In the latest episode of The Popcorn Conspiracy David Griffiths and Kyle McGrath take a look at the brand new Liam Neeson film The Marksman.
In the latest episode of The Popcorn Conspiracy David Griffiths and Kyle McGrath take a look at the brand new Liam Neeson film The Marksman.
The Flood, Victoria Wharfe McIntyre’s debut feature about a female heroine exacting revenge on an unjust Australia, will begin a theatrical release in multiple cinemas in NSW, Victoria and South Australia from January 14 after a successful series of Q&A screenings in December and positive reviews.
Originally screening as a Cinema on Demand style release in December, cinemas have invited the film to return for a theatrical release off the back of strong word of mouth.
Madman have also released the film on disc and digital platforms (including iTunes, Google Play & Telstra Movies) from today.
Cinemas screening the film are:
Other cinemas taking the film (January dates tbc) include the remaining Wallis Cinemas circuit, The Ritz (Randwick), Richmond Regent , 6th Toe South West Rocks, Star Court Cinema Lismore, Peninsula Cinemas, Glenbrook Cinema and Roxy Cinema Nowra.
The Flood stars Alexis Lane, Shaka Cook (who will be seen this year in the hit musical Hamilton), Dean Kyrwood, Dalara Williams and Aaron Jeffery, who was nominated for Best Supporting Actor in the 2020 AACTA Awards for his work on the film. Victoria Wharfe McIntyre also won the Best Director Award and Alexis Lane won Best Actress at the recent Sydney International Women’s Film Festival.
Set during WWII, the film is the story of Jarah’s (Alexis Lane) coming-of-age in a brutal and lawless land – growing from a sweet child to a strong, independent and ferocious woman taking on Australia’s corrupt and bigoted system one bad guy at a time. In the best tradition of the gunslinging outlaw, when the enigmatic Jarah is pushed to the limit she explodes in a fury of retribution. But for a revenge western there is a surprising series of twists and turns that hint towards redemption and reconciliation.
Writer/director Victoria Wharfe McIntyre says: “It’s such an honour to be approached by cinemas who have heard the feedback from our screenings and we’re very grateful to all the people who are keen and asking to see it on the big screen.”
Filmed in Victoria’s hometown of Kangaroo Valley, in what Victoria describes as a “wonderful creative collaboration with the local Yuin Nation community, utilising our land and that of friends and neighbours”, The Flood has poignantly become a visual archive of the Valley’s pristine subtropical rainforests and unique bushland which were destroyed by the 2020 firestorm that devastated the east coast of Australia.
Madman Films this week announced that The Flood would screen in Australian cinemas from the 21st January so this week we sat down and had a chat with the filmmaker behind the film Victoria Wharfe McIntyre.
Take a listen to the interview right here.
Summary: During World War II a young Aboriginal woman sees the injustice that she and her community endures under white settlement and decides to get revenge.
Cinema Release Dates: 21st January 2021 (Australia),
VOD Release Dates: 6th January 2021 (Australia)
Director: Victoria Whafre McIntyre
Screenwriter: Victoria Wharfe McIntyre
Cast: Brendan Bacon (Tick), Eddie Baroo (Bushy), Suzannah Bayes-Morton (Marlee), Lance Brown (Doug Bradfield), Vida Elaine Brown (River Brown), Sarah Butler (Sister Marie), Shaka Cook (Waru Banganha), Angus Rose Dann (Alinta), Joy Jasmin Dann (Lowanna), Kenneth Paul Dann (Nudgee), Priscilla Vida Isabelle Dann (Darri), Summer Sky Dann (Molly), Lucas Dillon (Young Kelly), Anni Finsterer (Wilma Wilson), Rob Flanagan (Terry), Karen Garnsey (Pam Bradfield), Barnaby Hanning (Young Shamus), Rupert Hanning (Young Paddy), Maci Grace Johnson (Wanna), Aaron Jeffrey (William ‘Minto’ Minton), Dean Krywood (Shamus/Paddy Mackay), Simone Landers (Binda Banganha), Alexis Lane (Jarah Banganha), Keith Learn (Sorley Mackay), Peter McAllum (Gerald Mackay), Joseph James Brown McLeod (Gari), Justine Angus May Brown McLeod (Alkina), Paul James McLeod (Uncle Jack), Michael McStay (Constable Neale), Jillian O’Dowd (Constable Brady), Socrates Otto (Miller), Daniel Potts (Detective MacGregor), Soraya Rennie (Billie), Toby James Sakeld (Jackson), Petra Salsjo (Majorie), Tykia Simpson (Young Jarah), Tyson Towney (Knorre), William Usic (Jim Wilson), Bendedict Wall (Kelly Mackay), Dalara Williams (Maggie Banganha), Sarah Woods (Meg)
Running Time: 117 mins
Classification: MA15+ (Australia)
David Griffiths’ The Flood Review:
I often laugh as a film critic when I see somebody try to compare one film to another when really the films actually don’t share that much in common. That is certainly the case with the brand new Australian film The Flood. As soon as the trailer landed people were comparing it to The Nightingale.
Now I will admit that The Flood does share some similar themes – revenge and retribution (but so does a million other films out there on the market) and it does explore indigenous culture, although to say that it explores the same aspects of indigenous culture as The Nightingale I would have to say is incredibly narrow minded.
Directed by Victoria Wharfe McIntyre (Miro) The Flood explores several themes that I have found to have been sadly not explored on the Australian cinematic landscape. Topics such as indigenous Australians fighting for Australia in war and the brutal rapes that many First Nation’s women had to endure at the hands of the white settlers.
The film centres around Jarah Banganha (Alexis Lane – Cleverman) who during the time of World War II watches as her family is ripped apart by the new ‘laws’ introduced by white settlers including the cruel Gerald Mackay (Peter McAllum – The War At Home) and his son (Dean Kyrwood – Water Horse). While Jarah experiences the first hand cruelty delivered by the settlers her anger is further fuelled when her husband Waru (Shaka Cook – Top End Wedding) returns from war is not treated the same way as his best friend, Minto (Aaron Jeffrey – X-Men Origins: Wolverine).
There is often a harsh diversity to The Flood. The visuals of the Australian bush from cinematographer Kevin Scott (Backburning) are truly spectacular and beautiful but at the same time the events happening in and around them are of sheer brutality. Having said that though the brutal nature of the film is in context and possibly the only way to describe what Victoria Wharfe McIntyre does with the film as similar to the style of Quentin Tarantino with Django Unchained or Inglorious Basterds.
While important themes and often forgotten parts of Australian history are explored during The Flood it is important to remember that at the heart of this film is a genre flick. Dig deep under the storyline of the film is a harsh, yet realistic western caked in revenge in desperation. The mere fact that the screenplay allows for character and character development of course means the film is a lot better than some other revenge flicks I have had to sit through over the years.
I think what I will take away from this film though is the excitement that surrounds the future of Victoria Wharfe McIntyre, Alexis Lane and Shaka Cook. I get a distinct feeling that McIntyre is going to be a great Australian director while it will not take long for Hollywood to come calling for Alexis Lane. Shaka Cook is also sensational in this film and of course has already been snapped up to be part of the Australian production of Hamilton.
While comparisons to the masterpiece that is The Nightingale is completely unfair in its own right The Flood is an amazing genre film that lifts the lid on some of the darker sides of Australian history.
Dave’s rating Out Of 5
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Summary: A young boy’s life is changed forever when he meets a wanted murderer and she tells him that she was framed for the murder.
Cinema Release Dates: 17th December 2020 (Australia), 11th December 2020 (UK),
VOD Release Dates: 17th November 2020 (USA)
Director: Miles Joris-Peyrafitte
Screenwriter: Nicolaas Zwart
Cast: Joe Berryman (Sheriff Ross), Paul Blott (Hartwell), Darby Camp (Phoebe Evans), Hans Christopher (John Baker), Finn Cole (Eugene Evans), Kerry Condon (Olivia Evans), Stephen Dinh (Joe Garza), Travis Fimmel (George Evans), Garret Hedlund (Perry Montroy), Tim D. Janis (Anselm Lomax), Lola Kirke (Narrator (voice)), Margot Robbie (Allison Wells), Pab Schwendimann (Peter Tade), Jane Wilson (Laura Boyd)
Running Time: 98 mins
Classification: MA15+ (Australia), 15 (UK), R (USA)
David Griffiths’ Dreamland Review:
When most cinema goers think about Margot Robbie and her career they think of her huge roles – playing Harley Quinn in Suicide Squad or of course playing Jane in Tarzan. What many over look is the power of her performances in some of her smaller films that she has made along the way though. Her portrayal of the ‘last female on Earth’ in Z For Zachariah and now once again she brings her A-Game to crime period piece Dreamland.
I will admit that I knew nothing about Dreamland when I was heading into the film, and I certainly was not expecting a slow-burn crime thriller that was reminiscent of the work of the talented Kelly Reichardt. So good is that film director Miles Joris-Peyrafitte has now made my ‘must see film list’ and I am currently trying to hunt down his debut feature, As You Are, for a viewing as soon as possible as well.
Set in Texas in the 1930s Dreamland follows the Evans family who are doing it tough in a town that is constantly hit by violent storms. With their farm not able to produce crops Eugene (Finn Cole – Peaky Blinders) and his mother, Olivia (Kerry Condon – Avengers: Infinity War), were further devastated when Eugene’s father suddenly took off – supposedly for Mexico.
Eugene has always fantasised about going to find his father especially seeing as he now doesn’t see eye-to-eye with his step-father – local Sheriff’s Deputy George Evans (Travis Fimmel – Vikings). It feels like the only thing keeping him in Texas is that he helps look after younger sister, Phoebe (Darby Camp – The Christmas Chronicles).
The Evans family’s life is changed forever though when Eugene suddenly meets Allison Wells (Margot Robbie – The Wolf Of Wall Street), an outlaw on the run wanted for bank robbery and murder. While George desperately gets the town to hunt her down Allison tells Eugene that she is being framed for the murder side of things and begs him to help her.
Dreamland could easily have become a film full of clichés but I felt what saved that from happening is the directing style of Joris-Peyrafitte who refrains from this becoming just another ‘crime period piece’ like Lawless by working well with cinematographer Lyle Vincent (A Girl Walks Home Alone At Night) and giving the film a unique visual style. Together the pair not only bring a beauty to the Texan landscape but deliver Reichardt-like scenes with two character conversing while one is frame and the other cannot be seen.
The film’s screenplay also holds steady throughout. The plot never gives away it shouldn’t too early meaning that the film maintains its suspense throughout. Screenwriter Nicolaas Zwart (Riverdale) keeps the audience guessing to whether or not Allison is telling the truth or not about framed, and as Eugene is set up in such a way that the audience likes him from the get go you find yourself constantly afraid that she is going to break his heart.
Likewise even the secondary characters are never made to appear clichéd. George Evans could easily have been portrayed as your stereo-typical tough father-like figure who has it in for his step-son. But that is never the case here, yes Eugene sees him as hard on him but the audience can easily see through the teenage angst and come to realise that George is not the character that he is portrayed to be.
That screenplay also leads to some amazing acting performances. Finn Cole announces himself as an actor who can now carry a film, his scenes with Margot Robbie are intense and the two play off each other with a natural ease. Also taking a huge step up here is Travis Fimmel who just like he did in Lean On Pete shows that he clearly has a career outside of Vikings.
This Covid 2020 keeps giving us genuine cinematic surprises and Dreamland is certainly one of them. Gritty and alternative in style this is the film that has given us one of the directional finds of the year.
Dave’s rating Out Of 5
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Dancing assassins, opera in uncharted canyons, armed children on dirt bikes, mines, hostages and mirages all form the wild whirlwind called Gold Dust.
A rollicking western adventure for the whole family, Gold Dust arrives on DVD and Digital this April from High Octane Pictures.
The film features music from Grammy Winning artist Cage The Elephant.
Written and directed by David Wall, and starring David Wall, Darin Brooks (“The Bold & The Beautiful”), Chris Romano (“How I Met Your Mother”), David Wysocki (“The Young and The Restless”), Derek Severson and Garrett Marchbank.
Classical music. Thundering opera. Rattlesnakes and precious gems. Mansions and gold mines. Friendship and despair. Treasure beyond imagination that vanishes in the desert wind. In the desert there is no limit to the adventures at hand!
Gold Dust on DVD and Digital April 7.
Poised to thrill audiences around the nation, the Alliance Française French Film Festival has today unveiled the full line-up for its eagerly anticipated 31st season at www.affrenchfilmfestival.org
Spreading its cinematic stardust across 8 cities and 4 satellite locations, the Festival, which is proudly presented by the Alliance Française in association with the Embassy of France in Australia, Unifrance Films and screening partner, Palace Cinemas, will commence its national tour from 10 March until 19 April and is set to thrill audiences with a stupendous selection of 49 contemporary and classic French films, many enjoying their Australian premiere.
We’re also delighted to announce that dynamic filmmaker, Justin Kurzel (The Snowtown Murders, Macbeth, True History of the Kelly Gang), who has long taken inspiration from French cinema, will be the 2020 Festival Patron.
Additionally, acclaimed director/actor, Zabou Breitman, whose lyrical, animated drama, The Swallows of Kabul (Les hirondelles de Kaboul), has won plaudits from critics and audiences alike on the international film festival circuit, will be visiting Melbourne to introduce a screening of this, her latest feature, which she directed with Éléa Gobbé-Mévellec. This special Festival event is slated for the evening of Tuesday 17 March at Palace Cinema Como, and will be followed by a filmmaker Q&A.
On a more sombre note, this year has already experienced horrific bushfires ravaging our land and robbing so many of their lives and homes. The Alliance Française, and venue partners thereby invite you to join us in helping those impacted by this tragedy by supporting special previews of How to Be a Good Wife and In the Name of the Land (both screening courtesy of Palace Films) to be held in all capital cities on 9th and 10th of March. 100% of tickets sales for these sessions will be donated to the Australian Red Cross Bushfire Appeal and Rural and Remote Mental Health.
And in celebration of mankind’s great capacity for kindness and compassion – which often comes to the fore in times of crisis – the Festival will launch the 2020 season with The Extraordinary (Hors normes), one of the most gloriously uplifting films to emerge from France in recent years, which will screen courtesy of Madman Entertainment.
The latest feature from renowned filmmakers Olivier Nakache and Éric Toledano (who delighted with The Intouchables and C’est la vie!), The Extraordinary is inspired by a true story and was honoured as the Closing Night Feature at the 2019 Cannes Film Festival. For twenty years, Bruno (Vincent Cassel) and Malik (Reda Kateb) have run two separate non-profit organizations where they train young people from underprivileged areas to be caregivers for autistic youth abandoned by the state system. But the authorities, concerned that they’ve never sought certification and that many of their carers aren’t ‘officially’ qualified, decide to mount an investigation.
The result of two years’ immersion in the lives of the two associations, The Extraordinary is a crowd-pleasing charmer, which will have viewers experiencing a gamut of emotions as they fall in love with a host of extraordinary characters in exceptional circumstances. It’s a testimony to the great things that can be achieved when people support one another in the face of adversity.
And concluding the 2020 season, on a deliciously whimsical note, will be The Bare Necessity (Perdrix), the directorial debut of Erwan Le Duc, starring Swann Arlaud, Maud Wyler, Fanny Ardant and Nicolas Maury. Set within a tiny town nestled in the woody mountains of Vosges, this sweetheart of a movie, which delighted hardened cynics when it premiered in Directors’ Fortnight at Cannes 2019, looks at the romantic mayhem that ensues when an enigmatic young woman forces a stagnant family to re-define their boundaries and begin to truly live.
With so many highlights bursting from this year’s programme, it’s impossible to list every film, but read on for some of the delights to be savoured:
Director: Daniel Cohen
Cast: François Damiens, Vincent Cassel, Bérénice Bejo
In this delicious tale of tested loyalties, the close friendship of two long-time couples is put at risk when one of the two wives unexpectedly becomes a best-selling author, upsetting the intricate balance of this formerly close-knit quartet.
AZNAVOUR BY CHARLES (Le regard de Charles)
A Film by Charles Aznavour, Directed by Marc di Domenico
Narrator: Romain Duris
Crooner, Charles Aznavour, beguiled his legions of fans with a dream of romance. But his life beyond music was even more extraordinary. An actor, political activist, diplomat and filmmaker, this enthralling documentary, with rare footage, reveals a complicated, multi-talented man who entertained for the greater part of a century.
DEERSKIN (Le daim)
Director: Quentin Dupieux
Cast: Jean Dujardin, Adèle Haenel, Albert Delpy
With his life in disarray, Georges might not be able to control his circumstances but he can control his wardrobe. Believing that the deerskin jacket of his dreams is the answer to all of his problems, Georges’ delusions gradually increase each time he wears it, edging his obsession closer to a violent delirium.
Director: Alexis Michalik
Cast: Thomas Solivérès, Olivier Gourmet, Mathilde Seigner, Dominique Pinon
Paris, 1897. Although not yet thirty and clearly gifted as a writer, Edmond Rostand already has two children, many anxieties, but scant literary success. When given three weeks to write a play for a mercurial star of the stage, all he has is the title, Cyrano de Bergerac. Can he accomplish the impossible?
Director: André Téchiné
Cast: Catherine Deneuve, Kacey Mottet Klein
Muriel, a respected member of her idyllic local community, is horrified to discover that her visiting grandson, who claims to be heading to Canada for work, has in reality been radicalised by Islamist extremists. His plans to fight for ISIS in Syria expose this ordinary woman to a moral dilemma of heart-breaking proportions.
HOUSE OF CARDIN
Directors: P. David Ebersole, Todd Hughes
Synonymous with glamour, refinement and sophistication, this documentary provides a rare glimpse into the world of a 20th century icon. Allowing unprecedented access to his personal archives, we follow Cardin from his birth in the Italian countryside circa 1922, to his move to France where he made his name in fashion.
HOW TO BE A GOOD WIFE (La bonne épouse)
Director: Martin Provost
Cast: Juliette Binoche, Yolande Moreau, Noémie Lvovsky, Edouard Baer
In 1968 amidst the lush regions of Alsace, the head of a housekeeping school that transforms teenage girls into ideal housewives, has her pristine life implode when she encounters her long-lost first love whilst simultaneously learning that her business is on the brink of financial ruin.
IN THE NAME OF THE LAND (Au nom de la terre)
Director: Edouard Bergeon
Cast: Guillaume Canet, Veerle Baetens, Anthony Bajon
Returning to France in the late 70s, Pierre marries his sweetheart and takes over his father’s farm. But twenty years onwards, Pierre is exhausted. With mounting debt, what was once satisfying begins to take an insidious toll on his family who risk being torn apart by the property that binds them, in this powerful tale of resilience.
LA BELLE ÉPOQUE
Director: Nicolas Bedos
Cast: Daniel Auteuil, Guillaume Canet, Doria Tiller
Disillusioned, his long-term marriage on the rocks, a man is given a second chance when he encounters a company offering a unique theatrical service that enables customers to revisit memories through carefully orchestrated re-enactments, thus allowing him to return to 1974 and the peak of his happiness.
THE LOST PRINCE (Le prince oublié)
Director: Michel Hazanavicius
Cast: Omar Sy, Bérénice Bejo, François Damiens
Djibi, a devoted single father, transforms into a heroic Prince in the nightly fairy-tales he tells his beloved 7 year-old daughter, Sofia. But as the years pass, Sofia is ready for her own stories with different heroes. But is the Prince ready to become just a memory of his daughter’s childhood?
LOVE AT SECOND SIGHT (Mon inconnue)
Director: Hugo Gélin
Cast: François Civil, Joséphine Japy, Benjamin Lavernhe
After waking in a parallel universe, Raphaël finds his wife, Olivia, is nowhere to be seen and his professional achievements have vanished. Without Olivia, his life is empty, but winning her back proves harder than he could have imagined – especially when he realises she doesn’t even know who he is!
Director: Yvan Attal
Cast: Yvan Attal, Charlotte Gainsbourg, Eric Ruf
Henri, a writer in the depths of a mid-life crisis who hasn’t released a successful book in 25 years, strikes-up an unconventional friendship with a stray, bad-mannered dog who inspires him and his dysfunctional family to re-examine their lives and attitudes towards each other.
THE MYSTERY OF HENRI PICK (Le mystère Henri Pick)
Director: Rémi Bezançon
Cast: Fabrice Luchini, Camille Cottin, Alice Isaaz
The late Henry Pick, in life an unassuming Breton pizza marker, is celebrated as a brilliant author when a lost manuscript, attributed to him, becomes a literary success. But one outspoken intellectual thinks the whole thing is a sham, and, after losing his wife, his job and his prominence due to his opinion, decides to uncover the truth.
ONLY THE ANIMALS (Seules les bêtes)
Director: Dominik Moll
Cast: Denis Ménochet, Laure Calamy, Damien Bonnard
Set in an isolated town in the lush, wintery mountains of southern France, the film opens with the departure of Evelyne, a local woman whose disappearance during a snowstorm soon reveals itself as murder. This act of violence gradually unveils the hidden agendas of several locals, setting the unexpected into motion.
Director: Alice Winocour
Cast: Eva Green, Zélie Boulant- Lemesle, Matt Dillon
As the only woman in the European Space Agency astronaut-training program, single mother Sarah struggles with guilt over the limited time spent with her young daughter, which escalates when she’s invited upon a year-long space mission – Proxima – forcing her to choose between her work and her child.
ROOM 212 (Chambre 212)
Director: Christophe Honoré
Cast: Chiara Mastroianni, Benjamin Biolay, Vincent Lacoste
After Maria reveals a long history of affairs to her husband, she opts to spend the night at a hotel opposite their home. But this is a “magical night”, and it’s not long before time collapses upon itself opening a window into the past where young passions are revisited and the very concept of love, questioned.
Director: Justine Triet
Cast: Virginie Efira, Adèle Exarchopoulos, Gaspard Ulliel
Dissatisfied with her life, Sibyl, a psychiatrist, decides to pursue her dream of becoming a writer. Casting professional ethics aside, she secretly uses the private sessions of her actress patient, Margot, as inspiration for her novel, a decision that irreversibly impacts upon both their lives.
SPREAD YOUR WNGS (Donne-moi des ailes)
Director: Nicolas Vanier
Cast: Jean-Paul Rouve, Mélanie Doutey, Louis Vazquez
Christian, a visionary scientist, studies wild birds. For his son, a teenager obsessed with video games, the idea of spending a vacation with his father in the middle of nature is a nightmare. However, father and son soon bond over a daring project to save an endangered species, which takes them on an incredible journey.
THE SWALLOWS OF KABUL (Les hirondelles de Kaboul)
Directors: Zabou Breitman, Éléa Gobbé-Mévellec
Voice: Simon Abkarian, Zita Hanrot, Swann Arlaud
Based on the cherished novel of the same name, this critically acclaimed, animated drama follows two couples living in the Afghan capital during the 90s and the impact Taliban rule has on each relationship. Through their individual love stories, unforgettable characters emerge amid the devastating impact of armed combat.
THE TRANSLATORS (Les traducteurs)
Director: Régis Roinsard
Cast: Lambert Wilson, Olga Kurylenko, Riccardo Scamarcio
Nine language experts, hired to translate the final book of a bestselling trilogy, are in lockdown within a luxurious bunker. But when the top-secret manuscript’s first ten pages appear online, their dream job implodes. The culprit has to amongst them and the publisher is ready to do whatever it takes to unmask who it is.
TWO OF US (Deux)
Director: Filippo Meneghetti
Cast: Barbara Sukowa, Martine Chevallier, Léa Drucker
In this emotionally compelling tale, pensioners Nina and Madeleine have hidden their deep and passionate love for many decades, but their bond is tested when circumstances trigger a series of events, preventing them from moving freely between each other’s apartments.
Director: Cathy Verney
Cast: Romain Duris, Céline Sallette, Florence Thomassin, Julie Fournier
When Vernon Subutex, an unemployed former owner of a once legendary record shop, is evicted from his flat, he’s helped by old friend rock star Alex Bleach. But Bleach’s sudden death makes Vernon a deadly target when it’s discovered that he’s in possession of 3 mysterious videotapes owned by Bleach.
WE’LL END UP TOGETHER (Nous finirons ensemble)
Director: Guillaume Canet
Cast: François Cluzet, Marion Cotillard, Gilles Lellouche, Laurent Lafitte
About to turn 60, nearly broke and estranged from his former friends, restaurateur Max embraces solitude at his soon-to-be-sold beach house. So when his ex-buddies arrive for a surprise celebration, he turns them away. But this cannot be – something has to be done! The sequel to 2010’s star-studded comedy, LITTLE WHITE LIES.
Director: Bertrand Bonello
Cast: Louise Labèque, Wislanda Louimat, Adilé David, Ninon François
Haiti, 1962…A man is resurrected from the dead and trapped in a nightmare of slavery. Modern-day Paris…Haitian teen Mélissa, the new girl at an elite school, is invited to join a secret ‘literary sorority’. But the incendiary family secret she harbours becomes a source of fascination to others, who exploit her heritage with shocking results.
National dates and venues for the 2020 Alliance Française French Film Festival are:
10 March – 8 April
Palace Norton Street, Palace Verona, Chauvel Cinema, Palace Central & Hayden Orpheum Cremorne
11 March – 8 April
Palace Balwyn, Palace Brighton Bay, Palace Cinema Como, Palace Westgarth, Kino Cinemas & The Astor Theatre
11 March – 8 April
Palace Raine Square, Cinema Paradiso, Luna on SX,
Windsor Cinema & Camelot Outdoor Cinema
12 March – 8 April
Palace Electric Cinema
17 March -14 April
Palace Nova Eastend Cinemas, Palace Nova Prospect Cinema
18 March -14 April
Palace Barracks & Palace James Street
19 – 28 March
19 March – 1 April
Avoca Beach Picture Theatre
26 – 29 March
Riverside Theatres Parramatta
31 March – 12 April
Palace Byron Bay
17 – 19 April
17 -19 April
ONCE UPON A TIME IN DEADWOOD, the new revenge western feature starring Robert Bronzi (recent hit DEATH KISS) and Michael Pare (STREETS OF FIRE), is released on DVD Tuesday, November 19.
ONCE UPON A TIME IN DEADWOOD concerns a notorious gunslinger who is slipped a slow-acting poison by an heiress and told he has three days to track down and rescue her sister, who has been kidnapped by a band of hoodlums and holds the antidote. Rene Perez directs from his screenplay, with Jeff Miller (THE TOYBOX) also contributing.
Bronzi plays the gunslinger. Pare plays the main villain. The cast is rounded out with Karin Brauns (PLAYING WITH DOLLS series), Lauren Compton (CLOWNTOWN), actor-model Chris Matteis, J.D. Angstadt, Jose Varela Garcia, Justin Hawkins, Tony Jackson, and Sierra Sherbundy.
The movie was filmed in California as well as in Western Leone, near Almeria, Spain, site of much of the filming of the famous Sergio Leone/Charles Bronson western ONCE UPON A TIME IN THE WEST.
Miller (who produced the recent DEATH KISS, which Perez directed, as well as the recent thriller THE RUSSIAN BRIDE) is producing with Ronnie D. Lee (THE TOYBOX, OUIJA HOUSE) through their companies Millman Productions and Ron Lee Productions, respectively.
“If you liked DEATH KISS, you’ll love Bronzi again delivering his brand of justice,” says Miller. “We filmed at recognizable locations where Bronson stood 50 years ago on the classic ONCE UPON A TIME IN THE WEST, and I can’t wait for fans to check out this latest chapter in our series of films with Bronzi.”
ONCE UPON A TIME IN DEADWOOD is released November 19th on DVD. Uncork’d Entertainment is handling distribution in North America and international sales.
For more information and updates, please visit the film’s Facebook page at www.facebook.com/onceuponatimeindeadwood .
Pistol-packing acclaimed South African western Five Fingers for Marseilles, a thrilling tale that takes its place alongside classics such as Once Upon a Time in the West and contemporaries like The Proposition and No Country for Old Men, stares down the barrel of a national theatrical release Friday, September 7, 2018.
From filmmaker Michael Matthews and screenwriter Sean Drummond comes a thrilling western set against the backdrop of post-Apartheid South Africa. Five Fingers for Marseilles takes place in a small town “governed” by dubious local officials, living in fear of a lawless mob; when an exiled outlaw returns home in search of solace and redemption, brotherhood and loyalty are fused with vengeance.
The film is set with the residents of the colonial town of Marseilles are under the thumb of police oppression and only the young rebels known as the Five Fingers are willing to stand up to them. Their battle is just, until Tau kills two policemen and flees the scene. The remaining rebels disband while the banished Tau resorts to a life of crime. Twenty years later, now known as feared outlaw The Lion of Marseilles, he is released from prison. He returns home, desiring only peace and to reconnect with those he left behind. The battle for South Africa’s freedom has been won, and former comrades-in-arms are in prominent positions as mayor, police chief, and pastor. But it quickly becomes clear to Tau that Marseilles is caught in the grip of a vicious new threat — and he must reconstitute the Five Fingers to fight frontier justice. Standing against former allies and new enemies, the re-formed Five Fingers saddle up and ride out, and put their lives at risk to save their beloved Marseilles.
Starring Vuyo Dabula, Hamilton Dhlamini, Zethu Dlomo, Kenneth Nkosi, Mduduzi Mabaso, Aubrey Poolo, Lizwi Vilakazi, Warren Masemola, Dean Fourie, Anthony Oseyemi, Brendon Daniels, and Jerry Mofokeng, Five Fingers for Masrseilles opens September 7 -across the US via Uncork’d Entertainment.
PARTICIPATING CITIES (MORE TBA!)
New York 9/7/14
Los Angeles 9/14/18
Columbus, OH 9/14/18
Atlanta, GA 9/21/18
Phoenixville, PA 9/21/18
Baltimore, MD 9/28/18
Summary: The last Gunslinger, Roland Deschain, has been locked in an eternal battle with Walter O’Dim, also known as the Man in Black, determined to prevent him from toppling the Dark Tower, which holds the universe together. With the fate of the worlds at stake, good and evil will collide in the ultimate battle as only Roland can defend the Tower from the Man in Black.
Australian Cinema Release Date: 17th August 2017
Australian DVD Release Date: TBA
Director: Nikolaj Arcel
Screenwriter: Nikolaj Arcel, Akiva Goldsman, Anders Thomas Jensen Stephen King (novel), Jeff Pinkner
Cast: Michael Barbieri (Timmy), Idris Elba (Roland), Kenneth Fok (Johnny), Jackie Earle Haley (Sayre), Nicholas Hamilton (Lucas Hanson, Dennis Haysbert (Steven), Eva Kaminsky (Jill), Caludia Kim (Arra), Fran Kranz (Pimli), Abbey Lee (Tirana), Matthew McConaughey (Walter), Robbie McLean (Toby), Nicholas Pauling (Lon), Leeanda Reddy (Dr. Weizak), Tom Taylor (Jake), Matthew Thomson (Jonah), Lemogang Tshipa (Phedon), Robert Whitehead (Cantab), Kathryn Winnick (Laurie), Jose Zuniga (Dr. Hotchkiss)
Runtime: 95 mins
Whew… I feel like I have dodged a bullet. Reading reviews before I went into to see The Dark Tower meant I was preparing myself for an abysmal nightmare of a film – one that some critics had labeled the ‘worst film based on a Stephen King novel ever’. So imagine my surprise when I sat down and ended up finding myself watching a fun, intriguing, albeit brief, supernatural action film.
The Dark Tower sees a story that took King seven novels to tell told in a film that clocks in at just over an hour and a half. It begins with New York being rocked by earthquakes that have experts confused. Meanwhile, young Jake (Tom Taylor – Doctor Foster, Legends) is having terrible nightmares in which he sees a Dark Tower and dark characters including a Gunslinger and a man in dark jacket. Jake’s mother, Laurie (Kathryn Winnick – Vikings, Love & Other Drugs) is convinced that the dreams are the result of the trauma of Jake’s father dying while on duty as a firefighter and seeks medical advice for him.
However, soon the jigsaw pieces start falling into place for Jake. The earthquakes are being caused by the man in the black jacket… aka Walter (Matthew McConaughey – Interstellar, Dallas Buyers Club) using children’s minds in horrific experiments to try and bring down The Dark Tower – a tower that prevents the darkness of other worlds taking over our own dimension. The only man who can stop Walter is the last known gunslinger, Roland (Idris Elba – Prometheus, Zootopia) who is haunted by the fact that Walter has killed everybody that has ever meant anything to him.
Walter then realises that with Jake’s psychic ability he has the one mind that can bring down the Dark Tower so he orders all his minions to go after Jake who has found Roland… cue the music for the battle to end all battles.
When you put everything into perspective director Nikolaj Arcel (A Royal Affair, Truth About Men) and his screenwriters have actually done a pretty good job at making The Dark Tower work. Putting seven novels worth of work into one relatively short feature film has taken a mountain or work. You could have been forgiven if this had been stretched out into a trilogy or at least a film that went well over the two-hour mark. But somehow Arcel and team have managed to tell the story without making it feel incomplete or leaving the audience not understanding the world that we find ourselves in. Somehow the fact that some of the beings that surround Walter aren’t fully explained means we get to see the story from the point of view of Jake a little more… and it least Arcel doesn’t fall into the trap of filling the film with scenes and scenes of exposition.
Visually The Dark Tower looks great. Darkened scenes of man versus monster are stark reminders of films like Harry Potter while the harshness of a lot of the scenery in most scenes brings back memories of films like Priest or The Book Of Eli. Even the CGI effects work pretty well, more than enough to draw the audience into the world at hand, and while some films suffer when they try to mix the supernatural with a modern day city there is no such issue here with the scenes of modern day New York flowing well with the rest of the film, and thankfully they steered away from a battle that involved the entire city falling from the sky or the like. Really the last battle in this film just needed to be between Jake, Roland and Walter and that was what delivered, now why couldn’t we have had something like that in Wonder Woman?
The films two leads also seem to be enhanced the short nature of the film. Matthew McConaughey seems to have a lot of fun playing Walter and whether it be a scene where he is torturing poor Kathryn Winnick or messing with the mind of Roland he seems to embrace the evilness of his character while remaining smooth and charming… much like Jack Nicholson did years earlier in The Witches of Eastwick. Idris Elba is also fantastic as the cowboy inspired gunslinger. He is perfectly cast in a role that demands his action/stunt ability but also at times needs him to step up in a dramatic, gut-wrenching scene. Likewise, he is well supported by young Tom Taylor whose emotional portrayal of Jake shows that he is an actor to watch in the future.
Don’t be fooled The Dark Tower is not the mess that everybody is saying that it is. With its dark storyline that doesn’t hold back to spare the audience’s emotions and great special effects, this is just one of those supernatural thrillers that you can sit back and enjoy while you munch on popcorn. The only weakness that really annoyed me was that I could have easily spent another half an hour in this universe, but still, this is an enjoyable film with a nice graphic novel feel to it.
Other Subculture Entertainment The Dark Tower Reviews: You can listen to Dave Griffiths’ The Dark Tower review that aired on That’s Entertainment in Melbourne, Sydney and Brisbane on The Talking Lifestyle network on 17/08/2017 right here.