to align their separate ideologies. And now we have Abe Forsyth’s Down Under, a violent, gut-bursting farce set against the backdrop of the Cronulla Riots.

We follow two separate groups of men chomping at the bit to get into a boot party. In the Cronulla corner, we have family man Jason (Damon Herriman) and Ned Kelly’s biggest fan Ditch (Justin Rosniak) on the prowl for anyone looking vaguely middle eastern. And vague is the operative word, as at one point it becomes apparent that they’re not even sure who they’re really after. To bulk up their numbers, they drag along dope head Shit-Stick (Alexander England) who would rather watch Lord of the Rings with his cousin from Nimbi, Evan (Chris Bunton)

Playing for the Sydney West team is the fiery Nick (Rahel Romahn), insufferable beat-boxer D-Mac (Fayssal Bazzi) and deeply religious Ibrahim (Michael Denkha). Tagging along with them is Hassim (Lincoln Younes), whose brother went missing the day the riots started.

Neither group is treated as the heroes of Down Under. Instead Forsythe highlights how their need to bash people because of a perceived difference really comes from the same misguided rage. And in the film, as in real life, this rage only begets more rage until no one is listening to anyone. It’s interesting to note that the director never allows the violence committed by the men to be diluted by the comedy. Each punch and bat swung connects viciously, there’s consequences to what they deal out. Instead, he bursts their bubbles by highlighting their naivety and hypocrisy, such as when Jason takes a break from bashing to get his pregnant girlfriend a kebab, or when Nick’s bravado reveals a violent resentment of immigrants. Other times, Forsythe soundtracks his characters’ actions to inappropriate pop songs from the era, including a rather wonderful rendition of Natalie Imbruglia’s Torn.

Where Down Under falls flat, at least for me, is Nick and Hassim’s interactions with drug dealer, Vic (David Field). Vic’s lascivious advances towards Hassim whilst surrounded by well-oiled, well-muscled young men feels trite and, in a film that lampoons stereotypes, feels, well, stereotypical. Because despite how the film’s trailer portrays them, these aren’t stupid men. Sure they say stupid things, but they’re clearly caught up in the chest beating and hubris that’s permeating in the streets. One of Jason’s team is revealed to have a white collar job, whilst Hassim is shown from the off-set to be studying for uni. These are not all thick men, and that’s what makes them scary. They’ve found an opportunity to release they deep-rooted beliefs.

With an ending that will pull the rug from under you, Down Under exposes the underbelly and idiocy of racism through laughter, violence, copious amounts of swearing and B*Witched songs. Sure to be controversial, you need to see it.

 

Stars(3.5)

 

 

Average Subculture Rating (out of 5):   Stars(3.5)

 

IMDB Rating:  Down Under (2016) on IMDb

 

Other Subculture Entertainment Down Under reviews: Nil.

 

Trailer:

FeatureDown Under

StudioCanal has announced that Abe Forsythe’s second feature film, DOWN UNDER will hit Australian cinemas AUGUST 4, 2016.

 A black comedy set during the aftermath of the Cronulla riots, DOWN UNDER is the story of two carloads of hotheads from both sides of the fight destined to collide. Sincere, though misguided, intent gives way to farcical ineptitude as this hilarious yet poignant story of ignorance, fear and kebab-cravings unfolds, and what was meant to be a retaliation mission turns into something neither side could have imagined.

 DOWN UNDER stars Lincoln Younes (Hiding, Love Child Season 2), Rahel Romahn (Underbelly: The Golden Mile, The Combination), Damon Herriman (The Water Diviner, The Little Death, Justified), Michael Denkha (The Combination, Stealth), Fayssal Bazzi (Crownies, Cedar Boys), Alexander England (Gods Of Egypt, Power Games: The Packer-Murdoch Story), Justin Rosniak (Animal Kingdom), Harriet Dyer (Love Child, Janet King) and introduces Christopher Bunton. It also features Josh McConville, Dylan Young, Christiaan Van Vuuren, Anthony Taufa along with Marshall Napier (The Water Horse, Babe) and David Field (Last Cab To Darwin, The Rover, Chopper).

 

The Infinite Man

Following the sellout Australian Premiere at the Melbourne International Film Festival, the inventive time travel comedy The Infinite Man is confirmed for a theatrical release in cinemas across Australia September 18 through Infinite Releasing. The international and local accolades keep coming for the film and its writer/director Hugh Sullivan, who just this weekend won the Best First Feature award at the Fantasia International Film Festival in Montreal, Canada.

Hedone Productions also today announced that The Infinite Man has sold to Invincible Pictures for distribution, including a theatrical release, in the US. Since the acclaimed world premiere at SXSW in March 2014, The Infinite Man has had selected US screenings, including on a Brooklyn rooftop for the New York Premiere, at California’s Newport Beach Film Festival and at the Las Vegas Film Festival. Also in North America it has screened at Canada’s Niagara Integrated Film Festival, where Hannah Marshall took out the Best Actress Award.

 Another two prestigious local premiere screenings have been confirmed ahead of the release. The Infinite Man has been selected to screen at WA’s Cinefest Oz as the Margaret River Premiere Film Event on Thursday 21 August and as the Opening Night Green Carpet Gala presentation of NSW’s Dungog Festival on Friday August 29.

 Starring Josh McConville (The Turning), Hannah Marshall and Alex Dimitriades, THE INFINITE MAN was a smash hit at the 2014 South by Southwest Film Festival, where it made the time.com list of ‘ten films that made SXSW spectacular this year’, alongside Grand Budapest Hotel and Chef and won the Indiewire Critic’s Pick for Best Screenplay and Best First Feature. 

 Australian media have also praised the debut feature from writer/director Hugh Sullivan, with The Music heralding it as ‘One of this century’s great local debuts’, The Age’s Craig Mathieson calling it ‘wonderfully inventive…a kind of deadpan scientific screwball that is delightful’, Luke Buckmaster for The Guardian billing it as one of the ten unmissable films at MIFF, ‘joyfully inventive…a rare find’ and Russell Edwards for SBS crowning it ‘one of the smartest Australian films ever made’.

 Infinite Releasing is an initiative of Jonathan Page (Executive Producer of The Babadook, Mary and Max, 100 Bloody Acres) and The Infinite Man producers Kate Croser (My Tehran for Sale, TV’s Danger 5) and Sandy Cameron. Jonathan Page said of the release announcement ‘We are delighted with the audience response to the film both at home and abroad and we are very excited to have the film confirmed for a release in cinemas nationally. The film generated a fantastic response at the MIFF Australian Premiere, and we are very pleased it has been selected for premiere and gala screenings at both Cinefest Oz and the Dungog Festival ahead of the release.’

*****Official selection 2014*****

SXSW South by Southwest (World Premiere)

Edinburgh International Film Festival (UK Premiere)

Melbourne International Film Festival (Australian Premiere)

Fantasia International Film Festival (Canadian Premiere)

Puchon International Fantastic Film Festival (Korean Premiere)

IN CINEMAS SEPTEMBER 18

CONFIRMED LOCATIONS:

VIC – Cinema Nova [Q&A event 4pm Sunday 14 September]

NSW – Dendy Newtown

WA – Cinema Paradiso

SA – Palace Nova Eastend

Don’t forget to check out Subculture’s interview with Hugh Sullivan.

Hannah Marshall

Australian actress Hannah Marshall (Packed to the Rafters) has won the Best Actress Award at the Inaugural Niagara Integrated Film Festival for her role in the time travel comedy feature film The Infinite Man. The film also screens tomorrow at the Edinburgh International Film Festival and will have its Australian Premiere at the 2014 Melbourne International Film Festival before releasing in Australian cinemas in September.

NIFF, founded by Bill Marshall (Founder and Chair Emeritus of the Toronto International Film Festival – TIFF), pairs premiere festival films with the premiere hospitality of the Niagara Wine Region. The festival screening, a special event with a paired three-course dinner and featuring local wines, was the Canadian Premiere of the film and Hannah was in attendance to accept the award. In a coup for Australia, the Best Actor award was won by Geoffrey Rush for his role in The Best Offer.

This is the fourth major North American screen of the film, following the recent New York premiere screening at Brooklyn’s rooftop cinema, a screening at the Newport Beach Film Festival and the World Premiere at South by Southwest earlier this year, which generated much critical acclaim, and saw the film make the time.com list of ‘ten films that made SXSW spectacular this year’, alongside Wes Anderson’s Grand Budapest Hotel, and Jon Favreau’s Chef.

Hannah Marshall is best known for her role as Loretta Schembri in Packed to the Rafters, for which she received a Logie nomination for Most Popular New Female Talent (2011).

Starring Josh McConville (The Turning), Hannah Marshall and Alex Dimitriades, The Infinite Man is a time travel comedy-romance about Dean (Josh McConville), a man whose attempts to construct the perfect romantic weekend backfire when he traps his lover Lana (Hannah Marshall) in an infinite loop.

The Infinite Man is the feature film debut for writer/director Hugh Sullivan and is produced by Kate Croser (Danger 5, My Tehran for Sale) and Sandy Cameron, executive produced by Jonathan Page and Cameron Rogers. DOP is Marden Dean (Fell).

The Infinite Man was produced by Hedone Productions in association with Bonsai Films, with investment from the South Australia Film Corporation (SAFC) through their FilmLab funding initiative, and development assistance from Screen Australia.

FilmLab is a $4.2million development initiative of the South Australian Film Corporation (SAFC), funded by the South Australian government. Designed to develop filmmakers who have a track record in short form to take the next step into long form film production, the initiative was also built to find unique new voices in Australian cinema.

 

The Infinite Man will be released in Australian cinemas in September 2014 by Infinite Releasing with international sales handled by Shoreline Entertainment.

The Infinite Man

The World Premiere of time travel comedy The Infinite Man has generated an overwhelmingly positive response at the SXSW Film Festival and is the only Australian film to make the time.com list of ‘ten films that made SXSW spectacular this year’, alongside Wes Anderson’s Grand Budapest Hotel, and Jon Favreau’s Chef. Moviefone today ranked it as the second best film at the fest behind Richard Linklater’s Boyhood. Both Screen Daily and The Hollywood Reporter supported the idea of international distribution, while Indiewire and The Playlist likened it to the time travel greats, with The Playlist rating it as an overall festival highlight.

Starring Josh McConville (The Turning), Hannah Marshall and Alex Dimitriades, The Infinite Man is a time travel comedy-romance about Dean (Josh McConville), a man whose attempts to construct the perfect romantic weekend backfire when he traps his lover Lana (Hannah Marshall) in an infinite loop.

Producers Kate Croser (Danger 5, My Tehran for Sale) and Sandy Cameron have just returned from the festival, which they attended with writer director Hugh Sullivan, lead actress Hannah Marshall, EP Cam Rogers, DOP Marden Dean, and composer/sound designer Jed Palmer. They said of the experience of the past week: “We knew the SXSW film festival was the ideal place to launch The Infinite Man because of its reputation for unearthing breakout indie films, but after three sold out screenings we’ve been really overwhelmed by how enthusiastically the US audiences and critics have embraced the film and we’re looking forward to bringing it home to Australian audiences later in the year.”

Screen Daily’s glowing review called it ‘fresh, intriguing and always watchable’ and endorsed international distribution, ‘The time travel film may well be a well-worn movie genre, but Australian film The Infinite Man takes it off in all new directions as an oddball inventor uses his device to try and craft the perfect moment for he and his girlfriend. An elegantly filmed three-hander, it is a smart, funny and oddly romantic indie film that deserves to find international distribution as well as further festival exposure.

The Hollywood Reporter was equally as enthusiastic ‘”Smart Aussie comedy…The metaphoric possibilities of time-travel fantasies are unusually well exploited in The Infinite Man… the Aussie import would be easy to market in arthouses despite the absence of familiar faces on- or off-screen.”

Moviefone rated it as ‘the most quietly devastating and imaginatively inventive movie at the festival… all around jaw-dropping’. Leading indie film website Twitch dubbed it ‘‘Indie time travel mayhem at its best…the kind of movie you are going to want to watch time and time again. And time again… And time again...’.

Indiewire called it ‘An exemplary time travel comedy’ and ‘an impressively minimalist storytelling acheivement’, placing it in the company of classics of the genre: ‘Time travel mix-ups have provided ample fodder for a range of comedic material, from Back to the Future to Safety Not Guaranteed. The Australian romcom The Infinite Man is part of a rare breed that uses the constant pileup of future and past events to enhance its humor and intelligence at once.’

The Playlist said it, ‘might have been the best thing we saw all week. … an uncanny comedy that mixes the metaphysics of Groundhog Day with the emotionality of Eternal Sunshine of the Spotless Mind and a splash of the tech-y nerdiness of Primer. Comparing this film to those classics is kind of like carrying around a loaded gun, but it’s apt just the same’. Further praise went to director Hugh Sullivan for his debut feature “Every so often you see a movie at one of these festivals that seems to announce (loudly) a true filmmaking talent, one that should be watched closely in the years to come; “The Infinite Man” is one of those movies…a wildly creative, thrilling, unforgettable, heartbreaking work of a singular, visionary filmmaker. “The Infinite Man” is infinitely brilliant.”

The Infinite Man was produced by Hedone Productions in association with Bonsai Films, with investment from the South Australia Film Corporation (SAFC) through their FilmLab funding initiative, and development assistance from Screen Australia.

FilmLab is a $4.2million development initiative of the South Australian Film Corporation (SAFC), funded by the South Australian government. Designed to develop filmmakers who have a track record in short form to take the next step into long form film production, the initiative was also built to find unique new voices in Australian cinema.

 

The Infinite Man will be released in Australian cinemas in 2014 by Infinite Releasing with international sales handled by Shoreline Entertainment.

Alex Dimitriades

It is with Texas-sized pleasure that Hedone Productions announces today that the World Premiere of Australian feature film The Infinite Man has been confirmed for the prestigious South by Southwest (SXSW) festival in the US in March. The Infinite Man is the only Australian film selected to screen in the ‘Visions’ section of the festival, which presents audacious, risk-taking artists in the new cinema landscape that demonstrate raw innovation and creativity in narrative filmmaking.

2014 marks the 20th year of SXSW Film, which has grown rapidly in recent years, with Variety observing that ‘the industry will look back at 2013 as a game-changer for SXSW’. Encompassing music and interactive technologies as well as film, the festival is uniquely positioned as a creative hub like no other, with the Sydney Morning Herald last week nominating SXSW as one of the ten festivals to change your life. SXSW Film takes place in Austin, Texas from 7 – 15 March.

The trailer has been released today and can be previewed online at: https://vimeo.com/83463530

The anticipated feature debut from director Hugh Sullivan, starring Josh McConville, Hannah Marshall and Alex Dimitriades, The Infinite Man is a time travel comedy-romance about Dean (Josh McConville), a man whose attempts to construct the perfect romantic weekend backfire when he traps his lover Lana (Hannah Marshall) in an infinite loop.

 “We are thrilled to premiere The Infinite Man at the SXSW Film Festival, given its reputation as one of the best launching pads for indie films like ours. Recent SXSW premieres include Lena Dunham’s Tiny Furniture, Harmony Korine’s Spring Breakers and Duncan Jones’ Source Code and we couldn’t be happier to be in that company”, said Kate Croser, Producer.

 The Infinite Man is the anticipated feature film debut of writer/director Hugh Sullivan whose short films have screened in official selection at the Palm Springs International Shortfest, Flickerfest and the Melbourne International Film Festival. As a winner of the Spirit of Youth Award – Moving Pictures in 2006, Hugh received a one-year mentorship with director Phillip Noyce.

 The Infinite Man stars acclaimed actor Josh McConville (Underbelly, Wild Boys, Redfern Now) in his first feature film lead role as the gifted scientist and control freak Dean. Widely regarded for his work on the stage, Josh was crowned Best Actor at the Sydney Theatre Awards in 2013 for his role in Griffin Theatre’s The Boys. Josh’s feature film debut came in 2013 in David Wenham’s directorial debut Commission from the celebrated anthology film The Turning, in which he starred starring alongside Hugo Weaving.

Hannah Marshall, who stars as Dean’s girlfriend Lana, is best known for her role as Loretta Schembri in Packed to the Rafters, one of the highest rating shows on Australian television, for which received a Logie nomination for Most Popular New Female Talent (2011). AACTA award winner Alex Dimitriades (The Slap, Head On) stars as Lana’s ex-boyfriend, the disgraced 1980s Olympian, Terry.

 The film is produced by Hedone Productions’ Kate Croser (Danger 5, 100 Bloody Acres) and Sandy Cameron. Croser also produced My Tehran For Sale, which was filmed in Tehran and went on to screen in Official Selection at Toronto, Vancouver, Busan and Rotterdam International Film Festivals and won the IF Independent Spirit Award (2009). Cameron Rogers and Jonathan Page (Mary and Max, The Babadook) are Executive Producers.

 The Infinite Man was produced by Hedone Productions in association with Bonsai Films, with investment from the South Australia Film Corporation (SAFC) through their FilmLab funding initiative, and development assistance from Screen Australia.

 FilmLab is a $4.2million development initiative of the South Australian Film Corporation (SAFC), funded by the South Australian government. Designed to develop filmmakers who have a track record in short form to take the next step into long form film production, the initiative was also built to find unique new voices in Australian cinema.

The Infinite Man will be released in Australian cinemas in 2014 by Infinite Releasing with international sales handled by Shoreline Entertainment.

Tim Winton's The Turning

Summary: Seventeen talented Australian directors from diverse artistic disciplines each create a chapter of the hauntingly beautiful novel by multi award-winning author Tim Winton. The linking and overlapping stories explore the extraordinary turning points in ordinary people’s lives in a stunning portrait of a small coastal community. As characters face second thoughts and regret, relationships irretrievably alter, resolves are made or broken, and lives change direction forever. This watershed film reinterprets and re-imagines the work for the screen.

Year: 2013

Australian Cinema Release Date: 26th September, 2013

Australian DVD Release Date: TBA

Country: Australia

Director: Jonathan Auf Der Heide, Tony Ayres, Jub Clerc, Robert Connolly, Shaun Gladwell, Rhys Graham, Justin Kurzel, Yaron Lifschitz, Anthony Lucas, Claire McCarthy, Ian Meadows, Ashlee Page, Stephen Page, Simon Stone, Warwick Thornton, Marieka Walsh, Mia Wasikowska, David Wenham

Screenwriter: Jonathan auf der Heide, Emily Ballou, Circa Contemporary Circus, Jub Clerc, Marcel Dorney, Rhys Graham, Justin Kurzel, Claire McCarthy, Ian Meadows, Justin Monjo, Kris Mrska, Ashlee Page, Warwick Thornton, Andrew Upton, Marieka Walsh, Mia Wasikowska, David Wenham

Cast: Di Adams (Carol Lang), Dougie Baldwin (Vic Lang), Wayne Blair (Max), Cate Blanchett (Gail Lang), Jarli-Russell Blanco (Max), Jakory Blanco (Frank), Harry Borland (Young Peter), Rose Byrne, Dean Daley-Jones (Bob Lang), Casey Douglas (Vic Lang),Mirrah Foulkes (Fay), James Fraser (Lenny), Colin Friels (narrator), Harrison Gilbertson (Vic Lang), Brenna Harding, Finn Ireland (Young Larwood), Paul Ireland (Mr. Larwood), Lee Jankowski (Ash), Eva Lazzaro, Nikita Leigh-Pritchard, Josh McConville (Vic Lang), Kate Mulvaney (Gail Lang), Matt Nable (Max), Robyn Nevin (Carol Lang), Miranda Otto, Joseph Pedley (Vic Lang), Henri Phillips, Myles Pollard (Dan), Susie Porter (Carol Lang), Oscar Redding (Peter), Richard Roxburgh (Vic Lang), Matthew Shanley (Vic Lang), Libby Tanner (Gail Lang), Hugo Weaving (Bob Lang), Finn Woodlock (Ricky), Meyne Wyatt (Frank), Dan Wyllie (Vic Lang)

Runtime: 180 mins

Classification:MA15+

OUR REVIEWS/RATINGS OF ‘THE TURNING’:

David Griffiths: Stars(2.5)

Please check Dave’s review of ‘The Turning’ that is available on The Helium Entertainment Channel

Greg King: Stars(2.5)

Please check Greg’s review of ‘The Turning’ that is available on www.filmreviews.net.au

Average Subculture Rating (out of 5): Stars(2.5)

IMDB Rating:  The Turning (2013) on IMDb

Other Subculture Media Reviews of ‘The Turning′: Please check The Good The Bad The Ugly Ep 51 for a more in depth review of ‘The Turning’.

Trailer: