Tom Hardy returns to the big screen as the lethal protector Venom, one of MARVEL’s greatest and most complex characters. Directed by Andy Serkis, the film also stars Michelle Williams, Naomie Harris and Woody Harrelson, in the role of the villain Cletus Kasady/Carnage.
The film is set for release in Australian cinemas on September 16th.
Summary: The story of the Battle of Midway, told by the leaders and the sailors who fought it.
Australian Cinema Release Date: 30th January 2020
Thailand Cinema Release Date: TBA
Australian DVD Release Date: TBA
Country: United States, Hong Kong, Canada, China
Director: Roland Emmerich
Screenwriter: Wes Tooke
Cast: Ellis Arch (Lofton Henderson), Tadanobu Asano (Tamon Yamaguchi), Tim Beckmann (Captain Rawlings), Jacob Blair (Hank Potter), Geoffrey Blake (John Ford), Cameron Brodeur (Sully Brown), Christie Brooke (Millicent McClusky), Brennan Brown (Joseph Rochefort), James Carpinello (William Brockman), Agostino Michael Cimino (Buzz Davis), Mikael Conde (Bill Miller), Darren Criss (Eugene Lindsey), Eric Davis (Miles Browning), Aaron Eckhart (Jimmy Doolittle), Luke Evans (Wade McClusky), Rachael Perrell Fosket (Dagne Layton), Dustin Geiger (Paul Crosley), Sarah Halford (Marie Pearce), Tyler Hall (William ‘Slim’ Townsend), Woody Harrelson (Chester M. Nimitz), David Hewlett (Husband Kimmel), James Hicks (Edwin Kroeger), Jason Lee Hoy (Pat Rooney), Hiromoto Ida (Prime Minister Tojo), Keenan Johnson (James Murray), Nick Jonas (Bruno Gaido), Luke Kleintank (Clarence Dickinson), Jun Kunimura (Chuichi Nagumo), Kenny Leu (Zhu Xuesan), Russell Lewis (Frank O’Flaherty), Alexander Ludwig (Roy Pearce), Jake Manley (Willie West), Mandy Moore (Ann Best), Dennis Quaid (William ‘Bull’ Halsey), Mark Rolston (Ernest King), Madison Roukema (Barbara Best), Dean Schaller (Jack Mackeniz Jnr.), Nobuya Shimamoto (Kaku Tomeo), Peter Shinkoda (Genda Minoru), Hiroaki Shintani (Emperor Hirohito), Brandon Sklenar (George ‘Tex’ Gay), Ed Skrein (Dick Best), Etsushi Toyokawa (Isoroku Yamamoto), Jake Weber (Raymond Spruance), Patrick Wilson (Edwin Layton)
Running Time: 138 mins
Classification: M (Australia) TBC (Thailand)
OUR MIDWAY REVIEWS & RATINGS:
Dave Griffiths Review:
If you aren’t aware of the various battles of World War II your first reaction to the trailer of Roland Emmerich’s (Godzilla) Midway is probably didn’t they already do a movie about Pearl Harbour? They did indeed, Michael Bay (Transformers) directed the very under-rated Pearl Harbour back in 2001, but while the attack on Pearl Harbour is shown in Midway it really is only a small part of the story that Emmerich is trying to tell here. Let’s just say that the Pearl Harbour attack is pretty much done and dusted in the first twenty minutes of the film.
Emmerich’s film almost feels like a ‘companion piece’ to Bay’s film. Here he focuses on the events that followed. We see Edwin T. Layton (Patrick Wilson – Insidious) an intelligence officer who actually predicated the attack on Pearl Harbour told to try and decipher what the Japanese are going to next, while Admiral Chester W Nimitz (Woody Harrelson – Natural Born Killers) is called in to orchestrate the counter-attack despite him calling it an ‘impossible situation.’
The film largely concentrates on the events after Pearl Harbour and follows pilots like Dick Best (Ed Skrein – Deadpool) and Wade McClusky (Luke Evans – Dracula Untold) as they prepare with the retaliation attacks that include The Battle Of Midway as a finale.
The biggest difference between Midway and Pearl Harbour is that while Bay went for a huge epic spectacular Emmerlich’s film feels more like a history lesson with a dramatised re-telling. The Japanese influence on the film is very easy to see. Not only do we get to see more of the story told from the Japanese side of the battles through the eyes of Commanders like Tamon Yamaguchi (Tadanobu Asano – Thor) and Isoroku Yamamoto (Etsushi Toyokawa – Love Letter) but a lot of the CGI and action sequences look a lot like you would expect to see in some of the Japanese action films that receive cinematic releases.
That style maybe a little off-putting for some audience members. You may find yourself wondering why a director who has movies like Independence Day and The Day After Tomorrow under his belt is serving up a film with fake CGI fire, but in the end that is a stylistic choice but it does further the feeling that the film is a historically correct re-telling rather than just there for entertainment.
Perhaps the biggest fault with the film though is that it tries to cram too much in. With some many characters introduced you really only get a chance to connect with a couple with the whole storyline involving the raid led by Jimmy Doolittle (Aaron Eckhart – The Dark Knight) feels rushed and brushed over when realistically it is interesting enough to have a movie of its own. Likewise Emmerlich quickly shows us John Ford (Geoffrey Blake – Forrest Gump) shooting his film at Midway but then it just seems to disappear into thin air.
With that all aside though Midway is still very much a watchable movie. Screenwriter Wes Tooke’s (Colony) screenplay does allow the audience to get close to characters like Dick Best and Wade McClusky while Emmerlich’s knack for suspense really goes to the fore during the actual battle sequences. Here Emmerlich recreates that same feeling that we got from watching films like Flyboys and Top Gun as the focuses on the amazing dog-fights and death-defying dive bombing that many of the pilots found themselves involved in. This is very much a film where it is the action sequences in the finale that really saves it from becoming an average film.
What is also good to see during Midway is the fact that some under-rated stars really do get a chance to shine here. Ed Skrein and Luke Evans are amazing here, there is real chemistry to their love-hate relationship on the screen and as you watch the film you find yourself wishing that both men got more roles where they are the leading men. Woody Harrelson and Dennis Quaid (The Day After Tomorrow) are both at their brilliant bests while Patrick Wilson often steals the scenes that he is at he portrays a man shattered by the events of Pearl Harbour but then given a chance of redemption. Again his character is another that deserves a film of its own.
Midway seems to be a movie that is better suited for the serious movie lover who will enjoy a movie that is more about historically correct then it is being there for entertainment. The film does explore all the ins and out of the Battle Of Midway but may leave you feeling like you do want to know more about some of the characters involved. Certainly worth seeing though for its dog-fight scenes alone.
Average Subculture Rating:
Other Subculture Entertainment Midway Reviews: N/A
With brand new film The Duel, starring Woody Harrelson and Liam Hemsworth being released on DVD, Blu-Ray and VOD in Australia Subculture Entertainment’s Dave Griffiths caught up with director Kieran Darcy-Smith to get the lowdown on the film. Kieran chats to Dave about how he ended up directing a film from a Black List screenplay and how the films cast changed massively before it started to shoot.
You can listen to or download our Kieran Darcy-Smith interview right here.
New Year’s Day sees more blockbuster films land in Australian cinemas and the first cab off the rank this year is the coming-of-age film The Edge Of Seventeen. So sit back and enjoy some The Edge Of Seventeen interviews.
Summary: When young Detective Chris Allen (Casey Affleck) is moved into a tough squad of the Atlanta Police Department he is unaware that his new partner, Marcus Belmont (Anthony Mackie), is corrupt and working with a group of criminals including Gabe Welch (Aaron Paul), Michael Atwood (Chiwetel Ejiofor), Russell Welch (Norman Reedus) and another corrupt officer, Franco Rodriguez (Clifton Collins Jnr.).
With the group running a series of robberies for Russian Mafia boss Irina Vlaslov (Kate Winslet) they find themselves stretched to the limit and it is decided that the only way to pull off the hardest of the robberies is to have Triple 9 (Police officer down) call put across the airwaves. Their chosen target is Chris because they know his uncle, respected Detective Jeffrey Allen (Woody Harrelson) will pull every officer onto the case.
Australian Cinema Release Date: 3rd March 2016
Australian DVD Release Date: TBA
Director: John Hillcoat
Screenwriter: Matt Cook
Cast: Terri Abney (Leah Green), Casey Affleck (Chris Allen), Armando Alonzo (Emilio), Michelle Ang (Trina Ling), Carlos Aviles (Fernando Rivera), Alexander Babara (Ben Feldman), Anthony Belevstov (Yussel Gotlib), Ian Casselberry (Gomez), Clifton Collins Jnr. (Franco Rodriguez), Luis Da Silva Jnr. (Luis Pinto), Chiwetel Ejiofor (Michael Atwood), Gal Gadot (Elena Vlaslov), Michael Harding (Walter Sims), Woody Harrelson (Jeffrey Allen), Karen Kaia Livers (Shanice), Anthony Mackie (Marcus Belmont), Blake McLennan (Felix), Valiant Michael (Sergio), E. Roger Mitchell (Smith), Teresa Palmer (Michelle Allen), Aaron Paul (Gabe Welch), Norman Reedus (Russell Welch), Terence Rosemore (Joshua Parks), Labrandon Shead (Sgt. Pete Nelson), Christiana Simonds (Christina), Michael Kenneth Williams (Sweet Pea), Kate Winslet (Irina Vlaslov)
Runtime: 115 mins
OUR TRIPLE 9 REVIEWS & RATINGS:
Yes it might be a year when we are getting films like Batman vs Superman and of course another Captain America film but one of the films I was most excited to see this year was Triple 9. Triple 9 looked like it would be interesting watch, not only did it have a stellar cast involved including two of my favourites Woody Harrelson and Kate Winslet (who never normally chooses a bad script) but was also directed by John Hillcoat whose filmography contains films like TheProposition, The Road and Lawless all films that have revealed that he is gritty director certainly worth watching the work of. Throw in a healthy dose of Police corruption and this was well and truly on the road to becoming one of my fave films of the year. That was until I sat down and watched it.
To be honest Triple 9 isn’t a bad film, in fact many elements of the film do in fact work. Hillcoat is at his normal gritty best with some realistic action sequences in which a normal cops and robbers chase across Atlanta becomes something of violent beauty, while some of the urban shoot-outs will have the audience on the edge of their seat. The problem with Triple 9 though is that it tries to do too much and is sadly let down by a script that needed just a few more re-writes.
It’s not surprising to learn that Triple 9’s screenwriter Matt Cook is a first time feature writer. The idea behind Triple 9 is sound but still the screenplay itself has some very big holes. First of all there is way too much happening and too many of the characters are too similar, so similar in fact that some of the critics at the Melbourne media screening were turning to each other and asking ‘who the hell was?’ after the screening… never a good sign.
As a screenwriter Cook seems to created quite a good world with a massive amount of back story that just doesn’t come through during the film. Just how did Michael start having a relationship with Elena, what ended etc are just never fully explained. Then there are huge plotholes like if all the team need is for a Triple 9 call to go over the airwaves do they really need to shoot a cop or can they just ‘pretend’ a cop has been shot? A seasoned screenwriter would have known to have ironed out things like that during the writing process but sadly that is something that Cook has overlooked. Hillcoat does all he can to make the screenplay watchable but just falls short of making this a decent film.
Likewise the weak screenplay also leaves some of the cast floundering as well. Luckily Casey Affleck and Kate Winslet are there to save things. Affleck does a more than admirable job playing the fresh faced Chris, but it is Winslet that really excels herself. Casting Winslet as a Russian Mafia boss was a risky pick. A pick so risky that if she had failed she could have been looking at finding herself in Golden Razzie territory, luckily though she is up to the task and Winslet delivers another fine performance… this time showing that she can pretty much handle anything that is thrown at her.
Also up to the task is Harrelson who seems to borrow a little bit from his role that he had in Rampart. Those suffering though are the likes of Antony Mackie, Aaron Paul and Chiwetel Ejiofor who in roles where they are severely hampered by the fact that their characters are dangerously clichéd. Then there are poor Gal Gadot, Teresa Palmer and Michelle Ang whose characters just seem to go missing for huge chunks of the film.
There is no doubt that with a little bit more work on the screenplay Triple 9 could have been a brilliant film. The poor screenplay unfortunately though leaves the audience asking too many questions and dumps this film right in the middle of a heap of other average films. While it may appeal to fans of The Shield don’t expect the writing of Triple 9 to ever lift it to anything near as brilliant.
Australian director John Hillcoat makes visceral, violent, dark and aggressively masculine thrillers, ranging from the bleak prison drama Ghosts… Of The Civil Dead through to the gritty outback western The Proposition, the apocalyptic journey into a heart of darkness with The Road or the prohibition era crime drama Lawless. And he seems to be able to attract A-list actors to work with him. Hillcoat’s latest film is another gritty and morally murky crime drama that is not for the squeamish or faint hearted. Triple 9 features a strong cast, some strong action sequences and a high body count. But it is also something of a disappointment given his body of work.
Written by first time writer Matt Cook, Triple 9 is set on the mean streets of Atlanta, Georgia, a lawless city full of crime and corruption where the gang and gun culture seems out of control. But the script itself raises too many questions and there are some gaping holes in the plot. Some of the dialogue is cliched, and the characterisation underdone.
When the film opens a carefully planned bank robbery is in progress. The thieves rob some money but their prime interest lies with a safety deposit box that holds some important documents vital to a Russian gangster incarcerated in a Siberian gulag. The thieves turn out to be a couple of former special forces operatives and a couple of corrupt cops. They have been blackmailed by the powerful Irina Vaslov (Kate Winslet, cast against type), the wife of the Russian gangster, into working for the Kosher Nostra, a criminal gang of Russian Jews. But Irina welshes on paying them, instead she forces them to break into a Homeland Security safe house, an even more secure location, to steal further incriminating evidence. The thieves plan to distract the police by killing honest cop Chris Allen (Casey Affleck).
On the trail of the daring brazen thieves is veteran detective Jeffrey Allen (Woody Harrelson), who happens to be Chris’s cousin.
The title comes from the police code for “Officer Down,” a code that sees police officers everywhere stop what they are doing and respond immediately to the distress signal. The film itself is full of some violent action, double crosses and revenge. But this contemporary heist thriller is also a morally empty film, and its seedy air of corruption and desperation reminds audiences of Training Day and the films of Sidney Lumet (Serpico, Dog Day Afternoon, etc).
Hillcoat certainly directs with energy and he maintains a fast pace throughout. He effectively ramps up the action with a superb urban shootout that imitates Michael Mann’s superb Heat, and an exciting adrenaline charged car chase on the city’s freeway.
Belgian cinematographer Nicholas Karakatsanis (the moody crime drama The Drop, etc) gives the film a grimy authenticity as he has shot the film largely using a restless handheld cameras to take us into the action. This is particularly effective in a couple of tense scenes. He has also shot in muted colours, lots of reds and blacks that is meant to intensify the mood, but the colour scheme also sometimes renders it hard to discern what is happening. The film has also been edited in that rapid, kinetic style by Dylan Tichenor (who has worked with the likes of Paul Thomas Anderson and Wes Anderson) which sometimes renders the action incomprehensible. And too many of the characters seems too similar and we never really get a handle on them and what makes them tick.
Strong performances from Affleck, Winslet and Harrelson bolster the film. Winslet steps into a role originally intended for Cate Blanchett (who wisely said “nyet”), but she adopts a convincing Russian accent and a cool icy demeanour. Affleck delivers one of his best perfomances yet as the fresh faced cop unaware of the corruption surrounding him. Harrelson is also good as the seedy and jaded veteran cop with an addiction problem, a role that has some similarities to his recent work in True Detective and the gritty drama Rampart.
Unfortunately, talented players like Anthony Mackie, Chiwetel Ejiofor, Clifton Collins jr, Breaking Bad‘s Aaron Paul and The Walking Dead‘s Norman Reedus find themselves stuck with cliched, one-dimensional characters ands do not leave much of an impression.
With its convoluted plotting and cliched characters, Triple 9 is unfortunately just another police action thriller that doesn’t really offer anything particualrly new or surprising.
John Hillcoat has an impressive back catalogue to show off. All of them tapping into a vein of masculinity being tested. Whether it be Ray Winstone saving face in The Proposition, Viggo Mortensen going above and beyond fatherly duties in The Road, or literally every cell mate in Ghosts… Of the Civil Dead. Based on a screenplay by Matt Cook, Triple 9 lets Hillcoat return to these themes and, well, triple them. Not always to great effect.
In Atlanta, Georgia, three professional criminals (Chiwetel Ejiofor, Norman Reedus and Aaron Paul) join up with two corrupt lawmen (Anthony Mackie and Clifton Collins Jnr) to rob a bank at the behest of a Russian mob wife (Kate Winslet). She stiffs the group on their reward, politely and violently asking them do one last robbery for the sake of her incarnated husband.
Each of the man has a lot to lose, financially and personally, if they don’t steam ahead. Ejiofor, for example, will lose custody rights to the kid he’s fathered with Winslet’s sister. So, realizing that the robbery is impossible unless they come up with a big enough distraction, the decision is made to kill a cop on the day. With Atlanta’s police searching for a cop killer, they should have plenty of time to get in and out unnoticed. Enter Casey Affleck as Mackie’s new partner, who he clearly doesn’t care for.
Triple 9 is bolshy, angry and suffers from excess in all departments. With such a pedigree of cast on display, I haven’t even mentioned Woody Harrelson yet, it’s understandable the film wants to get plenty of bang for its buck.
This should be an ensemble piece, but it feels like Triple 9 can’t decide who its focus is. Is it Affleck stumbling around naively? Is it Mackie wrestling with his subconscious? Perhaps it’s Ejiofor battling to see his son. Triple 9 wants it to be all of them. And that’s fine, but it doesn’t achieve its goals.
Meanwhile, Hillcoat’s direction paints a suitably sweaty, gritty world lit in blue and red. At it’s best, it’s a reminder of Ghosts… of the Civil Dead. At it’s worst it’s Heat as directed by Michael Bay, where men are real chest beating men and women have minimal dialogue or clothing. That’s not an exaggeration as Triple 9 ensures that anyone remotely female is saved for background or wifely duties. It’s only really Winslet that manages to rise above the heap and she does so with an outrageous accent.
There is still a lot to enjoy here, with some breathtaking set pieces that suggest Hillcoat could be eyeing up an action movies as his next gig. But this is then clouded by overripe dialogue, undercooked characterisation and so much backstabbing it makes Wild Things blush. Please understand, this isn’t a bad film. It’s perfectly serviceable, but it is not what we expect from Hillcoat, who has proven in the past he can play with restraint. Enjoyable, but a bit of a misstep.
Triple 9, directed by John Hillcoat and containing a decent cast consisting of Kate Winslet, Aaron Paul, Norman Reedus, Casey Affleck, Chiwetel Ejiofor, Anthony Mackie, Woody Harrelson and many more. Personally I am not one who is into all the Police and crime films but after seeing Triple 9 I must say that is a film that is definitely worth watching. The film opens with a bang consisting of a bank robbery and from that point on the film is non-stop action. There aren’t any big defying scenes of the film that consist of car chases and explosions but the film is very confronting when it comes to the criminal side of things. The film has a lot of graphic scenes which really gives the film a very dark feel to it. Some of the things I liked about the film was the story and the acting. The story itself had many twists and turns that you don’t see coming and it adds so much to the film when you see something you don’t believe would happen. The acting in the film from all the actors was incredible. The pure emotion that was seen on screen was great to me.
If your a fan of the Police and crime films this is a film that you really should go see.