Tagged: Michael Arndt

Star Wars The Force Awakens

Summary: Set thirty years after the events of Return Of The Jedi the universe is once again facing upheaval.  Rising from the ashes of Darth Vader before him Kylo Ren (Adam Driver) leads the First Order as they strive to conquer (and in some cases) destroy the galaxy. In order to do so they know they must kill every remaining Jedi which means they need to hunt down Luke Skywalker (Mark Hamill), who has been missing for years.

Leading the resistance against the First Order is Leia (Carrie Fisher) who despite the good intentions of her fighters, like Poe Dameron (Oscar Isaac), is losing the battle against the First Order. The Resistance gets a much needed boost when a map that may show the whereabouts of Luke is found. But in order to have any affect a young scavenger named Rey (Daisy Ridley), a reformed Storm Trooper named Finn (John Boyega), the legendary Han Solo (Harrison Ford) and everybody’s favourite Wookie (Peter Mayhew) must get the map (which is hidden to a droid) to the Resistance.

Year: 2015

Australian Cinema Release Date: 18th December 2015

Australian DVD Release Date: TBA

Country: USA

Director: J.J. Abrams

Screenwriter: Lawrence Kasdan, J.J. Abrams, Michael Arndt, George Lucas (characters)

Cast: Gerry Abrams (Captain Cypress), Sebastian Amresto (Lieutenant Mitaka), Erik Bauersfeld (Admiral Ackbar), Leanne Best (Min Sakul), Jason Boyega (Finn), Anna Brewster (Bazine Netal), Gwendoline Christie (Captain Phasma), Crystal Clarke (Ensign Goode), Tosin Cole (Lietenant Bastian), Morgan Dameron (Commodore Meta), Anthony Daniels (C-3PO), Warwick Davis (Wollivan), Adam Driver (Kylo Ren), Emun Elliott (Brance), Carrie Fisher (Princess Leia), Cailey Fleming (Young Rey), Harrison Ford (Han Solo), Michael Giacchino (FN-3181), Domhnall Gleeson (General Hux), Nigel Godrich (FN-9330), Stefan Grube (Yolo Ziff), Greg Gunberg (Snap Wexley), Mark Hamill (Luke Skywalker), Jessica Henwick (Jess Testor), Oscar Isaac (Poe Dameron), Andrew Jack (Major Ematt), Jeffrey Kissoon (Rear Admiral Guich), Ken Leung (Admiral Statura), Billie Lourd (Lieutenant Connix), Rocky Marshall (Colonel Datoo), Peter Mayhew (Chewbacca), James McArdle (Niv Lek), Jim McGrath (Vice Admiral Resdox), Lupita Nyong’o (Maz Kanata), Simon Pegg (Unkar Plutt), Mike Quinn (Nien Nunb), Maisie Richardson-Sellers (Korr Sella), Daisy Ridley (Rey), Tim Rose (Admiral Ackbar), Kipsang Rotich (Nien Nunb), Yayan Ruhian (Tasu Leech), Philicia Saunders (Tabala Zo), Andy Serkis (Supreme Leader Snoke), Claudia Sermbezis (Lema Eelyak), Kiran Shah (Teedo), Mark Stanley (Knight Of Ren), Pip Torrens (Colonel Kaplan), Iko Uwais (Razoo Quin-Fee), Brian Vernel (Bala-Tik), Max von Sydow (Lor San Tekka), Harriet Walter (Dr. Kalonia)

Runtime: 135 mins

Classification: M

 

OUR STAR WARS: THE FORCE AWAKENS REVIEWS & RATINGS:

 

David Griffiths:

It might be a brutal thing to say but Star Wars: The Force Awakens is perhaps George Lucas’ worst nightmare. For years now we’ve heard people worldwide speculating at how Disney and J.J. Abrams were going to destroy the Star Wars universe. Well now after viewing Star Wars: The Force Awakens I can say that it seems that Abrams actually has a better understanding of that universe than what Lucas himself has had over the past few years. Episode 1 and the rest of the new trilogy made me lose my childhood love of everything Star Wars but last night The Force Awakens just awakened it inside me.

There is little wonder that true Star Wars fans at the Melbourne premiere last night clapped their hands off as the final credits rolled last night because Abrams has obviously created this film from his Star Wars fanboy point-of-view. In fact in light of day this script could have easily been lifted from any short novella on a Star Wars fan-fiction site… that’s how true to the original trilogy it was. The original Star Wars feel to the film can also be credited to Abrams’ right hand man – legendary screenwriter who has brought us gems like The Empire Strikes Back, Return Of The Jedi and Raiders Of The Lost Ark… yes the man knows how to write what audiences love.

In some ways Abrams plays the safe-card with The Force Awakens. He sticks to the tried and true tropes of the original Star Wars films even using similar storylines such as a very important map hidden inside of a droid. Instead of feeling like a blatant rip-off though it instead feels like Abrams paying homage to something that he has loved over the years. Having said that though Abrams does put his own stamp on the franchise very well. His new characters, such as Finn and Rey, are likable and unlike Lucas’ attempt with the ill-fated Jar Jar Abrams shows that his new characters don’t need gimmicks to try and win over their audience. Sure you have to wonder how much political correctness was in mind when characters like Rey, Finn and Poe were created but that doesn’t stop them from being the kind of characters that fans of the series are very quickly going to warm to. The idea of Finn being a reformed Storm Trooper is a stroke of genius from the Abrams camp, while Rey and Poe seem to have some pretty interesting back stories that need to be explored in future Star Wars film… and yes it is very obvious that Finn and Rey have some sexual tension that is guaranteed to surface in the future as well.

Perhaps the biggest stamp that Abrams puts on the Star Wars franchise is his visual style. Teaming up with cinematographer Daniel Mindel (who Abrams has also worked with on the Star Trek franchise) Abrams here has created a film that doesn’t need CGI to enhance its environment. Whether it be a great light sabre in a forest, a Millennium Falcon led dog fight or a group of Tie fighters flying out of a sunset Abrams put a visual stamp on the film that George Lucas always seemed to fail at doing throughout his time in the Star Wars world. As The Force Awakens plays out you realise that Abrams’ main focus here wasn’t CGI creatures but instead developing a film that not only had a decent plot but looked damn fine as well.

The big plus for this film though is the inclusion of old favourites. Giving Han and Chewie such a big role in this film is another stroke of genius from the Abrams’ camp. It gives the film some familiarity and the fact that Han is so accepting of Rey and Finn gives them a huge ‘in’ with the film, plus the Abrams’ screenplay provides Han and Chewie with some truly great moments as well. The comedic dialogue works well between the two and once again Harrison Ford shows that even at his age he can be a believable action hero who is more than capable of carrying a film like this… plus the time on set with such a legendary actor will surely put the young stars of this film in great steed for the future.

After the disappointment of the previous three Star Wars films J.J. Abrams touch on the franchise is a welcome relief. Finally there is another Star Wars film to be proud of and yes this is one former lover of the franchise that has had his flame rekindled.

 

Stars(4)

Adam Ross:

You can hear Adam’s full Star Wars: The Force Awakens review on The Good The Bad The Ugly Film Show Ep #157

Stars(4)

 

Greg King:

You can hear Greg’s full Star Wars: The Force Awakens review on The Good The Bad The Ugly Film Show Ep #157

Stars(4)

 

Harley Woods:

Big Star Wars fan, here. As a child I wanted to hire the original trilogy videos every week. I wanted to be Luke; loved the tale, mythology and symbolism littered throughout. I loved the prequels, despite them generally getting a bad rap these days.

Then it was finally announced – episode 7! We’d see what really happened after Return Of The Jedi. And then I saw it…

And I was sad. A brilliant opening set the scene well – I was hooked. But it falls apart more and more as we progress. The film had a habit (even before release) of building expectations, then dashing them. Even from the opening ‘story crawl’ – “…Leia has sent her most daring pilot on a secret mission to Jakku, where an old ally has discovered a clue to Luke’s whereabouts…” Most daring pilot – is it Han Solo?! No. It’s newcomer Poe Dameron (Oscar Isaac). That’s OK, I want to get to know him (but barely do). And the old ally… who could it be?! No-one we’ve ever met before. Played by a very famous actor, Max von Sydow, ‘old ally’ Lor San Tekka is killed-off in about 5 minutes, as just a plot device. Even Poe Dameron is seemingly killed-off within the first half hour, only to suddenly reappear later in a cheap way. It was hollow, like something wasn’t right so I kept looking for some big surprise around the corner. Nothing.

Everything builds-up to go nowhere. The opening line of the film is “Luke Skywalker has vanished” – so the story is about finding him, right? No, it’s the main crux of the story but forgotten about and sidetracked with nonsense until the last few minutes.

The new characters of Finn (John Boyega) and Rey (Daisey Ridley) were great and the performers did well. All the impetus was put on them by Disney as what they wanted to sell. The fans wanted to see more of the classic characters along with the new generation, but the classic cast was left underdeveloped or written sometimes out-of-character. I remember when you could half understand the Droids’ bleeping, but now it’s like random sounds.

Daisey and John, at least, are great at bringing their characters to life and we enjoy following them, but there’s too much time spent sidelining the plot. It sets up questions (which kind of look like they have predictable answers – we’ll see in episode 8, probably) that don’t pay-off. You need to give the audience some pay-off, even if this is part of a trilogy. Both characters get invested in their journey then alternatingly both want to leave, then just-as-suddenly change their mind again.

So, then they look for Luke Skywalker, right? No, there are more distractions as the First Order (just a condensed copy of the Galactic Empire from the original trilogy) come to find the map to Luke Skywalker as this is also their plan… or is their plan to blow-up planets with yet another Death Star – oh, sorry: “Star Killer”? While I like the ‘Star-Killer’ nod to George Lucas’ original Star Wars script where the Skywalker clan was named Starkiller, that would have been more than enough of an in-joke. But everything else in the film is a nod to something, a re-make of an old scene, an in-joke for fans, etc… We get two hours of fan-service and maybe 30 minutes of it is story-related. Instead of finding Luke we deal with the unoriginal ‘planet-killing’ device – something we’ve seen fail TWICE already – then clumsily get to a plot point of killing-off a character.

We see what was probably an important planet destroyed by the Starkiller (actually, the home of the New Republic; an element totally lost as the First Order seems to have such power that it seems NOTHING has changed since episode 6) but we don’t care because we never saw the planet. We see some people about to die in horror (including great actress, Freema Agyeman, who’s little more than an uncredited extra after deleting an important scene earlier in the film) but we don’t get invested in their deaths as it becomes such a non-point with little gravitas or repercussion.

Abrahams and Disney cut so much of what was filmed after already diluting so much of what George Lucas had written for them that the current universe isn’t properly established, so have little grounding. But then Abrahams goes all-out on padding the movie with stuff we’ve seen before but has little reward. We get a couple of important plot-points, but mostly this movie is just played out as an small opening act for an actual story which leaves the experience very hollow.

Gone, also, are the layers of myths and symbology that Lucas created in his original films, which I still enjoy discovering to this day, leaving with us something quite superficial.

Technically, the film is well-achieved, and if you want mindless spectacle over an adventure you’ll enjoy this film. I think Disney have been too keen to cash in on this (you can see them whoring the franchise out to anyone who will pay to have a Star Wars image on their product – including Gillette razors) and wanted to hurriedly establish their characters to use as they wish with little continuity constraints (and probably because they’ll be cheaper than the existing heroes). And a new Star Wars-related film will be out every year! Great, so long as they have actually gone to the lengths to make it GOOD.

I, of course, can’t wait for Episode 8 and have hope (A New Hope?) that it will make-up for TFA’s shortcomings and actually develop the plot and story properly. We want more than a money-making romp from Disney, and sadly that is all this film feels like in the end.

Stars(3)

 

Nick Gardener:

You can hear Nick’s full Star Wars: The Force Awakens review on The Good The Bad The Ugly Film Show Ep #157

Stars(3.5)

 

Sam Gironda:

Star Wars ‘The Force Awakens’ (Directed by J.J. Abrams) is a sequel, continuing on from the original Star Wars trilogy.

The Force Awakens is said to be the biggest film release in history. But does the film live up to all the hype?

Star Wars ‘The Force Awakens’ introduces us to a new range of characters when at the same time bringing back ones from the past. At the beginning of the film we are introduced to Poe Dameron (Oscar Isaac) and a brand new droid, BB-8. Poe is an X-Wing pilot and is on a mission to protect classified information from the hands of the First Order.

The audience is then introduced to Finn (John Boyega). Finn is a Stormtrooper who disagrees with the ways of the First Order and decides to run away. Finn escapes to the planet of Jakku where we meet Rey (Daisy Ridley). Rey is a scavenger living a life where she needs to recover any junk metal or spare parts that are good enough to be traded for food.

Any Star Wars film wouldn’t be complete without a major threat and villain fighting to make that threat a reality. Kylo Ren (Adam Driver) is the leader of the First Order and is accompanied by General Hux (Domhnall Gleeson) and Captain Phasma (Gwendoline Christie).

We are of course greeted with some old faces as Han Solo (Harrison Ford), Chewbacca (Peter Mayhew), Princess Leia (Carrie Fisher and of course Luke Skywalker (Mark Hamill). It was amazing to see the characters we know and love return to the big screen and to see how they have changed after all these years. C-3PO (Anthony Daniels) and R2-D2 (Kenny Baker) also return to join the returning cast.

The one thing that stood out to me in this film was the acting. J.J Abrams chose actors who were not well known to a large audience and they have definitely shown their potential when it comes to acting.

Throughout the movie there is so much going on that it’s hard to determine your thoughts about it and what you think. After seeing the movie and taking a moment to breath I can honestly say that it was a triumphant return for the Star Wars franchise. The movie was non-stop action and intensity and it was amazing to see that J.J. Abrams kept to the old films and didn’t change anything that would leave fans disappointed. Star Wars ‘The Force Awakens’ is an amazing film for Star Wars fans and the ending has been left wide open for future stories and films to connect with.

The one thing I loved most about this film is that the only CG (Computer Graphics) used was for when they are in space or in battle, flying through the air. There was a physicality to it that made the Star Wars universe feels so real. All the character, droids, aliens, sets and locations were all real and done brilliantly.

My finale thoughts of the film are that it was a great comeback for the Star Was franchise and it’s great to see this universe be introduced to a whole new generation of fans. I would definitely see it again!

Star Wars ‘The Force Awakens’ is in Cinemas now!

 

Average Subculture Rating (out of 5):  Stars(4)

 

IMDB Rating: Star Wars: The Force Awakens (2015) on IMDb

 

Other Subculture Entertainment Star Wars: The Force Awakens reviews: You can listen to our full Star Wars: The Force Awakens  review on The Good The Bad The Ugly Film Show Ep #157.

Trailer:

The Hunger games Catching Fire Poster

Summary: Katniss and Peeta are dethroned from their respective victory riches and are put back into the arena for the most climatic and menacing of the Hunger Games, known as the Quarter Quell.

Year: 2013

Australian Cinema Release Date: 21st November, 2013

Australian DVD Release Date: TBA

Country: USA

Director: Francis Lawrence

Screenwriter: Simon Beaufoy, Michael Arndt, Suzanne Colllins (novel)

Cast: Nelson Ascencio (Flavius), Elizabeth Banks (Effie Trinket), Bruce Bundy (Octavia), John Casino (Woof), Sam Clafin (Finnick Odair), Lynn Cohen (Mags), Rita Conte (Hob), Stef Dawson (Annie Cresta), Rode Ferland (Marcus), Wilbur Fitzgerald (Cray), Meta Golding (Enobaria), Bruno Gunn (Brutus), Woody Harrelson (Haymitch Abernathy), Megan Hayes (Female Morphling),, Liam Hemsworth (Gale Hawthorne), Philip Seymour Hoffman (Plutarch Heavensbee), Maria Howell (Seeder), Josh Hutcherson (Peeta Mellark), Toby Jones (Claudius Templesmith), Bobby Jordan (Blight), Lenny Kravitz (Cinna), Sandra Ellis Lafferty (Greasy Sae), Jennifer Lawrence (Katniss Everdeen), Jena Malone (Johanna Mason), E. Roger Mitchell (Chaff), Amanda Plummer (Wiress), Jack Quaid (Marvel), Alan Ritchson (Gloss), Elena Sanchez (Cecelia), Stephanie Leigh Schlund (Cashmere), Willow Shields (Primrose Everdeen), Taylor St. Clair (Ripper), Patrick St. Esprit (Commander Thread), Donald Sutherland (President Snow), Stanley Tucci (Caesar Flickerman), Jeffrey Wright (Beetee)

Runtime: 146 mins

Classification:M

OUR THE HUNGER GAMES: CATCHING FIRE REVIEWS & RATINGS:

 

Adam Ross: You can read Adam’s full The Hunger Games: Catching Fire review on The Crat.

Stars(4)

 

Nick Gardener: You can read Nick’s full The Hunger Games: Catching Fire review on Southern FM

Stars(4)

 

David Griffiths:

The original “The Hunger Games” film left audiences in the middle. On one hand it was a better teenage genre flick than the later “Twilight Saga” films, but on the other hand the fact it was aimed at a younger audience meant that director Gary Ross held back on some of the darker elements that were portrayed in the novel.

Now comes “The Hunger Games: Catching Fire” the difficult second film in the trilogy. Some three-part franchises choke when it comes to the second film, the film does nothing to bridge the first to the third film and becomes a dull affair for the audience. That certainly can’t be said for “The Hunger Games: Catching Fire” that equals the original film and overcomes a couple of flaws by director Francis Lawrence’s (“Water For Elephants,” “I Am Legend”) decision to allow the film to find its dark side.

Following the series of novels by Suzanne Collins “The Hunger Games: Catching Fire” is set twelve months after the original film. The young hero Katniss Everdeen (Jennifer Lawrence – “The Devil You Know,” “Silver Linings Playbook”) is back living in District 12, although this time she is the nicer diggings of the Victor’s Village. Life is far from easy for her though as Katniss is forced to live a double life. Behind closed doors she is sorting out her feelings for good friend Gale Hawthorne (Liam Hemsworth – “Paranoia,” “Empire State”) while in public her fake relationship with fellow Hunger Games winner Peeta Mellark (Josh Hutcherson – “Epic,” “Red Dawn”) must continue.

On the eve of joining the promotional train for the 75th Annual Hunger Games Katniss’ life is further turned upside down when she learns that her’s and Peter’s actions have seen them become the face of a threatened revolution. After a threat from President Snow (Donald Sutherland – “Jappeloup,” “The Best Offer”) Katniss realises that she must ‘tow the line’ but with that not working she soon finds her and Peter having to team up with Haymitch Abernathy (Woody Harrelson – “Out Of The Furnace,” “Free Birds”) to survive a new game thought up by Snow and his new right-hand man Plutarch Heavensbee (Philip Seymour Hoffman – “A Late Quartet,” “The Master”).

Francis Lawrence does push the boundaries of this franchise a little more. He makes it a bit bloodier and even enhances the metaphor of Snow’s regime being similar to Nazi Germany but sadly Lawrence and his cinematographer Jo Willems (“Gotham,” “Limitless”) leave the audience a little underwhelmed with the film awash with a bland look.

Still that doesn’t put too much of a dampener on the film because the story really does come to the forefront. This film raising the stakes for most of the main characters certainly brings more suspense to the screen and despite some badly signposted areas of the film there are enough unexpected twists and turns to warrant the audience paying full attention. Unlike most teenage franchises you also get the feeling that this is one series that isn’t too afraid to kill off main characters if the story calls for that, at the end of the day that just enhances the suspense even more.

One disappointing thing about “The Hunger Games: Catching Fire” is that Josh Hutcherson and Jennifer Lawrence just seem to breeze through their performances. Lawrence has shown in films like “Winter’s Bone” and “Silver Linings Playbook” that she is one of the finest young actresses going around but she never really gets to show those skills this time around. A real waste of an Oscar winner if I’ve ever seen one.

Liam Hemsworth also doesn’t get any decent screen time but Donald Sutherland is rewarded for his patience with the first film with the chance to really sink his teeth into a really menacing role… something that he seems to grasp with two hands. But stealing the show are Woody Harrelson and Stanley Tucci (“The Fifth Estate,” “Percy Jackson: Sea Of Monsters”). Harrelson continues to remind audiences what a fine actor he is with his great portrayal of the alcoholic Haymitch while Tucci shows his versatility by showboating as the energetic master-of-ceremonies Caesar.

There is no doubt that Francis Lawrence certainly lifts this franchise to a different level with his darker approach to “The Hunger Games: Catching Fire.” Sure there will be some out there that simply want to put the film down because it is part of a popular franchise but truthfully this is fairly decent film that certainly isn’t a waste of time to take a look at.

 Stars(3)

Average Subculture Rating (out of 5): Stars(3)

IMDB Rating:  The Hunger Games: Catching Fire (2013) on IMDb

Other Subculture Media Reviews of ‘The Hunger Games: Catching Fire′: You can also read Dave’s The Hunger Games: Catching Fire review on The Book The Film The T-Shirt.

Trailer:

Oblivion

Summary: On a spectacular future Earth that has evolved beyond recognition, one man’s confrontation with the past will lead him on a journey of redemption and discovery as he battles to save mankind.

Year: 2013

Australian Cinema Release Date: 11th April, 2013

Australian DVD Release Date: TBA

Country: United States

Director: Joseph Kosinski

Screenwriter: Joseph Kosinski, Karl Gajdusek, Michael Arndt, Arvid Nelson (graphic novel)

Cast: Zoe Bell (Kara), Nickolaj Coster-Waldau (Sykes), Tom Cruise (Jack), Morgan Freeman (Beech), Olga Kurylenko (Julia), Melissa Leo (Sally), Andrea Riseborough (Victoria)

Runtime: 125 mins

Classification:M

Dave Griffiths’s ‘Oblivion’ Review:

There seems to be some people out there that are wanting to give ‘Oblivion’ a wide berth simply because Tom Cruise is in it. If that’s the case for you then ask yourself the following questions. Would you not go and see a film because the lead actor was Jewish? When was the last time Tom Cruise made a bad movie?

The second question is really worth pondering, because the last average film that Cruise made was ‘Knight And Day’ and even that was passable and enjoyable. And once again Cruise has chosen well with ‘Ovlivion’ being so good it also proofs that Joseph Kosinski is certainly one of the best young directors going around at the moment.

Firstly, this is going to be a review that doesn’t give away any of the major twists or turns that the film takes. Even the fact that the trailer reveals that Morgan Freeman (‘Olympus Has Fallen’, ‘The Dark Knight Rises’) is in the film is a major spoiler that I wish I could have blocked out of mind before I saw the film.

‘Oblivion’ opens on a desolate Earth, an Earth that sixty years earlier was left broken and shattered after the it was attacked by a race of aliens known as Scavs. The Scavs blew up the moon and then stormed onto Earth and resulting nuclear war left Earth devastated.

Most of humanity has been shipped off to a new location but some ‘workers’ such as the effective team of Jack (Tom Cruise – ‘Jack Reacher’, ‘Rock Of Ages’) and Victoria (Andrea Riseborough – ‘Welcome To The Punch’, ‘Disconnect’) have been left behind in a bid to follow the orders of Command, a straight-forward woman named Sally (Melissa Leo – ‘Olympus Has Fallen’, ‘A Single Shot’). Their tasks include defending the large rigs that are being used to draw up water to be used at their new home and also repairing the droids that are used to protect the rigs from the marauding Scavs.

Just as it looks like Jack and Victoria are about to get their wish and be transported to their new home the sudden appearance of Julia (Olga Kurylenko – ‘Seven Psychopaths’, TV’S ‘Magic City’), a woman that haunts Jack in his dreams and also seems to pose more questions than answers.

Apart from a well-written and slick science-fiction film ‘Oblivion’ really does reveal the talents of Joseph Kosinski, a director who with just his second film has revealed that he is already capable of delivering a film visually looks equal t anything that James Cameron or Stephen Spielberg has delivered. Kosinski’s landscape shots look like something from ‘Dune’ while his droid vs Jack dog fights look like something from ‘Star Wars’. Kosinski showed with ‘Tron Legacy’ (which was his first work as a director) that he had talent, but it is ‘Oblivion’ that shows that he is set to become of the greatest directors of our time.

As far as ‘Oblivion’s’ story goes it will really mess with any audience member. Kosinski keeps back his all his twists and turns until the moment he wants to reveal to the audience exactly what is happening. There are some he breadcrumbs enough that you get a feeling something is suss, but it is rare in this film that you are ever likely to totally predict what is going to happen next, the fact that Kosinski is a good storyteller and also a very visual director just goes to show that one day he is going to make the perfect film.

As usual Tom Cruise puts in a solid performance as he plays a character that is made interesting by the fact that the audience is left asking more questions about him than is actually answered. On paper the idea of Tom Cruise and Olga Kurylenko should sound freaky (because of their ages) but together on screen they have the perfect chemistry. Andrea Riseborough also rises to the occasion and she plays the cold (yet filled with emotion) Victoria remarkably well. This could her big breakout movie that makes the world realise just how good she is.

If you love science-fiction then you are never going to be disappointed by ‘Oblivion’. It is one of the better science fiction films to have been released over the last few years and I can’t wait to see what Joseph Kosinski chooses to do next.

Other Subculture Media Reviews of ‘Oblivion′: Check Episode #27 of our The Good The Bad The Ugly Podcast for a more in-depth review of ‘Oblivion’. Please also check Dave’s review of ‘Oblivion’ that is available on the Helium Entertainment Channel.

Rating: 3.5/5

IMDB Rating: Oblivion (2013) on IMDb