Tagged: Lola Kirke

Gone Girl Poster

Summary: When Nick Dunne (Ben Affleck) discovers that his wife Amy (Rosamund Pike) is missing and there is sign of a struggle, he is immediately concerned. But as the case develops, the nation becomes transfixed with the search and a series of clues begin to make Nick look like something other than a mere bystander, the police, the media, the viewing public and his family begin to doubt his innocence.

Year: 2014

Australian Cinema Release Date: 4th October, 2014

Australian DVD Release Date: TBA

Country: USA

Director: David Fincher

Screenwriter: Gillian Flynn

Cast: Lynn Adrianna (Kelly Capitono), Ben Affleck (Nick Dunne), Lisa Banes (Marybeth Elliott), David Clennon (Rand Elliott), Carrie Coon (Margo Dunne), Kim Dickens (Detective Rhonda Boney), Nicholas Fagerberg (Charlie), Patrick Fugit (Officer Jim Gilpin), Neil Patrick Harris (Desi Collings), Alexander Michael Helisek (Mover Charles), Boyd Holbrook (Jeff), Pete Housman (Walter), Leonard Kelly-Young (Bill Dunne), Lola Kirke (Greta), Saffron Mazzia (Celina), Scoot McNairy (Tommy O’Hara), Jamie McShane (Donnelly), Terry Myers (Steve Eckart), Kathleen Rose Perkins (Shawna Kelly), Tyler Perry (Tanner Bolt), Rosamund Pike (Amy Dunne), Missi Pyle (Ellen Abbott), Emily Ratajowski (Andie Hardy), Donna Rusch (Lauren Nevens), Cyd Strittmatter (Maureen Dunne), Sela Ward (Sharon Scheiber), Casey Wilson (Noelle Hawthorne), Ricky Wood (Jason)

Runtime: 149 mins

Classification: MA15+

 

OUR GONE GIRL REVIEWS & RATINGS:

 

Adam Ross: You can check out Adam’s Gone Girl review on The Good The Bad The Ugly Film Show Ep #99 .

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Greg King: You can check out Greg’s Gone Girl review on www.filmreviews.net.au

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Nick Gardiner: You can check out Nick’s Gone Girl review on The Good The Bad The Ugly Film Show Ep #99

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David Griffiths:

If people were asked to name a director that has been pretty much constant for releasing great films over his career many would have David Fincher on their list. With films like Se7en, Fight Club and The Social Network on his resume you could argue that he is one of the most important directors of the past twenty years. Hell, he is even one of the very few directors who have been able to make a U.S. remake of a foreign film not only something watchable but something that was a hit with both critics and the public alike.

Now comes his latest film Gone Girl, which to many film lovers has become one of the most eagerly anticipated films of 2014. So how does it fair up? Well to be honest this is probably the must un-David Fincher films that Fincher has made to date in his career, but despite saying that this is a film that certainly works and shows that there are people out there in the cinematic world who are willing to try something different and be creative in doing so.

Based on Gillian Flynn’s hit novel of the same name the story of Gone Girl is told in three parts. First we find out-of-work writer Nick Dunne (Ben Affleck) return home one day to find his wife Amy Dunne (Rosamund Pike) missing. Nick is a suspect from Day One and even the help of celebrity lawyer Tanner Bolt (Tyler Perry) can’t stop the media from making him one of America’s most hated men.

The second part of the film follows Amy’s story and then the third and final act pretty much delivers the wash-up and sees Detective Rhonda Boney (Kim Dickens) trying to tie up the loose ends of the case and help those that have been caught up in it all get on with their lives.

Now the first thing you’ll notice is that I’ve been pretty vague in my description of the plot of the film. That is because if someone ruins what happens in this film for you then they are the kind of the person that you should not associate with, this is a film that you need to go into cold with. Even those that have read the novel will not get the special thrill that those who know nothing about the story will get when they view this film.

The three acts of the film being so well defined throughout the film does take some getting used to but it actually does work and you certainly aren’t going to complain when the constant twists and turns that seem to play with your mind throughout this film. Just a word of warning though don’t try to over think the criminal case part of this film because while Fincher and Flynn (who is also the screenwriter here) have been pretty smart it would only take someone who has watched a couple of episodes of C.S.I. to see that there are many flaws involved in this film’s so called ingenious criminal plot.

One of the things that really lifts this film though is the style and tone that Fincher and Flynn have brought to the table. The script heads into some pretty dark areas but unlike a film like The Lovely Bones there is also some dark humor in there designed to get a chuckle from the audience. That element brings a touch of Fargo to the film while the town setting and Fincher’s way of portraying the community and society instantly conjures up thoughts of David Lynch’s career, particularly Twin Peaks. The good thing is that these styles meld together pretty well and despite the film’s length this is a film that will keep you engrossed for the entire time without any clock-watching.

Once again though the big talking point about this film is the fact that David Fincher has once again got the most out of his cast. Many like to highlight the fact that Ben Affleck has made some horrendous films over his career (and let’s be honest films like Gigli are pretty hard to forget) but over recent years he has also become one the finest characters actors going around. Here Fincher works with that and as a result you see Affleck play Nick Dunne in such a way that as an audience you find your feelings for the guy change almost from minute-to-minute. One moment you feel sorry for him and the next you are hoping he gets the death penalty.

Fincher also directs Rosamund Pike to a performance that should see her get an Oscar nomination. She plays a character with a lot of ‘issues’ (again I don’t want to give anything away) in such a way that she conjures up thoughts of some of the performances by the leading ladies in past 90s thrillers like Basic Instinct. Even the sub-cast get a good look in here with Kim Dickens playing Fincher’s Lynch-like Detective brilliantly well, Tyler Perry finally delivering a performance that will warm him to people outside of his normal fan base while Neil Patrick Harris joins the growing list of comedic actors who are dangerously good when playing criminally minded nut-jobs.

While not as good as some of Fincher’s previous films like Se7en and The Social Network Gone Girl is still a credible film that does deserve to be listed as one of 2014’s finest. The twists and turns of the plot will captivate the audience while its slamming of today’s trial-by-media mentality also gives the audience something to ponder once the credits have rolled. The film’s unique mix of drama, suspense and dark humor should guarantee that it also stands up against the test of time.
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Average Subculture Rating (out of 5):  Stars(4)

 

IMDB Rating: Gone Girl (2014) on IMDb

 

Other Subculture Entertainment Reviews of ‘Gone Girl′: For our full Gone Girl review please check The Good The Bad The Ugly Film Show Ep #99 . You can also read Dave’s Gone Girl review on The Book The Film The T-Shirt.

Trailer:

Reaching For The Moon

Summary: Grappling with writer’s block, legendary American poet Elizabeth Bishop (Miranda Otto) travels from New York City to Rio de Janeiro in the 1950s to visit her college friend, Mary (Tracy Middendorf). Hoping to find inspiration on Mary’s sprawling estate, Elizabeth winds up with much more – a tempestuous relationship with Mary’s bohemian partner, architect Lota de Macedo Soares (Glória Pires), that rocks the staid writer to her foundation. Alcoholism, geographical distance and a military coup come between the lovers, but their intimate connection spans decades and forever impacts the life and work of these two extraordinary artists.

Year: 2013

Australian Cinema Release Date: 17th July, 2014

Australian DVD Release Date: TBA

Country: Brazil

Director: Bruno Barreto

Screenwriter: Matthew Chapman, Julie Sayres, Carolina Kotscho (original screenplay), Carmen L. Oliveira (novel)

Cast: Marcello Airoldi (Carlos Lacerda), Anna Bella (Kathleen), Tania Costa (Dindinha), Marcio Ehrlich (Jose Eduardo Macedo Soares), Lola Kirke (Margaret Bennett), Tracy Middendorf (Mary), Marianna Mac Niven (Malu), Miranda Otto (Elizabeth Bishop), Sophia Pavonetti (Young Elizabeth Bishop), Gloria Pires (Lota de Macedo Soares), Treat Williams (Robert Lowell)

Runtime: 118 mins

Classification: M

 

OUR REACHING FOR THE MOON REVIEWS & RATINGS:

 

Greg King: You can check out Greg’s Reaching For The Moon review on www.filmreviews.net.au

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David Griffiths:

When a film begins to tell its audience that the film is about one of the most famous poets of all time but they aren’t a poet that you have ever heard of then you realise that there is something strange going on. Unfortunately for new film Reaching For The Moon that is just the start of this film going completely off the rails because this journey is going to be one that confuses both film and literature buffs alike.

The film looks at poet Elizabeth Bishop (Miranda Otto) who decides to head away from New York for a bit during the 1950s and head to Brazil to visit her friend, Mary (Tracy Middendorf). What she certainly didn’t expect to find was that Mary would be dating a woman, Lota de Macedo Soares (Gloria Pires), and that soon she would be finding herself falling for that very woman.

Reaching For The Moon is very quick to point out that Elizabeth Bishop is one of the most important poets to have ever graced this planet. That point is hammered into the audience a lot throughout the film and it’s obviously something that director Bruno Barreto felt that the modern day audience not only needed to know but certainly needed to remember. With that in mind it’s hard to then work out why Barreto has done such a bad job bringing just an important person in world history’s story to the big screen.

Technically though it’s not Barreto’s work that lets down Reaching For The Moon, no all the problems associated with this film come directly from the pens of the team of screenwriters that put this film together… and perhaps a fair bit from the editors. Ironically this is a film about one of the greatest writers of all time but it has one of the poorest screenplays you are ever likely to see this year.

Actually it is probably the work of Barreto and his cinematographer that go some of the way to saving this film and at least making it watchable. When they haven’t gone about the lazy decision of using some fake scenery or a green screen there are some actually pretty attractive shot selections throughout this film, and often due to the poor script the audience is left feeling that it is only the visuals that are moving this story along.

It is sad to see this tale of two strong women flounder so badly but really someone somewhere needed to alert the filmmakers to the fact that there really needed to be a script rewrite done somewhere along the lines. Here the script is bland and make the film end up becoming a real daytime movie style of film rather than the hard hitting character drama that this needed to be. Huge parts of Lota and Elizabeth’s lives seem to be just skimmed over. Moments of jealousy from Mary that should have been at the forefront of this film are treated like small events while the raging political environment around the pair in Brazil is written in such a way that it feels like it was written for fans of Days Of Our Lives. Sadly which some poor form from the screenplay by the time the film reaches the point where some of the characters lives are in the danger the film has petered out so badly that most audience members will have already lost interest in what should have been a gripping film.

Sadly the script also holds back the performances of the cast as well. While Miranda Otto does get a chance to remind us that she can be a great actress and shouldn’t just be remembered for Lord Of The Rings her cast mates really do suffer. Gloria Pires and Tracy Middendorf are never given the grit in their roles that they deserved and as a result their performances barely raise a blip on the screen.

Reaching For The Moon is a valuable reminder of just how about a script still is to a film. With the right screenwriters at the helm Reaching For The Moon could have been a powerful biopic so hard hitting that it warranted Oscar buzz, instead we are left with a film about two powerful women that really doesn’t do credit to their memory. Reaching For The Moon plods along like a television movie rather then ever reaching the heights it should.

Stars(1.5)

 

Average Subculture Rating (out of 5):  Stars(2)

 

IMDB Rating:  Reaching for the Moon (2013) on IMDb

 

Other Subculture Entertainment Reviews of ‘Reaching For The Moon′: For our full Reaching For The Moon review please check The Good The Bad The Ugly Film Show Ep #88. You can also read Dave Griffiths’ Reaching For The Moon review on The Book The Film The T-Shirt.

Trailer: