Tagged: Vincent Cassel

 

Poised to thrill audiences around the nation, the Alliance Française French Film Festival has today unveiled the full line-up for its eagerly anticipated 31st season at www.affrenchfilmfestival.org

Spreading its cinematic stardust across 8 cities and 4 satellite locations, the Festival, which is proudly presented by the Alliance Française in association with the Embassy of France in Australia, Unifrance Films and screening partner, Palace Cinemas, will commence its national tour from 10 March until 19 April and is set to thrill audiences with a stupendous selection of 49 contemporary and classic French films, many enjoying their Australian premiere.

 We’re also delighted to announce that dynamic filmmaker, Justin Kurzel (The Snowtown Murders, Macbeth, True History of the Kelly Gang), who has long taken inspiration from French cinema, will be the 2020 Festival Patron.

 Additionally, acclaimed director/actor, Zabou Breitman, whose lyrical, animated drama, The Swallows of Kabul (Les hirondelles de Kaboul), has won plaudits from critics and audiences alike on the international film festival circuit, will be visiting Melbourne to introduce a screening of this, her latest feature, which she directed with Éléa Gobbé-Mévellec. This special Festival event is slated for the evening of Tuesday 17 March at Palace Cinema Como, and will be followed by a filmmaker Q&A.

 On a more sombre note, this year has already experienced horrific bushfires ravaging our land and robbing so many of their lives and homes.  The Alliance Française, and venue partners thereby invite you to join us in helping those impacted by this tragedy by supporting special previews of How to Be a Good Wife and In the Name of the Land (both screening courtesy of Palace Films) to be held in all capital cities on 9th and 10th of March.  100% of tickets sales for these sessions will be donated to the Australian Red Cross Bushfire Appeal and Rural and Remote Mental Health.

And in celebration of mankind’s great capacity for kindness and compassion – which often comes to the fore in times of crisis – the Festival will launch the 2020 season with The Extraordinary (Hors normes)one of the most gloriously uplifting films to emerge from France in recent years, which will screen courtesy of Madman Entertainment.

 The latest feature from renowned filmmakers Olivier Nakache and Éric Toledano (who delighted with The Intouchables and C’est la vie!), The Extraordinary is inspired by a true story and was honoured as the Closing Night Feature at the 2019 Cannes Film Festival. For twenty years, Bruno (Vincent Cassel) and Malik (Reda Kateb) have run two separate non-profit organizations where they train young people from underprivileged areas to be caregivers for autistic youth abandoned by the state system. But the authorities, concerned that they’ve never sought certification and that many of their carers aren’t ‘officially’ qualified, decide to mount an investigation.

 The result of two years’ immersion in the lives of the two associations, The Extraordinary is a crowd-pleasing charmer, which will have viewers experiencing a gamut of emotions as they fall in love with a host of extraordinary characters in exceptional circumstances.  It’s a testimony to the great things that can be achieved when people support one another in the face of adversity.

 And concluding the 2020 season, on a deliciously whimsical note, will be The Bare Necessity (Perdrix)the directorial debut of Erwan Le Duc, starring Swann Arlaud, Maud Wyler, Fanny Ardant and Nicolas Maury.  Set within a tiny town nestled in the woody mountains of Vosges, this sweetheart of a movie, which delighted hardened cynics when it premiered in Directors’ Fortnight at Cannes 2019, looks at the romantic mayhem that ensues when an enigmatic young woman forces a stagnant family to re-define their boundaries and begin to truly live.

 With so many highlights bursting from this year’s programme, it’s impossible to list every film, but read on for some of the delights to be savoured:

 

A FRIENDLY TALE (Le Bonheur des uns)

Director:  Daniel Cohen                                                        

Cast:  François Damiens, Vincent Cassel, Bérénice Bejo

In this delicious tale of tested loyalties, the close friendship of two long-time couples is put at risk when one of the two wives unexpectedly becomes a best-selling author, upsetting the intricate balance of this formerly close-knit quartet.

 

AZNAVOUR BY CHARLES (Le regard de Charles)

A Film by Charles Aznavour, Directed by Marc di Domenico                                                                 

Narrator: Romain Duris

Crooner, Charles Aznavour, beguiled his legions of fans with a dream of romance.  But his life beyond music was even more extraordinary.  An actor, political activist, diplomat and filmmaker, this enthralling documentary, with rare footage, reveals a complicated, multi-talented man who entertained for the greater part of a century.

 

DEERSKIN (Le daim)

Director:  Quentin Dupieux                                                                 

Cast:  Jean Dujardin, Adèle Haenel, Albert Delpy

With his life in disarray, Georges might not be able to control his circumstances but he can control his wardrobe.  Believing that the deerskin jacket of his dreams is the answer to all of his problems, Georges’ delusions gradually increase each time he wears it, edging his obsession closer to a violent delirium.

 

EDMOND

Director: Alexis Michalik                   

Cast: Thomas Solivérès, Olivier Gourmet, Mathilde Seigner, Dominique Pinon

Paris, 1897. Although not yet thirty and clearly gifted as a writer, Edmond Rostand already has two children, many anxieties, but scant literary success.  When given three weeks to write a play for a mercurial star of the stage, all he has is the title, Cyrano de Bergerac.  Can he accomplish the impossible?

 

FAREWELL TO THE NIGHT (L’adieu à la nuit)

Director: André Téchiné                                                                            

Cast: Catherine Deneuve, Kacey Mottet Klein

Muriel, a respected member of her idyllic local community, is horrified to discover that her visiting grandson, who claims to be heading to Canada for work, has in reality been radicalised by Islamist extremists.  His plans to fight for ISIS in Syria expose this ordinary woman to a moral dilemma of heart-breaking proportions.

 

HOUSE OF CARDIN

Directors: P. David Ebersole, Todd Hughes

Synonymous with glamour, refinement and sophistication, this documentary provides a rare glimpse into the world of a 20th century icon. Allowing unprecedented access to his personal archives, we follow Cardin from his birth in the Italian countryside circa 1922, to his move to France where he made his name in fashion.

 

HOW TO BE A GOOD WIFE (La bonne épouse)

Director: Martin Provost                             

Cast: Juliette Binoche, Yolande Moreau, Noémie Lvovsky, Edouard Baer

In 1968 amidst the lush regions of Alsace, the head of a housekeeping school that transforms teenage girls into ideal housewives, has her pristine life implode when she encounters her long-lost first love whilst simultaneously learning that her business is on the brink of financial ruin.

 

IN THE NAME OF THE LAND (Au nom de la terre)

Director:  Edouard Bergeon                                                     

Cast: Guillaume Canet, Veerle Baetens, Anthony Bajon

Returning to France in the late 70s, Pierre marries his sweetheart and takes over his father’s farm.  But twenty years onwards, Pierre is exhausted.  With mounting debt, what was once satisfying begins to take an insidious toll on his family who risk being torn apart by the property that binds them, in this powerful tale of resilience.

 

LA BELLE ÉPOQUE

Director: Nicolas Bedos                                                                    

Cast: Daniel Auteuil, Guillaume Canet, Doria Tiller

Disillusioned, his long-term marriage on the rocks, a man is given a second chance when he encounters a company offering a unique theatrical service that enables customers to revisit memories through carefully orchestrated re-enactments, thus allowing him to return to 1974 and the peak of his happiness.

 

THE LOST PRINCE (Le prince oublié)

Director: Michel Hazanavicius                                                           

Cast: Omar Sy, Bérénice Bejo, François Damiens

Djibi, a devoted single father, transforms into a heroic Prince in the nightly fairy-tales he tells his beloved 7 year-old daughter, Sofia. But as the years pass, Sofia is ready for her own stories with different heroes.  But is the Prince ready to become just a memory of his daughter’s childhood?

 

LOVE AT SECOND SIGHT (Mon inconnue)

Director: Hugo Gélin                                                                         

Cast: François Civil, Joséphine Japy, Benjamin Lavernhe

After waking in a parallel universe, Raphaël finds his wife, Olivia, is nowhere to be seen and his professional achievements have vanished.  Without Olivia, his life is empty, but winning her back proves harder than he could have imagined – especially when he realises she doesn’t even know who he is!

 

MY DOG STUPID (Mon chien Stupide)

Director: Yvan Attal                                                                             

Cast: Yvan Attal, Charlotte Gainsbourg, Eric Ruf

Henri, a writer in the depths of a mid-life crisis who hasn’t released a successful book in 25 years, strikes-up an unconventional friendship with a stray, bad-mannered dog who inspires him and his dysfunctional family to re-examine their lives and attitudes towards each other.

 

THE MYSTERY OF HENRI PICK (Le mystère Henri Pick)

Director: Rémi Bezançon                                                                                 

Cast: Fabrice Luchini, Camille Cottin, Alice Isaaz

The late Henry Pick, in life an unassuming Breton pizza marker, is celebrated as a brilliant author when a lost manuscript, attributed to him, becomes a literary success.  But one outspoken intellectual thinks the whole thing is a sham, and, after losing his wife, his job and his prominence due to his opinion, decides to uncover the truth.

 

ONLY THE ANIMALS (Seules les bêtes)

Director: Dominik Moll                                                             

Cast: Denis Ménochet, Laure Calamy, Damien Bonnard

Set in an isolated town in the lush, wintery mountains of southern France, the film opens with the departure of Evelyne, a local woman whose disappearance during a snowstorm soon reveals itself as murder. This act of violence gradually unveils the hidden agendas of several locals, setting the unexpected into motion.

 

PROXIMA

Director: Alice Winocour                                                              

Cast: Eva Green, Zélie Boulant- Lemesle, Matt Dillon

As the only woman in the European Space Agency astronaut-training program, single mother Sarah struggles with guilt over the limited time spent with her young daughter, which escalates when she’s invited upon a year-long space mission – Proxima – forcing her to choose between her work and her child.

 

ROOM 212 (Chambre 212)

Director: Christophe Honoré                                           

Cast: Chiara Mastroianni, Benjamin Biolay, Vincent Lacoste

After Maria reveals a long history of affairs to her husband, she opts to spend the night at a hotel opposite their home. But this is a “magical night”, and it’s not long before time collapses upon itself opening a window into the past where young passions are revisited and the very concept of love, questioned.

 

SIBYL

Director: Justine Triet                                                           

Cast: Virginie Efira, Adèle Exarchopoulos, Gaspard Ulliel

Dissatisfied with her life, Sibyl, a psychiatrist, decides to pursue her dream of becoming a writer.  Casting professional ethics aside, she secretly uses the private sessions of her actress patient, Margot, as inspiration for her novel, a decision that irreversibly impacts upon both their lives.

 

SPREAD YOUR WNGS (Donne-moi des ailes)

Director: Nicolas Vanier                                                          

Cast: Jean-Paul Rouve, Mélanie Doutey, Louis Vazquez

Christian, a visionary scientist, studies wild birds. For his son, a teenager obsessed with video games, the idea of spending a vacation with his father in the middle of nature is a nightmare. However, father and son soon bond over a daring project to save an endangered species, which takes them on an incredible journey.

 

THE SWALLOWS OF KABUL (Les hirondelles de Kaboul)

Directors: Zabou Breitman, Éléa Gobbé-Mévellec                        

Voice: Simon Abkarian, Zita Hanrot, Swann Arlaud

Based on the cherished novel of the same name, this critically acclaimed, animated drama follows two couples living in the Afghan capital during the 90s and the impact Taliban rule has on each relationship. Through their individual love stories, unforgettable characters emerge amid the devastating impact of armed combat.

 

THE TRANSLATORS (Les traducteurs)

Director: Régis Roinsard                                                 

Cast: Lambert Wilson, Olga Kurylenko, Riccardo Scamarcio

Nine language experts, hired to translate the final book of a bestselling trilogy, are in lockdown within a luxurious bunker. But when the top-secret manuscript’s first ten pages appear online, their dream job implodes.  The culprit has to amongst them and the publisher is ready to do whatever it takes to unmask who it is.

 

TWO OF US (Deux)

Director: Filippo Meneghetti                                                    

Cast: Barbara Sukowa, Martine Chevallier, Léa Drucker

In this emotionally compelling tale, pensioners Nina and Madeleine have hidden their deep and passionate love for many decades, but their bond is tested when circumstances trigger a series of events, preventing them from moving freely between each other’s apartments.

 

VERNON SUBUTEX

Director: Cathy Verney                                

Cast: Romain Duris, Céline Sallette, Florence Thomassin, Julie Fournier

When Vernon Subutex, an unemployed former owner of a once legendary record shop, is evicted from his flat, he’s helped by old friend rock star Alex Bleach. But Bleach’s sudden death makes Vernon a deadly target when it’s discovered that he’s in possession of 3 mysterious videotapes owned by Bleach.

 

WE’LL END UP TOGETHER (Nous finirons ensemble)

Director: Guillaume Canet                         

 Cast: François Cluzet, Marion Cotillard, Gilles Lellouche, Laurent Lafitte

About to turn 60, nearly broke and estranged from his former friends, restaurateur Max embraces solitude at his soon-to-be-sold beach house.  So when his ex-buddies arrive for a surprise celebration, he turns them away. But this cannot be – something has to be done! The sequel to 2010’s star-studded comedy, LITTLE WHITE LIES.

 

ZOMBI CHILD

Director: Bertrand Bonello                            

Cast: Louise Labèque, Wislanda Louimat, Adilé David, Ninon François

Haiti, 1962…A man is resurrected from the dead and trapped in a nightmare of slavery. Modern-day Paris…Haitian teen Mélissa, the new girl at an elite school, is invited to join a secret ‘literary sorority’.  But the incendiary family secret she harbours becomes a source of fascination to others, who exploit her heritage with shocking results.

 

National dates and venues for the 2020 Alliance Française French Film Festival are:

     

SYDNEY:

 

10 March – 8 April

 

Palace Norton Street, Palace Verona, Chauvel Cinema, Palace Central & Hayden Orpheum Cremorne      

MELBOURNE:

 

11 March – 8 April

 

Palace Balwyn, Palace Brighton Bay, Palace Cinema             Como, Palace Westgarth, Kino Cinemas & The Astor Theatre

PERTH:

 

11 March – 8 April

 

Palace Raine Square, Cinema Paradiso, Luna on SX,

Windsor Cinema & Camelot Outdoor Cinema

CANBERRA:

12 March – 8 April

Palace Electric Cinema

ADELAIDE:

17 March -14 April

Palace Nova Eastend Cinemas, Palace Nova Prospect Cinema

BRISBANE:

18 March -14 April

Palace Barracks & Palace James Street

HOBART:

19 – 28 March

State Cinema

AVOCA BEACH:

19 March – 1 April

Avoca Beach Picture Theatre

PARRAMATTA:

26 – 29 March

Riverside Theatres Parramatta

BYRON BAY:

31 March – 12 April

Palace Byron Bay

BENDIGO:

17 – 19 April

Star Cinema

BALLARAT:

17 -19 April

Regent Cinemas

Jason Bourne

Summary: Jason Bourne, now remembering who he truly is, tries to uncover hidden truths about his past.

Year: 2016

Australian Cinema Release Date: 28th July 2016

Australian DVD Release Date: TBA

Country: USA

Director: Paul Greengrass

Screenwriter: Paul Greengrass, Christopher Rouse, Robert Ludlam (characters)

Cast: Riz Ahmed (Aaron Kalloor), Bill Camp (Malcolm Smith), Vincent Cassel (Asset), Johnny Cicco (Bradley Samuels), Matt Damon (Jason Bourne), Ata Essandoh (Craig Jeffers), Ellie Fox (Officer Jones), Gregg Henry (Richard Webb), Tommy Lee Jones (CIA Director Robert Dewey), Vinzenz Kiefer (Christian Dassault), Stephen Kunken (Baumen), Scott Shepherd (Director NI Edwin Russell), Julia Stiles (Nicky Parsons), Alicia Vikander (Heather Lee)

Runtime: 123 mins

Classification: M

 

OUR JASON BOURNE REVIEWS & RATINGS:

 

David Griffiths:

It’s the film that hardcore Jason Bourne fans thought they would never see but yes Jason Bourne is back on the big screen. After ‘The Bourne Ultimatum’ Matt Damon was quoted a number of times that he would never play the role again, even Universal seemed sure of it as they reworked the franchise with a new character that was given to Jeremy Renner to play. But it seems when you listen to a quote, listen to it properly because what Damon said was that he would never do another Bourne film unless Paul Greengrass (‘Captain Phillips’) was in the director’s chair. When Greengrass is back and so is Damon!!!

The film begins with Jason Bourne (Matt Damon – ‘Good Will Hunting’) staying out of sight in Europe and surviving on the money that he makes as he goes around competing in various underground fighting tournaments. He is forced out of hiding though when his former ally Nicky Parsons (Julia Stiles – ‘Save The Last Dance’) hacks into the CIA’s computer network and makes some alarming discoveries about the real identity behind Jason Bourne and how his father was involved.

The hack alerts young CIA agent Heather Lee (Alicia Vikander – Ex-Machina) to what is happening and soon she finds herself working with CIA Director Robert Dewey (Tommy Lee Jones – ‘Men In Black’) to bring Bourne in. Together they bring in a brutal agent named only as Asset (Vincent Cassel – ‘Black Swan’) to put Bourne down while also trying to work out how to best deal with Social Media empire boss Aaron Kalloor (Riz Ahmed – ‘Nightcrawler’) who is threatening to expose the relationship between his social media platform and the CIA.

There is little doubt that Paul Greengrass’ latest entry into the Bourne franchise is pretty sleek but how does it hold up in the modern film environment? To be brutally honest I’ve never really seen Bourne as an elite franchise. While yes the films always look and they have shown that Matt Damon is a more than capable action star, they just don’t do enough to make themselves ‘different’ enough to really impress me. While franchises like ‘Fast & The Furious’ do whatever they can to make each film bigger and better the ‘Bourne’ franchise seems to just chug along doing the same thing each time, without doing much to change the formula along the way.

One of my criticisms levelled at this franchise in the past has been the fact that these films ride a dangerous path. The plots are never intense enough to make you marvel at the screenwriting while the action sequences are normally nothing any different to what we have seen before. Here it is obvious that they have tried to overcome these issues as the screenplay does have a bit more ‘meat’ to it while the car chase through Las Vegas resembles something of a sequence that may stick in some cinema goers minds for at least a few weeks… even though it still isn’t something as spectacular as dropping a car from a plane or jumping cars between high rise in Dubai.

What truly is remarkable here though is Greengrass’ attempt to re-capture the riots that have plagued Greece over the past few years. These sequences are absolutely brilliant and work amazingly well as a back-drop as Asset works feverishly to hunt down Parsons and Bourne. It is with sequences like these that Greengrass comes to the fore, and here he recaptures the same type of suspense that he wowed audiences with throughout ‘Captain Phillips.’ In a lot of ways these scenes are a lot better than the clichéd car chase that serves as a finale here and it will be the main thing that sticks in mind for a while to come.

We do see a vast improvement in the screenplay here as well. While characters like Asset may still be a walking cliché the sub-plot that looks at the CIA being in bed with a social media platform does raise questions such as ‘should the Government spy on us in order to keep us safe?’ while the screenplay also paints a very murky picture to what the audience should expect from Heather Lee. So often action films like this feel the need to show the audience who is good and who is bad without any grey at all. But with Lee the audience is left constantly wondering where her alliance sits. Is the just another lapdog for Dewey or does she have a soft spot for Bourne? It’s actually a relief to find a character in this genre that has the audience constantly questioning their thoughts on said character… and Bourne’s reaction to her at the end is what makes this film’s finale work despite the disappointment of the car chase.

Being written that way makes Heather a dream for a young actress to play and here Alicia Vikander doesn’t disappoint. She really is one of those actresses that just seems to shine no matter what role is thrown at her. Her recent performances in ‘Testament Of Youth’ and ‘The Danish Girl’ show what she is capable of in brilliant films, while here she follows what is written for and plays Heather as a cold, almost emotionless agent who never lets her true feelings known to anyone. While she’s not exactly working with a great script she certainly makes something of it. To her credit she holds her own as she acts alongside Tommy Lee Jones who just breezes through as the ‘bad guy’ while Matt Damon once again shows that he can still hold his own with any action star going around.

While ‘Jason Bourne’ doesn’t exactly set the world on fire or bring anything new to the action genre it is a serviceable film that certainly won’t bore its audience. Greengrass manages to make the film visually attractive but you are left wanting a big action sequence that just never eventuates (‘Star Trek Beyond’ it ain’t), still the film does more than enough to be considered ‘a thinking person’s action film.’
Stars(3)

 

 

Adam Ross

Stars(4)

 

 

Average Subculture Rating (out of 5):   Stars(3.5)

 

IMDB Rating:  Jason Bourne (2016) on IMDb

 

Other Subculture Entertainment Jason Bourne reviews: Nil.

 

Trailer:

Trance

Summary: Fine art auctioneer Simon (McAvoy), in league with a gang led by underworld boss Franck (Cassel), plots the audacious theft of a masterpiece by Goya from a major public auction. When Simon double-crosses the gang during the robbery, Franck retaliates violently and knocks him unconscious.

In the aftermath of the heist, Simon sticks stubbornly – and perhaps shrewdly – to his claim that the violent trauma has left him with no memory of where he stashed the artwork. Unable to coerce the painting’s location from Simon, Franck and his associates reluctantly join forces with a charismatic hypnotherapist (Dawson) in a bid to get him to talk. But as they journey deeper into Simon’s jumbled psyche the boundaries between reality and hypnotic suggestion begin to blur and the stakes rise faster and far more dangerously than any of the players could have anticipated.

Year: 2013

Australian Cinema Release Date: 4th April, 2013

Australian DVD Release Date: TBA

Country: UK

Director: Danny Boyle

Screenwriter: Joe Ahearne, John Hodge

Cast: Vincent Cassel (Franck), Matt Cross (Dominic), Rosario Dawson (Elizabeth), Seelan Gunaseelan (Dr. K Raji), James McAvoy (Simon), Mark Paltimore (Francis Lemaitre), Danny Sapani (Nate), Wahab Sheikh (Riz)

Runtime: 101 mins

Classification:MA15+

Dave Griffiths’s ‘Trance’ Review: Please check Dave’s review of ‘Trance’ that is available on the Helium Entertainment Channel.

Other Subculture Media Reviews of ‘Trance′: Check Episode #26 of our The Good The Bad The Ugly Podcast for a more in-depth review of ‘Trance’.

Rating: 5/5

IMDB Rating: Trance (2013) on IMDb