Category: Rock

Drumming, well I have South American blood in me. Our guitarist Pete once said ‘you South Americans come out of the womb playing bongos, I swear’. It’s in our blood. Hahaha. My dad was a drummer and used to make me watch doco after doco on SBS about all the greats growing up as a child. Coupled with that, I grew up performing my whole childhood through Johnny Young Talent School which later turned into Dancing. I was particularly obsessed with tap dancing and used to do it all night in bed till my feet cramped up, so I feel my obsession started there. I was lucky enough growing up to always be around really great musicians and the thought of sitting on the sidelines cheering other people on was not enough for me. I wanted to be part of the action, man. So the boys used to always jam at our house and let me get up and play after they were done jamming. My ‘go to’ was ‘Paranoid’ by Black Sabbath and ‘Let There Be Rock’ by AC/DC. That was my catalogue of songs for a very long time. Haha. After sitting in the shadows my whole life, I decided in 2015 it was time and I bought a kit. I went straight to Col Gillies aka Master Yoda. He is the godfather of Brisbane Drumming I.M.O and has taught most of the shop owners and drum teachers in this town. I told him I want to be ‘good for a girl’. He said I will make you play well as a drummer. I needed to hear that. I like to think of myself as a heavy groove drummer, well that’s the goal anyways.


Carmine Appice is my absolute favourite drummer of all time. He played for Vanilla Fudge, Cactus, Beck, Bogert and Appice to name a few. He is also my dad’s favourite drummer and I heard about him my whole life almost as if he was a family member. He is the Groove MASTER and has been going for over 60 years. What attracts me most about his drumming is his offbeat groove fills and his showmanship. He knows how to lure you in and take you on a ride. He is too damn lit to quit and that mirrors my personality so I resonate with his spirit. Don’t believe me, watch this solo from Evil – Cactus. I’m not telling you how many times I’ve watched this in complete awe cos’ I’ve lost count obviously. Lol


Robby Staebler from All Them Witches. It’s like his drumming doesn’t follow rules. I feel the greatest thing any musician can ever achieve is creating their own signature sound. Rob Staebler has done just that. I can spot his drumming from a mile away because no one drums like him and if they do sound like him, I would say ‘hay such and such has the Robby Staebler sound’. He does this thing where he does triplets on the bass kick. It’s kind of like his signature beat. His drumming syncopates with the music so well that I still haven’t wrapped my head around his greatness. My friend Rob who sings for Laceration Mantra, who I call a mentor, told me once, it doesn’t matter about your skill level, how I spot a great drummer when I walk in a room is timing and dynamics. These words are a mantra that swing around my brain all the time and it was some of the truest and greatest advice I ever got about drumming. This is the vid that began my complete obsession with my favourite band All Them Witches. It’s not necessarily my favourite now I’ve deep dived, but it was the gateway to the Greatness of Robby Staebler.


Chris Dennis, or as I like to call him, ‘Chris Muthafkn’ Dennis’. He is a force of nature. Chris drums for Azrael, Veal, Tesla Coils (r.i.p) and probably more I don’t know about. Chris Dennis comes from the Gold Coast and is a drummer I can go watch all the time. I will never ever forget the first time I saw him play. Veal played Wallapalooza. I stood there with my jaw on the floor the whole set and couldn’t believe what I had just witnessed. I thought my god, WHO THE FUCK IS THAT?! Yes he is a great drummer, but it wasn’t that that blew my mind. It was how he played. He was fucking ferocious and I’ve never seen anyone throw their whole body into drumming the way he does. He was drenched in sweat and he gave no fucks, he is so sharp on his movements it’s almost robotronic, like it almost feels like an optical illusion. I’ve never EVER seen anything like it. Watching him play made me think, fuck YEAH, I wanna play like that. I quickly started following his every move and made him become my friend hahaha. I asked for lessons and he helped me compose better drum tracks for a lot of our songs. The boss ass fill in ‘Heartquake’ is his, he gave it to me. I’m not gonna lie, I took it graciously, it’s fkn killer. I’m lucky enough now to call Chris my friend. Aka Sensai haha. This is some of his drumming from Azreal.

4. Igor Cavalera

Igor Cavalera, Sepultura, Cavalera Conspiracy, Nailbomb + more. I have always loved the Cavalera tribe and Igor’s style of drumming resonates with me on some otherworldly, ancestral, South American bloodline, tribal level. It goes without saying that he has his own signature sound. The Cavaleras created Tribal Metal and brought it to the mainstream thanks to the help of Gloria Cavalera, Max’s wife. I know it’s not everyone’s bag, but it’s mine. He, much like Chris Dennis, is a ferocious force of nature. I like watching people whose spirit emanates out of them as they play. We pour everything we have into our music, so I love watching people let themselves go live. Igor will always hold a special place in my drumming heart.


I first saw Mike Portnoy at a G3 concert. Dream Theater, Winery Dogs, Liquid Tension Experiment etc. I had never seen anyone drum like that. Prog drumming, WOW. To be really honest I was overwhelmed with greatness. I needed to go outside for a minute. My brain couldn’t compute what I had just seen. Mike Portnoy is one of the greatest prog drummers in the world and I fell deeply in love with his grooves after listening to Train of Thought by Dream Theater. I have deep divided into the world of Portnoy since and the greatest thing about him is he loves to collaborate and above all is the biggest fanboy ever of music. I highly recommend watching his MP Vinyl series. It’s killer. He’s one guy I’d love to have a beer with.

Birds of Tokyo today release their first new song for 2021. “Superglue” is the infectious first taste of a new batch of tunes the band has been cooking up since last year’s album “Human Design” took hits like “Good Lord” & “Unbreakable” to #1 on the ARIA Album chart.

The single features guest vocals by Stand Atlantic’s Bonnie Fraser and is the first Birds Of Tokyo single to feature such a cameo.

“We always heard this song as coming from two distinct viewpoints so it made sense to share the vocals and get both sides of the story”, says guitarist/songwriter/producer Adam Spark. “We’re all fans of Stand Atlantic so Bonnie was the first name on our list. Hopefully we can get to play the song live together somewhere when borders eventually reopen.”

“We are so excited to team up with Birds of Tokyo for ‘Superglue’. The guys have been a staple of Australian rock music for years and so when they asked us to be a part of the release it was a no-brainer!” says Bonnie Fraser of the feature.

Watch the video created by the band’s long-time collaborator, director Zac Lynch-Woodlock (The Rions, Rainee) and acclaimed production house Found At Sea.

There are just some artists that when you sit down to chat to you soon realise that they are such great people that you’d love them as a friend. Subculture’s Dave Griffiths recently discovered that when he sat down to chat to Ryan Rosoff the frontman of Little King.

The conversation not only got deep as they spoke about the band using the loneliness and depression they felt during the lockdowns into the songs on their new album, Amuse De Q, but then also swung around to another passion they both – Aussies in the NBA. Yes when you sit back to listen to this interview, be prepared to not only hear some talk about the legendary hard rock of Little King but also chat about Joe Ingles, Kyrie Irving and Patty Mills… oh and a lot of Brooklyn Nets talk.

Take a listen to the interview right here.

A chat with The Night Flight Orchestra is much like their albums – serious but fun. Recently Subculture’s David Griffiths spoke to the band’s David Andersson and discovered that just like their fans that their new album Aeromantic II was the album that the band needed in order to escape the panademic funk that the world found itself in.

Take a listen to the interview in which Andersson tells Dave how he spent his time unable to tour with both Soilwork and The Night Flight Orchestra but how that has resulted in some of the band’s finest work to date. The album is out now through Nuclear Blast Records.

As one of the most gifted bass guitarists to ever grace this planet Fabrizio Grossi has worked with the likes of Slash, Glenn Hughes and Steve Vai, but even he was afraid to take that next stop and release a debut album.

Recently Subculture’s Dave Griffiths sat down and chatted to Fab about his musical journey from Italy to New York to Los Angles and about how his music has involved to the funk rock sound that we now hear with Fabrizio Grossi & Soul Garage Experience.

Take a listen to the interview below and grab his new album Counterfeited Soulstice Vol 1 which is out on September 10th.

New Zealand’s highest streaming rock band, Written By Wolves, are today releasing their latest cut from The Collab Project along with a videoclip for it, a track called Always & Forever, featuring NZ singer Becks. It can be streamed/purchased now at

The Collab Project will be released in full on September 17, featuring tracks re-imagined from their previous record SECRETS, a record streamed over 10 million times on Spotify alone – and featuring collaborations with artists such as Trenton Woodley from Hands Like HousesKellin Quin from Sleeping with SirensSonny Sandoval from P.O.D.Becks and Sydney Rae White of The Wild Things.

This track is a favourite of the band’s vocalist, Michael Murphy. “I know you aren’t meant to pick favourites amongst your kids, but this is probably my favourite track I’ve ever written. The concept behind this song is no matter what you are going through, no matter what is happening, if the world was about to end, who would you want to be with. I felt that situation and sentiment would strip your thoughts and decisions down to their most truthful and pure. From there, we set about creating a piece of music befitting of the sentiment.

This is made extra special for me as Becks is my wife. The song is written about her so to have her singing on it is a bit of a dream come true. After she had finished recording her parts we sat down and listened and it was as if I was hearing the song for the first time, as if this is how it was always meant to sound – and it had been right in front of me all along… With everything that has happened in the last year and half, the sentiment of this song feels even more fitting now.

Rebecca Wright (Becks) has enjoyed an illustrious career in the musical theatre industry, most recently performing the role of Fantine in Auckland’s sold out season of Les Miserables at the Civic Theatre. Previous highlights include the role of Oz in We Will Rock You at the Bruce Mason Centre, Eva Peron in Hamilton Operatic Society’s successful production of Evita at Hamilton’s Clarence St Theatre, the title role of Cinderella and Mimi in Rent – both staged at Auckland’s beloved Civic Theatre.

Written By Wolves are a fresh and progressive cinematic rock band and one of the most exciting new rock acts to come from New Zealand in recent years. Renowned for their highly energetic live show, the band have already shared the stage with international heavyweights such as Machine Gun Kelly, Limp Bizkit, Pendulum, Sublime With Rome, Suicidal Tendencies, We The Kings and Four Year Strong, to name just a few. Since forming in 2014, the band has amassed over 335,000 monthly listeners and more than 36 million streams on Spotify, as well as over 100,000 subscribers and 46 millions views on YouTube.

The Collab Project will be released in full on September 17 and more information can be found at: New single Forever and Always featuring Becks can be streamed/purchased now at

Seether’s upcoming album, Vicennial – 2 Decades of Seether, tells the remarkable story of the South African quartet’s career and chart-topping success. The 20 songs on this compilation have amassed 16 #1 chart positions and all are Top 5 multi-format radio hits. This collection is an audio summary of the first 20 years of Billboard’s #8 All-Time Mainstream Rock Artists, which covers the 40-year history of the chart’s existence. The album, due for release on October 15th via Craft Recordings, was carefully curated by frontman Shaun Morgan and highlights tracks from his band’s eight full-length albums—including early breakthrough singles ‘Broken’ and ‘Fine Again’; the recent #1 on both the Rock and Active Rock charts, ‘Dangerous’; as well as their fan favourite cover of Wham’s ‘Careless Whisper.’ Known for their dedication to their fans, Seether selected fan submitted artwork for the album cover. Pre-orders for Vicennial – 2 Decades of Seetherare now open, including a -exclusive 1,000-unit limited-edition custom mixed opaque purple 2-LP vinyl. Pre-order/pre-save here.

On October 7th, to celebrate the album’s release, the band will perform all 20 tracks in sequence live one time only at Ace of Spades in Sacramento, CA. This event is the official after-show for the opening night of the sold-out Aftershock Festival, where the band will be appearing on October 8th with Metallica, Rancid and others. Tickets for Vicennial – Live are on sale now at

Since Seether aren’t able to tour outside of the US right now, they wanted to find another way to bring this special show to their fans around the world. On November 11th, the band is hosting a special Vicennial – Live Online event through a partnership with Moment House. There will be shows at 6pm PST, 6pm GMT and 6pm JST where fans are able to vote for that time zone’s 10-song set. Additionally, the band will be appearing live for Q&A sessions and virtual meet and greets. Tickets for Vicennial – Live Online, as well as bundles that include merch and an exclusive 500 unit limited edition custom mixed opaque pink colour 2-LP vinyl of Vicennial, are on sale now at

Reflecting on the band’s career, singer Shaun Morgan says, “Twenty years is a major milestone for us; we’ve been on an amazing ride – alongside our fans – and we plan to continue that journey. Putting Vicennial together gave us a chance to look back on our body of work over the years, and to rediscover some of our older songs during the pandemic that brought us all to a standstill. We hope that everyone enjoys the compilation as much as we do now, after this historic lockdown, and we look forward to seeing our fans again at live shows in the future.”