Indulge in the ultimate romantic picnic at Lovers by Lakesideoverlooking stunning Australian Botanic Garden views, nestled in the comfort of your special spot watching a classic romantic comedy.
Settle in for a night of wonder, romance and teenage 90’s slang as you watch this year’s chosen film, 10 Things I Hate About You starring Heath Ledger and Julia Stiles on our spectacular 10 metre outdoor screen.
Prepare for a night filled with laughs and of course… love! Visit the south-west of Sydney for a magical night out that will make you feel like a film character amongst such beautiful nature settings.
Just when you think it couldn’t get any better, this year there are exclusive VIP tickets and delicious hampers on offer for the first time to make your lakeside picnic just a little more special. There are plenty of options to choose from, including the Charcuterie box for those who prefer a picnic feast, or the Veggie Garden box for a lighter option. The Sweets for my sweet box hamper is also up for pre-order for all the sweet tooth couples.
SEATING OPTIONS (PER COUPLE)
Ultimate Sweethearts – Numbered bean bag seating, box of chocolates, box of popcorn, prime viewing front of screen plus VIP parking
Laidback Lovers – Bean bag seating, box of popcorn and next level viewing behind VIP seating
Privacy Seekers – Designated spot in general admission seating
HAMPER OPTIONS (PER COUPLE)
Charcuterie Box– Wood smoked ham shavings, dry cured salami, green olive mortadella, southcape double brie, Black Jack aged cheddar, house-made dips (beetroot and hummus), marinated black and green olives, sweet potato rosti, marinated olives, fresh seasonal fruits, wafers, sesame lavosh, and crisps
Veggie Garden Box– Herbed cashew cheese, marinated mushrooms, sun dried tomatoes, marinated black and green olives, pickles, sweet potato rosti, house-made dips (beetroot, hummus and pesto), fresh seasonal fruits, wafers, sesame lavosh, crisps, dried fruits and nuts
Sweet for my sweet box- Buttercream vanilla cupcakes, rocky road, chocolate pretzels, french macarons, doughnuts, milk chocolate pots with strawberries and marshmallows, fresh seasonal fruits and assorted candy to decorate
EVENT DETAILS
When: Monday,14 February, gates open at 7:30pm, film from 8:15pm
Where: Lakeside Lawn, Australian Botanic Garden Mount Annan
Film: 10 Things I Hate About You
Ticket Price: $45 – $110
Parking: Free (grass area) or VIP parking car park
Age: Adults only (sorry no kids at this one)
Drinks/Alcohol: This is a BYO event. Food included in Ultimate Sweetheart and Laidback Lovers package plus the extra hampers available for purchase
Ensure the selected hamper package is mentioned when pre-ordering tickets to the event.
For more information on the event visit the Australian Botanic Garden Mount Annan website here.
Aussie band In Hearts Wake have recently put together a documentary called Green Is The New Black. The doco this week premieres at the Byron Bay Film Festival so this week Jake Taylor sat down with Subculture to chat about the film.
Better Noise Films’ upcoming horror-thriller feature THE RETALIATORShas been announced as part of this years Monster Fest taking place in Melboure during December.
In THE RETALIATORS, an upstanding pastor uncovers a dark and twisted underworld as he searches for answers surrounding his daughter’s brutal murder.
A high-octane original soundtrack and cameos from some of the biggest names in rock music set the tone as this horror-thriller reveals a game of revenge played using a new set of rules.
The film stars Michael Lombardi (FX’s “Rescue Me”), Marc Menchaca (Netflix’s “Ozark”) and Joseph Gatt (HBO’s “Game of Thrones”), and Jacoby Shaddix, front man of iconic rock band Papa Roach, making his feature film acting debut. Bridget Smith and Samuel Gonzalez, Jr. serve as co-directors, with a screenplay by Darren Geare and Jeff Allen Geare. Variety also announced in April that Kyle Dixon and Michael Stein, the Emmy-winning composers behind the acclaimed music of Netflix’s hit “Stranger Things,” wrote the film’s original score.
The Retaliators will screen THIS SATURDAY!
Saturday, December 11 @ 7.00pm Cinema Nova Lygon St, Carlton, Melbourne
Another film screening at this year’s Monster Fest is the comedy horror Crabs. This week Subculture’s Dave Griffiths sat down and had a chat to the film’s director Pierce Berolzhemier about the film.
Don’t forget to grab your Monster Fest tickets at www.monsterfest.com.au and you can listen to the full interview with Pierce below:
One of the films screening at Monster Fest 2021 is Danishka Esterhazy’s new film Slumber Party Massacre. This week she sat down and spoke to HEAVY Cinema’s Dave Griffiths about the film.
Don’t forget to grab your tickets from www.monsterfest.com.au and you can listen to the full interview below:
MONSTER FEST returns to Cinema Nova from December 2 – 12 to celebrate their 10th Anniversary with 10 Days of the latest and greatest genre and cult cinema programming from around the world along with Filmmaker Q&As, Panel Discussions and Special Events.
Opening Monster Fest 2021, RESIDENT EVIL: WELCOME TO RACCOON CITY, directed by Monster Fest alumni Johannes Roberts (THE STRANGERS – PREY AT NIGHT, 47 METRES DOWN) and starring Kaya Scodelario (CRAWL) and Robbie Amell (THE BABYSITTER), this instalment returns to the very roots of the RESIDENT EVIL franchise.
With equal lashings of laughs and gore, Danishka Esterhazy‘s satirical slasher SLUMBER PARTY MASSACRE can join a short list of films that includes THE BLOB (1988), HOUSE ON HAUNTED HIL (1999) and MANIAC (2012) as rare reimaginings that genuinely work and arguably eclipse their original source.
Devon Sawa (IDLE HANDS), Michael Jae White (DRAGGED ACROSS CONCRETE) and genre legend Bruce Campbell (EVIL DEAD) lead a motley crew of embattled retail employees who must rise against bloodthirsty bargain-hunters in Casey Tebo’s BLACK FRIDAY.
Kiah Roache-Turner & Tristan Roache-Turner‘s highly anticipated follow up to 2014’s WYRMWOOD, WYRMWOOD APOCALYPSE follows Rhys (Luke McKenzie, WENTWORTH), a soldier who in a dystopic zombie-infested Australia, has dedicated his life to tracking and capturing survivors for the Surgeon General in hopes of finding a cure.
As if puberty weren’t enough, imagine discovering at such a formative age that you’re also a witch, such is the case for Izzy (Zelda Adams), in the Fantasia Film Festival award-winner, HELLBENDER, the latest work from the auteur family of filmmakers John Adams, Zelda Adams & Toby Poser (THE DEEPER YOU DIG).
From Oscar-winning visual effects artist and filmmaker Phil Tippett, comes his highly anticipated masterwork MAD GOD, an experimental stop-motion extravaganza set in a Milton-esque world of monsters, mad scientists, and war pigs.
Every year Monster Fest attempt to program at least one film in which the violence, gore and obscenity is that visceral and extreme that it may give even the most seasoned Monster Fest patron pause. This year, that film is THE SADNESS, fresh from its Fantastic Fest win for ‘Best Horror Film’, Rob Jabbaz‘s debut feature sees a nation fall as a rampant plague turns it citizens into depraved, unconscionable and ruthless sadists.
What do you get when you cross two New York City hipsters, a surprisingly affordable apartment on Manhattan’s Upper East Side and Jeffrey Epstein’s ghost? Dasha Nekrasov‘s Berlinale award–winning THE SCARY OF SIXTY-FIRST, a giallo-infused and conspiracy-fuelled pitch-black comedy.
NOVA STAR is the long-awaited and highly anticipated fifth feature from Monster Fest alumni Daniel Armstrong (TARNATION), an intergalactic comedy that sees Mack, a space janitor, tasked with saving the universe from Kill-Bots, Space Pirates, Bounty Hunters and an evil Space Queen who plans to flush the entire cosmos out of reality through a black hole.
Passion, hope and destiny collide when two men from opposite sides of the world work together to bring Wakaliwood’s unique blend of action and comedy not only to screens throughout Africa but to the wider world in Cathryne Czubek & Hugo Perez‘s crowd-pleasing documentary ONCE UPON A TIME IN UGANDA.
Filmmakers Sarah Appleton & Phillip Escott explore the origins, impact and legacy of a sub-genre of cinema that despite its popularity and strong box office, rarely gets it due, in the gripping documentary THE FOUND FOOTAGE PHENOMENON.
BAFTA-winner Paul Andrew Williams‘ BULL is a brutal, subversive and wickedly suspenseful story of a wronged man (Neil Maskell, KILL LIST) who returns home after a decade-long absence to seek revenge on those who double-crossed him and left him for dead.
Following on from sold-out screenings at TIFF, Fantastic Fest and Beyond Fest, Ruth Paxton‘s A BANQUET is an unsettling, thought-provoking and hyper-tense psychological thriller about mother attempting to cope with a sudden and terrifying change in her daughter’s behaviour.
OFFSEASON is the latest offering from prolific genre filmmaker Mickey Keating (DARLING), that follows Marie (Jocelin Donahue, DOCTOR SLEEP) who ventures to a remote island to see to some family business but soon realises that may never be able to leave.
Australia has had many entries in the found footage sub-genre but to date none have equaled the sheer scale and genuine scare of 2011’s critically acclaimed THE TUNNEL. Now ten years on, go behind-the-scenes of the film that helped redefine a sub-genre globally and discover not only how the film was made but the impact its had since its release in THE TUNNEL: THE OTHER SIDE OF DARKNESS.
When two cocky door-to-door salesman happen to call upon the wrong household, what ensues is an escalation dark comedy of the highest order in director Josh Wallace‘s KEEPING COMPANY.
Filmmakers Samuel Gonzalez Jr. & Bridget Smith‘s THE RETALIATORS craft a refreshingly original and unsparingly brutal tale of a pastor on the hunt to find his daughter’s murderer/s but will his faith in God prevent him from extracting the revenge he rightly deserves.
Horny jocks, battle-hardened nerds and hot milfy mums abound in Pierce Berolzheimer‘s CRABS, a loving ode to the OTT eco-horror movies of the 70s and 80s.
Kevin Kopacka‘s DAWN BREAKS BEHIND THE EYES is an experimental horror with the gothic chills of Mario Bava and the visceral excess of Lucio Fulci that sees a couple inherit a rundown castle from which they find time and reality shift around them.
Twists and tension collide in writer/director Christopher Donaldson‘s DITCHED, that finds an ambulance crew besieged by a mysterious and malicious presence in the woods.
Adam Stilwell‘s sophomore feature, THE FREE FALL, is psychological horror that follows Sara (Andrea Londo, NARCOS) who wakes from a coma to a life she doesn’t remember and perhaps is best not to.
Following a robbery, an expectant mother searches for her family’s stolen dog but soon finds her hunt leading to the seedy and dangerous underworld of illegal dog fighting, in Samuel Galloway‘s MUTT.
THE DUNES is a psychological thriller from writer/director Martin Copping about a journalist who returns to his hometown to investigate a disappearance but encounters a mysterious figure who threatens his very own existence.
Josh Conn‘s survival thriller CROW VALLEY follows Benny, who after suffering from a hit and run, wakes to find himself in a cabin with a woman whose grip on reality and edge of sanity is slowly slipping away.
They say you can’t go home again and for Lily she will soon wish she hadn’t. Filmmakers Paul Anthony Nelson & Perri Cummings‘ APPARITIONS is a multi-layered suspense horror that explores fear, family and identity.
Zeke Dixon-Kitt‘s debut feature THE LONESOME ROOM is a single-location thriller that follows an author suffering writer’s block who finds herself trapped in a scenario not too dissimilar to one from her novels.
If there were any good to come out of Melbourne’s seemingly never-ending lockdowns, it may just be that it afforded the time to search, discover and assemble Cameron McCulloch‘s thought-to-be-lost debut feature, SCAM. Shot in the early 2000s, this loving ode to and entry in a bygone era of crime capers centres around Kim (Kesti Morassi, WOLF CREEK), a small-time scam artist looking to level up in the underworld, which is unfortunately run by her disapproving father.
Monster Fest dare you to experience producer Andy Warhol & director Paul Morrissey‘s BLOOD FOR DRACULA & FLESH FRANKENSTEIN as a Double Feature on the big screen with all-new 4K Restorations from their original camera negatives.
In honour of its 10th Anniversary, Monster Fest is pleased to host a celebratory screening of the Australian found footage classic THE TUNNEL, that finds a tv crew on the hunt for a story that quickly becomes clear is hunting for them.
Alright you Tapeheads, listen up! Monster Fest is pleased to premiere VIDEO HOARDERS SEASON 3 in its entirety, all five episodes back-to-back up on the big screen. Series creator and host Rob Taylor is headed north…North America, Canada in fact, as he raids the VHS stashes of some serious Canuck collectors and gives us an inside look at their convention scene too.
When you think of canine companions as seen in cinema, instantly you are reminded of loving and loyal best pals however in the horror film, dogs serve a very different purpose. Film critic and author Lee Gambin will take you on a walk through the history of Dog-Horror cinema with his lecture THEY’RE NOT PETS ANYMORE: DOGS IN THE HORROR FILM.
Following on from Lee Gambin’s fascinating talk, Monster Fest is beyond excited to showcase three of the finest examples of Dog-Horror ever made with our DOGSPLOITATION MARATHON. The films themselves are, at present, a closely guarded secret but suffice to say there will be enough gnashing of teeth, slobbering jaws and high-pitched barks to satisfy all comers. And if that’s not enough, intersperse between the screenings will be a little thing they like to call MONSTER FEST TRIVIA.
FROM SHORT TO FEATURE: THE CREATIVE JOURNEY OF BUTTON MAN presents not only the Worl Premiere of the BUTTON MAN Short but will also be a Filmmaker Q&A and Panel session to discuss the journey of the film so far and the next steps the filmmaking team will take to get the feature to market.
As always Monster Fest are thrilled to bring you the very best Short Films from around the world. With one Short playing prior to all Feature programming and two dedicated sessions of Shorts this year: MONSTER FEST SHORTS & MONSTER FEST STUDENT SHORTS.
And no Monster Fest would be without Dick Dale’s TRASHARAMA. Bursting at the seams with gross-out horror, bad taste comedies, sick n’ twisted animations, science-fiction scat and other genres not even invented yet, Trasharama is Monster Fest tradition and not to be missed. Trash ain’t trash when it’s in Trasharama!
Finally Monster Fest have a SURPRISE SESSION. We’ve been working furiously behind the scenes to bring you a super special addition to this years’ program. Take a leap of faith and grab a ticket now or wait until all is revealed, either way they guarantee it’ll be worth it.
TICKETS:
VIP Pass – $330 Valid for 28 sessions including Opening Night, Closing Night and Special Events at Monster Fest from Thursday December 2nd through Sunday December 12th. It cannot be used for multiple tickets to the same session or for sessions that run concurrently.10 Film Pass – $150 The 10 Film Pass may be used for any 10 Monster Fest film sessions from Thursday December 2nd to Sunday December 12th including Opening Night, Closing Night and Special Events. It cannot be used for multiple tickets to the same session or for sessions that run concurrently.5 Film Pass – $75 The 5 Film Pass may be used for any five Monster Fest film sessions from Thursday December 2nd to Sunday December 12th including Opening and Closing Night but excluding ‘The Andy Warhol 4K Double Feature’ and ‘The Dogslpoitation Marathon’. It cannot be used for multiple tickets to the same session or for sessions that run concurrently.SPECIAL EVENTS
Filmmaker Matthew Morden chats to Subculture about his brand new doco Wanting To Fly which is currently screening as part of the Melbourne Documentary Film Festival.
A dejected bartender and an aging drag queen fight to survive the eccentric and hostile nightlife of a corrupt city, as a masked maniac slaughters young gay men and drains them of blood.
An ode to the wicked work of John Waters, festival fave Death Drop Gorgeous – Seattle Queer, Chicago Horror, Wicked Queer, VideoScream and over 20 more festivals worldwide – features divine work by directors Michael J. Ahern, Christopher Dalpe, Brandon Perras-Sanchez, and a superlative cast headed by Wayne Gonsalves, Payton St. James, Brandon Perras-Sanchez, and Christopher Dalpe.
DEATH DROP GORGEOUS is released on Digital by Dark Star Pictures September 10.
Now in its 22nd year, the ST. ALi Italian Film Festival presented by Palace returns to cinema screens this September with the best new Italian films as well as classic gems of Italian cinema screening nationally in Sydney, Melbourne, Brisbane, Perth, Adelaide, Canberra and Byron Bay from 21 September.
With a focus on contemporary cinema that tells the stories from today’s Italy, plus a selection of classics honouring the country’s filmmaking tradition, this edition features a sensational line-up of much-loved stars and exciting emerging talent.
The first highlights of the ST ALi Italian Film Festival offer a glimpse into the programme which celebrates Italian cinema and filmmakers at their very best:
The Festival will open with the Australian premiere of THE TIES (Lacci) which opened last year’s Venice Film Festival. Daniele Luchetti’s sumptuous marriage-in-crisis drama spans a 40-year period in Naples and Rome, and boasts an all-star cast including Alba Rohrwacher, Luigi Lo Cascio, Giovanna Mezzogiorno, Laura Morante and Silvio Orlando.
The Australian premiere of 2021 Cannes Directors’ Fortnight winner TO CHIARA (A Chiara) is the latest film by Jonas Carpignano (Mediterranea, A Ciambra). A CHIARA tells the gripping story of a 15-year-old girl from Calabria whose family life starts to unravel when she discovers her beloved father may have criminal ties.
In HIDDEN AWAY (Volevo nascondermi), Berlin International Film Festival Silver Bear winner Elio Germano delivers a powerhouse performance in this multi award-winning biopic about the troubled life of celebrated artist Antonio Ligabue.
Marco Giallini (Perfect Strangers, God Willing) is back – alongside Vincenzo Salemme and Giuseppe Battiston – with THREE PERFECT DAUGHTERS (È per il tuo bene), a comedy hit that sees three friends hinder the love affairs of their daughters.
The Closing Night film of the 2020 Venice International Film Festival, dramatic thriller YOU CAME BACK (Lasciami andare), stars Stefano Accorsi as a man who finds himself torn between the past and the future.
The ST. ALi Italian Film Festival is the biggest Italian film festival in the world, so don’t miss your chance to see the best films the country has produced in the last year, accompanied by a ST. ALi coffee, vino, or aperitivo, as we celebrate la dolce vita and the magic of cinema.
Festival Director Elysia Zeccola said, “We have been bringing Italian stories to Australian cinemas for over 20 years. Never has it been more important to provide a much-needed escape and the chance to become immersed in another world. We are thrilled to have ST. ALi’s continued involvement and the introduction of two fabulous new venues – we can’t wait for Spring to arrive!”
Salvatore Malatesta CEO and Creative Director of ST. ALi said, “We’re proud to return as naming rights partner of the ST. ALi Italian Film Festival which is the next best thing to being in Italy and for now, our only option!”
The full programme will be announced in September.
The 2021 ST. ALi Italian Film Festival is planned to take place nationally from 21 September – 17 October, in the following cities:
Melbourne 21 September – 17 October, Palace Balwyn, Palace Brighton Bay, Palace Cinema Como, Palace Westgarth, The Kino, Pentridge Cinema, The Astor and Cinema Nova
Canberra 22 September – 17 October, Palace Electric
Sydney 23 September – 17 October, Palace Norton, Palace Verona, Chauvel Cinema and Palace Central
Byron Bay 24 September – 13 October, Palace Byron Bay
Brisbane 28 September – 17 October, Palace James Street, Palace Barracks
Adelaide 29 September – 17 October, Palace Nova Eastend Cinemas
Perth 30 September – 17 October, Palace Raine Square, Luna Leederville and Luna on SX
For information and updates, please visit italianfilmfestival.com.au and sign up or follow us on Facebook @ItalianFF and Instagram @ItalianFilmFest for all the latest news.
In light of the Western Australian Government’s recent 4-day lockdown order, the Opening Night and following day of programming for the 24th annual Revelation Perth International Film Festival has officially been cancelled.
Patrons who held tickets for this Thursday 1 July’s Opening Night and any of the film screenings held on Friday 2 July will be fully refunded.
Revelation looks forward with optimism to lockdown lifting on Saturday 3 July, and the festival continuing until 11 July as planned.
“The program picks up as soon as lockdown lifts – we come out of lockdown ready to rock on Saturday 3 July (for the moment),” says Festival Director, Richard Sowada.
Holding true to this year’s theme of Distant but Connected, Revelation will be moving along in the virtual world, broadcasting talks and panels from this Thursday 1 July. Details will be posted on the festival website and social media channels.
“Our first talk will be with Cooper Raiff – director, producer, writer, editor and star of the sensational SXSW award winning film Freshman Year,” Sowada says.
To all our comrades in the arts in WA right now, all for one.
