Disney+ has unveiled the official trailer and key art for its first UK Original series, rom-com action thriller “Wedding Season.” The eight-episode series premieres exclusively on the streaming service on Disney+ Day on Thursday, September 8. Further images were also revealed of the brand-new series, which premieres on Disney+ under the Star banner in Australia.
The genre-busting series tells the story of Katie and Stefan who fall for each other at a wedding and begin an affair, despite Katie already having a fiancé. Two months later at Katie’s wedding, her new husband and his entire family are murdered. The police think Stefan did it. Stefan thinks Katie did it. And no one knows for sure what the truth is…
The series is an action-packed romp across the UK and the US as Katie and Stefan go on the run, all while trying to prove their innocence.
“Wedding Season” stars Rosa Salazar and Gavin Drea, with Jade Harrison, Jamie Michie, Callie Cooke, Bhav Joshi, Ioanna Kimbook, Omar Baroud and George Webster.
The series is created and executive produced by up-and-coming screenwriting talent Oliver Lyttelton (“Cheaters”) and directed by George Kane (“Crashing”) and Laura Scrivano (“The Lazarus Project”). Produced by Dancing Ledge Productions (“The Responder”, “The Salisbury Poisonings”) with executive producers Chris Carey, Laurence Bowen, and Toby Bruce; Jax Media (“Russian Doll”, “Emily in Paris”) with executive producers Brooke Posch, Lilly Burns, and Tony Hernandez; and Johanna Devereaux executive producing for Disney+.
The series will premiere alongside new content announced for Disney+ Day from marquee brands Disney, Pixar, Marvel, Star Wars, National Geographic and Star.
Robust parental controls ensure that Disney+ remains a suitable viewing experience for everyone in the family. Subscribers can set access limits on mature content and create PIN-protected profiles alongside the already existing Kids Profiles to give parents and guardians peace of mind.
Australian filmmaker Adam Morris has just released his debut feature film – Edward And Isabella – into cinemas and today David Griffiths sat down for a chat with him about it.
You can take a listen to the full interview below:
STUDIOCANAL and Working Title Films today confirm that cross-cultural British rom-com WHAT’S LOVE GOT TO DO WITH IT? will receive its World Premiere at the 47th edition of the Toronto International Film Festival. The film will screen as a Gala Presentation at the Roy Thomson Hall on Saturday, 10th September.
Directed by Shekhar Kapur(ELIZABETH) andwritten by Jemima Khan, WHAT’S LOVE GOT TO DO WITH IT? stars the Primetime Emmy® Award nominated Lily James (PAM & TOMMY, BABY DRIVER, DARKEST HOUR, MAMMA MIA! HERE WE GO AGAIN, REBECCA), Shazad Latif (STAR TREK: DISCOVERY, PENNY DREADFUL, PROFILE, TOAST OF LONDON), Shabana Azmi (HALO, FIRE, RELUCTANT FUNDAMENTALIST, IT’S A WONDERFUL AFTERLIFE, CITY OF JOY, MADAME SOUSATZKA), Sajal Aly (YAKEEN KA SAFAR, MOM, ALIF) andAcademy Award® and BAFTA winnerEmma Thompson(MATILDA, GOOD LUCK TO YOU, LEO GRANDE, CRUELLA, SAVING MR BANKS). The film also stars Asim Chaudhry (BLACK MIRROR: BANDERSNATCH, PEOPLE JUST DO NOTHING, THE ELECTRICAL LIFE OF LOUIS WAIN, THE SANDMAN), Jeff Mirza (ETERNALS, BLINDED BY THE LIGHT), Mim Shaikh (FINDING DAD, INFORMER, PLS LIKE, KING GARY), Iman Boujelouah, Mariam Haque (FINDING ALICE, HOMELAND, FLOWERS) and Sindhu Vee (MATILDA, STARSTRUCK, FEEL GOOD).
The film is produced by Nicky Kentish Barnes (ABOUT TIME, ABOUT A BOY), Jemima Khan (IMPEACHMENT: AMERICAN CRIME STORY, THE CLINTON AFFAIR, THE CASE AGAINST ADNAN SYED, WE STEAL SECRETS: THE STORY OF WIKILEAKS) & her Instinct Productions, alongside Working Title Films’ Tim Bevan and Eric Fellner.
Ivor Novello Lifetime Achievement Award-winning and Mercury Prize nominated composer, Nitin Sawhney CBE has created the music for the film, with British-Pakistani record producer, DJ, songwriter, and musician Naughty Boy bringing his production and writing skills to the soundtrack, alongside three-time BRIT Award and Mercury Prize nominee, Joy Crookes. Kanika Kapoor and Rahat Fateh Ali Khan will also feature on the soundtrack, with Rahat appearing in the film itself.
The fourth and final chapter in the AFTER franchise finds Tessa and Hardin at a crossroads: Does Tessa continue trying to save him and their relationship, or is it time to save herself? While Hardin remains in London after his mother’s wedding and sinks deeper into darkness, Tessa returns to Seattle and endures a tragedy. If they want their love to survive, they’ll need to work on themselves first. But will their paths lead them back to each other?
AFTER EVER HAPPY is directed by Castille Landon and stars Josephine Langford and Hero Fiennes-Tiffin. AFTER EVER HAPPY is coming to Australian cinemas on September 8, 2022.
Summary: Confined to their glasshouse, a family survives The Shred, a toxin that erases memory. Until the sisters are seduced by a Stranger who shatters their peace and stirs a past best left buried.
Year: 2021
Cinema Release Dates: 25th September 2021 (USA)
VOD Release Dates: Available in all regions now.
Country: South Africa
Director: Kelsey Egan
Screenwriter: Emma Lungiswa De Wet, Kelsey Egan
Cast: Jessica Alexander (Bee), Morgan James Bosman (Young Gabe), Kitty Harris (Daisy), Junior Mpepo (Other Luca), Adrienne Pearce (Mother), Hilton Pelser (The Stranger), Levin Peters (Replacement Gabe), Anja Taljaard (Evie),Brent Vermeulen (Gabe)
Running Time: 97 mins
Classification: MA15+ (Australia), 15 (UK)
OUR GLASSHOUSE REVIEWS
David Griffiths’ Glasshouse Review:
I love that feeling when you experience a great film that seems to have come out of nowhere. I knew absolutely nothing about Glasshouse until I sat down to watch it other than it was a film set after an apocalyptic event. What I was expecting was something like Mad Max or The Hunger Games, what I wasn’t expecting was a beautiful film that looked more at human emotion and instinct than it did action pieces.
Directed by Kelsey Egan (The Bull) Glasshouse takes its name from house of glass that a family led by an ageing mother (Adrienne Pearce – The Bone Snatcher) call home after an event called The Shred swept across the Earth wiping people’s memory. Worried that the toxin is still in the air the family won’t venture outside unless wearing a mask.
For the most part the family, which includes sisters Bea (Jessica Alexander – Get Even), Evie (Anja Taljaard – Double Echo) and Daisy (newcomer Kitty Harris) have lived a good life happily growing plants but still pining for their brother who is out in the wilderness. But things have taken a bad turn as the family worry about the fact that their autistic brother, Gabe (Brent Vermeulen – Griekwastad) is showing signs of violence as he gets older. However Bea and Evie convince their mother that they are more than equipped to look after him.
Things take an even bigger turn when Bea rescues an injured, nameless man (Hilton Pelser – The Kissing Booth) whom she finds on the perimeter of their land. Gabe takes an instant dislike to the man while Bea finds herself drawn to him. Could he be their brother or is he someone that means harm to a family that have found their paradise.
I found there is a true beauty to this film. There is a distinct alternative ‘period-feel’ to the film that it is reminiscent of Alfonso Cuaron’s Great Expectations. The plants and artwork inside the glass-house allow for some beautiful shots that have been captured by cinematographer Justus de Jager (The Lullaby) which is a stark opposite to what is often happening in those scenes – including violence between Gabe and The Stranger.
That beauty is also a contrast to the violence that occurs throughout the film that the family basically says is needed to protect their property. It is not uncommon for a shot to feature the beauty of the garden and then come to rest on hacked up body of someone whom Bea or Evie have caught trying to break in. That same beauty also distracts the audience from a family that despite saying they are so loving are more than willing to chain their autistic brother to a bed if they feel he may be a danger to them or himself.
I found this to be a film that takes the audience on an emotional roller-coaster given that there is almost a sense of madness to the world and the ‘paradise’ that the family live in. At times I found myself asking whether there was really an apocalyptic event or whether or not this was just simply a way for Mother to keep her family safe. That element plus the fact you never really know who you can trust in this family makes me a captivating type of suspense that is almost unrelenting throughout the entire film.
That suspense rises even further with the arrival of The Stranger. Early on after his arrival you are not sure whether he is a danger to the family or whether the two teenagers are going to start an almost Nurse Ratchet style relationship with him.
Throughout this film though I was captivated by the performance of the young cast. Jessica Alexander and ANja Taljaard are brilliant with sultry and emotional performances while Brent Vermeulen is sensational as the troubled Gabe. Many of his scenes would have been quite difficult to have pulled off and he deserves an unending amount of credit.
Glasshouse is a film full of emotion that I found to keep me completely on edge throughout. At times harsh, at times erotic the one thing Glasshouse certainly wasn’t was disappointing. This was a brilliant piece of cinema from a director that I cannot wait to see more from.
Summary: Doctor Strange teams uFrom his childhood in Tupelo, Mississippi to his rise to stardom starting in Memphis, Tennessee and his conquering of Las Vegas, Nevada, Elvis Presley becomes the first rock ‘n roll star and changes the world with his music.
Year: 2022
Cinema Release Dates: 23rd June 2022 (Australia), 23rd June 2022 (Thailand), 24th June 2022 (UK), 24th June 2022 (USA)
VOD Release Dates: TBA
Country: Australia, USA
Director: Baz Luhrman
Screenwriter: Baz Luhrman, Sam Bromell, Craig Pearce, Jeremy Doner
Cast: Charles Allen (Reverend Brewster), Princess Mariama Andrews (Sweet Inspirations – Cissy), Gad Banza (Shake Rag Friend – Doc), Natasha Bassett (Dixie Locke), Natalie Bassingthwaighte (Dee Stanley), Nicholas Bell (Senator Eastland), Mike Bingaman (Sonny West), Liz Blackett (Grandma Dodger), Luke Bracey (Jerry Schilling), Sharon Brooks (Sweet Inspirations – Sylvia), Miles Burton (Shake Rag Friend – Bobby), Austin Butler (Elvis), Gary Clark Jr. (Arthur ‘Big Boy’ Crudup), Sandro Colarelli (Tony Goochera), Josie Cross (Glenda), Elizabeth Cullen (Natalie – Motel Girl), Gareth Davies (Bones Howe), Olivia DeJonge (Priscilla), Hilton Hyppolite Denis (Claude Thompson), Shonka Dukureh (Big Mama Thornton/Pentecostal Singer), Adam Dunn (Bill Black), Leon Ford (Tom Diskin), Miranda Frangou (Nell), Charles Grounds (Billy Smith), Tom Hanks (Colonel Tom Parker), Kelvin Harrison Jr. (B.B. King), Chaydon Jay (Young Elvis), ALyson Joyce (Marie Knight), Jenna Kenney (Barbara Hearn), Aristene Kisando (Sweet Inspirations – Myrna), Christian Kisando (Shake Rag Friend – Smoky), Alex Knight (Ron Tutt), Alton Mason (Little Richard), Christian McCarty (Red West), Josh McConville (Sam Phillips), Jack McGirr (Tommy), Senayt Mebrahtu (Sweet Inspirations – Estelle), Ange Miliken (Madam Z), Dacre Montgomery (Steve Binder), Andrea Moor (Nurse Tish), Cle Morgan (Mahalia Jackson), John Mukristayo (Jimmy), Kate Mulvany (Marion Keisker), Tony Nixon (Dr. Nick), Sarah Ogden (Mrs. Eastland), Anthony Phelan (Meyer Kohn), Greg Powell (Milton Berle), Alex Radu (George Klein), Terepai Richmond (DJ Fontana), Richard Roxburgh (Vernon), Patrick Shearer (DJ Dewey Phillips), Kodi Smit-McPhee (Jimmie Rodgers Snow), Xavier Samuel (Scotty Moore), Christopher Sommers (Horace Logan), Helen Thomson (Gladys), Melina Vidler (Barbara), David Wenham (Hank Snow), Katrina West (Ann Eastland), Mark Leonard Winter (Tom Hulett), Yola (Sister Rosetta Tharpe)
Running Time: 149 mins
Classification: M (Australia), G (Thailand), 12-A (UK), PG-13 (USA)
OUR ELVIS REVIEWS
David Griffiths’ Elvis Review:
Nobody makes films like Australian director Baz Luhrmann. Luhrmann’s own style of filmmaking was there for all to see with his 90s hit Strictly Moulin. From there he went from strength to strength wowing audiences with his own take on the classic Shakespearian tale of Romeo & Juliet and then of course came the gem in his crown – the visually spectacular Moulin Rouge. It seems the only blemish in Luhrmann’s career to date was the sub-standard Australia that made the country it was named after cringe.
When you think of the loud music and the glitz and glamour that Luhrmann loads his movies with you soon realise that he is the perfect filmmaker to bring the story of the great Elvis Presley to the big screen. Presley like Luhrmann was a glitzy showman who shone brightest when the spotlight was him and to the former’s credit he captures all that and more with his latest epic – Elvis.
Told through the eyes of Presley’s (Austin Butler – Arrow) long-time manager Colonel Tom Parker (Tom Hanks – Castaway) Elvis follows Presley’s career right from the earliest days when he performed to make money for his parents, Vernon (Richard Roxburgh – Van Helsing) and Gladys (Helen Thomson – Kangaroo Jack) through to Parker signing a long term deal that would see him perform some of his most energetic shows on the Vegas.
Along the way we see the young Presley working with musicians such as Little Richard (first time actor Alton Mason) who helped form his now famous sound and also his more personal moments especially as his relationship with Priscilla (Olivia DeJonge – Better Watch Out) begun to blossom.
Most will go into Elvis expecting a movie that is full of glitz and glam but lacks substance, in reality though nothing is further than the truth. Luhrmann surprisingly digs deep into the live of Elvis Presley and touches on some of the darker moments and events that happened throughout his career.Topics such as racist politicians and law enforcement officers targeting Elvis during the early days of his career are explored in great depth and ground the film, it is a rarity to see Luhrmann tackle serious subjects like this in his films but he shows here that he is more than capable of it.
Likewise despite the fact the film is told through the eyes of Parker Luhrmann allows the film to explore many of the allegations brought against him. Early on Parker while acting as narrator defends himself saying he never did anything to harm Elvis yet later we see him recounting times when he pushed the man to the limit of exhaustion fuelling his drug habit while making selfish decisions that would benefit him but damage the career of the man he supposedly cared for.
Perhaps Luhrmann’s hand on the film really comes to light though during Presley’s Vegas years. The flashy neon lights and the fast pace of Las Vegas are perfect fodder for Luhrmann’s style of filmmaking and the scenes of Elvis on stage in Vegas are some of the highlights of the film – especially given that Austin Butler’s performance is so believable that it feels like you are watching archival footage.
In fact it probably isn’t out of place to suggest that Butler could easily earn an Oscar nomination for this film. His performance here is faultless as he literally seems to become Elvis. His singing voice mimics the King to a tee what his dancing ability is off the charts. When you mix that with his fine acting performance that takes him through all the emotions what you see here is one of the best acting performances of 2022.
This is also one of Tom Hanks finest acting performances to date, and that is saying something given the calibre of Hanks’ previous roles. He seems to embrace being able to play Parker as a type of villain and his performance is one of the most memorable things from the film. Likewise Olivia DeJone is stunning at Priscilla, she may have limited screen time but she makes use of what she does have.
Elvis far exceeds the expectations that many will have from it. The serious tone of the film is a huge step up and a surprise from Luhrmann. He keeps control of this film remarkably well knowing the right times to unleash his glitzy brilliance and when to hold it back for some of the films more serious moments. Together Luhrmann, Butler and Hanks have created something very special, something that is one of the best films of the year.
Dave’s rating Out Of 5
Alex First, Greg King, Jacqui Hammerton and Peter Krausz’s Elvis Review:
Summary: After more than thirty years of service as one of the Navy’s top aviators, Pete Mitchell is where he belongs, pushing the envelope as a courageous test pilot and dodging the advancement in rank that would ground him.
Year: 2022
Cinema Release Dates: 26th May 2022 (Australia), 4th May 2022 (Thailand), 27th May 2022 (UK), 27th May 2022 (USA)
VOD Release Dates: TBA
Country: USA
Director: Joseph Kosinski
Screenwriter: Ehren Kruger, Eric Warren Singer, Christopher McQuarrie
Cast: Monica Barbaro (Lt. Natasha ‘Phoenix’ Trace), Jennifer Connelly (Penny Benjamin), Tom Cruise (Capt. Pete ‘Maverick’ Mitchell), Greg Tarzan Davis (Lt. Javy ‘Coyote’ Machado), Jay Ellis (Lt. Reuben ‘Payback’ Fitch), Jon Hamm (Adm. Beau ‘Cyclone’ Simpson), James Handy (Bartender Jimmy), Ed Harris (Radm. Chester ‘Hammer’ Cain), Manny Jacinto (Lt. Billy ‘Fritz’ Avalone), Jean Louisa Kelly (Sarah Kazansky), Tommy Kijas (Big Roy), Val Kilmer (Adm. Tom ‘Iceman’ Kazansky), Raymond Lee (Lt. Logan ‘Yale’ Lee), Charles Parnell (Adm. Solomon ‘Warlock’ Bates), Jake Picking (Lt. Brigham ‘Harvard’ Lennox), Glen Powell (Lt. Jake ‘Hangman’ Seresin), Lewis Pullman (Lt. Robert ‘Bob’ Floyd), Danny Ramirez (Mickey ‘Fanboy’ Garcia), Bashir Salahuddin (Wo-1 Bernie ‘Hondo’ Coleman), Jake Schumacher (Lt. Neil ‘Omaha’ Vikander), Miles Teller (Lt. Bradley ‘Rooster’ Bradshaw), Kara Wang (Lt. Callie ‘Halo’ Bassett), Lyliana Wray (Amelia)
Running Time: 130 mins
Classification: M (Australia), 13 (Thailand), 12-A (UK), PG-13 (USA)
OUR TOP GUN: MAVERICK REVIEWS
David Griffiths’ Top Gun: Maverick Review:
Filmmaker Joseph Kosinski (Oblivion) has one of the toughest jobs in cinema this year. See it is Mr Kosinski who is the man responsible for bringing Top Gun: Maverick to the big screen. Mark my words if the film is a flop there will be people baying for his blood because the original Top Gun film is not just a favourite for many cinemaphiles it is an absolute classic that was lauded with changing cinema forever.
Now as if there isn’t enough weight already on Kosinski’s shoulders he’s also had to wait that little bit longer for the verdict on the film because it has been repeatedly pushed back due to the pandemic. By the time it opens in cinemas this week it will nearly be two and half years since the date it was originally scheduled for release.
Well perhaps we can lighten that load a little for Mr Kosinski because we have seen Top Gun: Maverick and as a fan who has been waiting over 30 years for another film in the franchise I can say the film more than lives up to expectations.
This time around we find Maverick (Tom Cruise – Rainman) still technically a Navy pilot but now testing new era aircraft. It’s not his ideal role but at least it isn’t retirement but as usual Maverick tests the nerves and patients of the top brass and soon finds himself close to being forced to retire.
Luckily for him though he is saved by Iceman (Val Kilmer – The Saint) who is now a highly ranked officer and he is given the task of being sent to the Top Gun Academy to help train a team of pilots for a near impossible mission.
On arrival at Top Gun Maverick instantly finds he is not wanted by his new boss, Cyclone (Jon Hamm – The Town), and discovers that his former deceased flight partner Gooses’ son Rooster (Miles Teller – Divergent) is part of the team that he has to train. Like Cyclone Rooster soon shows that he also has not time for Maverick.
To the credit of Kosinski and Tom Cruise, who had a lot of creative input into the film, what we have here is a rare exception in the cinema landscape – a sequel that more than matches the original film. Even a quick glance at this film will show that the action sequences here sets it apart from anything that we have seen in cinema over the past decades. Marvel could only dream of creating something as original as this.
There are no shortcuts with this film as one of the rules Cruise had about being part of this film was that the use of CGI was to be limited. Yes just like the original film Top Gun: Maverick sees the filmmakers having to work very closely with the Navy and shots on aircraft carriers were filmed on real carriers and the sequences with actual fighter jets were mostly shot with actual jets. Even Cruise’s own private antique aircraft makes an appearance.
The result is something that nobody could have predicted. The scenes of jet fighters flying low through canyons or shooting off with their afterburner glowing is nothing short of spectacular and needs to be seen on the biggest screen available. Knowing that the cast including Cruise, Teller, Monica Barbaro (The Good Cop) and Lewis Pullman (Them That Follow) are actually in a jet and experiencing the G’s that put agony across their face adds to a realism that an action film has no right happening.
Even the screenwriting team nail their jobs with this film. There is nothing in it that disrespects any of the characters from the past and given how ill Val Kilmer was when they were making this film they treat his character with the upmost respect. Unlike a lot of sequels or reboots even the new characters, which include an old flame of Maverick’s Penny Benjamin (Jennifer Connelly – A Beautiful Mind), add to the storyline rather than hinder it.
In fact it is the performance of one of the actors playing one of the new characters that really steals the show here. Miles Teller is truly sensational as Rooster. It is obvious that he has studied the performance of Anthony Edwards who played his father, Goose, in the original film because he seems to capture all the same mannerisms that Edwards brought to his character in an eerily good way. Even the scenes where he has to stand up to Cruise, one of the best actors of our generation, have a raw power to them and it feels like an honour watching this young actor go from strength to strength.
There is simply just so much to love about Top Gun: Maverick from sensational visual and action sequences through to a plot that actually allows its stars the ability to put in some brilliant acting performances. As far as sequels go this is pure perfection!
Dave’s rating Out Of 5
Kyle McGrath’s Top Gun: Maverick Review:
Kyle’s rating Out Of 5
Average Subculture Rating:
Other Subculture Top Gun: Maverick Reviews:
You can read our review of Top Gun: Maverick that appeared in The Phuket News right here –
Today, Disney+ announced that Searchlight Pictures’ film FIRE ISLAND, the directorial debut from Andrew Ahn, will premiere on Disney+ under the Star banner in Australia on June 17.
Set in the gay vacation destination off of Long Island, New York, FIRE ISLAND is an unapologetic, modern day romantic comedy showcasing a diverse, multicultural examination of queerness and romance. Inspired by the timeless pursuits from Jane Austen’s classic Pride and Prejudice, the story centers around two best friends (Joel Kim Booster and Bowen Yang) who set out to have a legendary summer adventure with the help of cheap rosé and their cadre of eclectic friends.
FIRE ISLAND, directed by Andrew Ahn, stars Joel Kim Booster, Bowen Yang, Margaret Cho, Conrad Ricamora, James Scully, Matt Rogers, Tomas Matos, Torian Miller, Nick Adams, Zane Phillips, Michael Graceffa, Peter Smith, and Bradley Gibson. From a screenplay by Joel Kim Booster, the film is produced by Tony Hernandez, John Hodges, and Brooke Posch of JAX Media, and was shot on location in the Pines, NY.
FIRE ISLAND will have its Australian premiere at the Sydney Film Festival on June 9th, 2022.
Robust parental controls ensure that Disney+ remains a suitable viewing experience for everyone in the family. Subscribers can set access limits on mature content and create PIN-protected profiles alongside the already existing Kids Profiles to give parents and guardians peace of mind.
Disney+ has unveiled the official trailer and key art for Original film “The Valet,” starring Eugenio Derbez (“CODA”), Samara Weaving (“Nine Perfect Strangers”), Max Greenfield (“New Girl”) and Betsy Brandt (“Breaking Bad”). “The Valet” premieres on Disney+ on May 20th.
In “The Valet,” world famous movie star, Olivia (Samara Weaving) faces a PR disaster when a paparazzi snaps a photo of her with her married lover, Vincent (Max Greenfield). The hard-working valet Antonio (Eugenio Derbez) accidentally appears in the same photo and is enlisted to pose as Olivia’s new boyfriend as a cover up. This ruse with Olivia thrusts Antonio into the spotlight and unexpected chaos. In this fish out of water romantic comedy, two worlds and cultures collide as both Olivia and Antonio start to see themselves more clearly than ever before. “The Valet,” directed by Richard Wong and written by Rob Greenberg and Bob Fisher, is the English-language remake of the hit French film.
The incredible cast also includes Carmen Salinas Lozano, Amaury Nolasco, Marisol Nichols, Diany Rodriguez, Tiana Okoye, John Pirrucello, Ravi Patel, Noemí González, and Lunay.
“The Valet” is directed by Richard Wong (“Dear…,” “Come as You Are”) and produced by Ben Odell and Eugenio Derbez (3Pas Studios).
