Category: Drama

 

Stan today announced the brand new series P-Valley will premiere on Sunday, 12 July only on Stan, with new episodes weekly — same day as the US. Stan also released two first look images and a new teaser trailer for the eight-part series.

Down deep in the Mississippi Delta lies an oasis of grit and glitter in a rough patch of human existence where beauty can be hard to find. This southern-fried, hour-long drama tells the kaleidoscopic story of a little-strip-club-that-could and the big characters who come through its doors—the hopeful, the lost, the broken, the ballers, the beautiful, and the damned. Trap music meets film noir in this lyrical and atmospheric series that dares to ask what happens when small-town folk dream beyond the boundaries of the Piggly Wiggly and the pawnshop.

Based on her play Pussy Valley, creator Katori Hall (The Mountaintop, Tina: The Tina Turner Musical) serves as showrunner as well as executive producer.

“I can’t tell you how proud I am to be bringing this passion project into living rooms all across America,” said Hall. “For too long, exotic dancers have been dismissed and shamed, while their culture has been appropriated by the mainstream. This project moves past the blue lights and haze of the main stage, where dancers take to the air like super-sheroes, to the locker room and beyond, where these women—inspired by the dozens of dancers I’ve interviewed—live their lives unapologetically.”

The series also features an all-women director lineup, including award-winning music video director Karena Evans (Drake: Nice for What, SZA: Garden), who directed the premiere episode, as well as Kimberly Peirce (Boys Don’t Cry), Millicent Shelton (30 Rock), Tamra Davis (Single Ladies), Geeta V. Patel (Superstore), Tasha Smith (Black Lightning), Sydney Freeland (Grey’s Anatomy) and Barbara Brown (Scream Queens).

P-Valley stars Brandee Evans (The Bobby Brown Story) as Mercedes, Nicco Annan (This is Us) as Uncle Clifford, Shannon Thornton (Power) as Miss Mississippi, Elarica Johnson (Harry Potter and the Half-Blood Prince) as Autumn Night, Skyler Joy (Ma) as Gidget, J. Alphonse Nicholson (Chicago P.D.) as Lil’ Murda, Parker Sawyers (Southside With You) as Andre, Harriet D. Foy (Elementary) as Pastor Woodbine, Tyler Lepley (The Haves and the Have Nots) as Diamond, and Dan J. Johnson (Underemployed) as Tyler. Chernin Entertainment also serves as Executive Producer.

P-Valley premieres 12 July only on Stan, with new episodes weekly — same day as the US.

Emmy Nominated and Golden Globe® Award-winning actress Tracee Ellis Ross has released the official music video to “Love Myself”. This is the first single to the upcoming film The High Note in which Tracee Ellis Ross stars in as recording artist “Grace Davis.”

Last week, Tracee Ellis Ross debuted “Love Myself” on Instagram Live to fans and friends including, Michelle Obama, Janelle Monáe, Lena Waithe, Sarah Paulson, Kerry Washington and her incredible mother Diana Ross.

Written by Australian Sarah Aarons [Alessia Cara, John Legend, Khalid] and Greg Kurstin [Paul McCartney, P!nk, Céline Dion], “Love Myself” is a pivotal song in the movie performed by Tracee Ellis Ross as “Grace Davis.” This notably marks the first time the actress has released a song, which highlights her dynamic voice as “Grace Davis” and sets the stage for both the record and the upcoming film. 

 Produced by GRAMMY® Award-winner Rodney “Darkchild” Jerkins [Michael Jackson, Beyoncé], the 15-song Original Motion Picture Soundtrack features new recordings by cast members Ross and Kelvin Harrison, Jr. Beyond “Love Myself,” Ross delivers stunning performances of “Bad Girl, “Stop For A Minute,” “New To Me,” and a duet with Harrison, Jr. on “Like I Do.” Additionally, classics from Donny HathawayMaxine Brown, and Aretha Franklin as well as the single “Mind Over Matter” by Anthony Ramos round out the tracklisting.

The High Note, coming to Australian cinema soon, is set in the dazzling world of the LA music scene comes the story of Grace Davis (Tracee Ellis Ross), a superstar whose talent, and ego, have reached unbelievable heights, and Maggie (Dakota Johnson), her overworked personal assistant.  While stuck running errands, Maggie still aspires to her childhood dream of becoming a music producer. When Grace’s manager (Ice Cube) presents her with a choice that could alter the course of her career, Maggie and Grace come up with a plan that could change their lives forever.

In remote Western Australia, two estranged brothers, Colin (Sam Neill) and Les (Michael Caton), are at war. Raising separate flocks of sheep descended from their family’s prized bloodline, the two men work side by side yet are worlds apart. When Les’s prize ram is diagnosed with a rare and lethal illness, authorities order a purge of every sheep in the valley. While Colin attempts to stealthily outwit the powers that be, Les opts for angry defiance. But can the warring brothers set aside their differences and have a chance to reunite their family, save their herd, and bring their community back together?

RAMS is directed by Jeremy Sims and stars Sam Neill, Michael Caton, Miranda Richardson, Asher Keddie and Wayne Blair.

 

Summary: An over-the-hill hitman faces off against a younger clone of himself.

Year: 2019

Australian Cinema Release Date: 10th October 2019

Thailand Cinema Release Date: 16th November 2019

Australian Home Entertainment Release Date: 22nd January 2020

Country: United States, China

Director: Ang Lee

Screenwriter: David Benioff, Billy Ray, Darren Lemke

Cast: E.J. Bonilla (Marino), Justin James Boykin (Connor), Ralph Brown (Del Patterson), Marc Demeter (Agent Demeter), Christopher T. Elliott (John), Linda Emond (Janet Lassiter), Douglas Hodge (Jack Willis), Clive Owen (Clay Verris), Will Smith (Henry Brogan/Junior), Igor Szasz (Valery Dormov), Ilia Volok (Yuri Kovacs), Mary Elizabeth Winstead (Danny Zakarewski), Benedict Wong (Baron)

Running Time: 117 mins

Classification: M (Australia) 15 (Thailand)

 

 

OUR GEMINI MAN REVIEWS & RATINGS:

 

Dave Griffiths Review:

Know your limits! It is the kind of thing that would expect to say to a first time director who wants to bury themselves in an overly-ambitious cinematic project that is destined to fail. It is hardly the kind of thing that you would think a studio or producer would have to tell an experienced, Oscar winning director like Ang Lee.

As far as filmmaking goes Lee has always been someone that has never been afraid to push the envelope. Crouching Tiger, Hidden Dragon saw him bring Asian cinema to the American mainstream, while Brokeback Mountain tackled taboo topics in such a way it once again showed why cinema plays an important part in opening up discussions in society. Then there was Life Of Pi   – a film which used CGI in a way that no other director had ever dared to imagine.

Therefore it probably shouldn’t have been a surprise when it was announced that Lee’s new film Gemini Man would once again attempt to use cutting edge technology to bring its audience something new and fresh. The technology that Lee decided to use saw the film shot digitally at an extra-high frame rate of 120 frames per second and then modified to 3D. Lee thought the finished product would make audiences feel like they were standing right there amongst the action, instead what has been delivered is a film that is such a terrible cinematic experience it is on par with M. Night Shyamalan’s fall with grace when he helmed the ill-fated The Last Airbender.

When it comes to plot Gemini Man is made up of a story that action heroes like Bruce Willis and Arnold Schwarzenegger would have fallen over themselves to be involved with back in the 1990s. Will Smith plays Henry Brogan one of the Government’s top hitmen. After a hit becomes too close for comfort for Brogan he decides to retire but when he learns a painful secret about his career he suddenly finds another agent, Danny Zakarweski (Mary Elizabeth Winstead), is sent to kill him. Then after explaining to her that she is mistaken an even deadlier enemy arrives to finish off the job –a clone of Brogan’s younger self.

With a plot a lot like that you could easily imagine a film that could well deliver an intense exploration of a topic like cloning while delivering all the suspense of a big action blockbuster, sadly though Gemini Man just doesn’t deliver at all. First of all it looks bad. You may remember that this type of extra-high frame rate film technique failed miserable when it was trialled on The Lord Of The Rings franchise and here it does exactly the same thing for exactly the same reason. The problem is it leaves the image way too clear, that results in a sun-drenched look that you would normally see on a television soap like The Bold And The Beautiful. And while some may say that yes that does make the audience feel part of the action that crystal clear vision also means that the filmmaker can no longer ‘hide’ all the magic of cinema. Suddenly fake blood is identifiable as fake blood and as we see here a stunt-man filling in for Will Smith is forced to cover his face in an absolutely ludicrous way so the audience can’t tell that he isn’t Smith. Yes, for the motorcycle sequence you will be gasping in wonder but for the rest of the film you will be groaning with disappointment.

If the visual aspects of Gemini Man doesn’t have you groaning I can guarantee that some of the cheesy lines and woeful dialogue certainly will. There is a scene in this film between Danny, Brogan and the clone where the dialogue is so bad that you would swear that it had been lifted from some terrible family soap opera. Then there is the cheesy dialogue throughout the film that feels like the screenwriter was desperate to try and deliver a catch-phrase but fails miserable. Hearing Brogan declare that he is from Philadelphia as he gives his life story does for once get the audience to laugh, but for all the wrong reasons as they recall the lyrics that Smith sang during the title credits of The Fresh Prince Of Bel Air.

It is easy to see that what Ang Lee wanted to deliver with Gemini Man was an action film that went down in history for changing the face of cinema, what he has created though is a film so bad that it is likely to become a cult classic for the same reason The Room has become a must-see film – a film that shows young filmmakers how to make a film and has them laughing at the film from start to finish. Perhaps one day a filmmaker will take a look at something as serious as cloning in a way that can open up discussion for the audience but Gemini Man certainly isn’t that film. Like Ang Lee Will Smith rarely delivers a flop but somehow them working together has resulted in one of the worst films of the year.

 

 

 

 

Average Subculture Rating:

 

 

IMDB Rating:  Gemini Man (2019) on IMDb

 

Other Subculture Entertainment Gemini Man Reviews:

Our Gemini Man review that appeared in ‘The Phuket News’ can be read at this link – https://www.thephuketnews.com/double-trouble-will-smith-meets-will-smith-in-sci-fi-flop-gemini-man-73603.php

Trailer:

 

Stan today announced the highly anticipated premiere date for the brand new season of Kevin Costner’s Yellowstone, returning to Australia on Monday, 22 June only on Stan, same day as the U.S. – with new episodes weekly.

The third season of this acclaimed drama adds newcomer Josh Holloway (Lost) as Roarke Morris, a hedge fund manager with ambitious plans in Montana concerning the Dutton family.

Yellowstone was the most-watched 2019 summer series on U.S. cable TV. The series stars world-renowned actor and Oscar®-winner Kevin Costner as John Dutton, who controls the largest, contiguous ranch in the United States. Amid shifting alliances, unsolved murders, open wounds, and hard-earned respect; the ranch is in constant conflict with those it borders; an expanding town, an Indian reservation, and vicious business rivalries. Co-created by Taylor Sheridan (Sicario) and John Linson (Sons of Anarchy), Yellowstone’s executive producers include John Linson, Art Linson, Taylor Sheridan, Kevin Costner, David C. Glasser, Bob Yari and Stephen Kay.

Yellowstone Season 3 premieres 22 June only on Stan, same day as the U.S. – with new episodes weekly.

 

Tiffani Fest, Felissa Rose and Dominique Swain star in director Jody Barton’s exceedingly clever FOR JENNIFER, available now On Demand from JB Films.

After a surprise horror themed birthday party, Jennifer gets a scare that leads to an accident. Jennifer is a horror blogger and huge horror movie fan. Her friends, to cheer her up after the accident, decide they could make a movie. They collect their gopro cameras and phones and begin to shoot. Soon, the discoveries of other low budget horror films similar to theirs begin to intersect with their own movie. This sends Jennifer on a journey to understand where these other “Jennifer” films came from. The journey leads to a discovery about the films she could never have imagined, and she realizes her participation has put her life, and the lives of her friends, in real danger. A danger they have to endure, whether by choice or not … if they want to make a good horror movie.

Lanett Tachel, Rich Finley and Nick Kekeris also star in the film. Nick Kekeris, James Cullen Bressack, Hunter Johnson and Frank Merle produce.

 

The Bold Type fans rejoice! A date has just been announced for the midseason return so mark the diary for a little ray of sunshine to warm up your winter.

The Bold Type Season 4 midseason return premieres 12 June, same day as the US – only on Stan.

All previous episodes of Seasons 1-4 are available to stream now.

Stan today released the official trailer and new images for the brand new eight-episode crime series Hightown premiering 17 May exclusively on Stan.

Hightown is set on iconic Cape Cod, and follows one woman’s journey to sobriety, intertwined with an unfolding murder investigation. Jackie Quiñones (Monica RaymundChicago FireThe Good Wife), a hard-partying National Marine Fisheries Service agent, has her free-wheeling life thrown into disarray when she discovers a body on the beach – another casualty of Cape Cod’s opioid epidemic. As a result of this trauma, Jackie takes the first steps toward becoming sober— until she becomes convinced that it’s up to her to solve the murder.

Now at odds with Sergeant Ray Abruzzo (James Badge DaleOnly the Brave), an abrasive but effective member of the Cape Cod Interagency Narcotics Unit, Jackie starts to spiral. And she’s not alone. Ray, too, spins out of control; losing himself in the investigation. The lives of everyone connected to this murder crash and converge, reminding us just how complicated – and deadly – our addictions can be.

Riley Voelkel (Roswell, New MexicoThe Originals), Shane Harper (Code BlackHappyland), Amaury Nolasco (Prison BreakDeception), Atkins Estimond (The ResidentLodge 49) and Dohn Norwood (MindhunterThe Sinner) also star.

Hightown is created and executive produced by Rebecca Cutter (Gotham) with Gary Lennon (PowerEuphoria) executive producing with Jerry Bruckheimer (Pirates of the Caribbean franchise, Top Gun: Maverick, The Amazing Race), Jonathan Littman (LuciferThe Amazing RaceCSI franchise) and KristieAnne Reed (LuciferL.A.’s Finest) from Jerry Bruckheimer TV; Ellen H. Schwartz also serves as executive producer. Oscar®-nominated cinematographer Rachel Morrison (Black Panther, Fruitvale Station) directed the first two episodes of the series.

Hightown was an Official Selection of the 2020 SXSW Film Festival.

Hightown premieres 17 May only on Stan, same day as the US, with new episodes weekly.