Tagged: Melbourne

 

Budding singer songwriter Bri Clark is making waves across the Australian music scene with her latest single ‘Giving Up’. The Perth artist quickly captured the attention of the industry when the track was nominated for the 2018 Vanda & Young songwriting competition prior to its official release in September. Debuting at #1 for its first two weeks in the world on the triple j unearthed charts, the track was added to Spotify’s New Music Friday AU & NZ and the New Alt Indie playlists. ‘Giving Up’ has had an instantaneous effect on the Australian music community. After rallying a wake of fans from far and wide with her haunting vocals, brooding melodies and dark pop vibes Bri Clark is excited to share a new live video of the powerful song as well as treat her East Coast audience to a pair of intimate upcoming performances.

Crafting a sound that is entirely of its own ilk, Bri Clark channels a sense of heavy weightlessness on ‘Giving Up’. The single is a reflective memoir of a crumbling relationship that builds from soft, beckoning guitar strumming to soaring heights of layered vocal harmonies. The new live video from John Aliaga recorded at Vision Studios, Perthsees the young artist stripping the layered production back to its raw beginnings of just Bri, her voice and her fingertips. Seated at a grand piano with nothing but a peppering of warm tungsten bulbs, the performance is an exquisite taste of what’s to come at her live shows.

As an inaugural recipient of APRA’s female songwriter mentorship in 2018, Bri has had the opportunity to work and collaborate with a spread of fellow musicians and industry professionals and most recently featured on the well-received single ‘What We’ve Done’by Angus Dawson. Fresh off the back of the APRA AMCOS SongHubs intensive song writing boot camp, a standout performance at Bigsound’s Songwriter Showcase, and WA’s annual WAMFestBri Clark is thrilled to finally venture across the way to treat Melbourne and Sydney to a pair of intimate live shows this November. She will also take part in Specific Music’s 50 Songs In 5 Days, an APRA AMCOS sponsored, invite only songwriting event which brings together world-class songwriters, artists and producers.

With a voice steeped in pain, yet undeniably mesmerising Bri Clark can capture and hold a room in the palm of her hand. Do not miss your chance to catch this noteworthy name in Australian music. Expect big things.

‘Giving Up’ Single Launch Shows
Wednesday 21 November
Leadbelly, Sydney
Supporting AMISTAT
Tickets $17.85 via Moshtix

Tuesday 27 November
Some Velvet Morning, Melbourne
With Ariela Jacobs
8pm
Pre sale tickets $10 + bf via bit.ly/BriClarkArielaJacobs

Other upcoming shows:
Thursday 29 November
Mojo’s Bar, Fremantle
Supporting Holy Holy, with Clews
8pm
Tickets $39 via Oztix

Friday 30 November
The Rosemount Hotel, Perth
Supporting Holy Holy, with Clews
8pm
Tickets $40 via Oztix

Last month Melbourne’s BLKLST announced the imminent arrival of their new EP “Hard to Swallow”. Out on Friday October 26, the heavy record saw it’s announcement and the premiere of the first single “Hypocrite” at Germany’s Everything is Noise website. Today, they are serving up the next “Phase” of the record.

New single Phase is a hard hitting track with an agressive but melodic vocal – and a neon and latex -tinged filmclip. Vocalist Joshua Westwick said that “Phase is about that one person who can influence you to do things you normally wouldn’t. Things that are ultimately bad for both of you. It’s about destroying yourself and drowning in someone’s toxic environment because of how much you care about them. This Music Video was filmed in The Loud Noise Estate’s drum tracking room. This clip was a last minute decision and we just wanted to have fun with it. We are stoked with how it came out!”
Since the announcement of the new EP, the outfit from Melbourne have turned heads – the first single Hypocrite being spun on triple j’s The Racket, added to rotation on The Faction Radio, added to Spotify Official’s Homegrown and Heavy playlist, the clip being played on Rage, and killyourstereo.com saying that Hypocrite is BLKST is at “…not only their most dynamic and darkest here, but also at their most interesting too.” Metal Hammer/Louder also saw something special in the band and wanted to know more about their influences (with the obvious flavour being Deftones) and had them put together their favourite Deftones tracks of all time.

The Hard To Swallow EP was produced and engineered by Evan Lee at STL studios Sydney, with additional engineering by Sonny Truelove & was mixed and mastered by Evan Lee and Ash Dawsat The Loud Noise Estate. 

For those new to BLKLST – the band was Formed in 2015 and have made their mark quick off the bat. Establishing themselves on the heavy music scene with a crushing live show and a decimatingly heavy sound, the band quickly chalked up supports with bands such as Make Them Suffer, Deez Nuts, Alpha Wolf, Earth Caller and Justice for The Damned and interstate runs with Boris The Blade.

The new EP will see its release into the world on Friday October 26 into iTunes & Apple Music, Spotify, Amazon and more. Pre-Orders are now open at all good digital stores and streaming outlets.

 

Lido on the Roof returns for its fourth year this year lighting up the rooftop of the beloved Glenferrie Road cinema. Its spring and summer film program showcases the most hotly anticipated new release films, as well as a film lovers’ selection of retro classics.

With its well-stocked rooftop bar and extended trading hours, the Lido Rooftop is an irresistible choice as a meeting spot for friends to enjoy a drink and watch the sunset colour the surrounding Hawthorn skyline, before catching a film on the big screen – either on the Roof, or in one of the indoor cinemas. The bar is open to anyone who has purchased a movie ticket.

The program launches with the electrifying Bohemian Rhapsody, chronicling the years in the lead up to legendary rock band Queen’s appearance at the 1985 Live Aid concert. Rami Malek (Mr Robot) has transformed himself into a jaw-droppingly accurate portrayal of Freddie Mercury for the film, helmed by director Bryan Singer (X-Men series). Catch Rooftop screenings until Tuesday 6 November.

Blockbuster movie-lovers and arthouse cinephiles alike will be spoilt for choice during the holiday season. The next title in the Harry Potter universe, Fantastic Beasts: The Crimes of Grindelwald starts its Rooftop season on 15 November; Spider-Man: Into the Spider-Verse and Ralph Breaks the Internet will be alternating nights during the week commencing Thursday 13 December; and Mary Poppins Returns floats down to the Rooftop on New Year’s Day.

Advance screenings for the darkly disturbing Suspiria directed by Luca Guadagnino (Call Me By Your Name, A Bigger Splash) take place on Friday 2 and Sunday 4 November. A fresh interpretation of Dario Argento’s 1977 horror masterpiece, Suspiria stars Dakota Johnson, Tilda Swinton, and Chloë Grace Moretz, with music composed by Radiohead frontman Thom Yorke.

Joel Edgerton’s next turn behind the lens comes with a powerful story about a boy sent to gay conversion camp, called Boy Erased, screening on the Rooftop from 9 November; Step Brothers dynamic duo Will Ferrell and John C. Reilly team up again in Holmes & Watson, from Friday 28 December; and horror fans will delight in the arrival of director Jennifer Kent’s (The Babadook) new film, The Nightingale, which was shot in Tasmania and recently won the Special Jury Prize at the Venice Film Festival. It screens on the Rooftop from Thursday 24 January.

Alongside all the exciting new releases, there’s a whole pick ‘n’ mix of retro gems in the Lido Rooftop program for movie fans, young and old. Costumes are crucial for the House of Capulet party screening of Baz Luhrmann’s iconic sun-drenched, star-crossed love story Romeo + Juliet on Wednesday 7 November, the high school reunion screening of Romy and Michele’s High School Reunion on Wednesday 28 November and relive your childhood with a special screening of Matilda played on ex-rental VHS on Wednesday 16 January.

It’s not just Charli XCX and Troye Sivan who are feeling nostalgic for 1999. Lido on the Roof will be taking things back to a stellar year for teen-rom-coms with its Teen Dream series, featuring She’s All That (Wed 6 Feb), Drive Me Crazy (Wed 20 Mar), and Never Been Kissed (Wed 3 Apr).

Action movie fans will bust a bicep over the SchwarzeMega Marathon on Wednesday 5 December; kids will squeal over classics like The Nightmare Before Christmas (Wed 12 Dec), Matilda (Wed 16 Jan), and The Lion King (Wed 23 Jan); and 80s film fans will flip out over Die Hard (Wed 19 Dec), Labyrinth (Wed 9 Jan), Purple Rain (Wed 30 Jan), Big(Wed 20 Feb), Beverly Hills Cop (Wed 6 Mar), and Risky Business (Wed 13 Mar).

An extra thrilling addition to the program for genre film fans is the inaugural Paracinema Fest, happening over four days from Thursday 29 November to Sunday 2 December. The full program is yet to be revealed, however some appetite whetting early announcements include Terminal starring Margot Robbie and Simon Pegg; the Christmas zombie apocalypse flick Anna and the Apocalypse; and the next bizarrely hilarious film from the creators of The Greasy Strangler (2016), An Evening with Beverly Luff Linn starring Aubrey Plaza, Jemaine Clement, Craig Robinson, and Emile Hirsch.

It’s going to be another glorious summer of cinema under the stars at Lido on the Roof.

Full program details are as follows:

Lido on the Roof Events:

Fri 2 NovSuspiria advance screening
Sun 4 NovSuspiria advance screening
Wed 7 NovRomeo + Juliet – House of Capulet costume party
Wed 28 NovRomy and Michele’s High School Reunion – High school reunion costume party
Wed 5 Dec: Schwarzemega Marathon – Kindergarten CopJunior, and Twins
Wed 19 DecDie Hard – Singlets and slacks costume party
Wed 16 JanMatilda – Played on ex-rental VHS with chocolate cake served
Wed 6 Feb: Teen Dream: She’s All That – Movie make-over montage dress-up
Wed 13 Feb: The Before Trilogy – Before SunriseBefore Sunset, and Before Midnight –Speed Dating on the Rooftop
Wed 13 MarRisky Business – Shirts, socks, and sunglasses party
Wed 3 Apr: Teen Dream: Never Been Kissed – High school prom costume party

Special Programming:
Retro

Wed 12 DecThe Nightmare Before Christmas
Wed 9 JanLabyrinth
Wed 23 JanThe Lion King
Wed 30 JanPurple Rain
Wed 20 FebBig
Wed 27 FebThe Bodyguard
Wed 6 MarBeverly Hills Cop
Wed 20 MarDrive Me Crazy
Wed 27 MarFrom Dusk till Dawn

Full Program
November 2018

1, 3, 5, 6 Nov: Bohemian Rhapsody
2, 4 Nov: Suspiria – advance screenings
7 Nov: Romeo + Juliet (1996) – retro
8, 10, 12 NovThe Girl in the Spider’s Web
9, 11, 13 NovBoy Erased
15-18, 20 NovFantastic Beasts: The Crimes of Grindelwald
19 NovThe Old Man & the Gun
22 Nov: Strange Colours
21, 23-25, 27 NovThe Nutcracker and the Four Realms – 21st = advance screening
26 NovI Used to Be Normal: A Boyband Fangirl Story
28 Nov: Romy and Michele’s High School Reunion (1997) – retro
29 Nov: Paracinema Fest – An Evening with Beverly Luff Linn
30 Nov: Paracinema Fest – Overlord

December 2018
1 Dec: Paracinema Fest – Anna and the Apocalypse
2 Dec: Paracinema Fest – Terminal
4 DecWidows
5 Dec: Schwarzemega Marathon – Kindergarten Cops, Junior, Twins – retro
6 DecMortal Engines
7 DecThe Grinch
9, 11 DecOverlord
10 DecStudio 54: The Documentary
12 Dec: The Nightmare Before Christmas (1993) – retro
13, 15, 17 DecSpider-Man: Into the Spider-Verse
14, 26 Dec: Ralph Breaks the Internet – 14th = advance screening
19 Dec: Die Hard (1988) – retro
20, 23, 24 DecBumblebee
21 DecMary Poppins Returns – advance screening
22 DecAt Eternity’s Gate
25 DecAquaman
27 DecThe Favourite
28, 30, 31 Dec: Holmes & Watson
29 Dec: Vice

January 2018
1-3, 8 JanMary Poppins Returns
4, 7 JanHow to Train Your Dragon: The Hidden World
5 Jan: Holmes & Watson
6 JanRalph Breaks the Internet
9 Jan: Labyrinth (1986) – retro
10, 12, 15 JanAd Astra
11, 14 JanWelcome to Marwen
13 JanThe Hate U Give
16 Jan: Matilda (1996) – retro
17, 21 JanStorm Boy
18, 20, 22 JanGlass
19 Jan: Mary, Queen of Scots
23 Jan: The Lion King (1994) – retro
24, 26, 28 JanThe Nightingale
25, 29 JanThe Front Runner
27 JanGreen Book
30 Jan: Purple Rain (1984) – retro

Lido on the Roof (November – April) 

7 days a week, all rooftop showings start at 9pm, unless otherwise indicated.
The Lido on the Roof bar is open:
Mon – Fri: 4pm onwards
Sat and Sun: 2pm onwards
Public Holidays: 12pm onwards

675 Glenferrie Road, Hawthorn, 3122

https://www.lidocinemas.com.au/rooftop

Asia Pacific Screen Awards

Russian film Leviathan (produced by Alexander Rodnyansky, Sergey Melkumov, co-produced by Marianna Sardarova) has won the Asia Pacific Screen Award (APSA) for Best Feature Film, the region’s highest accolade in film, presented at the prestigious ceremony in Brisbane’s City Hall on Thursday evening.

The APSA for Achievement in Directing, for the third time in the history of the event, went to Turkish director Nuri Bilge Ceylan for his already Palme d’Or winning film Winter Sleep (Turkey, France, Germany). The award was accepted on the night by his long time producing partner Zeynep Özbatur Atakan.

The awards recognise and promote cinematic excellence and cultural diversity of the world’s fastest-growing film region: comprising 70 countries and areas, 4.5 billion people, and responsible for half of the world’s film output.

“This evening’s winners have displayed cinematic excellence through their films and they should be congratulated on their achievements,” said Brisbane Lord Mayor Graham Quirk said.

“The Asia Pacific Screen Awards are a unique testament to the vibrancy, diversity and divergence of the Asia Pacific region.  This year’s winners are from a total of nine different countries and areas of the vast Asia Pacific region.”

“The awards enrich Brisbane’s cultural relationship with our regional neighbours and strengthen our position in the Asia Pacific market.”

The 5 feature craft awards were determined by the six member International Jury, consisting of Oscar nominated and APSA winning cinematographer Lu Yue, Palestinian actress/writer/director Hiam Abbass, award winning actor/producer/director Rajit Kapur, EFA representative Maciej Stuhr, award winning Singaporean filmmaker Anthony Chen, and Jury President internationally renowned Iranian filmmaker Asghar Farhadi.

Best Performance by an Actor went to New Zealand’s Cliff Curtis for his role in film The Dark Horse, with iconic Australian actor David Gulpilil receiving a Special Mention for his role in Charlie’s Country.

Best Performance by an Actress was awarded to Lü Zhong for Red Amnesia (People’s Republic of China), with a Special Mention going to Iranian actress Merila Zareie for her performance in Track 143.

These two categories were presented by award-winning actress, APSA winner and APSA International Jury member Hiam Abbass, with all four actors and actresses in attendance.

Oscar nominated Chinese cinematographer and APSA International Jury member Lu Yue presented the APSA for Achievement in Cinematography to winner Dong Jinsong for Black Coal, Thin Ice (People’s Republic of China, Hong Kong (PRC)).

From the Islamic Republic of Iran, Best Screenplay was awarded to Iranian Nima Javidi for his film Melbourne, starring APSA Academy members Payman Maadi and Negar Javaherian.

The UNESCO award for outstanding contribution to the promotion and preservation of cultural diversity through film was awarded to Shawkat Amin Korki for directing Memories on Stone (Iraqi Kurdistan, Germany). Memories on Stone was also a recipient of the MPA APSA Academy Film Fund script development grant in 2011.

The International Jury awarded two Jury Grand Prizes for 2014, to:

– The producers of Chinese film Blind Massage (People’s Republic of China, France), Nai An, Li Ling, Kristina Larsen and Wang Yong

– The legendary Iranian filmmaker Rakhshan Banietemad for directing Tales (Islamic Republic of Iran).

Winners in three feature categories were determined by the APSA Youth, Animation, Documentary International Jury. The 2014 jury consisted of Berlin Golden Bear winning producer Vivian Qu, Australian journalist Quentin Dempster AM, animation specialist Otto Alder and jury chair, India’s Nira Benegal.

Turkish writer/director Kaan Müjdeci was present to accept the award for Best Youth Feature Film for his debut feature Sivas (Turkey, Germany), produced by Yasin Müjdeci, co-produced by Nesra Gürbüz and Çiğdem Mater.

Best Documentary Feature Film was awarded to 1001 Apples, produced, written and directed by Taha Karimi. Sadly, Taha Karimi passed away shortly after completing the film. The award was accepted by his brother Hawre Karimi. The jury said of the film, ‘An atrocity of the enormity of that experienced by the Kurdish people has caused deep psychological after-effects. 1001 Apples takes the audience into that darkest place and produces a deeply moving explication through the voices of the survivors of genocide. The judges were moved to tears as 1001 apples (and cloves) come to symbolise reconciliation for families and their loved ones.’

Best Animated Feature Film was won by The Tale of Princess Kaguya, produced by Yoshiaki Nishimura and directed by Isao Takahata. Following multiple nominations, this marks the first APSA win for a film from Japan’s renowned Studio Ghibli.

The FIAPF Award for Outstanding Achievement in Film in the Asia Pacific region, won by Australian Producer Emile Sherman, was presented by FIAPF representative Zeynep Özbatur Atakan, producer of the 2014 Cannes Palme d’Or winner Winter Sleep.

Iranian writer/producer/director Reza Dormishian is the 2014 recipient of the APSA Academy NETPAC Development Prize for his second feature film I’m Not Angry! An award for emerging talent, the APSA Academy NETPAC Development Prize of USD$10,000, proudly supported by the Griffith Film School, Griffith University, is awarded to a first or second-time feature filmmaker in the narrative feature competition.

In 2014, 36 films from 21 Asia-Pacific countries and areas received APSA nominations. Over 250 films were considered in competition from 42 countries.

APSA, proudly presented by Treasury Casino and Hotel, is supported by Brisbane City Council and managed by economic development board Brisbane Marketing in a unique collaboration with Paris-based UNESCO and FIAPF.

In 2011, the European Film Academy formed an academy alliance with APSA, acknowledging the pan regional works of both organisations. An EFA Academy member sits on the APSA International Jury each year in acknowledgement of this coalition.

APSA WINNERS 2014 – FULL LIST

BEST FEATURE FILM

Leviafan (Leviathan)  Russian Federation
Produced by Alexander Rodnyansky and Sergey Melkumov Co-Produced by Marianna Sardarova

BEST YOUTH FEATURE FILM

Sivas Turkey, Germany
Produced by Yasin Müjdeci
Co-Produced by Nesra Gürbüz and Çiğdem Mater

BEST DOCUMENTARY FEATURE FILM

Hezar-o yek Siv (1001 Apples) Iraq
Produced by Taha Karimi

BEST ANIMATED FEATURE FILM

Kaguya-hime no Monogatari (The Tale of The Princess Kaguya) Japan
Produced by Yoshiaki Nishimura

ACHIEVEMENT IN DIRECTING

Nuri Bilge Ceylan for Kiş Uykusu (Winter Sleep) Turkey, France, Germany

BEST SCREENPLAY

Nima Javidi for Melbourne Islamic Republic of Iran

ACHIEVEMENT IN CINEMATOGRAPHY

Dong Jinsong for Bai Ri Yan Huo (Black Coal, Thin Ice) People’s Republic of China, Hong Kong (PRC)

BEST PERFORMANCE BY AN ACTOR

Cliff Curtis in The Dark Horse New Zealand

SPECIAL MENTION BEST PERFORMANCE BY AN ACTOR

David Gulpilil in Charlie’s Country Australia

BEST PERFORMANCE BY AN ACTRESS

Lü Zhong in Chuangru Zhe (Red Amnesia) People’s Republic of China

SPECIAL MENTION BEST PERFORMANCE BY AN ACTRESS

Merila Zareie in Shiar-E 143 (Track 143) Islamic Republic of Iran

UNESCO AWARD

Shawkat Amin Korki

for directing Bîranînên li ser kevirî (Memories on Stone) Iraqi Kurdistan, Germany

JURY GRAND PRIZE

Tui Na (Blind Massage)

Produced by Nai An, Li Ling, Kristina Larsen, Wang Yong People’s Republic of China, France

JURY GRAND PRIZE

Rakhshan Banietemad for directing Ghesseha (Tales) Islamic Republic of Iran

FIAPF Award for Outstanding Achievement in Film in the Asia Pacific region

Emile Sherman (Australia)

 

APSA Academy NETPAC Development Prize

Reza Dormishian (Islamic Republic of Iran)