Disney Legend Tim Allen will executive-produce “The Santa Clause” (working title), a Disney+ Original limited series in which he reprises the beloved role of Scott Calvin from Walt Disney Pictures’ blockbuster franchise.
Production is set to begin in Los Angeles in March. Award-winning Jack Burditt (“30 Rock,” “Modern Family,” “Frasier,” “Unbreakable Kimmy Schmidt”) is the executive producer and showrunner and Kevin Hench (“Last Man Standing”), Richard Baker and Rick Messina will also serve as executive producers.
The Disney Branded Television series is a production of 20th Television.
Allen won a People’s Choice Award for his portrayal of Scott Calvin, Santa Claus’s proxy, complete with expanding waistline, rosy cheeks and snow-white whiskers in the 1994 film “The Santa Clause.”. He went on to play the role in two sequels, both hugely popular movies, 2002’s “The Santa Clause 2” and 2006’s “The Santa Clause 3: The Escape Clause.”
In the Disney+ series, Scott Calvin is on the brink of his 65th birthday and realising that he can’t be Santa forever. He’s starting to lose a step in his Santa duties, and more importantly, he’s got a family who could benefit from a life in the normal world, especially his two kids who have grown up at the Pole. With a lot of elves, children, and family to please, Scott sets out to find a suitable replacement Santa while preparing his family for a new adventure in a life south of the pole.
Allen, whose popularity skyrocketed as the star of the top-rated ABC series “Home Improvement,” earned numerous awards for his role of Tim “The Tool Man” Taylor, including a Golden Globe in 1994 and The People’s Choice Award for eight consecutive years from 1992-1999. Allen also starred for nine seasons on the hit series “Last Man Standing.”
In 1995, the multi-talented actor lent his voice to Buzz Lightyear in Pixar’s first computer animated film, “Toy Story.” He reprised the iconic role as the arrogant yet loveable space action figure in two sequels, 1999’s “Toy Story 2” and 2010’s “Toy Story 3.” He also appeared as the character in a number of “Toy Story” short films including “Hawaiian Vacation,” “Small Fry” and “Partysaurus Rex.”
He reunited with the creative team from “The Santa Clause” to make Disney’s “Jungle 2 Jungle,” and also starred in the feature remake of a Disney classic,” The Shaggy Dog,” in 2006.
Allen also lent his own voice as narrator to the 2012 Disneynature documentary, “Chimpanzee” and co-starred in the 2007 Touchstone comedy “Wild Hogs” along with the 1999 film “Galaxy Quest.”
In 1994, Disney’s Hyperion Publishing released his debut book, Don’t Stand Too Close to a Naked Man. It topped the New York Times Bestsellers list and led to a second book, also published by Hyperion, I’m Not Really Here.
Summary: A look at how tennis superstars Venus and Serena Williams became who they are after the coaching from their father Richard Williams.Two low-level astronomers must go on a giant media tour to warn mankind of an approaching comet that will destroy planet Earth.
Cinema Release Dates: 9th December 2021 (Australia), 10th December 2021 (USA)
VOD Release Dates: 24th December 2021 (all regions)
Director: Adam McKay
Screenwriter: Adam McKay
Cast: Jack Alberts (Oliver), Beau Allen (Dr. Talcamont), Brian Anastasio (Olson), Ashleigh Banfield (Dalia Hensfield), Cate Blanchett (Brie Evantree), Allyn Burrows (Mr. Dibiasky), Timothee Chalamet (Yule), Michael Chikilis (Dan Pawketty), Billy Concha (Mr. Conch), Shimali De Silva (Nisha), Leonardo DiCaprio (Dr. Randall Mindy), Chris Evans (Devin Peters), Chris Everett (Chief Editor Paula Woods), Edward Flectcher (Dr. Ginnerson), Omar Ghonim (Damain), Ariana Grande (Riley Bina), Paul Guilfoyle (General Themes), Tamara Hickey (Reporter Christy), Jonah Hill (Jason Orlean), Robert Joy (Congressman Tenant), Alvin Keith (Harrison Telms), Omar Khan (Bartender Alex), Ishaan Khattar (Raghav Manavalen), Kid Cudi (DJ Chello), Tori Davis Lawlor (Mrs. Diabiasky), Jennifer Lawrence (Kate Dibiasky), Georgia Lyman (Groomer Thalia), Melanie Lynskey (June Mindy), Annette Miller (Mrs. Tanken), Rob Morgan (Dr. Teddy Oglethorpe), Dee Nelson (Dr. Lisa Inez), Sarah Nolen (Sammy Puppeteer), Erik Parillo (Sheriff Conlon), Hettienne Park (Dr. Calder), Ross Partridge (Keith Ollens), Himesh Patel (Phillip), Ron Perlman (Benedict Drask), Tyler Perry (Jack Bremmer), Robert Radochia (Evan Mindy), Janine Robinson (Senator Dennings), Mark Rylance (Peter Isherwell), Sarah Silverman (Sarah Benterman), Tomer Sisley (Adul Grelio), Richard Snee (Senator Lerner), Staci Roberts Steele (Linda Dicalio), Meryl Streep (President Orlean), Conor Sweeney (Marshall Mindy), Stephen Thorne (Benjamin), Ting (Win), Lance A. Williams (Daniel)
Running Time: 138 mins
Classification: M (Australia), 15 (UK), R (USA)
OUR DON’T LOOK UP REVIEWS
David Griffiths’ Don’t Look Up Review:
The last couple of years have been a crazy time. While many have just tried to live their lives despite the pandemic restrictions placed on them, we have also seen some truly crazy moments when it has come to world politics, people doubting scientists and of course developing their own conspiracy theories.
Now gifted filmmaker Adam McKay (The Big Short) takes all of the events of the past two years and brings them to life in a hilarious way with his new Netflix released comedy Don’t Look Up. The great news is the film works and is one of the funniest films to be released in a long time.
The film begins with a gifted young scientist, Kate Dibiasky (Jennifer Lawrence – The Hunger Games), discovering a brand new asteroid. But after her boss and mentor, Dr Randall Mindy (Leonardo DiCaprio – Titanici), does the maths to work out its trajectory they realise that it is heading for Earth – an event that would be catastrophic.
The pair do the right thing and soon find themselves working with NASA’s Planetary Defense Coordination Office head Dr. Teddy Oglethorpe (Rob Morgan – Stranger Things) but when they take the news to the President of The USA (Meryl Streep – The Devil Wears Prada) and her Chief-Of-Staff (and son), Jason (Jonah Hill – The Wolf Of Wall Street), they are surprised to find the pair don’t want to know about it and are not prepared to take action on it.
When it is suggested to Kate and Randall that they leak the news to the media they decide to do so on a morning news TV show but once again the hosts, Jack Bremmer (Tyler Perry – Gone Girl) and Brie Evantree (Cate Blanchett – Elizabeth), treat the news like a joke and soon Randall and Kate realise they are going to have to try and convince the world of the danger themselves.
It is an interesting experience watching Don’t Look Up. On the one hand you find yourself laughing out loud repeatedly throughout, but the other hand you realise the sad nature of the world that we live in has been perfectly captured by McKay as the story at hand plays out through to the end.
McKay’s screenwriting here is nothing less than sensational. The story itself plays out with true suspense and emotion while the comedy of the film also shines through with some truly memorable moments. This film is true comedy gold, but at the same time McKay finds ways to easily disguise his characters so we know who he is referring to without him having spell it out. It is very easy to see that McKay’s President, brilliantly played by Meryl Streep, is a direct swipe at who President Trump handled the Covid pandemic without him having to spell it out for his audience.
McKay’s cast also embraces the brilliant screenplay and it enhances their performances. DiCaprio is amazing as Randall Mindy and he seems to embrace the opportunity to bring some comedy to his performance. He is a true acting de force throughout the film and brings it all together with one of the most emotional cinematic scenes since the finale of Melancholia.
Likewise Jennifer Lawrence shines throughout the film, delivering true moments of drama as she sensationally portrays a scientist that nobody will listen to. The stars of the film are well-supported by Cate Blanchett who seems to enjoy the opportunity to play a ditzy, over-friendly talk-show host while Meryl Streep is also a stand-out as an uncaring President.
Don’t Look Up is a well rounded comedy that sees McKay bounce back from some of the duds he has delivered from other the years. It probably won’t be but so well written is this screenplay that it deserves to be mentioned during the awards season. That aside though this is a fantastic film that captures the past couple of years like no other.
Disney+ unveiled the trailer and poster for “The Ice Age Adventures of Buck Wild,” an all-new animated adventure featuring the return of the beloved characters from the wildly successful global “Ice Age” franchise. The original movie premieres exclusively on Disney+ March 25, 2022. The “Ice Age” collection (five films and two television specials) is currently available on Disney+.
“The Ice Age Adventures of Buck Wild” continues the hilarious escapades of the sub-zero heroes as they create more prehistoric pandemonium. Eager for a little independence, the thrill-seeking possum brothers Crash and Eddie set out to find a place of their own but soon find themselves trapped beneath the ice in a massive cave inhabited by dinosaurs. They are rescued by the one-eyed, adventure-loving weasel Buck Wild, and together, with the help of some new friends, embark on a mission to save the Lost World from dinosaur domination.
The movie, which features the voices of Simon Pegg (“Mission: Impossible – Fallout”), Utkarsh Ambudkar (“Free Guy”), Justina Machado (“One Day at a Time”), Vincent Tong (“Ninjago”) and Aaron Harris, is directed by John C. Donkin (“Ice Age: Continental Drift” producer), written by Jim Hecht (“Ice Age: The Meltdown”), Ray DeLaurentis (“Fairly Odd Parents”) and Will Schifrin (“Bunsen is a Beast”) from a story by Jim Hecht, with Lori Forte (the “Ice Age” franchise) serving as executive producer.
Disney Media & Entertainment Distribution announced that Disney and Pixar’s “Turning Red” will premiere exclusively in homes worldwide on Disney+ on Friday, March 11.
“Disney+ subscribers around the world enthusiastically embraced Pixar’s Academy Award-winning ‘Soul’ and the critically-acclaimed “Luca” when they premiered exclusively on the service and we look forward to bringing them Pixar’s next incredible feature film ‘Turning Red’,” said Kareem Daniel, Chairman, Disney Media & Entertainment Distribution. “Given the delayed box office recovery, particularly for family films, flexibility remains at the core of our distribution decisions as we prioritise delivering the unparalleled content of The Walt Disney Company to audiences around the world.”
Disney and Pixar’s “Turning Red” introduces Mei Lee (voice of Rosalie Chiang), a confident, dorky 13-year-old torn between staying her mother’s dutiful daughter and the chaos of adolescence. Her protective, if not slightly overbearing mother, Ming (voice of Sandra Oh), is never far from her daughter—an unfortunate reality for the teenager. And as if changes to her interests, relationships and body weren’t enough, whenever she gets too excited (which is practically ALWAYS), she “poofs” into a giant red panda! Directed by Academy Award® winner Domee Shi (Pixar short “Bao”) and produced by Lindsey Collins “Turning Red” releases on March 11, 2022.
In international markets where Disney+ is not yet available, the film will be released theatrically, with premiere dates to be announced.
Summary: The Addams get tangled up in more wacky adventures and find themselves involved in hilarious run-ins with all sorts of unsuspecting characters. Sequel to the 2019 animated film, ‘The Addams Family’.
Cinema Release Dates: 6th January 2022 (Australia), 28th October 2021 (Thailand), 8th October 2021 (UK), 1st October 2021 (USA)
VOD Release Dates: 1st October 2021 (USA)
Country: USA, Canada
Director: Greg Tiernan, Conrad Vernon
Screenwriter: Dan Hernandez, Benji Samit, Ben Queen, Susanna Fogel
Cast: Ted Evans (Pongo (voice)), Mary Faber (Miss Lurleen/Texas Lady/Pageant Lady/PA (voice)), Bill Hader (Cyrus Strange (voice)), Oscar Isaac (Gomez Adams (voice)), Nick Kroll (Uncle Fester (voice)), Cherami Leigh (Ophelia (voice)), Bette Midler (Grandma (voice)), Chloe Grace Moretz (Wednesday Adams (voice)), Wallace Shawn (Mr. Mustela (voice)), Snoop Dogg (It (voice)), Brian Sommer (Big Bad Ronny (voice)), Charlize Theron (Morticia Adams (voice)), Conrad Vernon (Lurch/Spirit Of The House (voice)), Javon ‘Wanna’ Walton (Pugsley Addams (voice)),
Running Time: 93 mins
Classification: PG (Australia), G (Thailand), PG (UK), PG (USA)
Summary: A young girl’s love for a tiny puppy named Clifford makes the dog grow to an enormous size.
Cinema Release Dates: 30th December 2021 (Australia), 10th November 2021 (UK), 10th November 2021 (USA)
VOD Release Dates: 10th November 2021 (USA)
Country: UK, USA, Canada
Director: Walt Becker
Screenwriter: Blaise Hemingway, David Ronn, Jay Scherick
Cast: Bear Allen-Blaine (Mrs. Jarvis), Adam Aminov (Reno), Willow Grace Becker (Sara), Darby Camp (Emily), Melanie Chandra (Susan), John Cleese (Bridwell), Keith Ewell (Mr. Jarvis), Tovah Feldshuh (Mrs. Crullerman), Barney Fitzpatrick (Freddy), Jacson Frazer (Sid), Karen Lynn Gorney (Mrs. McKinley), David Alan Grier (Packard), Sienna Guillory (Maggie), Tony Hale (Tieran), Neil Hellegers (Steve), Raymond Neil Hernandez (Colin), Siobhan Fallon Hogan (Peta), Yasha Jackson (Meter Maid/Officer Zapatero), Ty Jones (Police Cheif Watkins), Khari McDowell (Austin), Alex Moffat (Albert), Madison Morris (Melinda), Rosie Perez (Lucille), Russell Peters (Malik), Paul Rodriguez (Alonso), Mia Ronn (Florence), Horatio Sanz (Raul), Madison Smith (Isabelle), Kenan Thompson (Vet), Izaac Wang (Owen), Jack Whitehall (Casey), Russell Wong (Mr. Yu), Jessica Keenan Wynn (Colette)
Running Time: 96 mins
Classification: PG (Australia), PG (UK), PG (USA)
OUR CLIFFORD THE BIG RED DOG REVIEWS
David Griffiths’ and Lee Griffiths’s Clifford The Big Red Dog Review:
Dave’s rating Out Of 5
Lee’s rating Out Of 5
Average Subculture Rating:
Other Subculture Clifford The Big Red Dog Reviews:
Subculture’s Dave Griffiths sits down for a chat with the stars of brand new series Human Telegraphs. Sit back and take a listen as Kayla Conway, Fem Lim and Rachel Kay Barclay talk about their characters and how the show came into being.
Summary: Buster Moon and his friends must persuade reclusive rock star Clay Calloway to join them for the opening of a new show.
Cinema Release Dates: 26th December 2021 (Australia), 13th January 2022 (Thailand), 28th December 2021 (UK), 22nd December 2021 (USA)
VOD Release Dates: TBA
Country: USA, France, Japan
Director: Garth Jennings
Screenwriter: Garth Jennings
Cast: Eric Andre (Darius (voice)), Bono (Clay Calloway (voice)), Adam Buxton (Klaus Kickenklober (voice)), Bobby Cannavale (Mr. Crystal (voice)), Julia Davis (Linda Le Bon (voice)), Taron Egerton (Johnny (voice)), Halsey (Porsha Crystal (voice)), Garth Jennings (Miss Crawly (voice)), Scarlett Johansson (Ash (voice)), Tori Kelly (Meena (voice)), Nick Kroll (Gunter (voice)), Matthew McConaughey (Buster Moon (voice)), Nick Offerman (Norman (voice)), Chelsea Peretti (Suki (voice)), Jennifer Saunders (Nana (voice)), Peter Serafinowicz (Big Daddy (voice)), Pharrell Williams (Alfonso (voice)), Reese Witherspoon (Rosita (voice)), Letitia Wright (Nooshy (voice))
Running Time: 110 mins
Classification: PG (Australia), U (UK), PG (USA)
OUR SING 2 REVIEWS
David Griffiths’ Sing 2 Review:
One of the most charming kids’ films to have surfaced over the past few years was Sing. With so much mindless family entertainment around these days it was nice to find a film that not only entertained but also taught valuable lessons and had a story that even adults could become engrossed in. Then of course there was the film’s originality and a soundtrack so great that even until this day kids at schools right across Australia ask for it to be played for them.
Of course he danger of the first film being so good was the fact that perhaps that the sequel couldn’t live up to expectations, but cast any worries about that aside because Sing 2 is equal to its predecessor in every single way.
This time around we find Buster Moon (voiced by Matthew McConaughy – Dallas Buyers Club) happy that his theatre is running successful shows that are gaining critical praise while showing off the talents of his cast and pleasing audiences. However, Buster soon realises that he wants more after a talent scout Suki (Chelsea Peretti – Parks & Recreation) tells him that his show and cast are not talented enough to take the next step and perform in the big city.
Soon Buster sneaks his crew into an audition for world famous producer Jimmy Crystal (Bobby Cannavale – Ant-Man) who at first is not impressed by the audition but changes his mind when Gunter (Nick Kroll – Sausage Party) pitches the idea of a sci-fi spectacular which would feature reclusive star Clay Calloway (U2’s Bono). Crystal jumps at the idea but tells Buster he needs the show up and running in three weeks or he is going to throw him off the roof-top of a high rise.
Buster jumps straight into putting the show together but soon comes across issues. Johnny (Taron Egerton – The Kingsman) can’t dance, Rosita (Reese Witherspoon – Cruel Intentions) has a fear of heights, Meena (Tori Kelly – Sing) has no chemistry with her on-stage romantic leading man, Porsha Crystal (Halsey – If I Can’t Have Love I Want Power) joins the cast but can’t act and Ash (Scarlett Johansson – The Avengers) has the hardest job of all – trying to convince Clay to come out of hiding and return to the stage.
There is just so much to love about Sing 2. First of all director/screenwriter Garth Jennings (The Hitchhikers Guide To The Galaxy) makes sure that no character here is left without anything to do. It is almost feels like every character has their own short film that sees them overcoming the obstacle placed in front of them and somehow all of those storylines come together brilliantly to deliver something bigger. Nothing feels left out but also at the same time the film never feels crowded with too many plot-lines.
With Sing 2 Jennings also finds the right mix of genres as well. Like the original film in the franchise there are times when the film is deeply emotional and dramatic and then there are other times when Jennings gets a laugh from a great comedic line or a piece of slapstick. Jennings is a true creative genius as he seems to know when is the right time for each mood throughout the film and he never misses a beat.
Then there are the general ‘life lessons’ held within the film’s plot. Once again this franchise manages to bring a range of different lessons to the forefront without feeling like the film is trying to push an agenda onto its audience. Important lessons about never giving up on your dreams and overcoming your fears are explored in nicely presented ways while the film also features an important lesson about how sometimes those on top of the fame game are not always the nicest people to have to deal with. Once again the fact that all of that comes together in a film that is an entertaining as Sing 2 just goes to show what a talented filmmaker Gareth Jennings really is.
Sing 2 really is a fun ride for the entire family. Kids will be left in awe at the bright colours, action and kid-friendly storyline while adults will warm to the deeper messages that are hidden away under the surface. Then of course there is the amazing soundtrack, featuring new music by U2, which will have the whole family singing along. I don’t know how he does it but once again Gareth Jennings has delivered a well-rounded and entertaining family film that is guaranteed to become a favourite.
Summary: A love letter to journalists set in an outpost of an American newspaper in a fictional twentieth century French city that brings to life a collection of stories published in “The French Dispatch Magazine”.
Cinema Release Dates: 9th December 2021 (Australia), 22nd October 2021 (UK), 22nd October 2021 (USA)
VOD Release Dates: TBA
Country: USA, Germany
Director: Wes Anderson
Screenwriter: Wes Anderson
Cast: Mathieu Amalric (The Commissaire), Nicolas Avinee (Vittel), Bob Balaban (Uncle Nick), Mohamed Belhadjine (Mitch-Mitch), Adrien Brody (Julian Cadazio), Timothee Chalamet (Zeffirelli), Mauricette Coudivat (Maman), Willem Dafoe (Albert The Abacus), Cecile de France (Mrs B), Benicio del Toro (Moses Rosenthaler), Guillaume Gallienne (Mr. B), Winston Ait Hellal (Gigi), Tom Hudson (Mitch-Mitch (on stage)), Anjelica Huston (Narrator (voice)), Lyna Khoudri (Juliette), Alex Lawther (Morisot), Frances McDormand (Lucinda Krementz), Elisabeth Moss (Alumna), Bill Murray (Arthur Howitzer Jr.), Edward Norton (The Chauffeur), Steve Park (Nescaffier), Rodolphe Pauly (Patrolman Maupassant), Tony Revolori (Young Rosenthaler), Saoirse Ronan (Junkie/Showgirl #1), Jason Schwartzman (Hermes Jones), Lea Seydoux (Simone), Lois Smith (Upshur ‘Maw’ Clampette), Tilda Swinton (J.K.L. Berensen), Christoph Waltz (Paul Duval), Owen Wilson (Herbsaint Sazerac), Henry Winkler (Uncle Joe), Jeffrey Wright (Roebuck Wright)
Running Time: 107 mins
Classification: M (Australia), 15 (UK), R (USA)
OUR THE FRENCH DISPATCH REVIEWS
David Griffiths’ The French Dispatch Review:
There is always a funny reaction in film circles when you mention the name Wes Anderson. Either the person you are talking to will start to tell you that Anderson is a genius or they will nod and then say “yeah no thanks.”
Yes like a lot of classic things Anderson is an acquired taste and one that people either love and or hate. Myself? Well, I’m in the former category. I fell in love with the work of Mr. Anderson when I discovered The Darjeeling Limited. I loved its quirkiness, I loved how different it was and from then on I was hooked.
If though you are in the other camp then there is no way that you will ever be able to get into The French Dispatch, for me though this is one of the films of the year. Only Anderson could bring together stories like this and have the end result be something as special as this.
The film is pulled together by a fictional magazine known as The French Dispatch who is edited by the forthright but slightly crazy Arthur Howitzer Jnr (Bill Murray – Lost In Translation). He has pulled together a group of eccentric writers including the intrepid Lucinda Krementz (Frances McDormand – Fargo), J.K.L Berensen (Tilda Swinton – Snowpiercer), the cycling crazy Herbsaint Sazerac (Owen Wilson – Wedding Crashers), and food critic Roebuck Wright (Jeffrey Wright – Shaft).
The film itself is made up of the stories they are telling in their articles from a mysterious painter (Benicio Del Toro – Sicario) who is in love with his prison guard (Lea Seydoux – No Time To Die) through the story of opposing revolutionary leaders who are in love with each other.
That is where there are strengths and weaknesses with this film. The film comes together like a bunch of short films with a common theme, and like all short films, there are the good and bad. The stories such as the one involving the artist and Owen Wilson’s fast-moving trip through a small town are brilliant but some of the others drag. The good news for audiences though is the good ones clearly outweigh the bad ones.
The stroke of Anderson’s genius is on show throughout the film. His quirky humor is always on show throughout the film and I’ll be quick to admit that I found myself laughing throughout the film. The brilliant thing is that humor comes in all forms – from witty one-liners through to visual humor. The best part though is that every joke lands and gets a laugh.
The other highlight for me was the fact that Anderson brings so many different kinds of filmmaking to the game with this film. From animation, through to fast-paced European comedy and then to classic black and white cinema, there isn’t anything Anderson isn’t willing to try and somehow he ends up being a master to them all.
Likewise always with an Anderson film the cast is a case of a who’s who of Hollywood. Actors like Willem Dafoe (The Card Counter) and Edward Norton (Motherless Brooklyn) turn up in a blink and you will miss them roles but it is the stars of this film that steal the show. Owen Wilson steals the show in his all too brief storyline while Benicio Del Toro shines playing an artistic killer trying to paint while locked away in prison.
As in normally the case with Anderson films it is Bill Murray that brings everything together. When it comes to Anderson’s work Murray is the ringmaster and the film his circus. He leads the way and it is obvious no other actor quite enjoys the quirkiness of Anderson’s work the way that Murray does. Having said that though this is an ensemble film where every actor is at the top of their game and the result is yet another classic Anderson film.
If you are not already a fan of Anderson’s work then this isn’t the film that is going to win you over. This film feels like it has been made for the Anderson tragic, it has his tropes all over it and once again the result is something magical. The film is slightly let down by the weaker ‘parts’ but for the most part this is an enjoyable ride.
THE BAD GUYS is a new original film from DreamWorks Animation.
Based on a New York Times best-selling book series from Australian author Aaron Blabey, THE BAD GUYS is an action-filled caper film for families and everyone in between.
Packed with stellar voice performances from an all-star cast, THE BAD GUYS is destined to be an all-audience movie when it releases on 31st March 2022!
Nobody has ever failed so hard at trying to be good as TheBad Guys.
In the new action comedy from DreamWorks Animation, based on the New York Times best-selling book series, a crackerjack criminal crew of animal outlaws are about to attempt their most challenging con yet—becoming model citizens.
Never have there been five friends as infamous as The Bad Guys—dashing pickpocket Mr. Wolf (Academy Award® winner Sam Rockwell, Three Billboards Outside Ebbing, Missouri), seen-it-all safecracker Mr. Snake (Marc Maron, GLOW), chill master-of-disguise Mr. Shark (Craig Robinson, Hot Tub Time Machine franchise), short-fused “muscle” Mr. Piranha (Anthony Ramos, In the Heights) and sharp-tongued expert hacker Ms. Tarantula (Awkwafina, Crazy Rich Asians), aka “Webs.”
But when, after years of countless heists and being the world’s most-wanted villains, the gang is finally caught, Mr. Wolf brokers a deal (that he has no intention of keeping) to save them all from prison: The Bad Guys will go good.
Under the tutelage of their mentor Professor Marmalade (Richard Ayoade, Paddington 2), an arrogant (but adorable!) guinea pig, The Bad Guys set out to fool the world that they’ve been transformed. Along the way, though, Mr. Wolf begins to suspect that doing good for real may give him what he’s always secretly longed for: acceptance. So when a new villain threatens the city, can Mr. Wolf persuade the rest of the gang to become … The Good Guys?
The film co-stars Zazie Beetz (Joker), Lilly Singh (Bad Moms) and Emmy winner Alex Borstein (The Marvelous Mrs. Maisel).
Based on the blockbuster Scholastic book series by Aaron Blabey, The Bad Guys is directed by Pierre Perifel (animator, the Kung Fu Panda films), making his feature-directing debut. The film is produced by Damon Ross (development executive Trolls, The Boss Baby, co-producer Nacho Libre) and Rebecca Huntley (associate producer, The Boss Baby). The executive producers are Aaron Blabey, Etan Cohen and Patrick Hughes.