Tagged: Callan Mulvey

Summary: 
A woman is left handcuffed to her dead husband as part of a sick revenge plot. Unable to unshackle, she has to survive as two killers arrive to finish her off.

Year: 2021

Cinema Release Dates: 2nd July 2021 (US)

VOD Release Dates: 21st July 2021 (Australia)

Country: USA

Director: S.K. Dale

Screenwriter: Jason Carvey

Cast: Aml Ameen (Tom), Megan Fox (Emma), Eoin Macken (Mark), Callan Mulvey (Bobby Ray), Jack Roth (Jimmy)

Running Time: 88 mins

Classification: MA15+ (Australia), .R (USA)

OUR TILL DEATH REVIEWS

David Griffiths’ Till Death Review:

Megan Fox has always been an actress that has been harshly judged by Hollywood. To her critics she was always considered as one of those actresses that got her start with the Transformers franchise because of her looks. What those critics haven’t noticed is how Fox has evolved since those films.

Roles in cult films like Jonah Hex and Jennifer’s Body showed that she had talent, while many wouldn’t admit it but she was pretty much the best thing  about 2014’s Teenage Mutant Ninja Turtles. Over the last couple of years though we have seen the talents of Ms Fox go out of sight as she stole the show with her portrayal of a Mum in Think Like A Dog and showed true action star qualities in the lead role in the gritty Rogue.

Now with the new suspense thriller Till Death we see Fox in what is perhaps her best role to date. She has to go to some dark and emotional places with her portrayal in a film where she features in nearly every scene.

Here Fox plays tortured photographer Emma who has been suffering since she was robbed and attacked by the vengeful Bobby Ray (Callan Mulvey – Captain America: The Winter Soldier). Emma married the District Attorney Mark (Eoin Macken – The Forest) who helped her put away Bobby Ray but their marriage has been less than happy.

Mark has turned into a money hungry lawyer who has affairs while Emma has turned to Mark’s collegue Tom (Aml Ameen – The Maze Runner) for love and compassion however she is too afraid to leave Mark. Now with their anniversary at hand Mark has organised a surprise getaway for an anxious Emma who is worried about the fact that Bobby Ray is about to be released from prison.

Reading through the simple plot it sounds like you can work out exactly what is going to happen, but that is certainly not the case. Screenwriter Jason Carvey (A New Wave) has created a twisted thriller that Australian director S.K. Dale (The Coatmaker) has had an absolute field day with.

Any question of Megan Fox’s acting abilities are shot to hell with this film. Fox is brilliant here as Emma, she portrays the vulnerable side of a scared and lost woman amazingly well and then backs it with true grit and determination as she is left a character that has to fight for her life. There is little doubt that this is the kind of role that would have taken Fox to some pretty dark places to get inside what is happening to her character and she does that really well.

As a director Dale asks a lot of Fox. Not only is she in tough scenes, she is in truly harrowing scenes and to her credit Fox pulls them off easily. This is the kind of performance that will quieten even her toughest critics… and rightfully so.

Credit must also go to Jason Carvey and S.K. Dale. This is just another run-of-the-mill thriller. Now way, there are twists and turns that occur here that even the most hardened cinema goer won’t predict. I’ll admit one made me jump because I certainly wasn’t expecting it and I can normally pick what is going to happen in most thrillers.

As a director Dale uses the environment around him to create a tense thriller that never allows the audience to settle in their seat. He also brings out the best in his cast. The scenes where Fox and Mulvey go toe-to-toe are absolutely sensational and the result is the kind of the film that you just want to sit down and watch again straight after seeing it for the first time.Till Death is a sensational thriller with twists and turns galore. The film showcases the true acting talent of Megan Fox while also showing Hollywood that we have a talented young director in our midst when it comes to SK. Dale. This unpredictable thriller is a must see for those that like surprises at every turn.

Dave’s rating Out Of 5

Average Subculture Rating:

Other Subculture Till Death Reviews:

Nil.

Trailer:

Summary: A female pilot is met with hostility when she joins an all male crew during World War II. However the issues between them soon pale into insignificance when they discover they have a ‘monster’ on board.

Year: 2020

Cinema Release Dates: 14th January 2021 (Australia)

VOD Release Dates: 1st January 2021 (USA)

Country: New Zealand, USA

Director: Roseanne Liang

Screenwriter: Max Landis, Roseanne Liang

Cast: Byron Coll (Terrence Taggart), Beulah Koale (Anton Williams), Chloe Grace Moretz (Maude Garrett), Callan Mulvey (John Reeves), Nick Robinson (Stu Beckell), Taylor John Smith (Walter Quaid), Benedict Wall (Tommy Dorn), John Witowski (Bradley Finch)

Running Time: 83 mins

Classification: MA15+ (Australia), R (USA)

OUR SHADOW IN THE CLOUD REVIEWS

David Griffiths’ Shadow In The Cloud Review:

Shadow In The Cloud is the kind of film that doesn’t know what it wants to be when it grows up… and I think I like it that way. As a film it is as much a monster horror as it is a war film and it is just as much sci-fi/fantasy as it is a thriller… yes, it is a very hard film to try and pigeon-hole. That all gets even trickier when I point out that three-quarters of the action of the film takes place in a small section of a place that barely gives leads actress Chloe Grace-Moretz (Kick-Ass) room to physically move.

Moretz plays Maude Garrett a young woman who boards an Air Force plane in New Zealand right at the height of World War II. The all male crew which include John Reeves (Callan Mulvey – Captain America: The Winter Soldier) and Anton Williams (Beulah Koale – The Last Saint) are suddenly put out by having a ‘dame’ on their plane. Most make disgusting and degrading comments about what they would like to do to the ‘bird’ with very few making any effort to protect her. The general consensus is that they certainly don’t want a woman on their plane when they are already running such a mundane mission.

Maude’s only saving grace is the mystery surrounding the highly secretive package that she is carrying and the fact that she carries orders from a high ranking officer that the others fear. With very little space on board the flight though they stow Maude away from the rest of the crew and it is only then that secrets start to be revealed as she is one of the first to spot the ‘gremlin’ that is ripping apart the plane and the fact that they are being shadowed by enemy planes.

I am still a little confused at what director Roseanne Liang (My Wedding And Other Secrets) was trying to create with this film? Was she trying to turn Chloe Grace Moretz into an action hero like we recently saw with Milla Jovovich in Monster Hunter or was she trying for something a little more. Certainly there is something that I liked about this film despite some of its weaknesses. I loved the twists and turns that the plot took as secrets started to be revealed – yes they are kind of hard to believe but at the same time I was watching a movie where a winged creature was attacking a plane as well.

What I do know is that the action worked and we saw a new string in the bow of the acting talents of Moretz. At times here she is asked to put in a theatre like performance in a tight space while also playing an action lead – a weird mix that I dare say would not be able to be pulled off by many performers out there. The creature looks amazing, no surprise there seeing it was created by Weta Workshop, but the film is sometimes let down by its cheesy soundtrack and at times dodgy looking CGI which I guess I was supposed to over-look as part of the film’s steam-punk vibe.

Liang also successfully makes her point about sexism in the workplace. What the all male crew (who for a majority of the film are reduced to voices over a radio) say about Maude is disgusting and I am pretty sure it would have even the most hardened chauvinist seeing the errors of his ways. She also reveals aside of history that a lot like to ignore – the role of women during the World Wars… no they were not all at home darning socks.

At the end of the day Shadow In The Cloud does work. The action sequences on board the plane suggest that Liang is a director that we need to be watching in the future while the final battle sequence may have been simple but it is exactly what I felt was needed to finish off the film.

This film once again reminded me of the acting force that is Chloe Grace Moretz and has made me place Roseanne Liang on my list of directors to watch in the future. Shadow In The Cloud might be a mixing of genres but it is certainly worth the admission fee at the box office.

Dave’s rating Out Of 5

Average Subculture Rating:

IMDB Rating:

Shadow in the Cloud (2020) on IMDb

Other Subculture Shadow In The Cloud Reviews:

Nil

Trailer:

TIFF

Entertainment One Australia is proud to have three Australian films screening at this year’s Toronto International Film Festival (TIFF). Rolf de Heer’s deeply affecting portrait of contemporary Aboriginal Australia CHARLIE’S COUNTRY, Kriv Stender’s darkly comedic thriller KILL ME THREE TIMES – which will also have its World Premiere at the festival – and Tony Ayres’ crime drama CUT SNAKE.

All three films will screen in TIFF’s Contemporary World Cinema section, which showcases films with compelling stories from global perspectives.

An Official Selection and awarded Best Actor in the Un Certain Regard section at the prestigious Cannes Film Festival this year, CHARLIE’S COUNTRY pairs renowned director Rolf de Heer with screen legend David Gulpilil for their third film collaboration following the multi-award winning Ten Canoes and their first feature The Tracker.

CHARLIE’S COUNTRY tells the story of blackfella Charlie (Gulpilil), who is getting older and is out of sorts. Frustrated with the failures of the government intervention and the ‘whitefella’ laws enforced in his remote community, Charlie takes off to live the old way. But in doing so he sets off a chain of events in his life that has him return to his community chastened, and somewhat the wiser.

In KILL ME THREE TIMES, Simon Pegg plays the mercurial assassin, Charlie Wolfe, who discovers he isn’t the only person trying to kill the siren of a sun drenched surfing town. Charlie quickly finds himself at the centre of three tales of murder, mayhem, blackmail and revenge. KILL ME THREE TIMES was produced by Western Australian producer Tania Chambers, Laurence Malkin and Share Stallings (Death at a Funeral, A Few Best Men).

Shot in stunning locations throughout Western Australia, KILL ME THREE TIMES stars Simon Pegg (Shaun of the Dead, Hot Fuzz, The World’s End), Sullivan Stapleton (300: Rise of an Empire, Animal Kingdom, Strike Back), Alice Braga (I Am Legend, Elysium, City of God), Teresa Palmer (Warm Bodies, Wish You Were Here), Callan Mulvey (Zero Dark Thirty, Captain America: The Winter Soldier, The Turning, Batman v Superman: Dawn of Justice), Luke Hemsworth (The Reckoning) and Bryan Brown (F/X, Cocktail).

CUT SNAKE is a powerful crime drama set in mid-70s suburban Australia from Matchbox Pictures’ Tony Ayres (The Home Song Stories). The story centres around Sparra Farrell (Alex Russell, Carrie), a young man trying to escape his past and make a life for himself in a new city. He finds honest work and becomes engaged to the beautiful Paula (Jessica De Gouw, These Final Hours). But when the charismatic and dangerous Pommie (Sullivan Stapleton) tracks him down, Sparra finds himself drawn back into a world that he had tried to leave behind.

Of CHARLIE’S COUNTRY, KILL ME THREE TIMES and CUT SNAKE screening at TIFF, Troy Lum, Managing Director of Entertainment One Australia, says, “We are very proud to have three incredible Australian films screening at Toronto. It’s a credit to the calibre of filmmaking talent we have in this country, these films come from some of our best. They all deserve to be seen on the world stage and it’s immensely satisfying and exciting for everyone involved”.

In addition to CHARLIE’S COUNTRY, KILL ME THREE TIMES and CUT SNAKE, Entertainment One Australia has a host of international films that will screen at TIFF this year including: MY OLD LADY; THE GOOD LIE; MAPS TO THE STARS; and BLACK AND WHITE. MY OLD LADY, THE GOOD LIE and BLACK AND WHITE will all have their World Premieres at the festival.

The Toronto International Film Festival runs from September 4-14, 2014.

CHARLIE’S COUNTRY is currently screening in cinemas across Australia. KILL ME THREE TIMES and CUT SNAKE will be released in early 2015.

Holly Hunter

Warner Bros. Pictures announced today that Oscar® winning actress Holly Hunter, Callan Mulvey of “300: Rise of an Empire,” and Tao Okamoto of “The Wolverine” have joined the cast of the upcoming Zack Snyder untitled Superman/Batman film. The announcement was made today by Greg Silverman, President, Creative Development and Worldwide Production, and Sue Kroll, President, Worldwide Marketing and International Distribution, Warner Bros. Pictures.  All three actors will play characters newly created for the film.

Snyder stated, “Holly has always been one of my favorite actresses; she has immense talent and is always captivating on screen. I had an opportunity to meet her a while back and knew instantly that I had to work with her, so as we began writing the script I made sure to create
a role specifically for her. I just had the good fortune to work with Callan on ‘300: Rise of an Empire’ and was very impressed with his incredible talent,” the director continued. “He’s a fantastic actor and I’m looking forward to having the chance to work with him again. And, quite simply, Tao is a striking presence whose beauty is aptly rivaled by her amazing abilities as an actress. I’m really excited to have her joining us on this adventure.”

Hunter received the Academy Award® and a Golden Globe Award for her starring role in Jane Campion’s “The Piano.” She also garnered Oscar®  nominations for her work in “Broadcast News,” “The Firm” and “Thirteen.” She has starred in such films as the Coen brothers’ “Raising
Arizona” and “O Brother, Where Art Thou?,” Steven Spielberg’s “Always,” Lasse Halström’s “Once Around,” Jodie Foster’s “Home for the Holidays” and Brad Bird’s animated hit “The Incredibles.” Hunter was nominated for a Screen Actors Guild Award® when she reunited with
Campion for the TV miniseries “Top of the Lake.” She next appears in David Gordon Green’s “Manglehorn” and in Terrence Malick’s upcoming feature.

Australian-born Mulvey stars in the current box office hit “300: Rise of an Empire,” produced by Snyder. He also appeared in Kathryn Bigelow’s “Zero Dark Thirty,” and will next be seen in “Captain America: The Winter Soldier.”

In addition to “The Wolverine,” Okamoto also appeared in the video “The Wolverine: The Path of a Ronin,” and in the Japanese television miniseries “Chi no wadachi.”

Snyder’s film stars Henry Cavill, reprising his role as Superman/Clark Kent, Ben Affleck as Batman/Bruce Wayne, and Gal Gadot as Wonder Woman/Diana Prince. The film also stars Jesse Eisenberg as Lex Luthor and Jeremy Irons as Alfred, and reunites “Man of Steel” stars
Amy Adams, Laurence Fishburne and Diane Lane.

The new film is currently being written by Chris Terrio, from a screenplay by David S. Goyer. Charles Roven and Deborah Snyder are producing, with Benjamin Melniker, Michael E. Uslan, Wesley Coller, David S. Goyer and Geoff Johns serving as executive producers.

The film is set to open in Australia in July 2016, and is based on Superman characters created by Jerry Siegel & Joe Shuster, Batman characters created by Bob Kane, and Wonder Woman created by William Moulton Marston, appearing in comic books published by DC Entertainment.

Captain America The Winter Soldier Poster

Summary: Steve Rogers struggles to embrace his role in the modern world and teams up with Natasha Romanoff, aka Black Widow, to battle a powerful yet shadowy enemy in present-day Washington, D.C.

Year: 2014

Australian Cinema Release Date: 3rd April, 2014

Australian DVD Release Date: TBA

Country: USA

Director: Anthony Russo, Joe Russo

Screenwriter: Christopher Markus, Stephen McFeely, Ed Brubaker (concept), Joe Simon (comic), Jack Kirby (comic)

Cast: Hayley Atwell (Peggy Carter), Dominic Cooper (Howard Stark), Alan Dale (World Security Committee Member), Chris Evans (Steve Rogers/Captain America), Frank Grillo (Brock Rumlow/Crossbones), Chin Han (Councilman Yen), Maximiliano Hernandez (Jasper Sitwell), Demetrice Jakson (Marty), Samuel L. Jackson (Nick Fury), Scarlett Johansson (Natasha Romanoff/Black Widow), Toby Jones (Arnim Zola), Thomas Kretschmann (Baron Wolfgang von Strucker), Stan Lee (Guard), Anthony Mackie (Sam Wilson/The Falcon), Callan Mulvey (Jack Rollins), Robert Redford (Alexander Pierce), Garry Shandling (Senator Stern), Jon Skarloff (XO Commander Russo), Colbie Smulders (Maria Hill), Georges St. Pierre (Georges Bartoc/Bartoc The Leaper), Sebastian Stan (Bucky Barnes/Winter Soldier), Emily VanCamp (Sharon Carter/Agent 13), Bernard White (Councilman Nagendra Singh)

Runtime: 136 mins

Classification:CTC

OUR CAPTAIN AMERICA: THE WINTER SOLDIER REVIEWS & RATINGS:

David Griffiths:

There was a time when the original Captain America film was the weak link in the Marvel film franchise. Then came along Iron Man 3 which seemed to disappoint a lot of critics and fans alike… there were also a few (present writing company not included) that was disappointed in Thor 2 as well. So really there was a fair bit of pressure on Marvel with Captain America: The Winter Soldier, would the franchise just keep going downhill after the mountain peak that was The Avengers.

To be honest what scared me the most about going into Captain America: The Winter Soldier was who was directing it. Now I have nothing personal against Anthony and Joe Russo, in fact I admire the fact they are part of the team behind one of my favourite television shows of all time – Community, what I was more worried about was the fact that they are largely comedy directors and it didn’t seem right that the men behind You, Me And Dupree were now in charge of a big blockbuster action franchise film. Well, I’m here to admit that I was wrong, because aside from putting this franchise back on track Captain America: The Winter Soldier also reveals The Russos as a hidden talent in the action directing stakes.

The film opens with a seemingly adjusted Steve Rogers/Captain America (Chris Evans) who now outwardly seems to have settled into his new role as a full-time agent of S.H.I.E.L.D. However we soon learn, that on the inside his feelings are completely different. Aside from trying to come to terms with the modern generation he is also trying to get his emotions and feelings in check after ‘thawing out’ and is having some serious trust issues with his boss Nick Fury (Samuel L. Jackson).

This comes to the forefront after a mission in which he learns his good friend Natasha Romanoff/Black Widow (Scarlett Johansson) had different commands from Fury to which he had been told about and the end result is the two of them narrowly escaping with their lives. Steve’s trust in S.H.I.E.L.D. is at an all time low when a raid on the organisation, seemingly led by the mysterious Winter Soldier (Sebastian Stan) leaves the entire team in danger and not trusting each other.

With S.H.I.E.L.D. very much divided it is up to Captain America, Black Widow and Steve’s newfound friend Sam Wilson/The Falcon (Anthony Mackie) to try and piece together exactly what has happened while they try to save the world that is now treating them as fugitives.

It really does feel that the team behind Captain America: The Winter Soldier have gone for the whole ‘bigger is better’ philosophy when putting together the film. Some may question the fact that many of the smart quips that worked in the previous films seem to be missing this time around but instead The Russos have completely revamped the series with a series of big action blockbuster sequences that certainly wouldn’t have looked out of place during any of J.J. Abrams’ Star Trek movies. Surprisingly, due to their lack of action film experience, The Russos pull these scenes off remarkably well and the sight of giant flying battleships crashing into buildings isn’t going to be something that fans of the franchise are going to forget for a long time to come.

In fact in some ways it is strange the script works at all. The screenwriting team seem to pay very little regard to things such as characterisation, something that most screenwriters would have thought to be a must with the introduction of The Falcon, yet somehow as an audience you never ever really feel that it lets down the film. On the other hand though they have really upped the action and in a rarity for Marvel films there is also quite a bit of gunplay this time around. I won’t give way much but Captain America’s shield seems to be deflecting a hell of a lot of bullets this time around while Aussie actor Callan Mulvey has the dubious honor of actually holding a gun to the head of Captain America.

To pay credit to the screenwriters they also bring in some other surprises as well. The fact they dwell on Steve’s mistrust of S.H.I.E.L.D. brings a great feel of suspense to the film, while it is easy to see that one of the other storylines that surfaces during the film seems to take direct aim at Governments who believe that they have the power to be Big Brother to whomever they feel as well. Perhaps the biggest surprise of all is though that even while the script works feverishly to try and introduce a romantic interest for Steve it also seems to inadvertently bring in some sexual tension between himself and Natasha, whether it was deliberate or just seemed to flow from some natural chemistry between Johansson and Evans it was certainly there for all to see.

The fact that the script didn’t go to deep of course meant that there isn’t really any scenes that are going to stretch the acting capability of the cast. Evans as usual plays the sullen Captain America well; some call him bland although I prefer to think that he has grown into the role well. Scarlett Johansson once again brings a true sexual feel to one of the toughest female characters to ever grace the screen in Black Widow while Anthony Mackie is likable as The Falcon. Mackie’s inclusion must also have fans of the franchise chapping at the bit to see what kind of quips can be created when he has to share scenes with Robert Downey Jnr.

The old brigade of Samuel L. Jackson and Robert Redford also bring a sense of style and respectability to the cast. Redford is playing a very against type character while Jackson seems to relish that this time around the screenwriters have brought a more ‘human’ feel to Nick Fury. Australian film lovers will also wear a smile when acting great Alan Dale appears on the screen as well, it’s not a massive role but he is there.

Captain America: The Winter Soldier certainly puts the ‘BIG’ back into big action blockbuster. Its out-of-this-world special effects and great action sequences plus this franchise back at the heights it deserves to be at.

Stars(3.5)

Average Subculture Rating (out of 5): Stars(3.5)

IMDB Rating:  Captain America: The Winter Soldier (2014) on IMDb

Other Subculture Media Reviews of ‘Captain America: The Winter Soldier′: Nil.

Trailer:

Kill Me Three Times Simon Pegg

Here is the first look image of Simon Pegg in Kriv Stenders’ new film ‘Kill Me Three Times’.

KILL ME THREE TIMES the new crime thriller from Kriv Stenders (Red Dog, Boxing Day). Principal photography began on the film in Western Australia on 16th September and concluded late last month. The film was shot in and around Perth and the southwest region of Western Australia. The film stars Simon Pegg, Sullivan Stapleton, Alice Braga, Teresa Palmer, Bryan Brown, Callan Mulvey and Luke Hemsworth. With an original screenplay by James McFarland, the film is produced by Laurence Malkin and Share Stallings (the team behind Death At A Funeral and A Few Best Men) and Tania Chambers, the former CEO of Screen New South Wales.
 
KILL ME THREE TIMES takes place in a sundrenched Australian surfing town, where a young singer, portrayed by Alice Braga, is the thread that binds three tales of murder, blackmail and revenge. Simon Pegg plays a mercurial assassin, who is hired by her wealthy husband (Callan Mulvey), but there is more than one person gunning for her. Sullivan Stapleton has been cast as a gambling addict that attempts to pay off his debts through a risky life insurance scam, whilst Teresa Palmer plays a small town Lady Macbeth who masterminds the scheme. Bryan Brown, a corrupt cop, also tries to get his cut and Luke Hemsworth portrays Braga’s love interest, a local surfer who hopes to rescue the young woman from Pegg’s telescopic sights.
Cargo Entertainment handles international sales and WME is repping KILL ME THREE TIMES in North America. The film is financed by Screen Australia, ScreenWest, Jake Film Finance, Media House Capital and the Melbourne International Film Festival’s MIFF Premiere Fund. Media House Capital’s Aaron L. Gilbert, Jake’s Joan Peters, Azurite Capital’s Jack Drewe, Jed Weintrob, Ian Gibbins, and Bryce Menzies are executive producers. Margot Hand and Patrick Murray are co-executive producers. Hopscotch Entertainment One is releasing the film in Australia and New Zealand.

Tim Winton's The Turning

The first full length trailer for TIM WINTON’S THE TURNING has launched today and is now available for download.

The trailer highlights the linking and overlapping stories that explore the extraordinary turning points in ordinary people’s lives and is set to a backdrop of music from Melbourne band The Tiger and Me.

From 26 September 2013, TIM WINTON’S THE TURNING will release as a unique cinematic event starring Cate Blanchett, Rose Byrne, Hugo Weaving, Miranda Otto, Brenna Harding, Richard Roxburgh, Callan Mulvey, Dan Wyllie and numerous others.

Seventeen talented Australian directors from diverse artistic disciplines each create a chapter of the hauntingly beautiful novel by multi award-winning author Tim Winton.   Under the guidance of curator Robert Connolly (Balibo), first time filmmakers Mia Wasikowska and David Wenham make their directorial debut amongst acclaimed directors such as Warwick Thornton and Justin Kurzel.

Tickets for TIM WINTON’S THE TURNING went on sale in early August. Demand has been very strong, with many early Q&A events already sold out. All sessions currently on sale as part of the limited season will screen with an interval, audiences at these screenings will receive a special 40 page program.

TIM WINTON’S THE TURNING was created by Robert Connolly (Balibo), who produced the film together with Maggie Miles and Arenamedia. Funding partners include Screen Australia, Film Victoria, ScreenWest, ABC and the Melbourne International Film Festival (MIFF) Premiere Fund.  TIM WINTON’S THE TURNING is co-distributed by Madman Entertainment and CinemaPlus.

 

Zero Dark Thirty

Summary: ZERO DARK THIRTY is a military term meaning half past midnight – the timing of the actual mission to locate and eliminate the world’s most dangerous man, Osama bin Laden. The term also refers to the secrecy that surrounded the decade long mission to track him down.

Deemed the greatest manhunt in history, ZERO DARK THIRTY chronicles the declassified true story of the relentless pursuit by an elite team of intelligence and military operatives, working in secret across the globe.

Director Kathryn Bigelow reteams with her writer/producer from The Hurt Locker to reveal the intricate details behind the gripping chase, culminating with the now infamous raid on May 2, 2011 that ended bin Laden’s reign of terror.

Year: 2013

Australian Cinema Release Date: 31st January, 2013

Australian DVD Release Date: TBA

Country: USA

Director: Kathryn Bigelow

Screenwriter: Mark Boal

Cast: Scott Adkins (John), Lee Asquith-Coe (Sean Cohen), John Barrowman (Jeremy), Kyle Chandler (Joseph Bradley), Jessica Chastain (Maya), Jason Clarke (Dan), Jessica Collins (Debbie), Mike Colter (Mike), Mark Duplass (Steve), Joel Edgerton (Patrick), Nash Edgerton (Nate), Jennifer Ehle (Jessica), Homayoun Ershadi (Hassan Ghul), Fares Fares (Hakim), Siaosi Fonua (Henry), James Gandolfini (C.I.A. Director), Tarick Hadouch (Khalid), Noureddine Haijjoujou (Abrar), J.J. Kandel (J.J.), Reda Kateb (Ammar), Taylor Kinney (Jared), Daniel Lapaine (Tim), Fredric Lehne (The Wolf), Yoav Levi (Abu Faraj al-Libbi), Tushaar Mehra (Abu Ahmed), Callan Mulvey (Saber), Harold Perrineau (Jack), Chris Pratt (Justin), Edgar Ramirez (Larry), Lauren Shaw (Lauren), Phil Somerville (Phil), Christopher Stanley (Admiral Bill McCraven), Jeremy Strong (Thomas), Mark Strong (George), Eyad Zoubi (Zied)

Runtime: 157 mins

Classification:M

Dave Griffiths’s ‘Zero Dark Thirty’ Review: 

Dave Griffiths’s review for Zero Dark Thirty can currently been found on Helium Entertainment Channel.

Other Subculture Media Reviews of ‘Zero Dark Thirty′: Check Episode #18 of our The Good The Bad The Ugly Podcast for a more in-depth review of ‘Zero Dark Thirty’. Dave’s other review of ‘Zero Dark Thirty’ can be found on the Helium Entertainment Channel

Rating: 4/5

IMDB Rating: Zero Dark Thirty (2012) on IMDb