Stan has released the official trailer for the fifth season of the hit Showtime drama series BILLIONS, premiering on Sunday, 3 May, only on Stan. Starring Oscar® nominee and Emmy® and Golden Globe® winner Paul Giamatti and Emmy and Golden Globe winner Damian Lewis, the fifth season cast of BILLIONS includes new recurring guest stars Corey Stoll (House of Cards) and Julianna Margulies (The Good Wife).
In season five of BILLIONS, Bobby Axelrod (Lewis) and Chuck Rhoades (Giamatti) see their vicious rivalry reignited, while new enemies rise and take aim. Social impact pioneer Mike Prince (Stoll) poses a true threat to Axe’s dominance, and Chuck feuds with a formidable district attorney (Roma Maffia). Taylor Mason (Asia Kate Dillon) is forced back to Axe Capital, where Taylor must fight to protect their employees and their assets. Wendy Rhoades (Maggie Siff) reevaluates her loyalties and forges surprising new alliances that put her at odds with both Chuck and Axe. Margulies will play Catherine Brant, an Ivy League sociology professor and bestselling author. The series also stars David Costabile, Condola Rashad, Kelly AuCoin and Jeffrey DeMunn.
BILLIONS is created and executive produced by showrunners Brian Koppelman and David Levien. The series was also created by Andrew Ross Sorkin.
Billions Season 5 premieres Sunday, 3 May only on Stan, with new episodes weekly – same day as the US.
A look at the life of the astronaut, Neil Armstrong, and the legendary space mission that led him to become the first man to walk on the Moon on July 20, 1969.
Australian Cinema Release Date: 11th October 2018
Australian DVD Release Date: TBA
Country: United States
Director: Damien Chazelle
Screenwriter: Josh Singer, James R. Hansen (based on the book by)
Cast: Christopher Abbott (Dave Scott), Mark Armstrong (Paul Haney), Chandler Barron (Scott Carpenter), Skyler Bible (Richard Gordon), Connor Colton Blodgett (Mark Armstrong), Leon Bridges (Gil Scott-Heron), Callie Brown (Young Bonnie White), Kyle Chandler (Deke Slayton), Jason Clarke (Ed White), Steve Coulter (Guenter Wendt), Ethan Embry (Pete Conrad), J.D. Evermore (Chris Kraft), Ryan Clay Forbes (Bill Anders), Claire Foy (Janet Armstrong), Patrick Fugit (Eliott See), Matthew Glave (Chuck Yaeger), Ryan Gosling (Neil Armstong), Edmund Grant (Older Ed White Jnr.), Choppy Guillotte (John Young), Lukas Haas (Mike Collins), Oliver Hamilton (Pat White), James R. Hansen (Dr. Kurt Debus), Robert Hatch (Joe Schmitt), Braydyn Nash Helms (Young Eddie White Jnr.), Ciaran Hinds (Bob Gilruth), Helen S. Jackson (Louise Sheron), Brian d’Arcy James (Joe Walker), Shaun Eric Jones (Wally Schirra), Jonathon Kankolenski (Young Edward Higgins II), John F. Kennedy (himself – archive), Michael Lee Kimel (Bill Moon), William Gregory Lee (Gordon Cooper), Dutin Lewis (Ralph Morse), George Linkenback (Col. Frank Borman), Ben Owen (John Hodge), Greg Puckett (Charles Berry), Willie Repoley (Jim Fucci), Kermit Rolison (George Mueller), Pablo Schreiber (Jim Lovell), Margo Schroeder (June Hoffman Armstrong), Brady Smith (Butch Butchart), Claire Smith (Older Bonnie White), Corey Michael Smith (Roger Chaffee), Lucy Brooke Stafford (Karen Armstrong), Andrew Stahl (Ken Mattingly), Jim Stearns (David Hammock), Corey Stoll (Buzz Aldrin), Kris Swanberg (Marilyn See), William G. Tomek (Donald Babbitt), Kurt Vonnegut Jr. (himself – archive), Kent Wagner (Fred Haise), Gavin Warren (Young Rick Armstrong), John David Whalen (John Glenn), Shea Whigham (Gus Grissom), Luke Winters (Older Rick Armstrong), Perry Zulu Jnr. (Robert Lawrence)
Runtime: 141 mins
OUR FIRST MAN REVIEWS & RATINGS:
Dave Griffiths Review:
When you think of space exploration we now days think of the romanticised Hollywood version of space travel. Unless you can think back to realistic movies like Apollo 13 it is easy to forget that it only takes a second for space exploration to become a nightmare for all involved. Sure we have sci-fi movies like Aliens that enhance the extra-terrestrial horror that many believe might be out there, somewhere, but very few films capture the horrors of the unknown and the impact it had on its first explorers like First Man does.
Director Damian Chazelle (Whiplash, La La Land) doesn’t have to develop scary looking aliens in order to create horror for intrepid test pilot and engineer Neil Armstrong (Ryan Gosling – Drive, Blue Valentine) and his wife Janet (Claire Foy – Season Of The Witch, Vampire Academy). Like he did with Whiplash Chazelle just shows human life in its purest form… which for this family provided more horror than most couples could withstand. From the loss of their daughter which led to Armstrong joining the NASA Space Program in the first place, dangerous test missions that place Neil’s life in danger nearly every day through to the anguish that Janet endures on the days she knows that her husband is doing such tests. Chazelle just stirs the pot and lets the human emotions in the film bubble and boil until they explode.
Neil and Janet’s solace come from their best friends Ed White (Jason Clarke – Zero Dark Thirty, Terminator Genisys), his wife Pat (Olivia Hamilton – Don’t Worry He Won’t Get Far On Foot, The Last Tycoon) and Neil’s immediate boss the caring yet determined Deke Slayton (Kyle Chandler – Friday Night Lights, Argo). Even so Pat and Janet’s ‘talking’ is normally disguised as children’s play dates, Neil seems happy to talk to Ed about the mission but pushes him away when the talk turns personal and while Deke does what he can to help his test pilots at the same time he is the man who has to make tough calls like switching off intercoms so wives can’t hear their husbands in peril and writing death announcements for missions he has to appear to be ‘confident’ for.
First Man could have easily suffered from Titanic-syndrome, a film where the audience knows the ultimate outcome and therefore just sits on the edge of their seat waiting for the expected finale but here Chazelle, who is aided brilliantly by his screenwriter Josh Singer (The West Wing, The Post), takes the audience on a different kind of journey. He captures moments they never told us about during our High School science classes. The raw, claustrophobic feel a test pilot feels as he hurled into orbit in what seems like a sardine can that they aren’t even sure will make the journey, the moments that wives find out that their husbands haven’t returned from a flight and the protests that occurred in America when the loss of life made people realise that these test pilots were really guinea pigs in what seemed like a cruel experiment. Then of course there is the tension an astronaut’s job puts on his family life and here we see painful moments such as the one where Janet has to plead with Neil to tell his children that he may not come back from his moon mission.
Just like he did with Whiplash Chazelle also brings out the best in his cast and helps them bring their character’s pain and anguish to the fore. Claire Foy delivers her best role to date and if she doesn’t at least receive an Oscar nomination for this performance then something is seriously wrong. As an actress she delivers on every level as Janet is put through an emotional ringer and these are the kinds of performances that the Academy should be applauding – ones that test an actress and her acting abilities. Equally good is Ryan Gosling as Neil Armstrong. When cast as an All-American hero, a real life Captain America if you will, you wouldn’t expect an actor to have to become emotional dark and foreboding, but that is exactly what is expected of Gosling here. Forget his pretty boy looks because here Gosling calls on the acting skills that saw him create memorable characters in films like Drive or The Place Beyond The Pines… he is absolutely brilliant.
First Man is the first film of 2018 that I have seen where my thought throughout was ‘this needs to be an Oscar film.’ From start to finish it felt like the film was taking me on a claustrophobic ride with its characters. The sequences in which the pilots are conducting test flights are moments of sheer cinematic masterpiece, where visuals and sound effects come together in a way that creates a horror that you never expected. This combined by outstanding dramatic acting performances from its leads and again I find myself putting the five stars down on a Damian Chazelle film. First Man is sheer brilliance, a lesson in dramatic filmmaking.
Average Subculture Rating (out of 5):
Other Subculture Entertainment First Man Reviews: N/A
Summary: Life isn’t going well for Scott Lang (Paul Rudd). After famously being arrested for a modern day Robin Hood crime his release from prison finds himself unable to keep down a job – a big issue since his ex-wife, Maggie (Judy Greer), and her new partner Police Detective Paxton (Bobby Cannavale) won’t give him any form of custody to his daughter, Cassie (Abby Ryder Forsten).
He finally gives in to his best friend’s urges and decides to help out with a heist that suddenly finds him being recruited by Dr. Hank Pym (Michael Douglas) to become ‘Ant-Man.’ While Pym’s daughter, Hope (Evangeline Lilly), thinks it is a bad idea soon Scott is being trained to help prevent the money hungry Darren Cross (Corey Stoll) from selling technology that is destined to be used for evil.
Australian Cinema Release Date: 16th July 2015
Australian DVD Release Date: TBA
Country: United States
Director: Peyton Reed
Screenwriter: Edgar Wright, Joe Cornish, Adam McKay, Paul Rudd, Stan Lee (comic), Jack Kirby (comic), Larry Lieber (comic)
Cast: Hayley Atwell (Peggy Carter), Carlos Aviles (Carlos), Nicholas Barrera (Ernesto), Bobby Cannavale (Paxton), Joe Chrest (Frank), Robert Crayton (Peachy), David Dastmalchian (Kurt), Martin Donovan (Mitchell Carson), Michael Douglas (Dr. Hank Pym), Chris Evans (Steve Rogers/Captain America), Abby Ryder Fortson (Cassie Lang), Judy Greer (Maggie Lang), Dax Griffin (Young Pym), Wood Harris (Gale), Tom Kenny (Hideous Rabbit), Lyndsi LaRose (Emily), Evangeline Lilly (Hope van Dyne), Anthony Mackie (Sam Wilson/Falcon), Cesar Mendoza (Gabriel), Jordi Molla (Castillo), Michael Pena (Luis), Paul Rudd (Scott Lang/Ant-Man), John Slattery (Howard Stark), Sebastian Stan (Bucky Barnes), Corey Stoll (Darren Cross/Yellowjacket), T.I. (Dave), Gregg Turkington (Dale), Danny Vasquez (Ignacio)
Runtime: 117 mins
OUR ANT-MAN REVIEWS & RATINGS:
The Marvel universe has been chugging along quick nicely for a while now. The franchise has peaked with amazing films like Guardians Of The Galaxy and Captain America: Winter Soldier and even it’s weaker films, Thor 2 etc, are films that are worth more than one watch. But now comes the film that many would consider the problem child for Marvel, Ant-Man.
So why is Ant-Man the film that seems to have been causing Marvel the most amount of trouble. Well first of all the fanboys have been all over the film, criticizing the casting of Paul Rudd (like they did with Robert Downey Jnr. before Iron Man) and seemingly being outraged that they would even entertain inserting comedy into the film (yep because nobody had a chuckle during Guardians Of The Galaxy). But like is the case with so many problem children the real root of the issue was happening behind closed doors. See Ant-Man was supposed to be a Edgar Wright film. Yes the man who is largely responsible for the Cornetto Trilogy was supposed to be at the helm, but because he didn’t fall into Marvel’s line found himself turfed out and replaced with Peyton Reed (the man who brought us Bring It On), but the good news is that despite all this upheaval Ant-Man turns out to be a pretty decent film.
Now before you go into the cinema to feat on Ant-Man be aware that the problems behind the scenes have resulted in Ant-Man being very different to any of the other films in the Marvel universe, but that actually ends up being a good thing. Gone are the epic scenes of large flying ships crashing to Earth or the destruction of a major city and instead we are left with an action packed scene that occurs in a little girl’s bedroom but will have you laughing out loud as a giant Thomas The Tank Engine goes crashing out of the side of the house. Yes it is scenes like that has Edgar Wright’s finger prints all over it.
There are things that let Ant-Man down a little, the most annoying being that Michael Pena and Bobby Cannavale are simply playing walking clichés, but the plusses certainly outweigh the negatives. The screenwriting team have inserted the much needed heart that was missing from Avengers: Age Of Ultron as both Hank and Scott try to repair the relationships with their daughters while the well-written script has allows some of the cast to bring their A-Game to the acting stakes as well.
Yes that is right everybody it seems that throughout this film that Michael Douglas forgets that he is in a comic book movie and actually turns up his acting output to that of what we recently saw in Arbitrage. Douglas is on fire here and it seems to have a carry on affect on some of the actors around him as well. Evangeline Lilly brilliantly plays a character with divided loyalty and it is Hope that much of the suspense centres around. Is she really on Pym and Scott’s side or is her loyalty to Darren Cross more than what they bargained for? She plays the double agent well and you can only hope that both her and Douglas are used more in the Avengers franchise now.
Then there is Paul Rudd, who as I previously mentioned had the fanboys baying for his blood before the film was even released. Now I will admit that I was skeptical about Paul Rudd’s ability to play an action hero, but he well and truly made me eat my words with his performance. Rudd not got buff for the role but seems to become Ant-Man with complete ease. He manages to pull off the action sequences awesomely well, while it is also some of his quick wit and one liners that make the film a please to watch. Apparently we should also be thanking him for helping the script run smoothly after Wright’s departure… so Mr. Rudd from the bottom of our heart we thank you.
So the best way to approach Ant-Man is to go into the cinema not expecting anything like you have seen in the Marvel universe to date. Yes Ant-Man has two Avengers appear (one in the main frame of the film, the other in the credits) and there are a few references to the Avengers and Spider-Man, but this is very much a film that is out there on its own. Yes this is a child that is very different to its siblings, but sometimes they make the best friends, right? Ant-Man is enjoyable enough to make you hope that the character appears again somewhere… very soon.
Jason Bateman has been a bit of a comedic golden path just recently. It seems every comedy film that he has touched has turned to box office gold with the likes of Due Date and Horrible Bosses leading the way. But you can only wonder whether he has gone skidding of that path badly with This Is Where I Leave You a film that manages to pack together a stellar ensemble cast… but forgets that a film just can’t work if you overcrowd it with so many characters that people can’t keep track of who is who.
Based on the hit novel by Jonathan Tropper (who also pens the screenplay here) This Is Where I Leave You sees one of life’s losers Judd Altman’s (Jason Bateman) life take a turn for a new low, when he comes home from work to find his wife in bed with his egotistical boss, Wade (Dax Shepard).
Then life delivers another blow to Judd when he learns that his father has died. While at the funeral Judd and his siblings learn from their mother, Hillary (Jane Fonda) that their father’s dying wish was that they all turn back to their Jewish roots and return home to their mother for a week. So soon Judd, Wendy (Tina Fey), Phillip (Adam Driver) and Paul (Corey Stoll) are all back under the roof and digging up painful memories from the past that puts them all on edge. Judd is also faced with the new dilemma of does he finally decide to take a risk in his life and turn his back on his cheating wife and take a chance with his friend from High School Penny Moore (Rose Byrne).
On paper This Is Where I Leave You should be a brilliant film. The all star comedic cast should suggest that this film should glitter with comedy gold while the fact that it is based on a hit novel means the film should have a ready made audience. But perhaps the biggest problem here is that the novel has been adapted for the screen by the same man who penned the novel in the first place, a practice that never really works because an author treats his novel like a baby and never wants to cut a thing out of it. As a result This Is Where I Leave You is a film that has just too many characters and is packed absolutely full of subplots.
The result is an over-long film that loses its audience at times with scenes that don’t need to be there and flat spots that end up overshadowing the good comedic moments such as the boys smoking a joint in the synagogue causing mayhem to ensue. Then there are also the comedy moments that do nothing else but make you groan like Wade’s car being overturned by a bunch of steroid abusing idiots.
The other major problem with having so many characters piled into the film is that it means that no actor really ever gets a chance to shine. Jason Bateman just seems to breeze through this film with no effort whatsoever while people such as Rose Byrne and Connie Britton are completely wasted in roles that could have really been filled by nobodies.
Likewise the comedic skills of Jane Fonda and Tina Fey are completely stunted as the weak script rarely gives them a chance to impress or even get a chuckle out of their audience. Even Timothy Olyphant and Dax Shepard are in stunted roles while Adam Driver manages to buck the trend a little by bringing some skills to the table as he portrays the juvenile yet unhappy playboy, Phillip.
This Is Where I Leave You should have been an interesting comedic drama that explored the world of a family in turmoil. With the cast assembled it should have been a beautifully delivered character drama but all because of one weak script it ends up becoming a bit of a mess. The over indulgence of characters means that nobody ever gets a chance to shine while too many opportunities for a good laugh fall by the wayside. Sadly This Is Where I Leave You will be jotted down as one of the disappointments of 2014.