Tagged: Jack Charles

DVD Packshot

Summary: In the very near future, creatures from ancient mythology must live among humans and battle for survival in a world that wants to silence, exploit and destroy them.

Year: 2016

Australian DVD Release Date: 1st September 2016

Country: Australia

Directors: Wayne Blair (4 episodes), Leah Purcell (2 episode)

Screenwriters: Jane Allen (1 episode), Jon Bell (2 episodes), Michael Miller (6 episodes)

Main Cast: Jada Alberts (Nerida West), Tony Briggs (Boondee), Rob Collins (Waruu West) , Ryan Corr (Blair Finch) , Stef Dawson (Ash Kerry), Iain Glen (Jarrod Slade),  Marcus Graham (McIntyre), Rarriwuy Hick (Latani), Deborah Mailman (Aunty Linda), Andrew McFarlane (Matthews) , Frances O’Connor (Charlotte Cleary), Hunter Page-Lochard (Koen West), Tamala Shelton (Alinta West), Tyson Towney (Djukara), Tasma Walton (Araluen)

Sub Cast: Jeremy Ambrum (Jake) – 5 episodes, Benson Jack Anthony (Gub) – 5 episodes, Lilly Bader (Lilly) – 1 episode, Adam Briggs (Maliyan) – 6 episodes, Jack Charles (Uncle Jimmy) – 1 episode), Jerome Cosgrave (Jumbhi) – 3 episodes, Lynette Curran (Virgil) – 2 episodes, Nancy Denis (Eve) – 5 episodes, Isaac Drandic (Harry) – 5 episodes, Kamil Ellis (Mungo) – 6 episodes, Rhondda Findleton (Frankie) – 5 episodes, Sean Hawkins (Joel) – 1 Episode, Aileen Huynh (Everick) – 3 episodes, Trevor Jamieson (Uncle Max) – 5 episodes, Jack Kingsley (Aiden) – 1 episode, Alexis Lane (Kora) – 6 episodes, Kathy Marika (Ngumunga) – 2 episodes, Rosharyn Marr (Young Koen) – 1 episode, Julian Maroude (Anton) – 1 episode, Jack Mars (Cameron) – 1 episode, Josh McConville (Dickson) – 3 episodes, Robyn Nevin (Jane O’Grady) – 1 episode, Sam Paronson (Taki) – 1 episode, Rahel Romahn (Ludo) – 1 epsiode, Mark Simpson (Holbeck) – 1 episode, Waverley Stanley Jnr. (Kulya) – 6 episodes, Miranda Tapsall (Lena) – 1 epsiode, Jenny Templeton (Alice) – 1 episode, Ben Toyer (Jamie) – 1 episode, Elijah Valadian-Wilson (Young Waruu) – 3 episodes, Katie Wall (Rowena) – 3 episodes, Leeanna Walsman (Belinda) – 4 episodes, Val Weldon (Jirra) – 2 episodes, Georgia Wilde (Melissa) – 1 episode, Matthew Wilkinson (Kennedy) – 2 episodes, Dylan Young (Nick) – 1 episode,

Runtime: 6 x 50 mins eps

Classification: MA15+

 

CLEVERMAN SEASON 1 REVIEWS & RATINGS:

 

Dave Griffiths:

The Australian film industry has always had an interesting relationship with the genre of television. Over the years we’ve produced some pretty decent sci-fi programs – shows like ‘Farscape’ and ‘Spellbinder’ immediately spring to mind, but for some reason the people providing the money for the industry seem to shy away from the genre, instead looking to push more dour dramas onto the audience. Well now comes a sci-fi show that will hopefully change all of that – Cleverman. Mark my words this show is guaranteed to become a cult classic… it’s just that damn good.

Cleverman is set in the future, a time when Sydney is living under the threat of ‘hairies’ – a so called ‘subhuman’ species who are currently being considered a threat. People react different to the ‘hairies’, Governmental departments led by the likes of Geoff Matthews (Andrew McFarlane – ‘The Flying Doctors’) and McIntyre (Marcus Graham – ‘Mulholland Drive’) see them as a threat that needs to be contained and eventually eradicated. Business-men like Jarrod Slade (Iain Glen – ‘Game Of Thrones’) see them as a way of making a mountain money, while small-time operators like Koen West (Hunter Page-Lochard – ‘Spear’) and his best mate, Blair Finch (Ryan Corr – ‘The Water Diviner’) also see them as a cash cow. Then there are people like Waruu West (Rob Collins – ‘The Wrong Girl’) who are sworn to protect them as they see the treatment of the ‘hairies’ as the same way their Aboriginal ancestors were treated.

It is hard to put into words just how good ‘Cleverman’ really is. This sci-fi goes a lot further than most other shows in the genre and gets so political at times it makes you see Australian history in a whole different light. The screenwriters of this show have taken the wrongs of Australia’s past and condensed into such a format that anybody can see just how wrong the Government have handled things such as the stolen generation and Aboriginal deaths in Police custody over the years. Like the feature film, ‘Red Billabong’, ‘Cleverman’ also explores Aboriginal culture and mythology… two things I’ve probably learnt more about watching this television show then I ever did in my year at high school.

The political side of things pushed to the background this show also works because of the relationships between each of the characters. The growth surrounding the character of Koen has to be seen to be believed and the resulting conflict that these changes cause with his half-brother Waruu ignite the second half of this season. The real test comes when the audience sits in suspense as you wait to see which brother is going to make the right decisions in the season finale.

The hard edged nature of this show also lifts the program high above most other shows airing on television at the moment. Yes there are moments of violence as hairies and humans clash but is things such as a character knowing impregnating his wife with a hairy for scientific research and a hairy being forced into a sick form of prostitution that really makes this program stand out from the pack.

The edgy nature of the program also brings out the best in its cast. Aussie favourites like Tasma Walton (‘Blue Heelers’) and Deborah Mailman (‘The Secret Life Of Us’) are standouts in their strong roles but the stand out here is Iain Glen who dominates the acting stakes as he plays the mysterious Slade whose intentions are often questionable. Credit must also be paid to Hunter Page-Lochard and Rob Collins who both announce themselves as actors to watch in the future with strong performances that make this show a must see.

While firmly planted in the sci-fi genre ‘Cleverman’ is a show that takes a deep look at Aboriginal history and social issues while also providing enough believable drama between its characters to make you want to watch each week. The fact that Season One builds up to a crescendo that looks set to explode in Season Two means this is a show that you have to watch if you haven’t already done so.

Stars(5)

 

 

Average Subculture Rating (out of 5):   Stars(5)

 

IMDB Rating:  Cleverman (2016) on IMDb

 

Other Subculture Entertainment Cleverman Season 1 reviews: Nil.

 

Trailer:

Pan

Summary: 12-year-old Peter (Levi Miller) has always thought he was special despite what the nuns at the orphanage tell him. But he doesn’t realise how special he is until he is whisked away in the night and spirited away to Neverland where he is forced to work for Blackbeard (Hugh Jackman) who dreams of ruling the mysterious land.

After a daring escape alongside Hook (Garret Headlund) and Sam Smiegel (Adeel Akhtar), and a chance meeting with Tigerlily (Rooney Mara), Peter learns that he is indeed special and soon sees why Blackbeard wants him dead.

Year: 2015

Australian Cinema Release Date: 24th September 2015

Australian DVD Release Date: TBA

Country: USA, UK, Australia

Director: Joe Wright

Screenwriter: Jason Fuchs, J.M. Barrie (characters)

Cast: Nicholas Agnew (Pilot Primrose), Adeel Akhtar (Sam Smiegel), Orlando Loo Alfred (Yung), Tony Allen (himself), Gabriel Andreu (Matador), Nonsie Anozie (Bishop), Jozef Aoki (Ranger Pirate ‘Wings’), Jamie Beamish (Not-Dobkins), Neil Bell (Baggy), Brian Bovell (Long John Standing), Kathy Burke (Mother Barnabas), Jack Charles (Chief), Cara Delevingne (Mermaids), Kurt Egyiawan (Murray), Salo Gardner (Older Blackbeard), Garrett Hedlund (Hook), Paul Hunter (Daisy), Hugh Jackman (Blackbeard), Paul Kaye (Mutti Voosht), Amanda Lawrence (Sister Joseph), Jack Lowden (Dobkins), Lewis MacDougall (Nibs), Giacomo Mancini (Michelangelo), Rooney Mara (Tiger Lily), Phil Martin (Goliath), Ami Metcalf (Sister Thomas), Levi Miller (Peter Pan), Aaron Monaghan (Robbins), Tae-joo Na (Kawhu), Dean Nolah (Peanut), Michael Ryan (Silverman), Julian Seager (Livingston), Amanda Seyfried (Mary), Mike Shepherd (Fernley Trebilcock), Harry Lister Smith (Pilot Parker), Jimmy Vee (Lofty), Bronson Webb (Steps), Spencer Wilding (Growler), Leni Zieglmeier (Wendy Darling)

Runtime: 111 mins

Classification: PG

 

OUR PAN REVIEWS & RATINGS:

 

David Griffiths:

Pan was always going to be a film that came under a lot of scrutiny and was going to cop a fair whack of criticism. There are some Disney purists out there that believe once Disney has touched a story there is no need for anyone else to explore the story, and while I disagree with that I do agree with the fact that their have been some pretty dreadful movies over the years that have touched on both the Peter Pan and Captain Hook storylines. What I didn’t expect for Pan though was for it to become a film so alternative that some parents are arguing whether or not it is suitable for children to watch or not.

Now I’ll be honest helicopter parents who are too afraid to let their children play in dirt annoy me. They are normally the same kind of parents that will look for the slightest detail in a film that makes it ‘unwatchable’ for kids and then take to social media on a rant, or tell you why you liking the film is wrong! I’ll also admit that I grew up in the generation where films like Never Ending Story and all it’s magic, plus a healthy dose of monsters with chainsaws (I’m looking at you Gremlins) was considered okay for children to watch at the cinema. Having said that I do agree that Pan is not for very small children, but hey if you have older kids and teens then go nuts because the alternative feel to Pan is actually something a little bit refreshing.

Yes there are some problem scenes for small children, Blackbeard has no problem firing guns at children and natives alike while at the same time Tigerlily doesn’t mind getting a little stabby with some sharp objects but there is also a hell of a lot to like about this film as well. For starts director Joe Wright (known for Pride & Prejudice and Hanna to name a few) and screenwriter Jason Fuchs’ choice to include the songs of bands like Nirvana and The Ramones during some of their scenes came as a complete surprise while the aggression of characters like Blackbird seemed to make this feel seem a lot more ‘real’ then what your typical style of ‘slapstick violence’ would have.

Having declared that there were things about Pan that I loved I also have to admit that the film had its weak points. While the film moves along well it seems to lose a lot of its suspense once Peter, Sam and Hook are out in the wilds of Neverland and despite a relatively good flying Pirate ship chase and battle not even this scene seems to have captured the air of suspense that it deserves. It almost felt at times that Wright is the kind of director that can milk suspense out of a dramatic scene, like when Blackbeard first confronts Peter in the captain’s cabin, but is a little bit out of his depth when it comes to huge action sequences.

The same can also be said for the screenplay’s set up of characters. Peter and Blackbeard get wonderful set-ups which in turn allows Hugh Jackman to shine, but then there is the character of Hook, who any Peter Pan fan will tell you becomes a major character in the lead character’s life. Here Hook is a bit of a mystery, and strangely seems to be a nod as a tribute to Indiana Jones.

This also causes an inconsistency in the acting as well. Levi Miller announces himself as a little star with a brilliant performance in his debut lead role but even he is out acted by Hugh Jackman who relishes in the role of the ‘bad guy’ Blackbird. Jackman here puts in a performance here that we have wanted to see Johnny Depp deliver over the past few years. Jackman is completely transformed and unrecognisable and he genuinely becomes one of Hollywood’s meaner screen nasties. Sadly, the film’s poor reception means most cinema lovers will miss out on the performance.

Also stepping up here is Rooney Mara. Sure she doesn’t have anything near as dramatic to work with as she did when she did Girl With A Dragon Tattoo but she does has her moments as Tigerlily. The criticism she has copped for being a white actress playing a ‘native’ role is also ludicrous. If you look around the ‘tribe’ in Pan they seem to be made up of people of all skin colors, including an Australian Aboriginal playing the tribe’s leader, so seriously the complaints are just a few keyboard warriors with very little to do. Be warned if you’re a fan of Amanda Seyfried or Cara Delevingne just beware that their roles are very small indeed.

Pan certainly does not deserve the backlash that it has received as a film. Sure some of the action sequences do not reach the great heights that they should, but for the most part this is a well acted and alternatively fresh film aimed for teens.
Stars(3.5)

 

 

Greg King:

You can read Greg’s full Pan review on www.filmreviews.net.au

 

Stars(2)

 

 

Average Subculture Rating (out of 5):  Stars(3)

 

IMDB Rating:  Pan (2015) on IMDb

 

Other Subculture Entertainment Pan reviews: You can listen to our full Pan  review on The Good The Bad The Ugly Film Show Ep #147. You can also read our Pan review on The Book The Film The T-Shirt.

Trailer: