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Over one day across the streets of L.A., three lives will change forever.

In this breakneck thriller from director-producer Michael Bay, decorated veteran Will Sharp (Emmy winner Yahya Abdul-Mateen II, Candyman, The Matrix Resurrections), desperate for money to cover his wife’s medical bills, asks for help from the one person he knows he shouldn’t—his adoptive brother Danny (Oscar® nominee Jake Gyllenhaal, Zodiac, Spider-Man: Far From Home). A charismatic career criminal, Danny instead offers him a score: the biggest bank heist in Los Angeles history: $32 million. With his wife’s survival on the line, Will can’t say no. 

But when their getaway goes spectacularly wrong, the desperate brothers hijack an ambulance with a wounded cop clinging to life and ace EMT Cam Thompson (Eiza González, Fast & Furious Presents: Hobbs & Shaw, Baby Driver) onboard. In a high-speed pursuit that never stops, Will and Danny must evade a massive, city-wide law enforcement response, keep their hostages alive, and somehow try not to kill each other, all while executing the most insane escape L.A. has ever seen.  

Ambulance is produced by Michael Bay, p.g.a., Bradley J. Fischer, p.g.a. (Zodiac, Shutter Island) for New Republic Pictures, James Vanderbilt (Zodiac, 2022’s Scream) and William Sherak (Ready or Not, 2022’s Scream) for Project X, and Oscar® nominee Ian Bryce (Transformers franchise, Saving Private Ryan).

The screenplay is by Chris Fedak (Prodigal Son, Chuck), based on the original story and screenplay for the 2005 Danish thriller Ambulancen by Laurits Munch-Petersen and Lars Andreas Pedersen.

Michael Myers returns to cinemas on October 28th with Halloween Kills and thanks to our good friends at Universal Pictures you could win a double pass to see him on the big screen.

To be in the running to win an in-season pass simply go to the Subculture Facebook page and private message us the name of one of the stars of Halloween Kills.

For further information on the film please check out http://halloweenmovie.com.au/

Evil Dies Tonight, Halloween Kills. Only in cinemas October 28.

MONSTER FEST returns to Cinema Nova from December 2 – 12 to celebrate their 10th Anniversary with 10 Days of the latest and greatest genre and cult cinema programming from around the world along with Filmmaker Q&As, Panel Discussions and Special Events.

Opening Monster Fest 2021, RESIDENT EVIL: WELCOME TO RACCOON CITY, directed by Monster Fest alumni Johannes Roberts (THE STRANGERS – PREY AT NIGHT, 47 METRES DOWN) and starring Kaya Scodelario (CRAWL) and Robbie Amell (THE BABYSITTER), this instalment returns to the very roots of the RESIDENT EVIL franchise.

With equal lashings of laughs and gore, Danishka Esterhazy‘s satirical slasher SLUMBER PARTY MASSACRE can join a short list of films that includes THE BLOB (1988), HOUSE ON HAUNTED HIL (1999) and MANIAC (2012) as rare reimaginings that genuinely work and arguably eclipse their original source.

Devon Sawa (IDLE HANDS), Michael Jae White (DRAGGED ACROSS CONCRETE) and genre legend Bruce Campbell (EVIL DEAD) lead a motley crew of embattled retail employees who must rise against bloodthirsty bargain-hunters in Casey Tebo’s BLACK FRIDAY.

Kiah Roache-Turner & Tristan Roache-Turner‘s highly anticipated follow up to 2014’s WYRMWOOD, WYRMWOOD APOCALYPSE follows Rhys (Luke McKenzie, WENTWORTH), a soldier who in a dystopic zombie-infested Australia, has dedicated his life to tracking and capturing survivors for the Surgeon General in hopes of finding a cure.

As if puberty weren’t enough, imagine discovering at such a formative age that you’re also a witch, such is the case for Izzy (Zelda Adams), in the Fantasia Film Festival award-winner, HELLBENDER, the latest work from the auteur family of filmmakers John Adams, Zelda Adams & Toby Poser (THE DEEPER YOU DIG).

From Oscar-winning visual effects artist and filmmaker Phil Tippett, comes his highly anticipated masterwork MAD GOD, an experimental stop-motion extravaganza set in a Milton-esque world of monsters, mad scientists, and war pigs.

Every year Monster Fest attempt to program at least one film in which the violence, gore and obscenity is that visceral and extreme that it may give even the most seasoned Monster Fest patron pause. This year, that film is THE SADNESS, fresh from its Fantastic Fest win for ‘Best Horror Film’, Rob Jabbaz‘s debut feature sees a nation fall as a rampant plague turns it citizens into depraved, unconscionable and ruthless sadists.

What do you get when you cross two New York City hipsters, a surprisingly affordable apartment on Manhattan’s Upper East Side and Jeffrey Epstein’s ghost? Dasha Nekrasov‘s Berlinale award–winning THE SCARY OF SIXTY-FIRST, a giallo-infused and conspiracy-fuelled pitch-black comedy.

NOVA STAR is the long-awaited and highly anticipated fifth feature from Monster Fest alumni Daniel Armstrong (TARNATION), an intergalactic comedy that sees Mack, a space janitor, tasked with saving the universe from Kill-Bots, Space Pirates, Bounty Hunters and an evil Space Queen who plans to flush the entire cosmos out of reality through a black hole.

Passion, hope and destiny collide when two men from opposite sides of the world work together to bring Wakaliwood’s unique blend of action and comedy not only to screens throughout Africa but to the wider world in Cathryne Czubek & Hugo Perez‘s crowd-pleasing documentary ONCE UPON A TIME IN UGANDA.

Filmmakers Sarah Appleton & Phillip Escott explore the origins, impact and legacy of a sub-genre of cinema that despite its popularity and strong box office, rarely gets it due, in the gripping documentary THE FOUND FOOTAGE PHENOMENON.

BAFTA-winner Paul Andrew Williams‘ BULL is a brutal, subversive and wickedly suspenseful story of a wronged man (Neil Maskell, KILL LIST) who returns home after a decade-long absence to seek revenge on those who double-crossed him and left him for dead.

Following on from sold-out screenings at TIFF, Fantastic Fest and Beyond Fest, Ruth Paxton‘s A BANQUET is an unsettling, thought-provoking and hyper-tense psychological thriller about mother attempting to cope with a sudden and terrifying change in her daughter’s behaviour.

OFFSEASON is the latest offering from prolific genre filmmaker Mickey Keating (DARLING), that follows Marie (Jocelin Donahue, DOCTOR SLEEP) who ventures to a remote island to see to some family business but soon realises that may never be able to leave.

Australia has had many entries in the found footage sub-genre but to date none have equaled the sheer scale and genuine scare of 2011’s critically acclaimed THE TUNNEL. Now ten years on, go behind-the-scenes of the film that helped redefine a sub-genre globally and discover not only how the film was made but the impact its had since its release in THE TUNNEL: THE OTHER SIDE OF DARKNESS.

When two cocky door-to-door salesman happen to call upon the wrong household, what ensues is an escalation dark comedy of the highest order in director Josh Wallace‘s KEEPING COMPANY.

Filmmakers Samuel Gonzalez Jr. & Bridget Smith‘s THE RETALIATORS craft a refreshingly original and unsparingly brutal tale of a pastor on the hunt to find his daughter’s murderer/s but will his faith in God prevent him from extracting the revenge he rightly deserves.

Horny jocks, battle-hardened nerds and hot milfy mums abound in Pierce Berolzheimer‘s CRABS, a loving ode to the OTT eco-horror movies of the 70s and 80s.

Kevin Kopacka‘s DAWN BREAKS BEHIND THE EYES is an experimental horror with the gothic chills of Mario Bava and the visceral excess of Lucio Fulci that sees a couple inherit a rundown castle from which they find time and reality shift around them.

Twists and tension collide in writer/director Christopher Donaldson‘s DITCHED, that finds an ambulance crew besieged by a mysterious and malicious presence in the woods.

Adam Stilwell‘s sophomore feature, THE FREE FALL, is psychological horror that follows Sara (Andrea Londo, NARCOS) who wakes from a coma to a life she doesn’t remember and perhaps is best not to.

Following a robbery, an expectant mother searches for her family’s stolen dog but soon finds her hunt leading to the seedy and dangerous underworld of illegal dog fighting, in Samuel Galloway‘s MUTT.

THE DUNES is a psychological thriller from writer/director Martin Copping about a journalist who returns to his hometown to investigate a disappearance but encounters a mysterious figure who threatens his very own existence.

Josh Conn‘s survival thriller CROW VALLEY follows Benny, who after suffering from a hit and run, wakes to find himself in a cabin with a woman whose grip on reality and edge of sanity is slowly slipping away.

They say you can’t go home again and for Lily she will soon wish she hadn’t. Filmmakers Paul Anthony Nelson & Perri Cummings‘ APPARITIONS is a multi-layered suspense horror that explores fear, family and identity.

Zeke Dixon-Kitt‘s debut feature THE LONESOME ROOM is a single-location thriller that follows an author suffering writer’s block who finds herself trapped in a scenario not too dissimilar to one from her novels.

If there were any good to come out of Melbourne’s seemingly never-ending lockdowns, it may just be that it afforded the time to search, discover and assemble Cameron McCulloch‘s thought-to-be-lost debut feature, SCAM. Shot in the early 2000s, this loving ode to and entry in a bygone era of crime capers centres around Kim (Kesti Morassi, WOLF CREEK), a small-time scam artist looking to level up in the underworld, which is unfortunately run by her disapproving father.

Monster Fest dare you to experience producer Andy Warhol & director Paul Morrissey‘s BLOOD FOR DRACULA & FLESH FRANKENSTEIN as a Double Feature on the big screen with all-new 4K Restorations from their original camera negatives.

In honour of its 10th Anniversary, Monster Fest is pleased to host a celebratory screening of the Australian found footage classic THE TUNNEL, that finds a tv crew on the hunt for a story that quickly becomes clear is hunting for them.

Alright you Tapeheads, listen up! Monster Fest is pleased to premiere VIDEO HOARDERS SEASON 3 in its entirety, all five episodes back-to-back up on the big screen. Series creator and host Rob Taylor is headed north…North America, Canada in fact, as he raids the VHS stashes of some serious Canuck collectors and gives us an inside look at their convention scene too.

When you think of canine companions as seen in cinema, instantly you are reminded of loving and loyal best pals however in the horror film, dogs serve a very different purpose. Film critic and author Lee Gambin will take you on a walk through the history of Dog-Horror cinema with his lecture THEY’RE NOT PETS ANYMORE: DOGS IN THE HORROR FILM.

Following on from Lee Gambin’s fascinating talk, Monster Fest is beyond excited to showcase three of the finest examples of Dog-Horror ever made with our DOGSPLOITATION MARATHON. The films themselves are, at present, a closely guarded secret but suffice to say there will be enough gnashing of teeth, slobbering jaws and high-pitched barks to satisfy all comers. And if that’s not enough, intersperse between the screenings will be a little thing they like to call MONSTER FEST TRIVIA.

FROM SHORT TO FEATURE: THE CREATIVE JOURNEY OF BUTTON MAN presents not only the Worl Premiere of the BUTTON MAN Short but will also be a Filmmaker Q&A and Panel session to discuss the journey of the film so far and the next steps the filmmaking team will take to get the feature to market.

As always Monster Fest are thrilled to bring you the very best Short Films from around the world. With one Short playing prior to all Feature programming and two dedicated sessions of Shorts this year: MONSTER FEST SHORTS & MONSTER FEST STUDENT SHORTS.

And no Monster Fest would be without Dick Dale’s TRASHARAMA. Bursting at the seams with gross-out horror, bad taste comedies, sick n’ twisted animations, science-fiction scat and other genres not even invented yet, Trasharama is Monster Fest tradition and not to be missed. Trash ain’t trash when it’s in Trasharama!

Finally Monster Fest have a SURPRISE SESSION. We’ve been working furiously behind the scenes to bring you a super special addition to this years’ program. Take a leap of faith and grab a ticket now or wait until all is revealed, either way they guarantee it’ll be worth it.

TICKETS:

VIP Pass – $330
Valid for 28 sessions including Opening Night, Closing Night and Special Events at Monster Fest from Thursday December 2nd through Sunday December 12th. It cannot be used for multiple tickets to the same session or for sessions that run concurrently. 10 Film Pass – $150
The 10 Film Pass may be used for any 10 Monster Fest film sessions from Thursday December 2nd to Sunday December 12th including Opening Night, Closing Night and Special Events. It cannot be used for multiple tickets to the same session or for sessions that run concurrently. 5 Film Pass – $75
The 5 Film Pass may be used for any five Monster Fest film sessions from Thursday December 2nd to Sunday December 12th including Opening and Closing Night but excluding ‘The Andy Warhol 4K Double Feature’ and ‘The Dogslpoitation Marathon’. It cannot be used for multiple tickets to the same session or for sessions that run concurrently. SPECIAL EVENTS

Andy Warhol 4K Double Feature  – $30 The Saturday Afternoon Dogsploitation Marathon – $30 INDIVIDUAL SESSIONS Adults – $20.50
Concession – $16 Cinema Nova and Monster Fest will be following Victorian State Government COVID-safe guidelines, which we urge ticket buyers to review ahead of festival attendance. For more information visit: https://www.coronavirus.vic.gov.au/

WHEN:
Thursday 2nd of December – Sunday 12th of December 2021 WHERE: CINEMA NOVA
380 Lygon St
Carlton VIC
Ph: (03) 9347 5331

Website: http://www.monsterfest.com.au/australia

Brisbane based alternative musician Andrew Jay has released one of the most thought provoking songs of this year in the form of Broken Man.

Andrew recently sat down and spoke to Subculture’s Dave Griffiths about the tragic circumstances that inspired the song and what his plans are in future to bring out more music.

You can take a listen to the full interview right here:

Melbourne alternative rock musician COLD*WORDS has just floored everybody with his new single titled ‘Kill Me, Please.’

Once a member of Left For Wolves COLD*WORDS has been busy recently writing tracks that tackle complex and deep issues such as alienation, depression and anxiety. Recently COLD*WORDS sat down for a chat with Subculture’s Dave Griffiths and he not only spoke about the deep meanings of his songs but also about his move away from metal to alternative rock.

Take a listen to the full interview here:

Symphonic metal powerhouse Ad Infinitum didn’t let the rave reviews of their first album get to their heads. Instead the band decided to buckle down almost straightaway and begin work on their new album – Chapter II: Legacy.

With the album about to be released through Naplam Records this week Subculture’s Dave Griffiths sat down and spoke to Adrian Thessenvitz from the band about a number of things – including the fact that the album tells the story of Vlad The Impaler.

You can take a listen to the full interview right here:

“It was fucking perfect!” That is the way that Suffocation bass-guitarist Derek Boyer sums up the show that has resulted in their Live In north America album which is about to drop through Nuclear Blast Records.

The album ends up becoming a fitting farewell to original vocalist Frank Mullen and recently when Boyer sat down for a chat with Subculture’s Dave Griffiths he chatted about how difficult it is to record a live album and what Mullen’s retirement means to him.

You can check out the full interview below:

The pandemic has been a strange time for Stockhausen & The Amplified Riot. During that time they went from being a three-piece to a solo music project – but also that period they created some of the best music of their careers and that has resulted in the release of their Have We Lost Our Mind Or Have We Found Our Soul EP.

Subculture’s Dave Griffiths recently sat down with Stockhausen to chat about the events that led to the music we find on the EP – from a close friend’s accidental overdose through to crazy times that loked like never ending.

You can take a listen to the full interview below: