It has been described as one of the films of the year so take a listen as Dave Griffiths delivers an interview with Ansel Elgort. Elgort talks about how important music was to the film and tells us all about his character of Baby.
You can listen to or download our Ansel Elgort interview right here.
Summary: After being coerced into working for a crime boss, a young getaway driver finds himself taking part in a heist doomed to fail.
Australian Cinema Release Date: 28th June 2017
Australian DVD Release Date: 1st November 2017
Country: United Kingdom, United States
Director: Edgar Wright
Screenwriter: Edgar Wright
Cast: Jon Bernthal (Griff), Jeff Chase (Jeffrey), Morse Diggs (himself), Ansel Elgort (Baby), Flea (Eddie), Jamie Foxx (Bats), Eliza Gonzalez (Darling), Brogan Hall (Samm), Jon Hamm (Buddy), Lily James (Debora), CJ Jones (Joseph), Lanny Joon (JD), Kevin Spacey (Doc), R. Marcos Taylor (Armie), Paul Williams (The Butcher)
Runtime: 113 mins
OUR BABY DRIVER REVIEWS & RATINGS:
Kyle McGrath’s Baby Driver Review:
I’ve considered myself a huge fan of Edgar Wright’s films for some time. Since the release of Shaun of the Dead and with the continuation of his “Cornetto Trilogy” with Hot Fuzz & The World’s End Wright he has created what I would consider to be almost perfect films. In only a short amount of time Wright has created several instant cult classic films with their stylish presentation, music selection to characterisation and emotional moments having a kick to them even though the film itself may have an absurdist comedy twist to them. This isn’t to say I have impossibly high expectations for his movies simply that I know what Edgar Wright as a filmmaker is capable of.
Baby Driver is the story of “Baby” (Ansel Elgort) a young extremely talented getaway driver with a passion for music and a constant soundtrack to his own life playing on his iPod. Forced for years to serve as a wheelman to payback a debt to crime boss “Doc” (Kevin Spacey) Baby appears to be finally free to start building a life for himself after meeting a beautiful waitress named Deborah (Lily James). However much to Baby’s horror he is forced to take part in yet another “final job” with a team of psychopaths. Trying not to get in too deep Baby strive to stay ahead of the criminals and the cops and escape this life of crime once and for all before it’s too late.
By far the star of the film is not the actors but the music and how it is incorporated into the film. Wright has clearly put an extensive amount of effort into choreographing almost the entire film so that it synchs up with the accompanying soundtrack. Gunshots, camera edits, punches, car chases, car crashes everything is timed perfectly to match the rhythm and the beat of the song playing in the background. This has got to be the most musical-like non musical I’ve ever seen.
It’s definitely an impressive achievement and Wright shows off the slick visual style he has become known for. While definitely cool it can feel a little out of place at some points like the opening credits which serves as a single long take of Baby going to get coffee for the crew after a job well done. The scene plays out with specific lyrics from the song playing inexplicably spray graffitied around right as they come into view and right as that line in the accompanying song plays. Now this is probably the most extreme example and while being inconsequential it shows how at some points what’s happening in Baby Driver is more about creating a music video than the music enhancing the story.
That’s the main issue I personally had with the film and it’s just one of taste really, so much time and effort has gone towards these musical scenes though the actual story and characters feel underwritten.
Storylines and relationships feel completely rushed, the characters are really given room to grow or give us reasons to care for them other than on a superficial level. The romance between Baby and Deborah especially felt forced and certain characters actions contradict how they were portrayed up to that point that the audience themselves are left to fill in the gaps more often than I felt was necessary.
Like for example in Mad Max Fury Road I’m perfectly fine with some backstory left up to interpretation as it wasn’t particularly necessary. But as simple as the plot was for that film if the villain had a sudden change of heart out of the blue at the end and called off the whole chase or something I would expect more than a passing line of dialogue as an explanation.
Baby Driver I felt was all style and little substance. It’s not a bad film really it is just somewhat forgettable despite its stylish presentation. The plot and characters feel like they are just there as an excuse to create some cool car chases and music videos which is totally fine. However at the same time the film is brought down a little by that.
Not that I want to say I’m rating this film on a curve, I would have felt the same way about it if had I not known the director’s name or previous work at all. But the soul of this film doesn’t quite live up to Wright’s previous work. Rather than feeling for these characters I felt indifferent to them and what was happening. Actors like Jamie Foxx or Kevin Spacey who I know are capable of comedy and drama seemed wasted on what felt like no more than rehashes of their roles in Horrible Bosses.
I enjoyed Baby Driver as a funny and entertaining rev head popcorn heist flick. Clearly I do think Edgar Wright was capable of crafting something better overall but for a crowd pleaser he’s most assuredly delivered with his latest film.
Average Subculture Rating:
Other Subculture Entertainment Baby Driver Reviews: N/A
If you’re a fan of the Divergent series of films then listen up because The Divergent Series: Allegiant trailer has just landed.
The third installment of the blockbuster Divergent series franchise, ALLEGIANT takes Tris [Shailene Woodley] and Four [Theo James] into a new world, far more dangerous than ever before.
After the earth-shattering revelations of INSURGENT, Tris must escape with Four and go beyond the wall enclosing Chicago. For the first time ever, they will leave the only city and family they have ever known in order to find a peaceful solution for their embroiled city. Once outside, old discoveries are quickly rendered meaningless with the revelation of shocking new truths. Tris and Four must quickly decide who they can trust as a ruthless battle ignites beyond the walls of Chicago which threatens all of humanity. In order to survive, Tris will be forced to make impossible choices about courage, allegiance, sacrifice and love.
Starring Shailene Woodley, Theo James, Jeff Daniels, Octavia Spencer, Ray Stevenson, Zoe Kravitz, Miles Teller, Ansel Elgort, Maggie Q, Mekhi Phifer, Daniel Dae Kim and Naomi Watts.
The Divergent Series: Allegiant is set for release in March.
You can view The Divergent Series: Allegiant trailer below.
Dave Griffiths has worked as a journalist for over twenty years now -covering topics including film, television, music, travel and sport (with a main focus on AFL Football).
That time has seen him host the popular X-Wired television program for seven seasons as well as write for various magazines such as Buzz Magazine, Heavy Mag, Stage Whispers, The Banner and Eternity. Dave is currently the Head Film Writer for Heavy Mag and also writes reviews for Thailand’s The Phuket News newspaper.
He has even branched out into writing online for Subculture Entertainment, Media Search and The Book The Film The T-Shirt. He also worked as the online editor for Entertainment 360 for three years.
Dave’s radio work has seen him work on various radio stations including Talking Lifestyle, 2GB Talk Radio, ,3RPP, Triple R and Light FM. He is currently the co-host of Melbourne’s 94.1FM’s breakfast show ‘The Motley Crew’ and he can sometimes be heard on J-Air’s ‘First On Film’. David is also the co-host of two popular podcasts – ‘The Good, The Bad, The Ugly Film Show,’ and ‘The Popcorn Conspiracy’
As far as Film Reviewing goes David is an elected committee member of AFCA (Australian Film Critics Association and a member of IPRESCI (International Federation of Film Critics)/FIPRESCI (Fédération Internationale de la Presse Cinématographique).
He has also served as a jury member for a number of international film festivals and is considered an expert on cult cinema, horror movies and Australian films.
Dave is also a keen screenwriter and is currently working on a new comic book series.
Currently David Griffiths has 74 Film & TV Reviews on Subculture Entertainment
Here you go Divergent fans The Divergent Series: Allegiant trailer has just been released. The film which is directed by Robert Schwentke and stars Shailene Woodley, Theo James, Jeff Daniels, Octavia Spencer, Ray Stevenson, Zoe Kravitz, Miles Teller, Ansel Elgort, Maggie Q, Mekhi Phifer, Daniel Dae Kim and Naomi Watts will be released in cinemas in March, 2016.
Summary: Based on a novel by John Green Paper Towns tells the story of Quentin Jacobson (Nat Wolff) and Margo Roth Spiegelman (Cara Delevingne) who have grown up living in houses opposite each other. When they were kids they were inseparable friends who did everything together, but after the pair found a body of a man who had committed suicide and Margo became wrapped up in solving the mystery of the man’s life the pair started to drift apart.
Now they are seniors at High School. Quentin is a safe student who has focused on becoming a doctor, getting married and having children while hanging out with his somewhat geeky friends, Radar (Justice Smith) and Ben (Austin Abrams). Meanwhile Margo has become one of the most popular girls in school, dated by the popular boys and hanging out with her best friend, the beautiful Lacey Pemberton (Halston Sage).
Suddenly after years apart Margo reaches out to Quentin to help her on one night of ‘crime’ as she gets revenge on her adulterous boyfriend and his friends, then she simply disappears meaning for once his life Quentin is the one with a mystery to solve.
Australian Cinema Release Date: 16th July 2015
Australian DVD Release Date: TBA
Country: United States
Director: Jack Schreier
Screenwriter: John Green (novel), Scott Neustadter, Michael H. Weber
Cast: Austin Abrams (Ben), Hannah Alligood (Young Margo), Ryan Boz (Young Quentin 14), Cara Buono (Mrs. Jacobsen), Caitlin Carver (Becca), Josiah Cerio (Young Quentin), Meg Crosbie (Ruthie), Stevie Ray Dallimore (Mr. Jacobsen), Cara Delevingne (Margo), Ansel Elgort (Mason), Griffin Freeman (Jase), Tom Hillmann (Mr. Spiegelman), Lance Lovegrove (Robert Joyner), Drew Matthews (Gus), Kendall McIntyre (Ben At Age 12), Susan Mackie Miller (Mrs. Spiegelman), Halston Sage (Lacey), RJ Shearer (Chuck), Jaz Sinclair (Angela), Justice Smith (Radar), Nat Wolff (Quentin)
Runtime: 109 mins
OUR PAPER TOWNS REVIEWS & RATINGS:
There will not be a film that frustrates you as much this year as Paper Towns will. The film starts off, as the trailer suggests, as a well written teenage mystery, in the vain of a modern day Secret Seven or Famous Five, but then just as the film starts to get interesting it simply peters out with one of the weakest endings you are ever likely to see.
The disappointing thing is that director Jake Schreier (who directed the brilliant Robot & Frank) and a screenwriting team that boast The Spectacular Now and (500) Days Of Summer on their resume draw you in really early and have you loving this film in a way that suggests it could be one of your favorite films of the year. For once they seemed to have created very realistic characters with their own individual personalities. There are no clean cut Hollywood teens here, instead you get genuinely confused high school kids that show all the personality traits of the kids that you went to school with, including that kid that was obsessed by sex and saw every women (including his friend’s Mums) as a chance.
As a result you find yourself really barracking for these realistic characters so when Margot disappears you invest a lot of interest in whether or not Quentin can find her. But is here that the writing in this film falls away completely. It seems that as soon as the characters embark on their road trip all the suspense and drama of this film just goes completely out the window, and not even a near miss car accident can re-ignite it. Really the road trip should have started a lot earlier and been the main focus of the film but instead it becomes a rushed effort during which all the good characterization seems to simply disappear and important moments in the lives of the characters are just brushed over really, really quickly.
Then comes the final insult a finale that you both want to praise and criticize. First off you want to congratulate the creative team behind the film for not going with the traditional American ending that you would expect with a teenage romance, but at the same time the ending frustrates you so much that you feel that the only way the filmmakers could appease themselves is by delivering one of those dreaded sequels that gives you some insight into what happens to the characters when they go off to college (or whatever one in particular decides to do).
The one thing that Paper Towns does deliver though is some future stars. Nat Wolff steps up from Fault In Our Stars and takes over the lead role pretty well, while Cara Delevingne really shows just how far she has come in her short career with a commanding performance that shows that she may well follow in the footsteps of Jennifer Lawrence and Shailene Woodley and use a teenage flick like this to launch her into much better things acting wise. Then there is Halston Sage, who despite her smaller role manages to steal a lot of scenes, especially with a strong emotional scene set in a bath tub of all places. With her good looks and great acting skills Sage certainly has a big career ahead of her.
While early on Paper Towns threatens to be a teenage flick as good as The Spectacular Now or The First Time it ends up disappointing its audience with a melancholy finale and some really lame road trip scenes. Somewhere along the creative line something dreadful happened with Paper Towns and this once promising film just falls by the wayside, sad but true.