Monthly Archives: February 2014


3 Days To KillSummary: A dying Secret Service Agent trying to reconnect with his estranged daughter is offered an experimental drug that could save his life in exchange for one last assignment.

Year: 2014

Australian Cinema Release Date: 27th February, 2014

Australian DVD Release Date: 27th June, 2014

Country: USA

Director: McG

Screenwriter: Adi Hasak, Luc Besson

Cast: Marc Andreoni (Mitat Yilmaz), Big John (Louis), Jonas Bloquet (Hugh), Scott Burn (The Butcher), Kevin Costner (Ethan Renner), Eric Ebouaney (Jules), Romane Ferreira (Young Zooey), Amber Heard (Vivi Delay), Tomas Lemarquis (The Albino), Connie Nielson (Christine Renner), Philippe Reyno (Young Agent Vivi), Bruno Ricci (Guido), Richard Sammel (The Wolf), Joakhim Sigue (Abbate), Hailee Steinfeld (Zoey Renner), Alison Valence (Sumia), Michael Vander-Meiren (Jacques), Omid Zader (Sergei)

Runtime: 117 mins




Greg King:

Greg’s 3 Days To Kill review can be found at



David Griffiths:

Not long ago it seemed that the Kevin Costner bubble had burst. The success of films like The Bodyguard and Dances With Wolves were completely forgotten about and he was literally box office poison. Actually he was worse than poison because most of his films never even made it to the cinema – instead they copped the dreaded straight-to-DVD tag. But the past few months have seen Costner return to the past box office success as he has had starring roles in Jack Ryan: Shadow Recruit and Man Of Steel, and now he’s back bigger and better than ever in 3 Days To Kill.

Here Costner plays Ethan Renner a CIA Agent who is good… damn good… at his job, so good in fact that nobody seems to be worried that Ethan is feeling ‘off-colour’ while being involved in a sting to bring down two of the world’s biggest terrorists – The Albino (Tomas Lemarquis) and The Wolf (Richard Sammel). However, things go horribly wrong when The Albino works out that something is up and Ethan collapses while going after him.

With both men gone Ethan’s bad news gets worse when he is diagnosed with a form of brain cancer that will kill him within 3-5 months. After he is stood down as an Agent Ethan decides to try and repair his relationship with his ex-wife Christine (Connie Nielsen) and the daughter he has never really known Zoey (Hailee Steinfeld).

Just as he is beginning to repair these two relationships Ethan receives another surprise when a mysterious (yet incredibly sexy) agent called Vivi (Amber Heard) shows up saying she has an experimental drug that will keep Ethan alive but she will only give it to him if he agrees to keep going after The Albino and The Wolf. As she so elegantly puts it ‘KILL OR DIE!!!’

One of the things that no doubt scares people about 3 Days To Kill is the fact that McG is at the helm. Let’s not forget that this was the man that once directed the Charlie’s Angels films and This Means War. However, on the plus side he was also the man behind the underrated Terminator Salvation and this time he is working with a script that was written by Luc Beeson… a man who certainly knows his way around an action film.

The film itself has a strange feel around it. At times it seems that McG can’t work out whether he wants the film to take an in-depth look at a father and daughter repairing a fractured relationship or whether he wants it to be a straight-out action thriller like the Taken franchise. While pondering this the audience soon becomes aware of the fact that the film’s mood simply mirrors the thoughts going through Ethan’s mind – does he want to be a family man or does he want to remain with the CIA? With that in mind the film works although McG should have had the sense to keep the little bits of humor right out of the film.

3 Days To Kill also sees Kevin Costner take back his mantle of a leading man. Here Costner mixes action with drama in the same way that Liam Neeson has in his recent films. It’s an obvious bid for Costner to try and boost his current on-the-rise-popularity and to be quite honest he does it here with ease. He has charisma, plays the downtrodden man well and any movie buff will see the obvious similarities to the character he played in The Bodyguard, especially when he is carrying Zoe out of the club after she has almost been date raped.

True any actor playing a ‘baddie’ in this film is seriously stereo-typed while Connie Nielson should rightfully feel like she has been ripped off by her character not being fully explored but on the flipside both Amber Heard and Hailee Steinfeld really get to show some skill. Steinfeld shows she is really maturing and while her performance here is nowhere near the effort she put in when doing True Grit she again reminds audiences that when she is called to deliver she does. Then there is Amber Heard who continues her recent sexpot role in Machete Kills with an alluring role that would normally go to the likes of Angelina Jolie. The ending of this film suggests that perhaps they are trying to create a franchise around Heard’s character of Vivi and that certainly wouldn’t be such a bad thing.

At the end of the day 3 Days To Kill is not a masterpiece but if you are looking for an action film that also calls upon a little emotion from its characters then you could do a lot worse.


Average Subculture Rating (out of 5): Stars(3)

IMDB Rating: 3 Days to Kill (2014) on IMDb

Other Subculture Entertainment Reviews of ‘3 Days To Kill′: Nil.


The Good The Bad The Ugly Film Show

This week on The Good The Bad The Ugly Film Show Nick, Adam, Dave and Greg take a look at new release films ‘The Legend Of Hercules’, ‘Gloria’, ‘Non-Stop’, ‘The Wind Rises’, ‘Out Of The Furnace’ and ‘3 Days To Kill’. This episode also features interviews with Kellan Lutz, Liam Neeson, Julianne Moore, Christian Bale, Woody Harrelson and Kevin Costner.

To listen to the show you can download it for free from our Podcast Channel – Listen/Download here

The Legend Of Hercules

Summary: The origin story of the the mythical Greek hero. Betrayed by his stepfather, the King, and exiled and sold into slavery because of a forbidden love, Hercules must use his formidable powers to fight his way back to his rightful kingdom.

Year: 2014

Australian Cinema Release Date: 20th February, 2014

Australian DVD Release Date: TBA

Country: USA

Director: Renny Harlin

Screenwriter: Sean Hood, Renny Harlin, Daniel Giat, Giulio Steve

Cast: Scott Adkins (King Amphitryon), Kenneth Cranham (Lucius), Dimiter Doichinov (King Galenus/Champion #1), Mariah Gale (Kakia), Saria Givaty (Saphirra), Liam Garrigan (Iphicles), Mihail Georgiev (Hercules), Boris Ivanov (Hercules (Alcides) (New Born)/Hercules’ Son (New Born), Kellan Lutz (Hercules), Liam McIntyre (Sotiris), Roxanne McKee (Queen Alcmene), Luke Newberry (Agamemnon), Radoslav Parvanov (Half Face), Nikolay Petkov (Iphicles – 2 Years Old), Johnathon Schaech (Tarak), Rade Serbedzija (Chiron), Nikolai Sotirov (King Tallas), Dena Stoyanova (Hercules (Alcides) (New Born)), Gaia Weiss (Hebe), Spencer Wilding (Humbaba)

Runtime: 99 mins



David Griffiths:

Sometimes after you watch a film you just have to shake your head. With The Legend Of Hercules it was obvious that there was some good intentions when the filmmakers started out, but along the way some fundamental mistakes were made. It’s just really strange that no one associated to the film ever seemed to notice that those mistakes were about to make it up onto the big screen.

Directed by Renny Harlin (the man who has delivered films such as Cliffhanger, The Long Kiss Goodnight and Die Hard 2) The Legend Of Hercules goes back to the beginning of the mythological legend and sees Hercules (Kellan Lutz) as a young warrior that is an outcast from both his father, King Amphitryon (Scott Adkins) and his brother Iphicles (Liam Garrigan) whom both know that his mother Queen Alcmene (Roxanne McKee) was unfaithful. What they don’t realise is that Hercules has actually been fathered by Zeus the God of all Gods.

When Iphicles and Amphitryon see that Hercules is developing a relationship with the young princess Hebe (Gaia Weiss) they conspire to send him to a battle that will result in his death. But when Hercules and Sotiris (Liam McIntyre) miraculously live the pair find themselves sold into the gladiator market and try to find a way to get back to Greece to rescue Hebe before she is forced to marry Iphicles and to free the people from the reign of King Amphitryon.

So just how bad is The Legend Of Hercules? Well to be honest there is so much wrong with the film that it becomes laughable. At time the special effects look like somebody left the work experience student have a go at creating them while at times shots have been included that crazily mix up the continuity in a way seldom seen on the screen before. To the naked eye it appears that some hastily put together re-shoots may have been done, but sadly they were pieces that just didn’t fit into this jigsaw at all.

The strange thing is though at times the film’s story does actually capture the imagination of the audience but then that illusion is shattered by an inconsistent script that at times seems like the screenwriter was trying to capture the language of Shakespeare while at other times seems to be lifted straight from dialogue spoken on television shows such as Days Of Our Lives or The Young And The Restless. Something that also seems to shatter the imagination of the audience is the fact that Renny Harlin seems to stoop the very low filmmaking technique of turning to slow-motion whenever a blow is delivered in battle… it happens so often it becomes nauseating.

Last but not least there is the acting. The choice of leading man is a bizarre one. Before this film Kellan Lutz was mainly known as playing ‘the big blonde vampire’ in the The Twilight Saga series of films and now he has been thrust into this film and the new Tarzan film as an action hero. While Lutz may carry of the physicality of Hercules his acting isn’t exactly top notch, but even he looks like an Oscar winner alongside some of the other performances in this film. It soon becomes painfully obvious to the audience that Gaia Weiss was only cast in her role because of her looks while Roxanne McKee’s accent seems to change every time she is on the screen. Then there’s Scott Adkins and Liam Garrigan who badly play token bad guys. At least Aussie actor Liam McIntyre actually tries as he portrays Hercules’ trusty side-kick.

The Legend Of Hercules will no doubt go down as one of the worst films of 2014, but the scary thing about this film is that nobody at the studio seemed to realise what a dog they were releasing.


Average Subculture Rating (out of 5): Stars(2)

IMDB Rating: The Legend of Hercules (2014) on IMDb

Other Subculture Media Reviews of ‘The Legend Of Hercules′: Nil.



Summary: An air marshall must spring into action aboard an international flight.

Year: 2014

Australian Cinema Release Date: 27th February, 2014

Australian DVD Release Date: TBA

Country: USA, France

Director: Jaume Collet-Serra

Screenwriter: John W. Richardson, Christopher Roach, Ryan Engle

Cast: Jon Abrahams (David Norton), Josh Bodenhamer (Giovanni), Nadia Bowers (Mrs. O’Reilly), Alejandro Cardenas (Arturo Lucci), Edoardo Costa (Herve Philbert), Frank Deal (Charles Wheeler), Michelle Dockery (Nancy), O.T. Fagbenle (Jack Rabbitte), Jason Butler Harner (Kyle Rice), Corey Hawkins (Travis Mitchell), Christine Hitt (Camila D’Agostino), Charlotte Kirk (Amy Harris), Perri Lauren (Stella), Quinn McColgan (Becca), Scoot McNairy (Tom Bowen), Omar Metwally (Dr. Fahim Nasir), Julianne Moore (Jen Summers), Anson Mount (Jack Hammond), Liam Neeson (Bill Marks), Lupita Nyong’o (Gwen), Bar Paly (Iris Marianne), Nate Parker (Zack White), Amanda Quaid (Emily Norton), Linus Roache (David McMillan), Corey Stoll (Austin Reilly), Liz Thomas (Madeline), Michael Thomas Walker (Michael Tate), Shea Whigham (Agent Marenick)

Runtime: 106 mins



David Griffiths:

Remember the time when you could sit down and watch a good action thriller and you wouldn’t actually know who the bad guy was until just before the end credits? That certainly hasn’t been the case over the past few years when you’ve sat down to watch a Hollywood thriller but the good news is that director Jaume Collet-Serra manages to recapture the thriller feeling of old once again with Non-Stop.

Liam Neeson again seems to have forgotten that he once said he would never make action films and this time brilliantly plays Bill Marks, a jaded former New York cop who is battling an alcohol problem and depression while working as an air marshall.

The day in question starts off just like any other for Bill, he is not only fighting a killer headache as the morning goes on but also feuding with his ex-wife. Then while boarding the flight he sees that he has his usual bunch of suspects to protect – the rude and obnoxious Travis Mitchell (Corey Hawkins) who seems to think the world revolves around him and the nervous child flyer Becca (Quinn McColgan). At least as he settles into his routine he does notice some friendly faces around including his friend Nancy (Michelle Dockery) and the chatty passenger he is seated next to the mysterious Jen Summers (Julianne Moore).

But then shortly after take-off the flight suddenly becomes anything but ordinary when Bill receives a text message telling them that has twenty minutes to place $150 million in a bank account or people start to die. Quickly Bill tries to work out which passenger could be involved – perhaps it is the Muslim gentleman Dr. Fahim Nasir (Omar Metwally), the jittery Austin Reilly (Corey Stoll) or the flight crew member who was rushed onto the flight at the last moment, Gwen (Lupita Nyong’o). However it is they are good at their job and Bill soon realises this when it seems like they are making him look like the person that is behind the hijacking.

Creating the perfect thriller is also a double edged sword for a director or a screenwriter. The fact that they can call upon the fact that nearly everybody has a small hint of being a nervous flyer can really enhance the film but the fact that an entire movie also has to be kept in such a small space can also prove too much for many filmmakers and their films end up lacking that certain something that holds the audience’s suspense all the way through.

The basic criticism that many will level at Non-Stop is that Neeson is playing the same character he played in Taken, and that is true to a certain extent, but there also seems to be more of a sense of realism around his character here. Yes Bill is substance affected while he is supposed to be looking after a plane full of people, but just like you did with Denzel Washington in Flight you quickly warm to the character, which only raises the suspense even further when those on the ground begin to assume that Bill is in fact the hijacker.

Credit also has to be paid to a great script that pretty much leaves the audience with no idea who the real hijacker is until it is supposed to be revealed… the way it should be with a good thriller. The script is further enhanced by director, Jaume Collet-Serra who feeds the audience false paths all the way along, something that works and just makes the elusive hijacker even harder to pick.

Non-Stop further cements Liam Neeson as one of the best action stars going around at the moment. He mixes dramatic acting and action sequences together with absolute ease and he is well supported by the likes of Julianne Moore and Michelle Dockery who also do credible jobs. Kudos also to Scoot McNairy and Corey Stoll who don’t have to do much but still have a couple of screen stealing moments.

Non-Stop is one of the better thrillers to have surfaced over the past few years and if you are a young filmmaker who wants to learn all the ins and outs of this genre then this is one film you just have to check out.


Average Subculture Rating (out of 5): Stars(3.5)

IMDB Rating:  Non-Stop (2014) on IMDb

Other Subculture Media Reviews of ‘Non-Stop′: Nil.


Le Week-End

Summary: Nick and Meg, a British couple celebrate their thirtieth wedding anniversary with a weekend getaway in Paris. As they travel around the city, they revisit the highs and lows of their relationship, fight about their faults, and continue to run out of restaurants without paying the bill. They meet up with an old colleague of Nick’s and attend a dinner party at his house, leading to some painful truths being spoken aloud.

Year: 2014

Australian Cinema Release Date: 20th February, 2014

Australian DVD Release Date: TBA

Country: UK

Director: Roger Michell

Screenwriter: Hanif Kureishi

Cast: Olly Alexander (Michael), Marie-France Alvarez (Victoire La Chapell), Brice Beaugier (Robert), Jim Broadbent (Nick), Xavier De Guillebon (Jean-Pierre Degremont), Lindsay Duncan (Meg), Jeff Goldblum (Morgan), Charlotte Leo (Dominique Ertel), Lee Michelsen (Harry Rose), Denis Sebbah (Christopher Aragues), Sebastien Siroux (Valentin Lefevre)

Runtime: 93 mins



David Griffiths:

At a quick glance Le Week-End could easily be written off as a film that is meant for the older set, but director Roger Michell (most noted for Notting Hill) instead makes this a film with a really strong message for anyone fascinated with love.

Written by Hanif Kureishi Le Week-End sees an aging couple, made up of the seemingly lost teacher Meg (Lindsay Duncan) and the all-at-sea Nick (Jim Broadbent). Nick has decided to take Meg to Paris for a weekend where he hopes their marriage of thirty years can have some new life pumped into it, and during which time he can pluck up the courage to tell her that he has been recently fired from his job as an university lecturer for making an inappropriate comment to a student.

Their time in France however isn’t exactly what Nick had in mind. First Meg is not happy with where they are staying and then it becomes painfully obvious that Jim can’t do or say anything right in Meg’s eyes. Just to top it off they couple soon find themselves experiencing money problems and just as some home truths are being laid down on the line they run into Nick’s old friend Morgan (Jeff Goldblum).

As a film Le Week-End seems to be all over the place… but in a good way. It seems that Roger Michell has the uncanny ability to mash his genres so well the audience never really knows what is coming next. The film reaches high tensions of drama as accusations of adultery are flung around, while at other times the film hits the comedy spots as a nervous Meg tries to run out on a restaurant bill that she can’t afford.

Likewise this is a film that at times will make its audience feel uncomfortable. The Meg/Nick relationship often leaves the audience feeling claustrophobic and ill at ease as you are trapped watching a car crash getting worse right in front of you. Then there are the other times of uncomfortableness as frank scenes of a sexual nature play out in front of you, including one where Meg has Nick on all fours acting like a dog who is desperate for just one sniff of her… privates.

The film’s up and down nature is also on show by the fact that the audience is often left drowning in moments of emotional suspense but then left out to dry by an over long dinner party towards the film’s finale.

What brings even more emotion to Le Week-End are the strong performances by the key cast. Lindsay Duncan portrays the fragile and cold Meg with complete ease while Jim Broadbent again puts on an acting master class as he portrays Nick as a conflicted yet interesting character that the audience can’t help but feel for. Then there is Jeff Goldblum who isn’t called upon to do much but does deliver a smarmy presence when he really needs to.

Le Week-End does throw up some challenges for its audience but it is well worth a look if you like a good emotionally fuelled drama.


Average Subculture Rating (out of 5): Stars(3)

IMDB Rating:  Le Week-End (2013) on IMDb

Other Subculture Media Reviews of ‘Le-Weekend′: Nil.



The Donmar Warehouse’s production of CORIOLANUS starring Tom Hiddleston in the title role, captured live in HD for National Theatre Live, screened to sold-out crowds at cinemas nationally over the weekend.

By huge popular demand, special encore screenings have been announced for the following cinemas:


Cinema Nova: Tue 25 Feb 6:30pm, Wed 27 Feb 6:30pm, Thu 28 Feb 1:00pm,  Fri1 Mar 1:00pm, Tue 4 Mar 7:30pm


MONA (Museum of Old and New Art): Thu 27 Feb 11:00am, Wed 5 Mar 1:00pm, Wed 12 Mar 11:00am


Dendy Opera Quays: Wed 26 Feb 10:00am

Dendy Newtown: Wed 26 Feb 10:00am, Fri 28 Feb 9:30am, Sat 1 Mar 9:30am, Sun 2 Mar 9:30am

Riverside Theatres Parramatta: Sat 1 Mar 1:00pm, Sat 8 Mar 6:00pm


Dendy Canberra: Wed 26 Feb 10:00am, 6:00pm



Palace Centro: Sat 1 Mar

Dendy Portside: Wed 26 Feb 10:00am


Palace Nova Eastend: Thu 27 Feb 6:15pm, Sat 1 Mar 1:00pm




By William Shakespeare
From the Donmar Warehouse, captured live in HD for National Theatre Live
Starring Tom Hiddleston, Mark Gatiss
Directed by Josie Rourke


Shakespeare’s searing tragedy of political manipulation and revenge, with Tom Hiddleston (The Avengers, War Horse (film), BBC’s The Hollow Crown) in the title role and Mark Gatiss (Season’s  Greetings at the National Theatre, BBC’s Sherlock) as Menenius, directed by the Donmar’s Artistic Director Josie Rourke.

When an old adversary threatens Rome, the city calls once more on her hero and defender: Coriolanus. But he has enemies at home too. Famine threatens the city, the citizens’ hunger swells to an appetite for change, and on returning from the field Coriolanus must confront the march of realpolitik and the voice of an angry people.

Wolf Creek 2 Poster

Summary: The outback once more becomes a place of horror as another unwitting tourist becomes the prey for crazed, serial-killing pig-shooter Mick Taylor.

Year: 2014

Australian Cinema Release Date: 20th February, 2014

Australian DVD Release Date: TBA

Country: Australia

Director: Greg Mclean

Screenwriter: Greg Mclean, Aaron Sterns

Cast: Shannon Ashlyn (Katarina Schmidt), Chloe Boreham (Lucille), Annie Byron (Lil), Shane Connor (Senior Sergeant Gary Bulmer Jnr.), Ryan Corr (Paul Hammersmith), Ben Gerrard (Cop), John Jarratt (Mick Taylor), Gerard Kennedy (Jack), Phillipe Klaus (Rutger Enqvist)

Runtime: 104 mins



Adam Ross: Stars(3)

Please check Adam’s Wolf Creek 2 review of that is available on The Good The Bad The Ugly Film Show Ep #68

Greg King: Stars(3)

Please check Greg’s Wolf Creek 2 review of that is available on

Nick Gardener: Stars(3)

Please check Greg’s Wolf Creek 2 review of that is available on


David Griffiths:

The original Wolf Creek film stood out because it brought something new to the horror genre… which at the times was starting to get a little stale. Director Greg Mclean did something a little different with the film. Not only was it beautifully shot as it captured the beauty of the Australian outback but it also mixed a regular thriller style film with the true gory horror of something like Hostel or Saw.

This time around though Mclean has decided to mess with the formula a little. Mclean seems to have taken on board some of the criticisms (albeit that some were completely unfair) of the first film and tried to fix that while also keeping to the horror genre rule that the sequel to a film always needs to be bigger and better than the first film. Whether that makes it better or not though… well that is another story again.

Wolf Creek 2 again sees the return of one of Australia’s most notorious serial killers, the brutal Mick Taylor (John Jarratt). This time Mick finds himself under the gun from scene one with Police Officer Senior Sergeant Gary Bulmer Jnr. (Shane Connor) trying to make life hell for them.

Once he has overcome that little hurdle though Mick soon finds himself chasing backpackers again – in the form of Katarina Schmidt (Shannon Ashlyn) and Rutger Enqvist (Phillipe Klaus) although he again runs into trouble when meddling Englishman Paul Hammersmith (Ryan Corr) begins to get in the way of all his plans.

This is kind of horror film that fans of the genre are either going to really love or really hate. Things such as giving Mick a bit of a comical edge is certainly going to divide fans. On one hand it does create a bit of a buffer for Mclean seeing that this time around we see a more sinister edge to Taylor but at the same time horror purists are certainly going to argue that it does hold the film back a bit.

Perhaps the biggest thing that needs addressing with Wolf Creek 2 is that it feels like Mclean has almost made this three films in one. First of all it’s Mick vs The Cops, then it’s Mick vs The Germans and then lastly Mick vs Paul, and to be really honest the film doesn’t kick into top gear at all until the third storyline, especially when we finally get to see into Mick’s lair.

Mclean it seems is also very proud to show off some of Australia’s rich film history with Wolf Creek 2. There is certainly some scenes that seem to pay tribute to some great Australia Ozploitation flicks such as Turkey Shoot or Fair Game while the car chases could have come straight out of any of the Mad Max films. But no chases featuring big rigs or CGI kangaroos is going to make up for the fact that for most of Wolf Creek 2 the story badly lets it down.

When it comes to the acting Wolf Creek 2 certainly doesn’t test it’s cast too much. John Jarratt seems to handle the change of being an intense character with some comedy elements pretty well… but then what do you expect from an actor who over the years has done things as broad as hosting a Home And Gardens renovations show and also a kid’s show. The acting talents of Aussie greats like Shane Connor and Gerrard Kennedy seem wasted in their roles while Ryan Corr does his best to get noticed but even he isn’t given a massive amount to work with.

There is no simple way to say it. Wolf Creek 2 is good but for very different reasons to the original Wolf Creek. Kudos to Greg Mclean for sticking to his guns and making a politically incorrect horror but purists of the genre should be warned that there may be one or two things that you don’t approve of.


Average Subculture Rating (out of 5): Stars(3)

IMDB Rating:  Wolf Creek 2 (2013) on IMDb

Other Subculture Media Reviews of ‘Wolf Creek 2′: Please check The Good The Bad The Ugly Film Show Ep #68 for our full Wolf Creek 2 review.


Silver Stiletto, the successful Australian short film about an ex-special forces soldier turned vigilante drag queen, will have its pay television debut on March 2 at 8pm on Aurora.

“The producers sent us a screening copy of the short last year and I was blown away by the quality of the production”, says Corrie McDougall, Programming and Production Manager. “Aurora is delighted to be able to provide an opportunity for the filmmakers ofSilver Stiletto to have their work broadcast on a national platform”.

Touted as PriscillaQueens of the Desert meets Batman Begins and starring Guy Edmonds (A Moody ChristmasUnderbelly Razor), Silver Stiletto has screened at 23 festivals around the world, including Palm Springs Shortfest, Frameline and Uppsala.
Silver Stiletto

Silver Stiletto has won four awards including the Audience Award at QueerScreen Sydney 2013, Selectors’ Choice Award for Best Australian Short Queer Film in Celluloid Casserole, Melbourne Queer Film Festival 2013, Best Male Short at Real Q, Pittsburgh Gay Film Festival 2012, and Silver at the Australian Cinematographer’s Awards, Queensland 2011.

Silver Stiletto was one of the last film roles played by the late and great Shakespearean thespian, Bille Brown, who passed away in January 2013.

Craig Rossiter, who wrote the short, is currently drafting a feature version as well as a spin-off TV series based on some of the smaller characters from the film.

“Our screening on Aurora, with its commitment to edgy quality productions, is a heartening local endorsement following the film’s international accolades”, said Craig.  “More so, it indicates that there is a taste for this unique Aussie style of story in the market.”

Along with the short, Aurora will also be screening a Behind the Scenes look at the making of the film.