Cult director Eli Roth (Hostel, The Green Inferno) returns to the big screen this week with his brand new family ‘horror’ The House With A Clock In It’s Walls‘. Starring Cate Blanchett (Blue Jasmine, Lord Of The Rings),Jack Black (King Kong, School Of Rock) and Owen Vaccaro (Daddy’s Home, Mother’s Day) the film will be in cinemas this Thursday so watch out for it.
Summary: As Mother’s Day rapidly approaches various people find themselves going through different stages of life. Sandy (Jennifer Aniston) finds that her ex-husband’s suprise is nothing like she expected, Miranda (Julia Roberts) decides to keep impressing her fans and ignore the fact the day is near, Jesse (Kate Hudson) and Gabi (Sarah Chalke) find themselves having to hide their lives from their parents, Bradley (Jason Sudeikis) prepares to help his daughters through their first Mother’s Day after the death of their mother while Kristin (Britt Robertson) finds it impossible to accept Zack’s (Jack Whitehall) marriage proposal as she heads into her first Mother’s Day.
Australian Cinema Release Date: 28th April 2016
Australian DVD Release Date: TBA
Country: United States
Director: Garry Marshall
Screenwriter: Tom Hines, Lily Hollander, Anya Kochoff, Matthew Walker
Cast: Jennifer Aniston (Sandy), Ella Anderson (Vicky), Brittany Belt (Beth Anne), Ayden Bivek (Tanner), Charly Briggs (Baby Katie Zim), Remy Briggs (Baby Katie Zim), Caleb Brown (Mikey), Joseph Leo Bwarie (Principal Bobby Lee), Jesse Case (Rachel), Sarah Chalke (Gabi), Hector Elizondo (Lance Wallace), Cameron Esposito (Max), Adam Freeman (HSN Host Adam Freeman), Gary Friedkin (Shorty), Jennifer Garner (2nd Lt. Dana Barton), Lisa Roberts Gillian (Assistant Betty), Adreana Gonzalez (Publicist Inez), Suzanne Haring (Bella the Balloon Lady), Tom Hines (Brady), Kate Hudson (Jesse), Mia Jackson (herself), Genevieve Joy (herself), Beth Kennedy (Gwenda), Siena LaGambina (Paige), Kate Linder (Dog Walker Gigi), Loni Love (Kimberly), Jon Lovitz (Wally Burn), Natalie Machado (Soccer Referee Lisa), Aasif Mandvi (Russell), Penny Marshall (Narrator), Sam Marshall (Sam), Margo Martindale (Flo), Drew Matthews (Beanzie), Shay Mitchell (Tina), Ariana Neal (Evette), Anoush NeVart (Sonia), Timothy Olyphant (Henry), Robert Pine (Earl), Julia Roberts (Miranda), Britt Robertson (Kristin), Graydon Russell (Tommy), Gianna Simone (Val), Brandon Spink (Peter), Jason Sudeikis (Bradley), Sandra Taylor (Lexy), Owen Vaccaro (Charlie), Paul Vogt (Tiny), Matthew Walker (Randy The Clown), Lucy Walsh (Jody), David Wedil (Dog Walker Leah), Jack Whitehall (Zack)
Runtime: 118 mins
OUR MOTHER’S DAY REVIEWS & RATINGS:
Over the past few years Garry Marshall’s movies haven’t always been easy to watch. The man who once brought as classic television shows like Happy Days and The Odd Couple has turned to a lazy style of filmmaking which has seen him use the quantity of stars to get people into the cinema rather than the quality of the film. The result has been films like New Year’s Eve and Valentine’s Day which while have had star power but haven’t exactly been the most captivating films to watch.
It was because of that style of filmmaking that has meant that Mother’s Day has virtually been released in Australia with very little fanfare at all, a surprise when you realise that it stars three regular box office winners – Jennifer Aniston (We’re The Millers), Julia Roberts (Pretty Woman) and Kate Hudson (Almost Famous). If you are one of those people that have been a little bit worried about going to see Mother’s Day you can relax because this is one of Marshall’s better modern day films.
The film centres around a number of characters as Mother’s Day rapidly approaches. There is Jesse (Kate Hudson) and her sister Gabi (Sarah Chalke – Scrubs) who haven’t seen their parents in years because of their secret lives they know that their parents would not approve them. There is also Sandy (Jennifer Aniston) who is left reeling after she discovers that her ex-husband (Timothy Olyphant – Hitman) has just re-married the much younger Tina (Shay Mitchell – Pretty Little Liars) which means her children know have a second mother. Then there is Bradley (Jason Sudeikis – Horrible Bosses) who has been left trying to bring up his daughters after the death of his mother while Zack (Jack Whitehall – Fresh Meat) struggles to comprehend why the mother of his daughter, Kristin (Britt Robertson – The Longest Ride) refuses to marry him. Last but not least there is Miranda (Julia Roberts), the television show host that brings the ensemble all together.
After watching Mother’s Day i found myself sitting down and going over the film like a crime scene. Why did Mother’s Day work so well when Marshall’s previous films have been such lame ducks. The first thing I realised was the fact that Mother’s Day seems to flow a lot smoother than the previously mentioned films. Some of the links between characters in the other films have been pretty lame where as in Mother’s Day the relationships are not only believable but help the film’s storyline to move along rather than get in the way of it.
There also seems to be a lot more heart and humor in the film this time around which in the end makes the whole film seem a whole lot more realistic. While the story revolving around Bradley might not be as well presented as the similar story in Steve Carrell’s Dan In Real Life Sudeikis does manage to mix comedy with some truly emotional scenes. Likewise Sarah Chalke and Kate Hudson brilliantly portray two sisters sadly forced to live secret lives despite the fact they live in modern times. Like Sudeikis the two manage to amazingly combine comedy with some scenes that are powerful enough to really upset anybody who has had similar things happen in their lives.
Perhaps the biggest breath of fresh air in Mother’s Day are the acting performances of Britt Robertson and Jack Whitehall. Whitehall largely comes from a comedy background and while he plays a stand-up comedian in Mother’s Day he shows a new side to his talents by also expertly portraying a lot of the more emotional scenes that he shares with Britt Robertson who is almost unrecognisable compared to the roles that she has recently played in Tomorrowland and The Longest Ride.
Marshall really does find the right mix of comedy and drama and manages to make Mother’s Day a credible film that is a joy to watch. This is a film that you can easily become emotionally involved with and with great acting performances from the likes of Aniston, Hudson and Sarah Chalke this is actually a film that you won’t groan at if someone in your family decides that want to watch it every Mother’s Day. Garry Marshall take a bow you have finally learnt how to make a good ensemble film.
Mother’s Day is the third film in director Garry Marshall’s unofficial trilogy based around Hallmark-like “special events” holidays, and it follows the bland template established by the romcom Valentine’s Day and New Year’s Eve. All three films are multi-character narratives with interwoven storylines and a star studded ensemble cast in which a bevy of A-listers vie for screen time. In terms of quality thoughMother’s Day falls somewhere between the superior Valentine’s Day and the lacklustre New Year’s Eve, which seem a little contrived by comparison.
Given the title it’s not surprising that all of the narrative strands here revolve around different concepts of motherhood, maternal responsibilities, complex mother and child relationships, and the daily struggles of motherhood. The formulaic script has been written by four writers including Anya Kochoff Romano (Monster-in-Law) and three first time screenwriters in actor turned writer Tom Hines (a regular in many of Marshall’s films), Lily Hollander, and Matthew Walker, which accounts for a slight unevenness in tone at times.
The film is set in Atlanta and centres around a number of middle class women during the days leading up to the titular celebration day.
Jesse (Kate Hudson) and her sister Gabi (Sarah Chalke, from Scrubs, etc) live next to each other, and they haven’t seen their parents for a couple of years, mainly because they fear that their judgemental mother (Margot Martindale) will disapprove of their lifestyle choices. Jesse has married Russell (Aasif Mandvi), a doctor of Indian descent with whom she has a young son, while Gabi is gay and married to her girlfriend Max (Cameron Esposito). But when their parents unexpectedly stop by for a surprise visit the scene is set for some emotional upheavals and broad racist humour before a reconciliation can be affected.
Sandy (Jennifer Aniston) is divorced from her husband Henry (Timothy Olyphant, from tv’s Justified, etc), but they seem to share a good relationship. But then Sandy is shocked to learn that he has married the much younger Tina (Shay Mitchell, from Pretty Little Liars, etc). She is a little jealous and even bitter at having to share her two sons with their new stepmother who is barely out of puberty herself.
Bradley (Jason Sudeikis) is a physical trainer still recovering from the death of his wife (a cameo from Jennifer Garner), a soldier who was killed in action in Afghanistan a year ago. He is something of a mister mum, trying to raise his two daughters, but struggling to keep it all together. Several of the women at the gym where he works are trying to fix him up with a suitable partner. But as Mother’s Day approaches, Bradley is not sure how to handle his emotions.
Zack (Jack Whitehall) works in a bar but is also an aspiring stand up comic. He wants to marry his girlfriend Kristin (Britt Robertson, from The Last Ride, etc), who is the mother of his young daughter. But Kristin was adopted as a child and is still suffering from some abandonment issues. She is reluctant to marry him until she can come to terms with who she is.
The link that draws all these various characters together is Miranda (Julia Roberts), the popular host of a television home shopping network program and celebrity author.
The cast do what they can with their at times cliched characters. Aniston is a familiar figure in romcoms, and fittingly most of the best moments and best lines are given to her character. She manages to bring the material alive whenever she is on screen. Hector Elizondo, who has appeared in all of Marshall’s films, has a small role here as Miranda’s increasingly exasperated manager.
This is surprisingly lazy filmmaking from veteran Marshall, who of course gave us such classic television sitcoms as Happy Days, Mork And Mindy and The Odd Couple, and big screen romantic comedies like the classic Pretty Woman. Mother’s Day is suffused with his trademark mix of humour and warmth. Here he juggles his large cast and multi story lines deftly enough, and gives us a mix of slapstick humour mixed with sentimentality that sometimes slips into mawkishness.
Summary: Brad Whitaker (Will Ferrell) has always wanted to be a Dad but an unfortunate accident in a dental chair has left that dream in tatters. However, now he is married to ready-made Mum, Sara (Linda Cardellini), but is finding winning over her children Dylan (Owen Vaccaro) and Megan (Scarlett Estevez) a lot harder than he thought it would be.
Hard work pays off though but just as the two kids are starting to warm to him Sara’s ex, the children’s father, the ever-ready, man-of-the-year-material Dusty Mayron (Mark Wahlberg) shows up and he has just one plan in mind – to make Brad look incompetent and to win back Sara and the kids.
Australian Cinema Release Date: 26th December 2015
Australian DVD Release Date: TBA
Director: Sean Anders
Screenwriter: Sean Anders, Brian Burns, John Morris
Cast: Alessandra Ambrosio (Karen), Joel K. Berger (Corey from Red Bull), Kobe Bryant (himself), Hannibal Buress (Griff), Bill Burr (Jerry), Bobby Cannavale (Dr. Francisco), Jeff Caperton (Tom), Linda Cardellini (Sara), John Cena (Real Dad), Thomas Haden Church (Leo Holt), Troy Compas (Jim), (Jamie Denbo (Doris), Scarlett Estevez (Megan), Will Ferrell (Brad Whitaker), LaMonica Garrett (Marco), Sadarias Harrell (Silverberg), Chris Henchy (Panda DJ/Jason Sinclair), Matthew Paul Martinez (Pete), Hector Presedo (Pepe), Owen Vaccaro (Dylan), Mark Wahlberg (Dusty Mayron), Brady Yarborough (Marty)
Runtime: 96 mins
OUR DADDY’S HOME REVIEWS & RATINGS:
This year hasn’t been a great year for comedy. A lot have been released and lot have sucked. Well now comes Daddy’s Home which decides to do something a little different, and that is sit right in the middle of the road.
Actually to be honest Daddy’s Home is a bit of a strange watch. It is one of those movies that is completely ruined by the trailer. As a result of seeing most of the gags in the trailer you can pretty much watch this film with just a chuckle here and there. A shame because at times such as Brad skateboarding off a half-pipe into a power-line I found myself thinking ‘I probably would been laughing right now if it weren’t for the fact that I’ve already seen in the trailer in cinemas ten times.’ The sad thing is that happens for most of the laughs throughout the film which must be pretty disappointing for screenwriter/director Sean Anders.
Like Anders’ career itself (this is the man that brought us highs like We’re The Millers but also films like Dumb And Dumber To) a lot of the laughs in Daddy’s Home are all over the place. Yes a lot of the slapstick is ruined by the trailer but then some of the other comedy throughout the film seems to come from a weird place. While the ‘stories’ from Brad’s boss Leo (Thomas Haden Church) are often the funniest part of the film, there are other times when Anders’ humor feels mistimed or misplaced. Two examples are when Leo has a deeply personal conversation with Brad and then the camera pans back to reveal it is in the middle of a meeting with other people (feels forced) or when Leo and Brad are trying to convince Griff (Hannibal Buress) to aid Brad in a clichéd movie run-down-the-hall… that scene just goes on for far too long.
The other abnormality with the humor of Daddy’s Home is that it feels like Mark Wahlberg is a lot funnier in the film that what Will Ferrell is. It is obvious that even Anders knew the role of Dusty provided much of the laughs because at one point Ferrell was supposed to be Dusty before obviously someone realised that there is no way in hell he could pull off being an aloof tough Special Ops member. It what would have been an even bigger disaster Vince Vaughn was also considered for the role so we should be thankful that Wahlberg ends up playing Dusty because he is the highlight of the film… often stealing the limelight from Ferrell mid-scene.
Being out-acted this time round seems to be part of the landscape for Ferrell. His character is ‘boring’ which in fairness may have been Anders’ intention, but the flare shown by Wahlberg makes Dusty a much more impressive character while Ferrell also has a lot of his thunder stolen by Thomas Haden Church whose comedic timing and droll delivery works an absolute treat and he provides many of the laughs throughout the film.
Sure Anders certainly didn’t deliver a comedic masterpiece with Daddy’s Home but any filmmaker deserves not to have their ‘surprises’ or ‘laughs’ intended to impress the audience ruined by the trailer that is supposed to promote the film. With that putting the film behind the eight ball already Daddy’s Home is an up-and-down the film. The film seems to work best when it forgets about trying to be funny and instead goes for more touching scenes, like a step-Dad trying his best with his kids, but also falls on its face when it tries to ‘show-up’ other films’ stupidity like with dance-offs etc. Daddy’s Home is a middle of the road comedy that doesn’t provide anywhere near as many laughs as it should.
Daddy’s Home directed by Sean Anders sees the story of a Dad and a Step Dad dealing with the facts of having two Dads in the one household. Brad (Will Ferrell) is a man who has always wanted to be a Dad and his life as a Step Dad to two kids and husband to his wife Sarah (Linda Cardellini) is going well until his wife’s ex-husband shows up. Dusty (Mark Wahlberg is a man who is tough and competitive which certainly is shown throughout the film.
Throughout the film Dusty and Brad go head to head and compete to prove to the kids and Sarah, who can be the better parent. What I loved about the film was the constant humour. In most comedy movies sometimes the humour seems almost like it is forced on you and almost makes you feel like they are trying so hard to make you laugh with scenes and jokes that aren’t very funny at all. In Daddy’s Home the humour was great. It was humour that was very quick in some cases and that’s what I loved. It was humour that we would all experience and things that we would laugh at in everyday life.
The one thing I thought of during this movie is that Mark Wahlberg and Will Ferrell were great together on screen. To me they were a comedy duo that I never expected and it would be great to see them do more films together in the future. Even though the film is a comedy there was some drama and emotional events which really portrayed what it is like for families where there are more than two parents. Daddy’s Home, I think, is a great movie for the whole family and is definitely worth seeing if you have the option of going to the cinema.
It was funny, enjoyable, had a good story line, great cast and was just an all over good film to watch. Daddy’s Home staring Will Ferrell and Mark Wahlberg is in cinemas now! Check it out!
Average Subculture Rating (out of 5):
Other Subculture Entertainment Daddy’s Home reviews: You can listen to our full Daddy’s Home review on a future episode of The Good The Bad The Ugly Film Show. You can also read our Daddy’s Home review on The Book The Film The T-Shirt.