Tagged: Hilary Swank

Summary:  After a one-night stand, a successful married man finds himself entangled in a cunning police detective’s latest investigation.

Year: 2020

Cinema Release Dates: 6th May 2021 (Australia), 18th December 2020 (USA)

VOD Release Dates: TBA

Country: USA

Director: Deon Taylor

Screenwriter: David Loughery

Cast: Oakley Bull (Haley Younger/Haley Older), Mike Colter (Rafe Grimes), Sam Daly (Officer Stallman), Michael Ealy (Derrick Tyler), Kali Hawk (Micaela), David Hofin (Officer Lowe), Rasneet Kaur (Lira), Damaris Lewis (Tracie Tyler), Sabina Mach (Sabina), Compton Menace (Bumpy), Geoffrey Owens (Bill Cranepool), Danny Pino (Carter Heywood), Filipp Revega (Officer Mike), Kirill Revega (Officer John), Lance Stephenson (himself), Hilary Swank (Detective Val Quinlan), Tyrin Turner (Tyrin Abenathy)

Running Time: 102 mins

Classification: MA15+ (Australia), R (USA)

OUR FATALE REVIEWS

David Griffiths’ Fatale Review:

Back in the 1990s and early 2000s Hollywood went through a phase where it loved to mix ‘sex-up’ it’s crime thrillers. The result was classic films like Basic Instinct and of course every teenage boy’s dream – Wild Things. Of course though like all Hollywood phase for every sexy crime thriller that hit its mark there were another twenty that fell from the way-side… and you can find most of those ones in the DVD section of The Reject Shop these days.

To me, director Deon Taylor’s (Black And Blue) feels like a throwback to those films. The film centres around the seductive Detective Val Quinlan (Hilary Swank – Boys Don’t Cry) who ends up in bed with Derrick Tyler (Michael Ealy – Think Like A Man) when the two’s paths cross in the city of sin – Las Vegas.

What Derrick doesn’t tell Val is that he is married and she only finds that out about him when she is called out to the scene of an attempted murder that just happens to happen at the house of Derrick and his wife Tracie (Damaris Lewis – The Rewrite). The high-rolling Derrick is stunned that somebody has tried to murder him and he is beyond nervous of that fact that Val is now in contact with his wife.

The worst enemy of this film is its trailer. I’ll admit that I enjoyed Fatale as a film but having seen the trailer before I saw the film I had some of my experience spoilt by the fact that I already knew too much of what was going to happen. Deon Taylor and screenwriter David Loughery (Lakeview Terrace) have created a good crime thriller with all the right twists and turns to keep their audience guessing but sadly some of those reveals have already been revealed in the trailer.

Still as far as crime thrillers go Fatale does work pretty well. There is enough suspense to make you wonder about nearly every character that is in Derrick’s life while cinematographer Dante Spinotti (Heat) captures some wonderful shots of the opulent house (and its views) that a majority of the film was shot in.

What I also enjoyed about Fatale was the performances of its leads. Hilary Swank looked like she was having a hell of a fun time playing the dangerous vixen while Michael Ealy takes a huge step forward in his career with a performance that more than shows that he was ready to take over the leading man status on a film.Fatale is a guilty pleasure film. It is the kind of film that I found myself enjoying while I was watching but it is one of those films where people are going to give you a funny look when you admit to liking it. It has suspense, some great twists and turns but I would seriously consider avoiding the trailer before you head into the cinema to watch it.

Dave’s rating Out Of 5

Average Subculture Rating:

IMDB Rating:

Fatale (2020) on IMDb

Other Subculture Fatale Reviews:

N/A

Trailer:

Summary: Two women face off as a deadly game called The Hunt goes completly off track.

Year: 2020

Australian Cinema Release Date: TBA

Thailand Cinema Release Date: 12th August 2020

Australian VOD Release Date: 9th April 2020

Country: USA

Director: Craig Zobel

Screenwriter: Nick Cuse, Damon Lindelof

Cast: Hannah Alline (Flight Attendant/Not Stewardess/Kelly), Usmine Ally (Crisis Mike), Alexander Babara (Bojan), Walter Babington (Bandana Man), Ike Barinholtz (Staten Island), Christopher Berry (Target), Reed Birney (Pop), Macon Blair (Fauxnvoy), Steve Coulter (The Doctor), Sylvia Grace Crim (Dead Sexy), Wayne Duvall (Don), Ariel Eliaz (Dino), Betty Gilpin (Crystal), Glenn Howerton (Richard), Jason Kirkpatrick (Rannnndeeee), Jim Klock (Captain O’Hara), J.C. MacKenzie (Paul), Amy Madigan (Ma), Steve Mokate (Sgt. Dale), Kate Nowlin (Big Red), Vince Pisani (Peter), Emma Roberts (Yoga Pants), Sturgill Simpson (Vanilla Nice), Charlie Slaughter (Young Crystal), Ethan Suplee ((Shut The F**k Up) Gary), Hilary Swank (Athena), Dean J. West (Martin), Teri Wyble (Liberty), Tadasay Young (Nicole)

Running Time: 90 mins

Classification: MA15+ (Australia), 18 (Thailand)

 

 

OUR THE HUNT MONSTER REVIEWS & RATINGS:

 

Dave Griffiths’ The Hunt Review:

In a year where people have learnt to embrace films in ways that they haven’t previously the one genre that seems to have topped all others has been the horror genre. While The Wretched topped the US Box Office just before the lockdown Leigh Whannell’s The Invisible Man found itself scoring five star reviews from some of the world’s top film journalists.

While those two results seemed to surprise fans of the genre the film they were eagerly anticipating was director Craig Zobel’s (Compliance) The Hunt. The excitement around the release was hardly surprising – Zobel’s post-apocalyptic thriller Z For Zachariah is one of the most under-rated films of the last decade while The Hunt was the latest film to come out of Blumhouse stable, a production company who rarely produce a dud.

The film itself is basically an adult version of The Hunger Games with some extra quirk thrown in for good measure. The opening scenes of The Hunt pretty much The Hunger Games but do quickly establish that characters like Crystal (Betty Gilpin – Stuber) are involved in a deadly game that has been set up by the mysterious Athena (Hilary Swank – Million Dollar Baby) But what exactly is the game that Crystal has found herself in? And why the hell has Athena set something up some vicious and cruel?

Those are the questions that the audience are asked to explore, but to be honest the road to getting those answers is un-original and at times plain boring. While the screenwriting team of Nick Cuse (Watchmen) and Damon Lindelof (Lost) try to give the film its own originality with some quirky Kevin Smith style black humour it does nothing to lift any interest in the film’s plot at all.

While the idea of losing characters on mass and at a whim throughout the early stages of the film may have made the script look like a horror film with a difference it just doesn’t work on the screen. Introducing characters and then having them killed or disappearing straight away makes it nearly impossible for the audience to get a vested interest in the film. It is also does nothing but waste the talents of quality performers like Emma Roberts (We’re The Millers).

While the film does gain a little bit of traction when it becomes a battle between Crystal and Athena even that comes to a crashing end with a lacklustre finale that any decent horror fan will have seen close a film a million times previously. To be honest that little battle royale comes a little bit too late for the interest of the audience as well. The film’s inability to engage its audience early on really does mean that you never really care for Crystal the way you should and again there are a lot of scenes throughout the film that are just too similar to other recent films like Peppermint.

The only winner out of this film is the star Betty Gilpin. While everyone falls around her her performance as Crystal is enough to at times back you forget the clichés that is holding the film back. She brilliantly delivers whatever is thrown at her – action, gore and black comedy. Her scenes with Hillary Swank are at times the only things making the film watchable and for that Gilpin deserves a lot of credit.

The Hunt never really lives up to the hype that came before it. Fans of genuine horror will give it a wide berth after just one viewing while it’s quirkiness and gore is probably enough to put off the casual cinema goer. If you’re looking for a decent gorey, catch-me-if-you-can horror then bypass The Hunt and try to find a way to watch Tony D’Aquino’s The Furies instead.

 

The Hunt is rated 18. It is available on a number of streaming services and will open in select Thai cinemas on August 12th.

 

 

 

 

 

Average Subculture Rating:

 

 

IMDB Rating:

The Hunt (2020) on IMDb

Other Subculture Entertainment The Hunt Reviews:

Nil.

 

Trailer:

 

Universal Pictures Australia will release an extended sneak peak of the most controversial film of the year. The FIRST TEN MINUTES of THE HUNT will be available to stream tomorrow night THURSDAY 9 APRIL @ 8pm AEST via Universal Pictures Australia YOUTUBE or FACEBOOK platforms.

 

The film which sparked controversy, including a tweet from U.S. President Donald Trump accusing the film of being made ‘to inflame and create chaos’ is a chilling real-world suspense-thriller starring BETTY GILPIN (Glow) and two time Oscar® Winner HILARY SWANK. Set in the dark spaces of a modern America where a sinister organisation ‘removes’ societies undesirables and transports them to a remote location to be hunted for sport by the wealthy elite. However the hunters become the hunted when they capture one mysterious woman who has a powerful will to survive and the skills to exact a bloody revenge.

 

YOU CAN WATCH THE FIRST 10 MINUTES ON THURSDAY 9 APRIL @ 8PM AEST ON UNIVERSAL AUSTRALIA’S YOUTUBE OR FACEBOOK CHANNEL or RENT THE ENTIRE FILM FROM APRIL 9 ACROSS A VARIETY OF ON DEMAND CHANNELS

Sandra Bullock

It must be an exciting time for an actress when she is sent a script to read, it must even be more exciting when the script she is sent is one for a blockbuster film that may change her career forever. For that reason, it is almost unfathomable how an actress can read a blockbuster script but then decline the role. But is has happened, so let’s take a look at the actresses who have turned down blockbuster roles.

Nia Long – Nia who? Yes sometimes a decision that an actress can make about her career can be the difference between one day getting a star on a Hollywood pavement or career suicide. Back in 2000 when the producers were putting together a dream cast for the big screen adaptation of “Charlie’s Angels,” they had one actress say no to a role that would have seen her acting in one of the biggest action blockbusters of all time alongside the likes of Drew Barrymore and Cameron Diaz. Actress Nia Long was actually approached about playing the role of Alex Munday, but when she turned it down to be in “Big Momma’s House” the role instead went to Lucy Liu. The decision was pretty much career suicide for Long who, since “Big Momma’s House,” has pretty much been restricted to doing just television roles.

Sandra Bullock – Okay, so Sandra Bullock has enough brownie points in her bag to show that it probably didn’t matter that she passed on a movie role once, but there is another actress out there who is very thankful that she did. Back in 2004 when legendary director Clint Eastwood was putting together the cast for boxing flick “Million Dollar Baby,” the role of Maggie Fitzgerald was actually offered to Sandra Bullock first, but she declined the role saying she couldn’t work with Eastwood. Instead, the role went to Hilary Swank who had impressed everybody with her performance in “Boys Don’t Cry” five years earlier. Swank probably still thanks Bullock for the opportunity because playing Maggie saw Swank pick up an Oscar.

Jada Pinkett – Can making bad decisions about movie roles run in the family? It’s common knowledge that Will Smith turned down the role of Neo in “The Matrix” but his wife Jada Pinkett also made a terrible decision about a role as well. Getting offered a role in a franchise based on a comic book is now like a badge of honor, but back in the year 2000, it was less so. It is perhaps only a little surprise that Pinkett was not quick to snap up the role of Storm for the “X-Men” film when it was first offered to her. Pinkett turned down the role and instead it went to Halle Berry, who used it to catapult her career into a new atmosphere of stardom.

Michelle Pfeiffer – “Pretty Woman,” love it or loathe, it but it is still one of the most watched films of all time. It was also the film that introduced the world to Julia Roberts and made her a superstar. Yes, it was Roberts who played the role of fun-loving escort, Vivian Ward, in this Cinderalla story. At the time Roberts was a virtual unknown with “Steel Magnolias” being the only film of note under her belt. She should consider very lucky to have won the role in “Pretty Woman,” because the role was first offered to Michelle Pfeiffer who was hot property after just working on “Dangerous Liaisons.” Pfeiffer turned down the role and Roberts used it to become a star.

Demi Moore – Yes, it maybe news to all of you out there that ever decided to hit the pause button during a certain scene in the erotic thriller “Basic Instinct,” but it almost wasn’t Sharon Stone who took the lead role opposite Michael Douglas. When director Paul Verhoeven was first putting together the cast for “Basic Instinct,” his first choice of leading lady was in fact Demi Moore who was the toast of Hollywood after her lauded performance in “Ghost.” When Moore said no to the role of “Basic Instinct’s” relative vixen, Catherine Tramell, the role was instead offered to Sharon Stone who was mainly known for her role opposite Arnold Schwarzenegger in “Total Recall.”

Some may say that their decision was wise, some may say that their decision was one of the stupidest decisions they ever made in their lives. But for one reason or another the woman above all said no to a blockbuster. Thankfully, not too many have lived to regret to the decision.