The breathtaking, generation defining Broadway phenomenon becomes a soaring cinematic event as Tony Award winner Ben Platt reprises his role as an anxious, isolated high schooler aching for understanding and belonging amid the chaos and cruelty of the social media age.
Directed by acclaimed filmmaker Stephen Chbosky (The Perks of Being A Wallflower, Wonder), the film is written for the screen by the show’s Tony winner Steven Levenson with music and lyrics by the show’s Oscar®, Grammy and Tony-winning songwriting team of Benj Pasek & Justin Paul (La La Land, The Greatest Showman).
Featuring Grammy winning songs, including the iconic anthem “You Will Be Found,” “Waving Through a Window,” “For Forever” and “Words Fail,” Dear Evan Hansen stars six-time Oscar® nominee Amy Adams, Oscar® winner Julianne Moore, Kaitlyn Dever (Booksmart), Amandla Stenberg (The Hate U Give), Colton Ryan (Apple TV+’s Little Voice), Nik Dodani (Netflix’s Atypical), DeMarius Copes (Broadway’s Mean Girls) and Danny Pino (NBC’s Law & Order: Special Victims Unit).
We’re thrilled to release the first trailer for SING 2 starring the voices of Matthew McConaughey, Reese Witherspoon, Scarlett Johansson, Taron Egerton, Tori Kelly, and newcomers to the franchise Pharrell Williams, Halsey and Bono (U2).
The Walt Disney Studios, Apple Corps Ltd. and WingNut Films Productions Ltd. announced today that Disney+ will bring “The Beatles: Get Back,” a Disney+ Original documentary series directed by Peter Jackson, to fans and music lovers worldwide.
Because of the wealth of tremendous footage Peter Jackson has reviewed, which he has spent the past three years restoring and editing, “The Beatles: Get Back” will be presented as three separate episodes. Each episode is approximately two hours in length, rolling out over three days, November 25, 26 and 27, 2021, exclusively on Disney+.
“As a huge Beatles fan myself, I am absolutely thrilled that Disney+ will be the home for this extraordinary documentary series by the legendary filmmaker Peter Jackson,” said Bob Iger, Executive Chairman and Chairman of the Board, The Walt Disney Company. “This phenomenal collection of never-before-seen footage offers an unprecedented look at the close camaraderie, genius songwriting, and indelible impact of one of the most iconic and culturally influential bands of all time, and we can’t wait to share ‘The Beatles: Get Back’ with fans around the world.”
Peter Jackson commented, “In many respects, Michael Lindsay-Hogg’s remarkable footage captured multiple storylines. The story of friends and of individuals. It is the story of human frailties and of a divine partnership. It is a detailed account of the creative process, with the crafting of iconic songs under pressure, set amid the social climate of early 1969. But it’s not nostalgia – it’s raw, honest, and human. Over six hours, you’ll get to know The Beatles with an intimacy that you never thought possible.”
He added, “I’m very grateful to The Beatles, Apple Corps and Disney for allowing me to present this story in exactly the way it should be told. I’ve been immersed in this project for nearly three years, and I’m very excited that audiences around the world will finally be able to see it.”
Directed by three-time Oscar®-winning filmmaker Peter Jackson (“The Lord of the Rings” trilogy, “They Shall Not Grow Old”), “The Beatles: Get Back” takes audiences back in time to the band’s intimate recording sessions during a pivotal moment in music history. The documentary showcases the warmth, camaraderie and creative genius that defined the legacy of the iconic foursome, compiled from over 60 hours of unseen footage shot in January 1969 (by Michael Lindsay-Hogg) and more than 150 hours of unheard audio, all of which has been brilliantly restored. Jackson is the only person in 50 years to have been given access to these private film archives. “The Beatles: Get Back” is the story of John Lennon, Paul McCartney, George Harrison and Ringo Starr as they plan their first live show in over two years, capturing the writing and rehearsing of 14 new songs, originally intended for release on an accompanying live album. The documentary features – for the first time in its entirety – The Beatles’ last live performance as a group, the unforgettable rooftop concert on London’s Savile Row, as well as other songs and classic compositions featured on the band’s final two albums, Abbey Road and Let It Be.
An exciting new collaboration between The Beatles and Jackson presented by The Walt Disney Studios in association with Apple Corps Ltd. and WingNut Films Productions Ltd., “The Beatles: Get Back” is directed by Peter Jackson, produced by Clare Olssen (“They Shall Not Grow Old”) and Jonathan Clyde (“Eight Days a Week”), with Ken Kamins (“The Hobbit” trilogy) and Apple Corps’ Jeff Jones (“Eight Days a Week”) serving as executive producers. Jabez Olssen (“Rogue One: A Star Wars Story”) serves as the documentary’s editor, and the music is mixed by Giles Martin (“Rocketman”) and Sam Okell (“Yesterday”).
“The Beatles: Get Back” is being made with the enthusiastic support of Paul McCartney, Ringo Starr, Yoko Ono Lennon and Olivia Harrison.
Ahead of the documentary’s Disney+ debut, Apple Corps Ltd./Callaway Arts & Entertainment will release The Beatles: Get Back book on October 12. Beautifully designed and produced, the 240-page hardcover complements the “Get Back” documentary with transcriptions of The Beatles’ recorded conversations and hundreds of exclusive, never before published photos from the three weeks of sessions. The collectible book will be published in nine international language editions, including English.
Summary: An alcoholic drug dealer suddenly finds herself responsible for looking after her autistic sister.
Cinema Release Dates: 14th January 2021 (Australia), 19th February 2021 (UK), 10th February 2021 (USA)
VOD Release Dates: 12th February 2021 (USA)
Screenwriter: Dallas Clayton, Sia
Cast: Beto Calvillo (Felix), Hector Elizondo (George), Brandon Soo Hoo (Tanner), Kate Hudson (Zu), Braden Marcott (Nassir), Leslie Odom Jnr. (Ebo), Mary Kay Place (Millie), Blair Williamson (Able), Maddie Ziegler (Music)
Running Time: 107 mins
Classification: M (Australia), PG-13 (USA)
OUR MUSIC REVIEWS
David Griffiths’ Music Review:
Yes the movie that cancel culture didn’t want you to see is finally in cinemas. Now that I have had the chance to sit down and watch the film I can honestly tell you that once again the cancel culture brigade were way off the mark and well and truly barking up the wrong tree when it came to their criticism of Music.
Of course though, should we be surprised? Two very obvious things stood out from the criticism of this film as it surfaced around the internet. Firstly the people criticising the film had never ever seen it and secondly from a lot of their comments you could tell that many had very little knowledge about autism as a condition and even less about filmmaking.
I don’t write this review as ‘just another film critic’ like I am sure people will want to point out in the comments section. I write this as somebody who has not only been in the director’s and screenwriter’s chair but also as someone who has grown up with a cousin with autism and has volunteered to work with a number of people with a range of disabilities over the years.
And that is how I knew the arguments of the cancel culture about this film were ill-informed and just completely cruel. See, I’ve been there when my family has struggled to get my cousin to sit under an umbrella because it has terrified him or watched family members literally have to fight with him to get him into a car and the thing is my cousin is slightly autistic, yet the cancel culture would have you believe that the filmmakers behind this film could easily have found someone on the extreme spectrum of autism who could have not only acted throughout this film but also done some high level dance sequences… yep good luck with that.
What that certain brigade missed though was the opportunities of this film. It is films like this that give people a better understanding of what not only autism is like but what life is like for those that have to care for the person with autism. I will openly admit that when I was young I was pretty much afraid of my cousin, it took me sitting down when I was a little older and watching Rain Man to see what life was like for him and that point I not only understood him but became his friend. But of course according to the people arguing about Music Dustin Hoffman’s portrayal in Rain Man is now considered ‘offensive.’
What the people criticising Music don’t realise is that this film will have the same effect on some people as Rain Man did on me. Suddenly those cool school girls that listen to Sia’s (who directed and wrote the film) music might finally see that that girl they exclude from everything because she is ‘different’ isn’t as different as they thought and those pop-culture boys who currently throw food at the ‘weirdo’ at the bus are now going to see that person as a person.
Now I am not going to sit here and say that Music is a masterpiece. The film has its weaknesses but there is also a power and a heart to this film that you just don’t get with a lot of the blockbuster in our cinemas these days. In fact this is the film that is more at home in an arthouse cinema that is in a multiplex.
Kate Hudson (Almost Famous) plays Zu, a young woman whose partying lifestyle and alcohol problem has stopped her from ever being a sister to her autistic half-sister Music (Maddie Ziegler – The Book Of Henry). However with the sudden death of her grandmother suddenly Zu finds herself having to look after Music.
Her only support comes from a kind-hearted landlord George (Hector Elizondo – Pretty Woman) who has distrusted Zu after she stole from him and caring neighbour Ebo (Leslie Odom Jnr. – Red Tails).
They are both surprised to learn though that Zu’s plan does not involve her caring for Music for long. Her plan is to make enough money from drug dealing to place Music in a home and then move to ‘paradise’ herself.
When you watch Music you realise that the plot is pretty basic but having said that though it does hold up and does provide some suspenseful and dramatic moments throughout. The idea of going into dance sequences to show how Music views the world shows that Sia’s creativity from her musical career certainly carries over into her filmmaking as well. They also give Sia the opportunity to create a very creative soundtrack and while the music works throughout the film it perhaps would have been nice to have had a couple of recognisable tracks appear here and there as well.
Where the true power comes from this film though is through the acting. Kate Hudson is at her award-winning best playing the damaged Zu. Despite her bad life choices and at times cruel decisions the portrayal of the character by Hudson makes her likable. If this was supposed to be the fluff piece that some have cruelly labelled it then someone forgot to tell Hudson because she shows up with her A-Game.
She is well matched by Ziegler who should not be criticised for her portrayal of Music – instead she should be praised and being mentioned when it comes to Awards season. Her performance here is very much a break-out performance and I am extremely curious to see where her career goes from here. Hector Eliondo and Leslie Odom Jnr. also bring a warmth to this film, the latter like Ziegler showing that he is capable of just about any role thrown at him in his career. The key to getting the best experience out of Music is to go into the film and ignore all the negativity surrounding it. The points aimed at this film go right out the window once you have watched it and instead of being labelled as ‘one to avoid’ this is a film that needs to be praised for its unique filmmaking style and the powerful performances by its leading ladies.
Matiu Walters and Chris Mac from New Zealand pop rock outfit Six60 chatted to Subculture this week about their brand new documentary Six60: Till The Lights Go Out which will be released in cinemas on November 26th.
Directed by Julia Parnell, New Zealand’s most prominent music documentary-maker, the story charts the incredible untold story of SIX60, a student band turned national phenomenon, achieving the unthinkable in a country of 5 million.
SIX60 defied all convention becoming the first Kiwi band to sell out New Zealand’s biggest stadium, only before filled by the likes of AC/DC, David Bowie, Led Zeppelin, Elton John, The Rolling Stones, Mick Jagger, KISS, Stevie Wonder and Eminem – but the road to unrivalled success isn’t smooth.
Filmed over a tumultuous 18 months, as the band must reconcile between ambition and creative vulnerability, woven with jaw-dropping vision of their record-breaking concert and a unique Kiwi sense of humour, SIX60: Till the Lights GoOut presents a group of men confronting the true cost of never giving up.
Featuring all their hit songs, SIX60: Till the Lights Go Outis a story that will leave cinema audiences feeling closer to the band than ever before. The story of SIX60 is one inextricably linked to New Zealand and kiwi culture, but is also a story of love, compassion and never giving up.
“Any preconceived ideas I had of SIX60 were completely changed in the process of making this movie. Their stubbornness to achieve, whilst confounding critics and disproving experts, has virtually redefined what success looks like in New Zealand. But it is the brutal honesty they have shared that I hope will connect most with audiences” – Julia Parnell, Director.
A story of brotherhood, music and the love of a nation, ‘Till the Lights Go Out’will do what SIX60 do best: unite people.
‘SIX60: Till the Lights Go Out’ in cinemas across Australia & New Zealand on November 26, 2020