Tagged: Florence Pugh

From New Line Cinema comes “Don’t Worry Darling,” directed by Olivia Wilde (“Booksmart”) and starring Florence Pugh (Oscar-nominated for “Little Women”), Harry Styles (“Dunkirk”), Wilde (upcoming “Babylon”), Gemma Chan (“Crazy Rich Asians”), KiKi Layne (“The Old Guard”) and Chris Pine (“All the Old Knives”).

Alice (Pugh) and Jack (Styles) are lucky to be living in the idealized community of Victory, the experimental company town housing the men who work for the top-secret Victory Project and their families. The 1950’s societal optimism espoused by their CEO, Frank (Pine)—equal parts corporate visionary and motivational life coach—anchors every aspect of daily life in the tight-knit desert utopia.

While the husbands spend every day inside the Victory Project Headquarters, working on the “development of progressive materials,” their wives—including Frank’s elegant partner, Shelley (Chan)—get to spend their time enjoying the beauty, luxury and debauchery of their community. Life is perfect, with every resident’s needs met by the company. All they ask in return is discretion and unquestioning commitment to the Victory cause.

But when cracks in their idyllic life begin to appear, exposing flashes of something much more sinister lurking beneath the attractive façade, Alice can’t help questioning exactly what they’re doing in Victory, and why. Just how much is Alice willing to lose to expose what’s really going on in this paradise?

An audacious, twisted and visually stunning psychological thriller, “Don’t Worry Darling” is a powerhouse feature from director Olivia Wilde that boasts intoxicating performances from Florence Pugh and Harry Styles, surrounded by the impressive and pitch-perfect cast.

The film also stars Nick Kroll (“How It Ends”), Sydney Chandler (“Pistol”), Kate Berlant (“Once Upon a Time… In Hollywood”), Asif Ali (“WandaVision”), Douglas Smith (“Big Little Lies”), Timothy Simons (“Veep”) and Ari’el Stachel (upcoming “Respect the Jux”).

Wilde directs from a screenplay penned by her “Booksmart” writer Katie Silberman, based on a story by Carey Van Dyke & Shane Van Dyke (“Chernobyl Diaries”) and Silberman. The film is produced by Wilde, Silberman, Miri Yoon and Roy Lee, with Richard Brener, Celia Khong, Alex G. Scott, Catherine Hardwicke, Carey Van Dyke and Shane Van Dyke executive producing.

Wilde is joined behind the camera by two-time Oscar-nominated director of photography Matthew Libatique (“A Star Is Born,” “Black Swan”), production designer Katie Byron (“Booksmart”), editor Affonso Gonçalves (“The Lost Daughter”), Oscar-nominated composer John Powell (“Jason Bourne”), music supervisor Randall Poster (“No Time to Die”) and costume designer Arianne Phillips (“Once Upon a Time… In Hollywood”).

A New Line Cinema presentation, “Don’t Worry Darling” will be distributed worldwide by Warner Bros. Pictures.

This spring, everyone’s favorite leche-loving, swashbuckling, fear-defying feline returns.

For the first time in more than a decade, DreamWorks Animation presents a new adventure in the Shrek universe as daring outlaw Puss in Boots discovers that his passion for peril and disregard for safety have taken their toll. Puss has burned through eight of his nine lives, though he lost count along the way. Getting those lives back will send Puss in Boots on his grandest quest yet.

Academy Award® nominee Antonio Banderas returns as the voice of the notorious PiB as he embarks on an epic journey into the Black Forest to find the mythical Wishing Star and restore his lost lives. But with only one life left, Puss will have to humble himself and ask for help from his former partner and nemesis: the captivating Kitty Soft Paws (Oscar® nominee Salma Hayek).

In their quest, Puss and Kitty will be aided—against their better judgment—by a ratty, chatty, relentlessly cheerful mutt, Perro (Harvey Guillén, What We Do in the Shadows). Together, our trio of heroes will have to stay one step ahead of Goldilocks (Oscar® nominee Florence Pugh, Black Widow) and the Three Bears Crime Family, “Big” Jack Horner (Emmy winner John Mulaney, Big Mouth) and terrifying bounty hunter, The Big Bad Wolf (Wagner Moura, Narcos).

Puss in Boots: The Last Wish features an all-star comedic cast that includes Oscar® winner Olivia Colman, Ray Winstone (Black Widow), Samson Kayo (Sliced), Emmy nominee Anthony Mendez (Jane the Virgin) and Tony nominee Da’Vine Joy Randolph (Trolls World Tour).

The long-awaited follow-up to the 2011 Academy Award®-nominated blockbuster, The Last Wish is directed by Joel Crawford and produced by Mark Swift, the creative team behind DreamWorks Animation’s smash, The Croods: A New Age. The film’s executive producer is Illumination founder and CEO Chris Meledandri.

The character of Puss in Boots first appeared in 2004’s Oscar®-nominated Shrek 2 and instantly became a global, scene-stealing sensation. Puss then co-starred in two other Shrek sequels and his solo film, as well as in multiple DreamWorks Animation videos and TV series. The Shrek and Puss in Boots films have collectively earned more than $3.5 billion worldwide.

For the first time in more than a decade, DreamWorks Animation presents a new adventure in the Shrek universe as daring outlaw Puss in Boots discovers that his passion for peril and disregard for safety have taken their toll. Puss has burned through eight of his nine lives, though he lost count along the way. Getting those lives back will send Puss in Boots on his grandest quest yet.

Academy Award® nominee Antonio Banderas returns as the voice of the notorious PiB as he embarks on an epic journey into the Black Forest to find the mythical Wishing Star and restore his lost lives. But with only one life left, Puss will have to humble himself and ask for help from his former partner and nemesis: the captivating Kitty Soft Paws (Oscar® nominee Salma Hayek).

In their quest, Puss and Kitty will be aided—against their better judgment—by a ratty, chatty, relentlessly cheerful mutt, Perro (Harvey Guillén, What We Do in the Shadows). Together, our trio of heroes will have to stay one step ahead of Goldilocks (Oscar® nominee Florence Pugh, Black Widow) and the Three Bears Crime Family, “Big” Jack Horner (Emmy winner John Mulaney, Big Mouth) and terrifying bounty hunter, The Big Bad Wolf (Wagner Moura, Narcos).

Puss in Boots: The Last Wish features an all-star comedic cast that includes Oscar® winner Olivia Colman, Ray Winstone (Black Widow), Samson Kayo (Sliced), Emmy nominee Anthony Mendez (Jane the Virgin) and Tony nominee Da’Vine Joy Randolph (Trolls World Tour).

The long-awaited follow-up to the 2011 Academy Award®-nominated blockbuster, The Last Wish is directed by Joel Crawford and produced by Mark Swift, the creative team behind DreamWorks Animation’s smash, The Croods: A New Age. The film’s executive producer is Illumination founder and CEO Chris Meledandri.

The character of Puss in Boots first appeared in 2004’s Oscar®-nominated Shrek 2 and instantly became a global, scene-stealing sensation. Puss then co-starred in two other Shrek sequels and his solo film, as well as in multiple DreamWorks Animation videos and TV series. The Shrek and Puss in Boots films have collectively earned more than $3.5 billion worldwide.

Summary:  Natasha Romanoff confronts the darker parts of her ledger when a dangerous conspiracy with ties to her past arises.

Year: 2021

Cinema Release Dates: 8th July 2021 (Australia), 29th July 2021 (Thailand), 7th July 2021 (UK), 9th July 2021 (USA)

VOD Release Dates: Out in all regions.

Country: USA

Director: Cate Shortland

Screenwriter: Ned Benson, Eric Pearson, Jac Shaeffer

Cast: Ever Anderson (Young Natasha), Ryan Kiera Armstrong (Young Antonia), Nanna Blondell (Ingrid), Jordyn Curet (Young Ingrid), O-T Fagbenie (Mason), David Harbour (Alexei), William Hurt (Secretary Ross), Scarlett Johansson (Natasha Romanoff), Olga Kurylenko (Antonia/Taskmaster), Michelle Lee (Oksana), Violet McGraw (Young Yelena), Florence Pugh (Yelena Belova), Olivier Richters (Ursa), Liani Samuel (Lerato), Rachel Weisz (Melina), Ray Winstone (Dreykov)

Running Time: 134 mins

Classification: M (Australia), 12A (UK), PG-13 (USA)

OUR BLACK WIDOW REVIEWS

David Griffiths’ Black Widow Review:

Despite the fact she has many people’s favourite Avenger it was easy to start to think that Black Widow was the forgotten Avenger. Hardcore Marvel fans were furious when Captain Marvel became the first female led Avengers movie, they saw it as disrespectful to Black Widow who had basically been there since Day One.

Well now Black Widow gets her chance and finally actress Scarlett Johansson (Lost In Translation) gets her chance to step up in a film that not only tells the origins story of Black Widow but also fills in the gaps of what happened to her in between Civil War and Infinity Wars.

Directed by award winning Australian director Cate Shortland (Somersault), who was hand-selected by Johansson for the job, Black Widow reveals Natasha Romanoff’s (aka Black Widow) Russian spy ‘family’ including her ‘mother’ Melina (Rachel Weisz – The Constant Gardener), ‘father’ Alexei (David Harbour – Suicide Squad) and ‘sister’ Yelena Belova (Forence Pugh – Lady Macbeth).

While Natasha is on the run from Secretary Ross (William Hurt – Lost In Space) she reunites with Yelena and despite a testy relationship they decide to find Melina and Alexei and get them to help hunt down the man who created them and now wants them dead – the evil Dreykov (Ray Winstone – The Departed).

The early stages of this film have Shortland’s DNA all over them. When it comes to directing Shortland normally prefers gritty dramas and early on it feels like Black Widow is going to be more like an episode of Alias or La Femme Nikita then anything we have ever seen in the Marvel universe previously. To be honest that look and feel suited what kind of film Black Widow should be and it was almost disappointing when the film seemed to capitulate about halfway through and become yet another all action and very little plot clog in the Marvel machine.

That is not to say that Black Widow is not an enjoyable film – it is to a certain extent. But you would have to stay that the clichéd ending to the film makes it an average film rather than the brilliant film that could have changed Marvel forever if it had continued with the Shortland hard-edge that the film had during the open scenes. Most of the disappointing aspects of Black Widow lay with the screenplay – the finale is derivative of the end action sequences of Captain America: The Winter Soldier and introduces us to a villain that wouldn’t be out of place in one of the lamer James Bond films.

On the plus side though are the acting performances. Johansson shows that she deserved her own Avenger film a lot sooner with a performance that shows both heart and pure action skills no matter what she has to do during a fight sequence. David Harbour steals the show with his comedic timing while Florence Pugh puts in a brilliant performance and it is exciting to know that we get to look forward to her character returning in Hawkeye later this year. Eager fans will notice that the post-credit scene with Black Widow strongly shows how she will enter into the Hawkeye series.

While some people feared that Shortland’s style of filmmaking would not fit the Marvel universe the truth is that her style almost pulled off one of the best Marvel films to date… it’s just sad that it was pulled back by her overly Marvelised ending. The film does hold up due to the acting performances of its leads but it could have been so much better.Black Widow is currently available on Disney+ and will be released in Phuket cinemas on July 29th.

Dave’s rating Out Of 5

Average Subculture Rating:

Other Subculture Black Widow Reviews:

You can read our review of Black Widow in The Phuket News here – https://www.thephuketnews.com/black-widow-return-of-a-true-marvel-80707.php

Trailer:

A new trailer for Marvel Studios’ long-awaited “Black Widow” is available now, showcasing Natasha Romanoff’s struggle to face her past and deal with unfinished business. The action-packed spy thriller will launch in cinemas July 9. Or Order It On Disney+ With Premier Access* July 9, 2021.

Natasha Romanoff aka Black Widow confronts the darker parts of her ledger when a dangerous conspiracy with ties to her past arises. Pursued by a force that will stop at nothing to bring her down, Natasha must deal with her history as a spy and the broken relationships left in her wake long before she became an Avenger. Scarlett Johansson reprises her role as Natasha/Black Widow, Florence Pugh stars as Yelena, David Harbour portrays Alexei/The Red Guardian, and Rachel Weisz is Melina. “Black Widow” – the first film in Phase Four of the Marvel Cinematic Universe – is directed by Cate Shortland and produced by Kevin Feige.

Tonight saw the 2020 Academy Award winners announced. Here are all the major winners:

 

BEST SUPPORTING ACTOR

WINNER: Brad Pitt (Once Upon A Time In Hollywood)

NOMINEES: Tom Hanks (A Beautiful Day In The Neighbourhood), Al Pacino (The Irishman), Joe Pesci (The Irishman), Anthony Hopkins (Two Popes)

 

BEST ANIMATED FEATURE FILM

 

WINNER: Toy Story 4

NOMINEES: How To Train Your Dragon: The Hidden World, I Lost My Body, Klaus, Missing Link

 

BEST ANIMATED SHORT FILM

WINNER: Hair Love

NOMINEES:  Dcera (Daughter), Kitbull, Memorable, Sister

 

BEST ORIGINAL SCREENPLAY

WINNER: Bong Joon Ho & Han Jin Wor (Parasite)

NOMINEES: Rian Johnson (Knives Out), Noah Baumbach (Marriage Story), Sam Mendes (1917), Quentin Tarantino (Once Upon A Time In Hollywood)

 

BEST ADAPTED SCREENPLAY

WINNER: Taika Waititti (Jo Jo Rabbit)

NOMINEES: Steve Zaillan (The Irishman), Todd Phillips & Scott Silver (Joker), Greta Gerwig (Little Women), Anthony McCarten (Two Popes)

 

BEST LIVE ACTION SHORT FILM

WINNER: The Neighbour’s Widow

NOMINEES: Brotherhood, Nefta Football Club, Saria, A Sister

 

ACHIEVEMENT IN PRODUCTION DESIGN

WINNER: Barbara Ling and Nancy Haigh (Once Upon A Time In Hollywood)

NOMINEES: Bob Shaw and Regina Greaves (The Irishman), Ra Vincent and Nora Sopkova (Jo Jo Rabbit), Dennis Gassner and Lee Sandales (1917), Lee Ha Jun and Cho Won Woo (Parasite)

 

ACHIEVEMENT IN COSTUME DESIGN

WINNER: Jacqueline Durran (Little Women)

NOMINEES: Sandy Powell and Christopher Peterson (The Irishman), Mayes C. Rubeo (Jojo Rabbit), Mark Bridges (Joker), Arianne Phillips (Once Upon A Time In Hollywood)

 

BEST DOCUMENTARY FEATURE FILM

WINNER: American Factory

NOMINEES: The Cave, The Edge Of Democracy, For Sama, Honeyland

 

BEST DOCUMENTARY SHORT SUBJECT

WINNER: Learning To Skateboard In A War Zone (If You’re A Girl)

NOMINEES: In The Absence, Life Overtakes Me, St. Louis Superan, Walk Run Cha-Cha

 

BEST ACTRESS IN A SUPPORTING ROLE

WINNER: Laura Dern (Marriage Story)

NOMINEES: Kathy Bates (Richard Jewell), Scarlett Johansson (Jojo Rabbit), Florence Pugh (Little Women), Margot Robbie (Bombshell)

 

 

ACHIEVEMENT IN SOUND EDITING

WINNER: Donald Sylvester (Ford vs Ferrari)

NOMINEES: Alan Robert Murray (Joker), Oliver Tarney and Rachael Tate (1917), Wyllie Stateman (Once Upon A Time In Hollywood), Matthew Wood and David Acord (Star Wars: The Rise Of Skywalker)

 

 

ACHIEVEMENT IN SOUND MIXING

WINNER: Mark Taylor and Stuart Wilson (1917)

NOMINEES: Gary Rydstrom, Tom Johnson and Mark Ulano (Ad Astra), Paul Massey, David Giammarco and Steven A. Morrow (Ford vs Ferrari), Tom Ozanich, Dean Zupancic, Tod Maitland (Joker), Michael Minkler, Christian P. Minkler, Mark Ulano (Once Upon A Time In Hollywood)

 

ACHIEVEMENT IN CINEMATOGRAPHY

WINNER: Roger Deakins (1917)

NOMINEES: Rodriego Prieto (The Irishman), Lawrence Sher (Joker), Jarin Blaschke (The Lighthouse), Robert Richardson (Once Upon A Time In Hollywood)

 

ACHIEVEMENT IN FILM EDITING

WINNER: MichaeL McCusker and Andrew Buckland (Ford vs Ferrari)

NOMINEES: Thelma Schoonmaker (The Irishman), Tom Eagles (Jojo Rabbit), Jeff Groth (Joker), Yang Jinmo (Parasite)

 

ACHIEVEMENT IN VISUAL EFFECTS

WINNER: Guillaume Rocheron, Greg Butler and Dominic Tuohy (1917)

NOMINEES: Dan DeLeeuw, Russell Earl, Matt Aitken and Dan Sudick (Avengers: Endgame), Pablo Helmann, Leandro Estebecorena, Nelson Sepulveda-Fauser and Stephanie Grabli (The Irishman), Robert Legato, Adam Valdez, Andrew R. Jones and Elliott Newman (The Lion King), Roger Guyett, Neal Scanlan, Patrick Tubach, Dominic Tuohy (Star Wars: The Rise Of Skywalker)

 

ACHIEVEMENT IN MAKE-UP AND HAIR STYLE

 

WINNER: Kazu Hiro, Anne Morgan and Vivican Baker (Bombshell)

NOMINEES: Nicki Ledermann and Kay Georgiou (Joker), Jeremy Woodhead (Judy), Paul Gooch, Arjen Tuiten and David White (Maleficent: Mistress Of Evil), Naomi Donne, Tristan Versluis and Rebecca Cole (1917)

 

BEST INTERNATIONAL FEATURE FILM

WINNER: Parasite

NOMINEES: Corpus Christi, Honeyland, Les Miserables, Pain And Glory

 

BEST ORIGINAL SCORE

WINNER: Hildur Guonadottir (Joker)

NOMINEES: Alexandre Desplat (Little Women), Randy Newman (Marriage Story), Thomas Newman (1917), John Williams (Star Wars: The Rise Of Skywalker)

 

BEST ORIGINAL SONG

WINNER: ‘(I’m Gonna) Love Me Again’ – Elton John and Bernie Taupin (Rocketman)

NOMINEES: ‘I Can’t Let You Throw Yourself Away’ – Randy Newman (Toy Story 4), ‘I’m Standing With You’ – Diane Warren (Breakthrough), ‘Into The Unknown’ – Kristen Anderson-Lopez and Robert Lopez (Frozen II), ‘Standing Up’ – Joshuah Brian Campbell and Cynthia Erivo (Harriet)

 

BEST ACHIEVEMENT IN DIRECTING

WINNER: Bong Joon Ho (Parasite)

NOMINEES: Martin Scorcese (The Irishman), Todd Phillips (Joker), Sam Mendes (1917), Quentin Tarantino (Once Upon A Time In Hollywood)

 

BEST ACTOR IN A LEADING ROLE

WINNER: Joaquin Phoenix (Joker)

NOMINEES: Antonio Banderas (Pain & Glory), Leonardo DiCaprio (Once Upon A Time In Hollywood), Adam Driver (Marriage Story), Jonathan Pryce (Two Popes)

 

BEST ACTRESS IN A LEADING ROLE

WINNER: Renee Zellweger (Judy)

NOMINEES: Cynthia Erivo (Harriet), Scarlett Johansson (Marriage Story), Saorise Ronan (Little Women), Charlize Theron (Bombshell)

 

BEST PICTURE

WINNER: Parasite

NOMINEES: Ford v Ferrari, The Irishman, Jojo Rabbit, Joker, Little Women, Marriage Story, 1917, Once Upon A Time In Hollywood

Summary: Jo March reflects back and forth on her life, telling the beloved story of the March sisters – four young women each determined to live life on their own terms.

Year: 2020

Australian Cinema Release Date: 1st January 2020

Thailand Cinema Release Date: 9th January 2020

Australian DVD Release Date: TBA

Country: United States

Director: Greta Gerwig

Screenwriter: Greta Gerwig, Louisa May Alcott

Cast: Dash Barber (Fred Vaughn), Timothee Charlamet (Theodore ‘Laurie’ Laurence), Chris Cooper (Mr. Laurence), J.M. Davis (Susan Robbins), Laura Dern (Marmee March), Lilly Englert (Kate Vaughn), Sasha Frolova (Mrs. Hummel), Louie Garrel (Friedrich Bhaer), Jayne Houdeyshell (Hannah), Ana Kayne (Olivia), Tom Kemp (Asa Melvin), Charlotte Kinder (Viola), Adrianne Krstansky (Mrs. Dashwood), Tracy Letts (Mr. Dashwood), Bill Mootos (Mr. Davis), Jen Nikolaisen (Evelyn Meriweather), James Norton (John Brooke),  Bob Odenkirk (Father March), Maryanne Plunkett (Mrs. Kirke), Florence Pugh (Amy March), Abby Quinn (Annie Moffat), Jared Reinfeldt (Ned Moffat), Hadley Robinson (Sallie Gardiner Moffat), Saoirse Ronan (Jo March), Amber Leanne Rothberg (Young Meg), Eliza Scanlen (Beth March), Meryl Streep (Aunt March), Emma Watson (Meg March), Lewis D. Wheeler (Josiah Workman)

Running Time: 135 mins

Classification: G (Australia) TBC (Thailand)

 

 

OUR LITTLE WOMEN REVIEWS & RATINGS:

 

Dave Griffiths Review:

Timeless tales never die. That is the only defence you can really use against people who are convinced that the new adaption of Little Women should never have been made. Yes, there have been a number of cinematic versions of Louisa May Alcott’s classic tale that have made it to the big screen over the years, but every adaption has its own tone and feel and that is what makes them unique. I can remember the same being said when Baz Luhrmann re-created Romeo + Juliet… and look how well that ended up turning out. Besides after the quirkiness of Ladybird how could anybody not be curious to see what Greta Gerwig was going to do with Alcott’s classic.

Gerwig does do little to change the basic storyline. The film is set in 1868 with Jo March (Saoirse Ronan – Brooklyn), a budding young writer getting a story published by a local publisher. At the same time her work is heavily criticised by one of her co-workers and in a bid to escape how she feels about it she uses the fact that her sister, Beth (Eliza Scanlen – Sharp Objects) is sick to return home. As she spends time with her mother (Laura Dern – Wild) and her other two sisters, Meg (Emma Watson – Harry Potter & The Philospher’s Stone) and Amy (Florence Pugh – The Commuter) she reflects on their lives and the obstacles they have overcome.

A scathing critic would probably try to point out that Little Women’s main focus is on female empowerment but I would argue that Gerwig’s film goes even deeper than that. This is not simply a film about female empowerment this is the film that explores the notion of how a family pulls together to overcome some of the most turbulent and life-changing obstacles that anybody can face. From the harsh fights between Amy and Jo, through the four sisters having to face numerous struggles with their father is off at war this is more a film about family then it is anything else.

The power of this version of Little Women though is how much the film draws you into the character’s lives. At a quick glance the character of Jo could be considered cold-hearted especially towards the men in her life, including Laurie (Timothee Chalamet – Beautiful Boy). But through the power of Gerwig’s writing and directing the audience gets to see what makes Jo this way and that is something that can’t be said for all versions of Little Women. Gerwig also allows the film to show the struggle of the artist as well – whether it be a writer, a painter or a teacher all find themselves tested during this time of war and this secondary element to the plot adds a powerful element to the film that continues to draw the audience in.

What also drives this film is a repeat of one of the strengths from Lady Bird. As a director it is obvious that Gerwig knows how to draw the best out of her cast. Here Saoirse Ronan is once again in award winning form and she is well supported by Emma Watson and Florence Pugh who both seem to have turned up their acting game several levels as well. In regards to Ronan though she is well directed by Gerwig with the scene of the final confrontation between herself and Laurie being an absolute highlight. The raw emotion that is generated from the screen during the scene is a rarity in modern day cinema and needs to be cherished.

A special mention must also be made to Meryl Streep (The Devil Wears Prada). While she has limited screen time she managed to steal every scene she was in with a truly powerful performance. Her scenes with both Saoirse Ronan and Florence Pugh are some of the best examples of brilliant acting you will all year. There is a real power with those scenes and neither younger actress seems to be over-awed by the fact that they are sharing the scene with acting royalty.

Every adaption of Little Women has something that sets it apart from the others but few have the sheer emotion and power that we see here with Gerwig’s interpretation. Here Gerwig uncovers secret layers to the plot that lesser filmmakers would have not noticed while at the same time she directs one of the most talented younger casts that modern day cinema has ever seen assembled. If you leave in preconceived notions you have about Little Woman at the cinema door you will find yourself totally drawn into this worthy drama.

 

 

Average Subculture Rating:

 

 

IMDB Rating: Little Women (2019) on IMDb

 

Other Subculture Entertainment LittleWomen Reviews: N/A

Trailer: