Category: War

Universal Sony Pictures Home Entertainment is delighted to announce that war epic 1917 will be available to own on 4K Ultra HD, Blu-ray, DVD and Digital from 22 April 2020, with a wealth of bonus features revealed for home entertainment.

After winning the top prize at leading awards shows earlier this year, including the Academy Awards, BAFTAs and Golden Globes, 1917 is heading for living rooms across the country, providing fans with the opportunity to learn the secrets behind this immersive masterpiece.

1917 is a must-own visual action spectacle that demands viewing on high-definition home entertainment formats, with HD technical specifications including HDR10, HDR10+, and Dolby Vision high dynamic range with Dolby Atmos audio.

There is a feature-length director’s commentary from Sam Mendes, as well as a solo feature commentary from Roger Deakins, the film’s director of photography who won an Academy Award for his work on the film.

A full list of special features is listed below:

Blu-ray & 4K Ultra HD

  • Feature commentary with Sam Mendes (full movie run time)
  • Feature commentary with Roger Deakins (full movie run time)
  • The Weight of the World: Sam Mendes (4 mins 45 sec)
    • Academy Award® winner Sam Mendes discusses his personal connection to World War 1
  • Allied Forces: Making 1917 (12 mins 15 sec)
    • Learn how the one shot, 360-degree format was executed and the pivotal role Academy Award winner Roger Deakins served in bringing Sam Mendes’ vision to life
  • The Score of 1917 (4 mins)
    • Composer Thomas Newman and filmmakers discuss the important role of the Academy Award®-nominated score
  • In the trenches (7 mins)
    • Go behind the scenes with the cast of 1917
  • Recreating history (10 mins 30 sec)
    • Filmmakers offer a detailed look at the production design challenges of recreating the First World War.

 

DVD

  • Feature commentary with Sam Mendes (full movie run time)
  • Feature commentary with Roger Deakins (full movie run time)
  • The Weight of the World: Sam Mendes (4 mins 45 sec)
    • Academy Award® winner Sam Mendes discusses his personal connection to World War 1
  • Allied Forces: Making 1917 (12 mins 15 sec)
    • Learn how the one shot, 360-degree format was executed and the pivotal role Academy Award winner Roger Deakins served in bringing Sam Mendes’ vision to life
  • The Score of 1917 (4 mins)
    • Composer Thomas Newman and filmmakers discuss the important role of the Academy Award®-nominated score

1917 will be available in-store and online nationwide from 22 April 2020

Summary: A young boy in Hitler’s army finds out his mother is hiding a Jewish girl in their home.

Year: 2019

Australian Cinema Release Date: 26th December 2019

Thailand Cinema Release Date: 21st March 2020

Australian DVD Release Date: TBA

Country: United States, New Zealand, Czech Republic

Director: Taika Waititi

Screenwriter: Taika Waititi, Christine Leunens (novel)

Cast: Alfie Allen (Finkel), Gabriel Andrews (Herr Klum), Brian Caspe (Herr Mueller), Roman Griffin Davis (Jojo), Robert East (Herr Grusch), Luke Brandon Field (Christoph), Sam Haygarth (Hans), Adolf Hitler (himself – archival footage), Scarlett Johansson (Rosie), Thomasin McKenzie (Elsa), Stephen Merchant (Deertz), Billy Rayner (Herr Frosch), Sam Rockwell (Captain Klenzendorf), Taika Waititi (Adolf), Joe Weintraub (Herr Junker), Rebel Wilson (Fraulein Rahm), Archie Yates (Yorki)

Running Time: 108 mins

Classification: M (Australia) TBC (Thailand)

 

 

OUR JOJO RABBIT REVIEWS & RATINGS:

 

Dave Griffiths JoJo Rabbit Review:

Is it okay to ever try to get a laugh out of somebody’s misfortune? How about trying to get a laugh out of one of the worst massacres to have ever happened in human history? It sounds like a brutal question, yet it was a question many were asking after the announcement that filmmaker Taika Waititi was going to be making a comedy that featured himself playing Adolf Hitler while centering on a young Hitler Youth member.

The idea of something funny coming out of such a tragedy is almost unfathomable. To be honest, as someone who has interviewed a Holocaust survivor in person I was one of the people that was questioning whether or not JoJo Rabbit should ever have been made. That was before I saw the film though, afterwards I now find myself championing the film, encouraging others to see it as it delivers a powerful message that is still very relevant to society today.

The reason for my turnaround is that Waititi takes his central character, named JoJo (Roman Griffin Davis – Silent Night), on a journey of learning, discover and intense character building. While early on JoJo is excited about the training he is receiving from his military trainers Captain Klenzendorf (Sam Rockwell – Moon) and Fraulein Rahm (Rebel Wilson – Pitch Perfect) and the adventures that his training will lead to, his values are later put to the test when he discovers that his mother, Rosie (Scarlett Johansson – The Avengers) is hiding a Jewish teenager, named Elsa (Thomasin McKenzie – The King), in a secret room in their house.

There are several things that make JoJo Rabbit such a brilliant and interesting film. First it is told from a point-of-view that we have rarely got to see in cinematic history. Normally when a Nazi is shown in a film that are pure evil, and therefore the events of World War II are rarely shown from their point of view. Here we see these events through the eyes of a young member of the Hitler Youth and it is a different perspective to what many of us would have assumed it would be.

Through the eyes of JoJo we see the hatred that has been forced into him by those around him and of course the propaganda that he sees daily from the man he idolises – Adolf Hitler. But then we also see the utter confusion that he goes through as he meets Elsa. For the first time he is forced to see a Jewish person as a human and he is forced to question whether or not the stories he has been told about them being monsters is true or not. Then there is also the fact that by his own beliefs his mother is now an enemy of the State.

Audiences should be prepared to be put through a range of emotions when they watch JoJo Rabbit as well. Waititi is a smart enough filmmaker to know where the right places are to get a laugh and when it is not acceptable to do so. In fact his timing and pace throughout the film are quite genius and there is one moment in this film I can guarantee where every member of the audience will be in tears.

In his own performance as Hitler Waititi puts in a comical yet balanced performance. The audience needs to remember that this is not Waititi’s view of what Adolf Hitler was like and his slap-stick portrayal is not there to simply garnish laughs – instead it is there to show how the dictator may have been viewed by those that idolised him during the time period.

As a film JoJo Rabbit is also lifted by its fantastic performances. The young cast of Thomasin McKenzie and Roman Griffin Davis put in performances well beyond their years and it is easy to see that the two are destined to become stars. Scarlett Johansson is amazing despite her limited screen time but the true brilliance here comes from Sam Rockewell. This often under-rated actor again puts in a stunning performance as he manages to mix both comedy and drama together sensationally well. It is almost criminal that his performance here didn’t warrant more attention when it came to awards time because as he did in Richard Jewell and The Way, Way Back he once again steals the limelight in every scene he is in.

Any cinema goer has the right to be sceptical over whether or not they think JoJo Rabbit will work as a film. As I mentioned earlier it seems almost inconceivable that any filmmaker could make a comedy about the time of Holocaust and have the film work tastefully – yet somehow Waititi has done just that right here.

As a film JoJo Rabbit takes its audience on a journey alongside its main character. The film does have the power to make you laugh but it also has the power to make you cry. At times the film may not be easy to watch but at the end of the day this is a film so powerful that it deserves to be mentioned alongside great Holocaust films such as Schindler’s List and The Boy In The Striped Pajamas.

 

 

Average Subculture Rating:

 

 

IMDB Rating: 
Jojo Rabbit (2019) on IMDb

 

Other Subculture Entertainment JoJo Rabbit Reviews:

Our JoJo Rabbit review that appeared in ‘The Phuket News’ can be read at this link – https://www.thephuketnews.com/down-the-nazi-rabbit-hole-%C2%A0taika-waititi-creates-a-comedy-classic-from-tragedy-75360.php

Trailer:

 

Australian filmmaker Storm Ashwood is quickly becoming a director that the world is sitting up and taking notice off. His 2018 horror film The School was an eerie film that Del Toro would have been proud of and now Ashwood returns with the hard-hitting dramatic war thriller Escape And Evasion. In one sense Escape And Evasion is another type of horror as it depicts a soldier’s whose life is in ruin after a brutal covert operation in Burma has left him with PTSD.

When I get the chance to talk to Ashwood he is in a remote area of Thailand and he is overjoyed when I tell him how much I enjoyed the film. “Thank you, thank you,” he says humbly. “The film sort of matured out of two places. The first one came about when I was working on a documentary with a priest who funnily enough looked like Gandolf in Chang Mai who was smuggling refugees from Miramar over the border.”

“A close friend of mine who was ex-military and I got very close to being able to go on one of these jungle runs with this priest,” he explains. “We were going to see exactly what was going on and film it. But sadly the documentary was never finished because that priest was murdered, so it never got finished because I only had a little bit of footage. So, on top of that I also had a story that I had developed with a friends about events that had occurred in Iraq, it was quite tragic and it really showed the struggles of this particular guy trying to fit back into civilian life. Like he would be saying things like ‘I can shoot tanks and fly helicopters but I can’t get a job as a labourer, what is going on?’”

As Ashwood keeps talking to me about this solider it is easy to see the comparisons between him and the soldier that actor Josh McConville plays in Escape And Evasion. “He was having a lot of trouble with his family,” says Ashwood continuing. “Through all of that I was able to put together a story and I just kept hearing these stories. Then I also helped on a script on another documentary about child soldiers in Sierra Leone which was also another horrific story about children who were being abused and put into sex trafficking and drugs and stuff. Then I did a short film about refugees so I thought I would then put all these tales and stories into one script – one feature film. That was the birth of Escape And Evasion.”

One of the things that will stick with you after you watch Escape And Evasion are the harrowing scenes about PTSD and as Ashwood and I chat I soon learn that the amount of soldiers returning back to Australia with the terrible disorder is absolutely alarming. “Statistically they say about twenty per cent,” he answers when I ask what percentage of troops returning to Australia would be suffering from PTSD. “I think that it is more along the line of fifty percent, and it may even be a lot higher than that. I’m thinking about it rationally now because every single solider I have spoken to who has been in service you can see that they have undergone some form of suffering due to the events that they have been through.”

Perhaps the event though that has really shown Ashwood that his film hit its mark has been the reception it has received from military veterans with the film even picking up awards at the Veteran’s Film Awards. “That meant so much,” he says when I mention those awards. “One hundred percent hands down I knew that soldiers wouldn’t be the harshest critics. I know a lot of soldiers and I know some will say things like ‘I walked out of Black Hawk Down because Eric Bana was wearing the something wrong on his uniform for that time.’ They are really tough critics they’ll tell you that an actor has an elbow wrong when holding a gun or that he is looking over the barrel the wrong way so to hear that our film won those awards I was so honoured and so chuffed.”

 

The award winning Escape And Evasion is in cinemas now.

 

 

Poised to thrill audiences around the nation, the Alliance Française French Film Festival has today unveiled the full line-up for its eagerly anticipated 31st season at www.affrenchfilmfestival.org

Spreading its cinematic stardust across 8 cities and 4 satellite locations, the Festival, which is proudly presented by the Alliance Française in association with the Embassy of France in Australia, Unifrance Films and screening partner, Palace Cinemas, will commence its national tour from 10 March until 19 April and is set to thrill audiences with a stupendous selection of 49 contemporary and classic French films, many enjoying their Australian premiere.

 We’re also delighted to announce that dynamic filmmaker, Justin Kurzel (The Snowtown Murders, Macbeth, True History of the Kelly Gang), who has long taken inspiration from French cinema, will be the 2020 Festival Patron.

 Additionally, acclaimed director/actor, Zabou Breitman, whose lyrical, animated drama, The Swallows of Kabul (Les hirondelles de Kaboul), has won plaudits from critics and audiences alike on the international film festival circuit, will be visiting Melbourne to introduce a screening of this, her latest feature, which she directed with Éléa Gobbé-Mévellec. This special Festival event is slated for the evening of Tuesday 17 March at Palace Cinema Como, and will be followed by a filmmaker Q&A.

 On a more sombre note, this year has already experienced horrific bushfires ravaging our land and robbing so many of their lives and homes.  The Alliance Française, and venue partners thereby invite you to join us in helping those impacted by this tragedy by supporting special previews of How to Be a Good Wife and In the Name of the Land (both screening courtesy of Palace Films) to be held in all capital cities on 9th and 10th of March.  100% of tickets sales for these sessions will be donated to the Australian Red Cross Bushfire Appeal and Rural and Remote Mental Health.

And in celebration of mankind’s great capacity for kindness and compassion – which often comes to the fore in times of crisis – the Festival will launch the 2020 season with The Extraordinary (Hors normes)one of the most gloriously uplifting films to emerge from France in recent years, which will screen courtesy of Madman Entertainment.

 The latest feature from renowned filmmakers Olivier Nakache and Éric Toledano (who delighted with The Intouchables and C’est la vie!), The Extraordinary is inspired by a true story and was honoured as the Closing Night Feature at the 2019 Cannes Film Festival. For twenty years, Bruno (Vincent Cassel) and Malik (Reda Kateb) have run two separate non-profit organizations where they train young people from underprivileged areas to be caregivers for autistic youth abandoned by the state system. But the authorities, concerned that they’ve never sought certification and that many of their carers aren’t ‘officially’ qualified, decide to mount an investigation.

 The result of two years’ immersion in the lives of the two associations, The Extraordinary is a crowd-pleasing charmer, which will have viewers experiencing a gamut of emotions as they fall in love with a host of extraordinary characters in exceptional circumstances.  It’s a testimony to the great things that can be achieved when people support one another in the face of adversity.

 And concluding the 2020 season, on a deliciously whimsical note, will be The Bare Necessity (Perdrix)the directorial debut of Erwan Le Duc, starring Swann Arlaud, Maud Wyler, Fanny Ardant and Nicolas Maury.  Set within a tiny town nestled in the woody mountains of Vosges, this sweetheart of a movie, which delighted hardened cynics when it premiered in Directors’ Fortnight at Cannes 2019, looks at the romantic mayhem that ensues when an enigmatic young woman forces a stagnant family to re-define their boundaries and begin to truly live.

 With so many highlights bursting from this year’s programme, it’s impossible to list every film, but read on for some of the delights to be savoured:

 

A FRIENDLY TALE (Le Bonheur des uns)

Director:  Daniel Cohen                                                        

Cast:  François Damiens, Vincent Cassel, Bérénice Bejo

In this delicious tale of tested loyalties, the close friendship of two long-time couples is put at risk when one of the two wives unexpectedly becomes a best-selling author, upsetting the intricate balance of this formerly close-knit quartet.

 

AZNAVOUR BY CHARLES (Le regard de Charles)

A Film by Charles Aznavour, Directed by Marc di Domenico                                                                 

Narrator: Romain Duris

Crooner, Charles Aznavour, beguiled his legions of fans with a dream of romance.  But his life beyond music was even more extraordinary.  An actor, political activist, diplomat and filmmaker, this enthralling documentary, with rare footage, reveals a complicated, multi-talented man who entertained for the greater part of a century.

 

DEERSKIN (Le daim)

Director:  Quentin Dupieux                                                                 

Cast:  Jean Dujardin, Adèle Haenel, Albert Delpy

With his life in disarray, Georges might not be able to control his circumstances but he can control his wardrobe.  Believing that the deerskin jacket of his dreams is the answer to all of his problems, Georges’ delusions gradually increase each time he wears it, edging his obsession closer to a violent delirium.

 

EDMOND

Director: Alexis Michalik                   

Cast: Thomas Solivérès, Olivier Gourmet, Mathilde Seigner, Dominique Pinon

Paris, 1897. Although not yet thirty and clearly gifted as a writer, Edmond Rostand already has two children, many anxieties, but scant literary success.  When given three weeks to write a play for a mercurial star of the stage, all he has is the title, Cyrano de Bergerac.  Can he accomplish the impossible?

 

FAREWELL TO THE NIGHT (L’adieu à la nuit)

Director: André Téchiné                                                                            

Cast: Catherine Deneuve, Kacey Mottet Klein

Muriel, a respected member of her idyllic local community, is horrified to discover that her visiting grandson, who claims to be heading to Canada for work, has in reality been radicalised by Islamist extremists.  His plans to fight for ISIS in Syria expose this ordinary woman to a moral dilemma of heart-breaking proportions.

 

HOUSE OF CARDIN

Directors: P. David Ebersole, Todd Hughes

Synonymous with glamour, refinement and sophistication, this documentary provides a rare glimpse into the world of a 20th century icon. Allowing unprecedented access to his personal archives, we follow Cardin from his birth in the Italian countryside circa 1922, to his move to France where he made his name in fashion.

 

HOW TO BE A GOOD WIFE (La bonne épouse)

Director: Martin Provost                             

Cast: Juliette Binoche, Yolande Moreau, Noémie Lvovsky, Edouard Baer

In 1968 amidst the lush regions of Alsace, the head of a housekeeping school that transforms teenage girls into ideal housewives, has her pristine life implode when she encounters her long-lost first love whilst simultaneously learning that her business is on the brink of financial ruin.

 

IN THE NAME OF THE LAND (Au nom de la terre)

Director:  Edouard Bergeon                                                     

Cast: Guillaume Canet, Veerle Baetens, Anthony Bajon

Returning to France in the late 70s, Pierre marries his sweetheart and takes over his father’s farm.  But twenty years onwards, Pierre is exhausted.  With mounting debt, what was once satisfying begins to take an insidious toll on his family who risk being torn apart by the property that binds them, in this powerful tale of resilience.

 

LA BELLE ÉPOQUE

Director: Nicolas Bedos                                                                    

Cast: Daniel Auteuil, Guillaume Canet, Doria Tiller

Disillusioned, his long-term marriage on the rocks, a man is given a second chance when he encounters a company offering a unique theatrical service that enables customers to revisit memories through carefully orchestrated re-enactments, thus allowing him to return to 1974 and the peak of his happiness.

 

THE LOST PRINCE (Le prince oublié)

Director: Michel Hazanavicius                                                           

Cast: Omar Sy, Bérénice Bejo, François Damiens

Djibi, a devoted single father, transforms into a heroic Prince in the nightly fairy-tales he tells his beloved 7 year-old daughter, Sofia. But as the years pass, Sofia is ready for her own stories with different heroes.  But is the Prince ready to become just a memory of his daughter’s childhood?

 

LOVE AT SECOND SIGHT (Mon inconnue)

Director: Hugo Gélin                                                                         

Cast: François Civil, Joséphine Japy, Benjamin Lavernhe

After waking in a parallel universe, Raphaël finds his wife, Olivia, is nowhere to be seen and his professional achievements have vanished.  Without Olivia, his life is empty, but winning her back proves harder than he could have imagined – especially when he realises she doesn’t even know who he is!

 

MY DOG STUPID (Mon chien Stupide)

Director: Yvan Attal                                                                             

Cast: Yvan Attal, Charlotte Gainsbourg, Eric Ruf

Henri, a writer in the depths of a mid-life crisis who hasn’t released a successful book in 25 years, strikes-up an unconventional friendship with a stray, bad-mannered dog who inspires him and his dysfunctional family to re-examine their lives and attitudes towards each other.

 

THE MYSTERY OF HENRI PICK (Le mystère Henri Pick)

Director: Rémi Bezançon                                                                                 

Cast: Fabrice Luchini, Camille Cottin, Alice Isaaz

The late Henry Pick, in life an unassuming Breton pizza marker, is celebrated as a brilliant author when a lost manuscript, attributed to him, becomes a literary success.  But one outspoken intellectual thinks the whole thing is a sham, and, after losing his wife, his job and his prominence due to his opinion, decides to uncover the truth.

 

ONLY THE ANIMALS (Seules les bêtes)

Director: Dominik Moll                                                             

Cast: Denis Ménochet, Laure Calamy, Damien Bonnard

Set in an isolated town in the lush, wintery mountains of southern France, the film opens with the departure of Evelyne, a local woman whose disappearance during a snowstorm soon reveals itself as murder. This act of violence gradually unveils the hidden agendas of several locals, setting the unexpected into motion.

 

PROXIMA

Director: Alice Winocour                                                              

Cast: Eva Green, Zélie Boulant- Lemesle, Matt Dillon

As the only woman in the European Space Agency astronaut-training program, single mother Sarah struggles with guilt over the limited time spent with her young daughter, which escalates when she’s invited upon a year-long space mission – Proxima – forcing her to choose between her work and her child.

 

ROOM 212 (Chambre 212)

Director: Christophe Honoré                                           

Cast: Chiara Mastroianni, Benjamin Biolay, Vincent Lacoste

After Maria reveals a long history of affairs to her husband, she opts to spend the night at a hotel opposite their home. But this is a “magical night”, and it’s not long before time collapses upon itself opening a window into the past where young passions are revisited and the very concept of love, questioned.

 

SIBYL

Director: Justine Triet                                                           

Cast: Virginie Efira, Adèle Exarchopoulos, Gaspard Ulliel

Dissatisfied with her life, Sibyl, a psychiatrist, decides to pursue her dream of becoming a writer.  Casting professional ethics aside, she secretly uses the private sessions of her actress patient, Margot, as inspiration for her novel, a decision that irreversibly impacts upon both their lives.

 

SPREAD YOUR WNGS (Donne-moi des ailes)

Director: Nicolas Vanier                                                          

Cast: Jean-Paul Rouve, Mélanie Doutey, Louis Vazquez

Christian, a visionary scientist, studies wild birds. For his son, a teenager obsessed with video games, the idea of spending a vacation with his father in the middle of nature is a nightmare. However, father and son soon bond over a daring project to save an endangered species, which takes them on an incredible journey.

 

THE SWALLOWS OF KABUL (Les hirondelles de Kaboul)

Directors: Zabou Breitman, Éléa Gobbé-Mévellec                        

Voice: Simon Abkarian, Zita Hanrot, Swann Arlaud

Based on the cherished novel of the same name, this critically acclaimed, animated drama follows two couples living in the Afghan capital during the 90s and the impact Taliban rule has on each relationship. Through their individual love stories, unforgettable characters emerge amid the devastating impact of armed combat.

 

THE TRANSLATORS (Les traducteurs)

Director: Régis Roinsard                                                 

Cast: Lambert Wilson, Olga Kurylenko, Riccardo Scamarcio

Nine language experts, hired to translate the final book of a bestselling trilogy, are in lockdown within a luxurious bunker. But when the top-secret manuscript’s first ten pages appear online, their dream job implodes.  The culprit has to amongst them and the publisher is ready to do whatever it takes to unmask who it is.

 

TWO OF US (Deux)

Director: Filippo Meneghetti                                                    

Cast: Barbara Sukowa, Martine Chevallier, Léa Drucker

In this emotionally compelling tale, pensioners Nina and Madeleine have hidden their deep and passionate love for many decades, but their bond is tested when circumstances trigger a series of events, preventing them from moving freely between each other’s apartments.

 

VERNON SUBUTEX

Director: Cathy Verney                                

Cast: Romain Duris, Céline Sallette, Florence Thomassin, Julie Fournier

When Vernon Subutex, an unemployed former owner of a once legendary record shop, is evicted from his flat, he’s helped by old friend rock star Alex Bleach. But Bleach’s sudden death makes Vernon a deadly target when it’s discovered that he’s in possession of 3 mysterious videotapes owned by Bleach.

 

WE’LL END UP TOGETHER (Nous finirons ensemble)

Director: Guillaume Canet                         

 Cast: François Cluzet, Marion Cotillard, Gilles Lellouche, Laurent Lafitte

About to turn 60, nearly broke and estranged from his former friends, restaurateur Max embraces solitude at his soon-to-be-sold beach house.  So when his ex-buddies arrive for a surprise celebration, he turns them away. But this cannot be – something has to be done! The sequel to 2010’s star-studded comedy, LITTLE WHITE LIES.

 

ZOMBI CHILD

Director: Bertrand Bonello                            

Cast: Louise Labèque, Wislanda Louimat, Adilé David, Ninon François

Haiti, 1962…A man is resurrected from the dead and trapped in a nightmare of slavery. Modern-day Paris…Haitian teen Mélissa, the new girl at an elite school, is invited to join a secret ‘literary sorority’.  But the incendiary family secret she harbours becomes a source of fascination to others, who exploit her heritage with shocking results.

 

National dates and venues for the 2020 Alliance Française French Film Festival are:

     

SYDNEY:

 

10 March – 8 April

 

Palace Norton Street, Palace Verona, Chauvel Cinema, Palace Central & Hayden Orpheum Cremorne      

MELBOURNE:

 

11 March – 8 April

 

Palace Balwyn, Palace Brighton Bay, Palace Cinema             Como, Palace Westgarth, Kino Cinemas & The Astor Theatre

PERTH:

 

11 March – 8 April

 

Palace Raine Square, Cinema Paradiso, Luna on SX,

Windsor Cinema & Camelot Outdoor Cinema

CANBERRA:

12 March – 8 April

Palace Electric Cinema

ADELAIDE:

17 March -14 April

Palace Nova Eastend Cinemas, Palace Nova Prospect Cinema

BRISBANE:

18 March -14 April

Palace Barracks & Palace James Street

HOBART:

19 – 28 March

State Cinema

AVOCA BEACH:

19 March – 1 April

Avoca Beach Picture Theatre

PARRAMATTA:

26 – 29 March

Riverside Theatres Parramatta

BYRON BAY:

31 March – 12 April

Palace Byron Bay

BENDIGO:

17 – 19 April

Star Cinema

BALLARAT:

17 -19 April

Regent Cinemas

Summary: The story of the Battle of Midway, told by the leaders and the sailors who fought it.

Year: 2020

Australian Cinema Release Date: 30th January 2020

Thailand Cinema Release Date: TBA

Australian DVD Release Date: TBA

Country: United States, Hong Kong, Canada, China

Director: Roland Emmerich

Screenwriter: Wes Tooke

Cast: Ellis Arch (Lofton Henderson), Tadanobu Asano (Tamon Yamaguchi), Tim Beckmann (Captain Rawlings), Jacob Blair (Hank Potter), Geoffrey Blake (John Ford), Cameron Brodeur (Sully Brown), Christie Brooke (Millicent McClusky), Brennan Brown (Joseph Rochefort), James Carpinello (William Brockman), Agostino Michael Cimino (Buzz Davis), Mikael Conde (Bill Miller), Darren Criss (Eugene Lindsey), Eric Davis (Miles Browning), Aaron Eckhart (Jimmy Doolittle), Luke Evans (Wade McClusky), Rachael Perrell Fosket (Dagne Layton), Dustin Geiger (Paul Crosley), Sarah Halford (Marie Pearce), Tyler Hall (William ‘Slim’ Townsend), Woody Harrelson (Chester M. Nimitz), David Hewlett (Husband Kimmel), James Hicks (Edwin Kroeger), Jason Lee Hoy (Pat Rooney), Hiromoto Ida (Prime Minister Tojo), Keenan Johnson (James Murray), Nick Jonas (Bruno Gaido), Luke Kleintank (Clarence Dickinson), Jun Kunimura (Chuichi Nagumo), Kenny Leu (Zhu Xuesan),  Russell Lewis (Frank O’Flaherty), Alexander Ludwig (Roy Pearce), Jake Manley (Willie West), Mandy Moore (Ann Best), Dennis Quaid (William ‘Bull’ Halsey), Mark Rolston (Ernest King), Madison Roukema (Barbara Best), Dean Schaller (Jack Mackeniz Jnr.), Nobuya Shimamoto (Kaku Tomeo), Peter Shinkoda (Genda Minoru), Hiroaki Shintani (Emperor Hirohito), Brandon Sklenar (George ‘Tex’ Gay), Ed Skrein (Dick Best), Etsushi Toyokawa (Isoroku Yamamoto), Jake Weber (Raymond Spruance), Patrick Wilson (Edwin Layton)

Running Time: 138 mins

Classification: M (Australia) TBC (Thailand)

 

 

OUR MIDWAY REVIEWS & RATINGS:

 

Dave Griffiths Review:

If you aren’t aware of the various battles of World War II your first reaction to the trailer of Roland Emmerich’s (Godzilla) Midway is probably didn’t they already do a movie about Pearl Harbour? They did indeed, Michael Bay (Transformers) directed the very under-rated Pearl Harbour back in 2001, but while the attack on Pearl Harbour is shown in Midway it really is only a small part of the story that Emmerich is trying to tell here. Let’s just say that the Pearl Harbour attack is pretty much done and dusted in the first twenty minutes of the film.

Emmerich’s film almost feels like a ‘companion piece’ to Bay’s film. Here he focuses on the events that followed. We see Edwin T. Layton (Patrick Wilson – Insidious) an intelligence officer who actually predicated the attack on Pearl Harbour told to try and decipher what the Japanese are going to next, while Admiral Chester W Nimitz (Woody Harrelson – Natural Born Killers) is called in to orchestrate the counter-attack despite him calling it an ‘impossible situation.’

The film largely concentrates on the events after Pearl Harbour and follows pilots like Dick Best (Ed Skrein – Deadpool) and Wade McClusky (Luke Evans – Dracula Untold) as they prepare with the retaliation attacks that include The Battle Of Midway as a finale.

The biggest difference between Midway and Pearl Harbour is that while Bay went for a huge epic spectacular Emmerlich’s film feels more like a history lesson with a dramatised re-telling. The Japanese influence on the film is very easy to see. Not only do we get to see more of the story told from the Japanese side of the battles through the eyes of Commanders like Tamon Yamaguchi (Tadanobu Asano – Thor) and Isoroku Yamamoto (Etsushi Toyokawa – Love Letter) but a lot of the CGI and action sequences look a lot like you would expect to see in some of the Japanese action films that receive cinematic releases.

That style maybe a little off-putting for some audience members. You may find yourself wondering why a director who has movies like Independence Day and The Day After Tomorrow under his belt is serving up a film with fake CGI fire, but in the end that is a stylistic choice but it does further the feeling that the film is a historically correct re-telling rather than just there for entertainment.

Perhaps the biggest fault with the film though is that it tries to cram too much in. With some many characters introduced you really only get a chance to connect with a couple with the whole storyline involving the raid led by Jimmy Doolittle (Aaron Eckhart – The Dark Knight) feels rushed and brushed over when realistically it is interesting enough to have a movie of its own. Likewise Emmerlich quickly shows us John Ford (Geoffrey Blake Forrest Gump) shooting his film at Midway but then it just seems to disappear into thin air.

With that all aside though Midway is still very much a watchable movie. Screenwriter Wes Tooke’s (Colony) screenplay does allow the audience to get close to characters like Dick Best and Wade McClusky while Emmerlich’s knack for suspense really goes to the fore during the actual battle sequences. Here Emmerlich recreates that same feeling that we got from watching films like Flyboys and Top Gun as the focuses on the amazing dog-fights and death-defying dive bombing that many of the pilots found themselves involved in. This is very much a film where it is the action sequences in the finale that really saves it from becoming an average film.

What is also good to see during Midway is the fact that some under-rated stars really do get a chance to shine here. Ed Skrein and Luke Evans are amazing here, there is real chemistry to their love-hate relationship on the screen and as you watch the film you find yourself wishing that both men got more roles where they are the leading men. Woody Harrelson and Dennis Quaid (The Day After Tomorrow) are both at their brilliant bests while Patrick Wilson often steals the scenes that he is at he portrays a man shattered by the events of Pearl Harbour but then given a chance of redemption. Again his character is another that deserves a film of its own.

Midway seems to be a movie that is better suited for the serious movie lover who will enjoy a movie that is more about historically correct then it is being there for entertainment. The film does explore all the ins and out of the Battle Of Midway but may leave you feeling like you do want to know more about some of the characters involved. Certainly worth seeing though for its dog-fight scenes alone.

 

 

Average Subculture Rating:

 

 

IMDB Rating:  Midway (2019) on IMDb

 

Other Subculture Entertainment Midway Reviews: N/A

Trailer:

 

Summary: The Austrian Franz Jägerstätter, a conscientious objector, refuses to fight for the Nazis in World War II.

Year: 2020

Australian Cinema Release Date: 30th January 2020

Thailand Cinema Release Date: TBA

Australian DVD Release Date: TBA

Country: Germany, USA

Director: Terrence Malick

Screenwriter: Terrence Malick

Cast: Dimo Alexiev (Nikolai), Leo Baumgartner (Toni Strohhofer), Ulrich Brandhoff (Captain Jurgen), August Diehl (Franz Jagerstatter), Alexander Fehling (Lawyer Feldman), Johannes Gabl (Hessler), Bruno Ganz (Judge Lueban), Adolf Hitler (himself (archival footage)), Bernd Holscher (Judge Ranft), Moritz Katzmair (Martin), Waldemar Kobus (Warden Stein), Jonannes Krisch (Trakl – The Miller), Levan Khurtsia (Levan), Dieter Kosslick (Judge Musshoff), Aennie Lade (Loisi Jagerstatter), Katja Lechthaler (Frau Pate), Monika Lennartz (Frau Schuster), Johan Leyson (Ohlendorf – The Painter), Jasmine Barbara Mairhofer (Frau Pate), Max Malatesta (Max), Karl Marcovics (Mayor Kraus), Ulrich Matthes (Lorenz Schwaninger), Max Mauff (Sterz), Wolfgang Michael (Eckinger), Tobias Moretti (Fr. Furthauer), Thomas Mraz (Prosecuter Kleint), Ida Mutschlechner (Rosi Jagerstatter), Karin Neuhasuer (Rosalia Jagerstatter), Johannes Nussbaum (Josef), Michael Nyqvist (Bishop Fliesser), Valerie Pachner (Fani Jagerstatter), Oliver Pezzi (Fitz), Jurgen Prochnow (Major Schlegel), Nicholas Reinke (Father Moericke), Franz Rogowski (Waldland), Sophie Rois (Aunt Walburga), Andro Sarishvilli (Andro), Matthias Schoenaerts (Captain Herder), Christian Sengeweld (Fr. Kreutzberg), Amber Shave (Rosi Jagerstatter (young)), Ermin Sijamija (Ermin), Maria Simon (Resie Schwaninger), Maria Stadler (Maria), Barbara Stampfl (Maridi Jagerstatter (young)), Benno Steinegger (Corporal Grimm), Michael Steinocher (Officer Kersting), Mark Wasschke (Spitz, the blacksmith), Maria Weger (Maridl Jagerstatter), Martin Wuttke (Major Kiel)

Running Time: 174 mins

Classification: PG (Australia) TBC (Thailand)

 

 

OUR A HIDDEN LIFE REVIEWS & RATINGS:

 

Dave Griffiths Review:

 

 

Kyle McGrath’s Review

 

 

Average Subculture Rating:

 

 

IMDB Rating:  

 

Other Subculture Entertainment A Hidden Life Reviews: N/A

Trailer:

 

Summary: Two young British soldiers during the First World War are given an impossible mission: deliver a message deep in enemy territory that will stop 1,600 men, and one of the soldiers’ brothers, from walking straight into a deadly trap.

Year: 2020

Australian Cinema Release Date: 9st January 2020

Thailand Cinema Release Date: 30th January 2020

Australian DVD Release Date: TBA

Country: United States, United Kingdom

Director: Sam Mendes

Screenwriter: Sam Mendes, Krysty Wilson-Ciarns

Cast: Benjamin Adams (Sergeant Harrop), Gabriel Akuwudike (Private Buchanan), Andy Apollo (Sergeant Miller),  Daniel Attwell (Captain Sandbach), Elliott Baxter (Private Singer), Jacob James Beswick (Lance Corporal Duff), Anson Boon (Private Cooke), Pip Carter (Lieutenant Gordon), Dean Charles-Chapman (Lance Corporal Blake), Bradley Connor (Sergeant Gardner), Samson Cox-Vinell (Orderly Dixon), Benedict Cumberbatch (Colonel McKenzie), Josef Davies (Private Stokes), Claire Duburcq (Lauri), Elliott Edusah (Private Grey), Justin Edwards (Captain Ivins), Colin Firth (General Erinmore), Tommy French (Private Butler), Kenny Fullwood (Private Rossi), John Hollingworth (Sergeant Guthrie), Luke Hornsby (Private Pinewood), Gerran Howell (Private Parry), Adam Hugill (Private Atkins), Michael Jibson (Lieutenant Hutton), Taddeo Kufus (Soldat Baumer), Jonny Lavelle (Orderly Byrne), Spike Leighton (Private Kilgour), Merlin Leonhardt (Soldat Muller), George MacKay (Lance Corporal Schofield), Richard Madden (Lieutenant Joseph Blake), Daniels Mays (Sergeant Sanders), Richard McCabe (Colonel Collins), Joe Mendes (Private Willock), Ryan Nolan (Private Malky), Jamie Parker (Lieutenant Richards), Billy Postlethwaite (NCO Harvey), Nabhaan Rizwan (Sepoy Jondalar), Michael Rouse (Captain Rylands), Jonah Russell (Captain Morahan), Adrian Scarborough (Major Hepburn), Andrew Scott (Lieutenant Leslie), Jack Shalloo (Private Seymour), Mark Strong (Captain Smith), Paul Tinto (NCO Baker), Chris Walley (Private Bullen), Ian Wilson (Sergeant Wright)

Running Time: 119 mins

Classification: MA15+ (Australia) TBC (Thailand)

 

 

OUR 1917 REVIEWS & RATINGS:

 

Dave Griffiths Review:

Over the years the cinematic world has been blessed with some pretty amazing war films. Think of the sheer emotional nature of films like Schindler’s List and Hacksaw Ride or the epic sale of films like Saving Private Ryan and Pearl Harbor. It feels like it is the war genre when some of the truly great filmmakers of our generation have really had a chance to show us what they are capable of an that legacy certainly continues with 1917.

As a filmmaker Sam Mendes has certainly proved himself to be one of the most ‘intense’ of the modern generation. That intensity has been delivered with powerful drama and dialogue in films like American Beauty and Revolutionary Road while it also returned through the power of stunts and action with his trip into the Bond universe with Skyfall and Spectre. With 1917 Mendes manages to fuse both of his skills in drama and his style of action together in a way that results with a unique film that will go down as one of the finest in 2020.

Plot wise 1917 is quite basic. It is set during World War I in France and General Erinmore (Colin Firth – A Single Man) receives word that an Allied attack is going to be walking right into a trap set by the Germans. In a desperate bid to stop the annihilation of 1600 men he gives Lance Corporal Blake (Dean-Charles Chapman Game Of Thrones) and Lance Corporal Schofield (George MacKay – Peter Pan) a near impossible task. He asks them to go through the front-line and go behind the enemy line to deliver a letter that should stop the attack from ever happening.

In a lot of ways the style Mendes uses to tell the story is very similar to what Peter Jackson used with The Lord Of The Rings. The film itself entirely surrounds the impossible journey that the two embark on yet somehow Mendes stops the film from every becoming boring at all. Around every corner he places a new task and obstacle in the way of the pair and his idea of using a one-shot technique means that the audience is right there amongst the action. Whether it be urgently pushing past soldiers in the trenches, battling to swim against a raging river or coming under heavy enemy fire Mendes has the audience right there beside the heroes which only further enhances the suspense and intensity throughout the film.

Surprisingly the screenplay which Mendes co-wrote with Krysty Wilson-Cairns (Penny Dreadful) also keeps the dialogue to the bare minimum. For a lot of the film the pair either use silence or brief but powerful dialogue to get some in-depth points across. At one point Blake and Schofield debate whether war medals really mean anything or not, and while some writers would let it take up five minutes of the film Mendes and Wilson-Cairns let both characters make their point within a minute. Likewise anything we learn about the two men is fitted nicely into some of the most natural dialogue you will ever hear on the screen.

Such is Mendes’ maturity as a filmmaker that he never allows the action sequences to ever take anything away from the drama of the film. Plane crashes and enemy fire occur in real time and while it does have the audience on the edge of their seat Mendes never allows it to over-shadow the film’s major storyline or detract from it.

I have heard some people suggest that the film would have been further enhanced if the two leads had been more recognisable actors, but I fail to see how that would have helped. Chapman and MacKay put in absolutely brilliant performances and there could be very little more asked of them. The two share some very poignant scenes together and in all honestly they carry the film throughout as the camera never leaves them. Very few young actors could pull off such an intense acting performance but these two seem to do it with ease.

1917 is one of those films that leaves you in complete stunned silence as you watch it. Mendes never allows his audience to rest, instead he takes them on the journey with his two heroes using camera angles we haven’t seen since The Children Of Men. Yes at times 1917 feels utterly claustrophobic but it is also a visual delight that will find its audience going through a range of emotions as they view it. This film is a true classic that will be savoured by true movie lovers.

 

 

Average Subculture Rating:

 

 

IMDB Rating:  1917 (2019) on IMDb

 

Other Subculture Entertainment 1917 Reviews: N/A

Trailer:

 

To celebrate the 40th anniversary of the Oscar-winning Vietnam cult war epic this July, STUDIOCANAL will release a special, never-before-seen cut restored with breathtaking realism by Coppola himself to the highest and finest audio and visual standards, for a truly visceral cinema experience.

Forty years after its original release, audiences will get the chance to experience Apocalypse Now Final Cut, a never-before-seen and newly restored cut of Coppola’s spectacular cinematic masterpiece in a way which the director believes looks better than it has ever looked and sounds better than it has ever sounded. STUDIOCANAL and Coppola are “thrilled beyond measure to present the best version of the film to the world”, with special theatrical screenings planned across UK, Germany and Australia.

Restored from the original negative for the first time ever, Apocalypse Now Final Cut is Coppola’s most complete version of his multi-awarded classic -a haunting journey into madness that fascinated generations of movie lovers and now feels even more monumentally alive than ever before.

Apocalypse Now was nominated for 8 Academy Awards® (including Best Picture) and won 2 Academy Award® for Best Cinematography and Best Sound, 2 BAFTAs for Best Direction and Best Supporting Actor and the Palme d’Or in Cannes. Starring Academy Award® winner Marlon Brando (1972, Best Actor, The Godfather), Academy Award® winner Robert Duvall(1983, Best Actor, Tender Mercies), Golden Globe® winner Martin Sheen (2001, Best Actor – TV Series, “The West Wing”), Academy Award® nominee Dennis Hopper (1986, Best Supporting Actor, Hoosiers)Academy Award® nominee Laurence Fishburne (1993, Best Actor, What’s Love Got to Do with It), and Academy Award® nominee Harrison Ford (1985, Best Actor, Witness), the film follows Army Captain Willard (Martin Sheen), a troubled man sent on a dangerous and mesmerizing odyssey into Cambodia to assassinate a renegade American colonel named Kurtz (Marlon Brando), who has succumbed to the horrors of war and barricaded himself in a remote outpost.

The best visual and sound technologies have been used to present Coppola’s true vision of the film: one that delivers deep, visceral visual and auditory impact. “The audience will be able to see, hear and feel this film how I always hoped it could be—from the first ‘bang’ to the final whimper” said the film-maker.

 This is the first time the original negative has ever been scanned and over 11 months and 2,700 hours were spent on cleaning and restoring the film’s 300,173 frames.

 The Apocalypse Now Final Cut restoration has been brought to life through ultra-vivid picture quality with Dolby Vision®, delivering spectacular colours never before seen on a screen, with highlights that are up to 40 times brighter, and blacks that are 10 times darker.

Apocalypse Now Final Cut has been mixed in Dolby Atmos® to offer a truly immersive sound experience and it has been enhanced Meyer Sound Laboratories’ newly developed Sensual Sound™, a technology engineered to output audio below the limits of human hearing.

The film premiered in Tribeca on April 28th and will get a special theatrical run for its 40th anniversary of the film in AUSTRALIA on JULY  25, 2019.

The theatrical screenings will include a video introduction by Francis Ford Coppola, and selected screenings will also feature a Q&A between Coppola and Steven Soderbergh, filmed at the 2019 Tribeca Film Festival.