[FILM REVIEW] PIGGY Review (2022)

October 3, 2022 Dave 2022 Melbourne International Film Festival, Camille Aguilar, Carlota Pereda, Carmen Machi, Chema del Barco, Claudia Salas, Fernando Delgado-Hierro, Fred Tatien, Irene Ferrerio, Jose Pastor, Jose Vincentre Moiron, Kyle McGrath, Laura Galan, Lia Lois, Melbourne International Film Festival, Piggy, Pilar Castro, Richard Holmes, Spain, Stephanie Magnin

Summary: An overweight teen is bullied by a clique of cool girls poolside while holidaying in her village. The long walk home will change the rest of her life.

Year: 2022

Cinema Release Dates: TBA

VOD Release Dates: TBA

Country: Spain

Director: Carlota Pereda

Screenwriter: Carlota Pereda

Cast: Camille Aguilar (Roci), Pilar Castro (Elena), Chema del barco (Juan Carlos), Fernando Delgado-Hierro (Juancarlitos), Irene Ferrerio (Claudia), Laura Galan (Sara), Richard Holmes (Desconocido), Lia Lois (Amaya), Carmen Machi (Madre), Stephanie Magnin (Rosa), Jose Vincente Moiron (Padre Pedro), Jose Pastor (Pedro), Claudia Salas (Maca), Fred Tatien (Padre Roci)

Running Time: 90 mins

Classification: TBC

OUR PIGGY REVIEWS

Kyle McGrath’s Piggy Review:

I love revenge movie of all types, horror, action, thriller etc. There’s movies like Death Wish which glorified vigilantism much to the chagrin of original author Brian Garfield and then there are movies like ‘Death Sentence’ which did the complete opposite. There are creative films such as a personal favourite Irreversible which in portraying a horrific act and the resulting vengeance in reverse order managed to make things so much more uncomfortable as the audience was robbed of all hope for catharsis. As a subgenre revenge films are more varied than many would give credit for.

Piggy is a drama/horror written and directed by Carlota Pereda based upon her previous short film. Sara (Laura Galán) an obese teenager living in a small Spanish village is the target of much derision from other more popular teenagers. While they spend their summer socialising and having fun she remains behind the counter of her family’s butcher shop, even in hiding she can not escape the taunts and online bullying. One hot day when she believes it’s safe to do so Sara travels to the local pool to cool off only to be accosted, tortured and humiliated by other girls. On her walk of shame back home she happens to witness the kidnapping of one of these girls by an anonymous stranger (Richard Holmes), in showing Sara an act of kindness a silent bond forms between the two. As other teens disappear and bodies start piling up all eyes in the small village begin to focus on Sara and she must decide what to do as her tormentors may very well now be at her mercy.

I was initially interested in the premise of the movie and seeing how it would blend the topics of modern bullying within a small town. What also drew me in was wondering how the obvious horror element (as promised by its poster of Sara drenched in gore) would play into it. I guess in some ways I would say the film subverts your expectations as it focuses much more on Sara’s moral struggles with the guilt of her bond with this unknown kidnapper than it does any traditional horror or gore aspect.

Laura Galan gives a great lead performance in her role as Sara. When film’s deal with characters with body issues I’m always impressed by the bravery of actors who are willing to put themselves in the spotlight where all eyes will be on them as the script itself points at them saying “look how fat/old/ugly they are!”. These scenes of horrific abuse are extremely hard to watch and we immediately empathise with Sara and can even sonewhat understand her decision to stay quiet when her tormentors start disappearing one by one.

While the twist of not having this film be an all out splatter revenge fantasy film was not an entirely unwelcome one things still felt like they dragged for the majority of the movie. It was odd as the unspoken agreement occurs so early in the film I at first felt it was rushing things, instead the plot dragged as it built towards an unsatisfactory and poorly thought out conclusion. There is decent characterisation of Sara’s domineering mother Asun (Carmen Machi) however little of the victims before its too late to care about them.

Like some other recent movies (True Things, The Nightingale, The Lighthouse) this film is presented in a 4:3 ‘square’ aspect ratio, unfortunately unlike many of those films I failed to see the purpose here. Usually when modern films use this style there is a thematic or stylistic reasoning which serves to enhance the audience’s experience. In Piggy it largely served to frustrate me throughout the film as focal points were off screen or out of frame and coupled with a lack of establishing shots it felt like I often had to deduce what the characters were looking at rather than just seeing it for myself.

I did feel myself transported to this small village and thanks to a brave performance by Galán Piggy sucks you in early but unfortunately with nowhere really to go from there. As a horror film it’s lacking where it’s gore is only for temporary shock value and it feels like it only dips it’s toes into the heavy subject of bullying as a means to an end. The short film Piggy is based on was only 14 minutes and unfortunately despite the potential there just isn’t enough on display here to justify expansion to feature film territory.

Other Subculture Piggy Reviews:

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Trailer: