Warner Bros. will make its new animated feature film “SCOOB!” available for both Premium Video On Demand (PVOD) and for premium digital ownership in Australia and New Zealand from today, providing high-quality family entertainment in the home just in time for school holidays.
“We know ‘SCOOB!’ has been highly anticipated in Australia and New Zealand, so we’re pleased we can deliver this action-packed movie for families to experience at home during the school holidays,” said Joel Pearlman, CEO of Roadshow Films.
“SCOOB!” will be available to premiere at home for a 48-hour rental via Premium Video On Demand or premium digital ownership beginning on Wednesday, July 1. The title will be available on participating digital platforms.
A fully animated, full-length Scooby-Doo action adventure for the whole family, “SCOOB!” reveals how lifelong friends Scooby and Shaggy first met and how they joined with young detectives Fred, Velma and Daphne to form the famous Mystery Inc. Now, with hundreds of cases solved and adventures shared, Scooby and the gang face their biggest, most challenging mystery ever: a plot to unleash the ghost dog Cerberus upon the world. As they race to stop this global “dogpocalypse,” the gang discovers that Scooby has a secret legacy and an epic destiny greater than anyone imagined.
“SCOOB!” features an all-star ensemble cast led by Will Forte, two-time Oscar nominee Mark Wahlberg, Jason Isaacs, Gina Rodriguez, Zac Efron, Amanda Seyfried, Kiersey Clemons, Ken Jeong, Tracy Morgan, Simon Cowell, and Frank Welker.
The film was directed by Warner Bros. animation stalwartTony Cervone, an Annie Award nominee for the feature film “Space Jam,” two-time Emmy nominee for his work on “Duck Dodgers” and one of the creators of the popular Scooby-Doo series “Mystery Incorporated.” It was produced by Pam Coats and Allison Abbate. Adam Sztykiel, Charles Roven, Richard Suckle, Jesse Ehrman, Dan Povenmire, and Chris Columbus served as executive producers. The “SCOOB!” screenplay was by Adam Sztykiel and Jack C. Donaldson & Derek Elliott and Matt Lieberman, story by Matt Lieberman and Eyal Podell & Jonathon E. Stewart, based on characters created by Hanna-Barbera Productions. Cervone’s creative team included editors Ryan Folsey and Vanara Taing, and composer Tom Holkenborg.
A presentation of Warner Bros. Pictures and Warner Animation Group, “SCOOB!” is distributed worldwide by Warner Bros. Pictures and by Roadshow Films in Australia and New Zealand.
Is there anything that Mark Wahlberg can’t do? As if the transition from musician to actor wasn’t enough he now seems to be making every genre of the film industry his as well. From saving the world in the Transformers franchise to cracking jokes with a smart-ass bear in Ted and then thrilling critics with mind-blowing dramatic performances in movies like Mile 22, there seems to be nothing this man can’t do.
Now Wahlberg plays a husband alongside Australia’s Rose Byrne who is exploring the notion of adopting to start a family in the brand new brilliant comedy-drama Instant Family and it seems to be role that he just loved sinking his teeth into.
“Sean Anders who I worked with on Daddy’s Home 1 & 2 was brave enough to bring three children into his home,” says Wahlberg when he talks about what the inspiration was for the film. “They were children that were in foster care and he talked to me a little bit about the idea of making this movie at the beginning of Daddy’s Home 2 but it was just an idea and we had talked about other ideas in the past. Then basically when he came to me and said ‘no did you really want to do this?’ I just fell in love with idea.”
“Every time I talked to him about the idea before I got the actual script I always got emotional,” he says when the discussion turns to the emotions in the film. “I’m parent I understood the emotion and I understood how emotional it would be for foster kids in the system. Then when I read the script and having laughed hysterically and cried a fair bit to it was just one of things where I saw that Sean was great with the tone and he pushed things but also delivered on an emotional level. Sean knows what he wants and he will always take that little bit of extra time when it comes to the emotional stuff. It is just nice to see him to continue to mature and grow, he is a great writer and director and he has a great partnership with John . It is just great to see people get more experience and more confident about how they want to do things.”
When talk turns to the fact that the film garners emotion by being both a comedy and a drama Wahlberg says. “I think that will be really satisfying for audiences and I think that people may be inspired to look at children in the foster care system and creating a home for them. I still want to explore more about and I think it will encourage other people to take a look and see that there a lot of wonderful children that need families…. it is an amazing thing. Being a family can be a wonderful thing but it can also be very trying at times – that is the same whether it be with adopting children or with your biological children. But the ultimate goal and the ultimate reward is coming together in love… and that is a beautiful thing. I think this is going to be a feel good movie in a time when people need to feel good. People need to be reminded about the importance of family and connecting with others. To have that opportunity to go and laugh and cry at the thought of being a family and then have the thought about helping all those wonderful children out there… I think it will be interesting. There will be a lot of people who will laugh and cry and then be like ‘oh my God’ and then the wheels will start turning.”
Summary: A deadly threat from Earth’s history reappears, and a hunt for a lost artifact takes place between Autobots and Decepticons, while Optimus Prime encounters his creator in space.
Australian Cinema Release Date: 21st June 2017
Australian DVD Release Date: 4th October 2017
Country: United States, China, Canada
Director: Michael Bay
Screenwriter: Matt Holloway,Art Marcum, Ken Nolan, Akiva Goldsman (story)
Cast: Erik Adahl (Bumblebee voice)), Daniel Adegboyega (Saebert), Gil Birmingham (Chief Sherman), Steve Buscemi (Daytrader voice)), Santiago Cabrera (Santos), Jerrod Carmichael (Jimmy), Jim Carter (Cogman voice)), Gemma Chan (Quintessa), Peter Cullen (Optimus Prime (voice)), John DiMaggio (Nitro Zeus/Crosshairs voice)), Josh Duhamel (Colonel William Lennox),Dino Fazzini (Alden), Marcus Fraser (Gawain),Rebecca Front (Aunt Marie),Liam Garrigan (Arthur),John Goodman (Hound voice)), Minti Gorne (Young Viviane),Laura Haddock (Vivian Wembley), Jess Harnell (Barricade voice)), Richard Hills Jnr. (Cheldric), John Hollingworth (Tristan), Sir Anthony Hopkins (Sir Edmund Barton),Tom Kenny (Wheels voice)), Jason Matthewson (Spenser), Martin McCreadie (Lancelot), Isabela Moner (Izabella), Glenn Morshower (General Morshower), Phoebe Nicholls (Aunt Helen), Allen Phoenix (Luke Reynolds), Jade Quon (Cogman), Trent Seven (Hengist), Omar Sy (Hot Rod voice)), Stanley Tucci (Merlin), John Turturro (Agent Simmons), Mark Wahlberg (Cade Yaeger), Ken Watanabe (Drift voice)), Frank Welker (Megatron voice)), Reno Wilson (Mohawk/Sqweeks voice)), Rob Witcomb (Percival)
Runtime: 154 mins
OUR TRANSFORMERS: THE LAST KNIGHT REVIEWS & RATINGS:
Kyle McGrath’s Transformers: The Last Knight Review:
Despite his negative reputation as a filmmaker I consider myself to be a fan of a lot of Michael Bay’s films. Bad Boys, Pain & Gain, The Rock, 13 Hours and even Armageddon are all films I have enjoyed. He’s drawn the ire of some film fans however with films like Pearl Harbour (which I’ve not seen) and the incredibly popular Transformers franchise.
Transformers The Last Knight is the fifth film in the live action Transformers film series. Continuing on with new series protagonist from the previous film, Cade Yeager (Mark Wahlberg), this film sees the good autobots still lumped together with the villainous decepticons and outlawed by mankind in the wake of collateral damage which they seem to have brought to earth. Leader of the autobots, Optimus Prime, upon completing his long journey back to the Transformer’s home planet of Cybertron is captured by a new enemy with plans to use him in her plan to destroy earth.
The film proceeds more or less as anyone who has seen any the previous 4 films might expect. Having not fully enjoyed the series up til now I found myself once again disappointed in the development of the story, characters and the comedic relief which still comes off as inappropriate either in timing or in content (although perhaps not quite as bad this time as cutaway shots to dogs humping or John Turturro talking about robot testicles as we saw in the franchise’s second instalment).
The over the top action which Bay and this series are both known for of course returns as well. I must say that the mixing of CGI and live action which has always been impressive still excels if you stop to appreciate the movie on such a technical level.
That is if you can actually keep track of what is going on. I’m not sure if this has something to do with the film having 6 different editors but I felt like I was inside the head of a schizophrenic at times with how the movie is shot, edited and jumps from one plot thread to another.
Something I’ve noticed with the story of each of these films is that every single one of them presents a new revelation on how long Transformers have actually been on earth. They were here building the pyramids, they were the true reason for man walking on the moon, they were here with the dinosaurs and now they were instrumental in the legend of King Arthur. I believe these revelations are to make the audience not think that the world would be a much better place, and avoid periodical catastrophic events killing thousands, if the Transformers would simply leave. Each film needs a new reason for them to be here and after a while they’re starting to pile up on each other and conflict.
On top of that it means every film feels too heavy with exposition as this new reason needs to be explained though in such a way which won’t completely bore the fans who are there for the action. This is where the inappropriate timing of humour comes in as the movie can’t go too long without the equivalent of a pie in the face gag.
Characters both human and robotic are introduced and dropped frequently. Rather than focusing more on key players we’re aquatinted with more supporting characters who don’t appear to serve much of a purpose and disappear from the film before they do. John Turturro & Josh Duhamel both series regulars who were absent from the previous film round out the cast but again don’t do much.
This wouldn’t be too much of an issue but as a result the role of major characters like Vivian Wembley (Laura Haddock) seem rushed or are flat out absent from most of the film in the case of Optimus Prime or the leader of the decepticons, Megatron.
Optimus in particular whom I’ve never thought was handled well in any of the films barely makes an appearance til past the halfway mark then 10 minutes later he’s back to making these forced rallying speeches to motivate the troops to go into the final battle when he hasn’t earned the right to take on that leader role.
I think a problem with the Transformers film franchise for a lot of people has been the lack of genuine passion for what was going on. The films are visually stunning and often exhausting to watch as the staggering amount of man hours which have gone into creating them is clear to see. But at the same time they can feel hollow and boring.
When the recent Teenage Mutant Ninja Turtles live action films, themselves produced by Michael Bay, were announced the details of changes to the established ideas of the property caused an uproar. In time this led to the decision to shift gears and so the sequel from the ground up was crafted with die hard fans of TMNT in mind. Familiar villains, heroes, monsters and even the theme song which any fan would know off by heart were included and I believe this made a much more enjoyable film in the process.
The Transformers films have never had this reinvention because they never really needed to being the franchise was always so popular despite negativity from some audiences. This sums up my thoughts on Transformers The Last Knight. If you have enjoyed the franchise up till now then you will definitely enjoy this latest addition. However, unlike with Teenage Mutant Ninja Turtles: Out of the Shadows, I can’t think of a reason to recommend this sequel to anyone who has felt let down by the series up till now.
Average Subculture Rating:
Other Subculture Entertainment Transformers: The Last Knight Reviews: N/A
One of the most powerful films to screen in cinemas in 2017 is Patriot’s Day from director Peter Berg. Over the years Berg has established himself as a filmmaker who can capture realism in a way that very few filmmakers before him have done so. When his television show Friday Night Lights first aired some people thought it was a reality television show in the vein of The Hills or Laguna Beach, that was all down to how realistic the characters and their dialogue were.
In recent years Berg has also made the films Lone Survivor, about the courageous Marcus Luttrell and the bloody fight against the Taliban, and Deepwater Horizon, a dramatisation of the offshore drilling rig disaster in April 2010 that resulted in America’s worst ever oil spill. Now he turns his eyes to the events of the Boston bombing marathon with Patriot’s Day which stars Berg’s regular contributor Mark Wahlberg.
“I was actually in New York when the marathon bombings happened,” explains Berg. “I remember paying really close attention to it and being very aware and being very touched with the way the city clearly came together.and rallied together to capture these two criminals but to also support themselves so much after the bombings. I was very touched about how the community came together. Something that I was very interested in doing with this film was showing a very positive reaction that law enforcement had and show how helpful law enforcement was and how tireless these men were and how they were willing to put themselves in the line of fire to help the citizens of Boston. On the very edges of this tragedy, we saw some of the best that we can offer as citizens.”
“There were so many citizens,” he goes on. “Whether they were trauma surgeons, workers at the local hospitals, paramedics, firefighters, citizens like Dun Meng, the young Chinese immigrant who was carjacked by the brothers and who used every bit of wit and intelligence that he had to stay alive. He planned and executed a stunning escape, and that took an enormous amount of courage, but he was able to tell the Police where they were and probably more so than anybody else can be given credit for stopping these guys.”
The one thing that Berg says he realised during this film was ‘love wins’. “Love wins,” he says smiling. “When you talk to these survivors, many of which have had amputations or have suffered brain injuries or have been permanently scarred by this event and you ask what is the takeaway? Is it possible to have the ability to contextualise this horrific experience and almost all of them said, love. Love wins! This experience as horrible as it has been has made me appreciate so much my family, my friends, my community. We got blind-sighted, we got knocked down, we got beat up but we came back, we came back together with love.”
Aside from the victims of the horrific events, Berg said he also wanted to pay tribute to those whose work took them into the line of fire. “Characters like Ed Davis who is the Police Commissioner, the head of the FBI, the Mayor – it was a small group of men. People always say ‘thank God it didn’t happen on my watch’, well it happened on their watch. To look at how these men kind of realised ‘well there is nobody else but us, we’ve got to stop this, and we’ve got to fix this, and we need to figure out who did it’. I think watching individuals perform under that kind of duress is quite compelling and that is something we worked hard to capture.
Joining Berg here as not only as a producer on the film but also as his leading man is Mark Wahlberg who plays dogged Police Officer Tommy Saunders who makes it his mission to track down the wanted men in the aftermath of the bombings.
“This movie is not about our own individual experiences as actors,” says Wahlberg. “It is up to us to not only get it right but to honour the victims as well as all the people who worked so tirelessly to offer aid – the EMT’s, the first responders, the Police, the FBI and also going and tracking these guys down to make sure they didn’t cause any more harm. Pete (Berg) cares, and he wants to tell the stories of these heroes, and he is committed to getting it right.”
Like Berg Wahlberg is also full of praise for how Boston pulled together as a community in the wake of the bombings. “When these bombs went off people didn’t run away they ran towards the victims,” he says. “They ran to those that were injured, and that says a lot about the people of the city. Individuals from all walks of life just coming up and stepping up. I mean there were women going out there and using their purse straps as tourniquets, and you are talking about huge acts of heroism that were like awe-inspiring on every level. For somebody to go out there and commit to serving their community or their country that is a big deal, that is a really big deal, and that needs to be recognised. Those heroes and anybody else that would put themselves out of their way and at risk or in harm’s way to help strangers. This was a marathon, we’re talking about mothers, fathers, children to cheer on their loved ones. It is a joyous occasion, you know people don’t expect something like this to happen, and the fact that people all rallied around the way they did was really incredible. Good will always overcome evil. People will continue to do bad things, but they will never dictate how we live our lives. We need to be able to go to a marathon, to a baseball game and we need to be able to go to the movies, and we need to be able to live normal lives, you know. We need to all come together and then good will always overcome evil.
This week on The Good The Bad The Ugly Film Show Adam, Dave, Greg and Nick take a look at new release films ‘The Baulkham Hills African Ladies Troupe,’ ‘The Girl On The Train,’’Under The Shadow,’ ‘Deepwater Horizon,’ and ‘Francophonia’. This episode also contains interviews with Mark Wahlberg, Kurt Russell, Gina Rodriguez, Ros Horan, Kristian Connolly (The Complete Features Of Stanley Kubrick Film Festival) and Penny Kyprianou (Greek Film Festival).
You can listen to The Good The Bad The Ugly Film Show or download it for free from our Podcast Channel – Listen/Download here.
Summary: A story set on the offshore drilling rig Deepwater Horizon, which exploded during April 2010 and created the worst oil spill in U.S. history.
Australian Cinema Release Date: 6th October 2016
Australian DVD Release Date: TBA
Director: Peter Berg
Screenwriter: Matthew Michael Carnahan, Matthew Sand
Cast: Joel Allen (Old Man Carl), Stella Allen (Sydney), Jonathan Angel (Gordon Jones), Peter Berg (Mr. Skip), Robert Walker Branchaud (Doug Brown), Anthony Centonze (Dan Barron/Roughneck #1), Joe Chrest (Sims), James DuMont (O’Bryan), J.D. Evermore (Dewey A. Revette), Henry Frost (Shane M. Roshto), Douglas M. Griffin (Landry), Garrett Hines (Wyman Wheeler), Michael Howell (Roy Wyatt Kemp), Kate Hudson (Felicia), Jason Kirkpatrick (Aaron Dale Burkeen), Garrett Kruithof (Karl Kleppinger Jnr.), Brad Leland (Kaluza), David Maldonado (Kuchta), John Malkovich (Vidrine), Terry Milam (Keith Blair Manuel), Dylan O’Brien (Caleb Holloway), Mayla Parker (Natlie (voice)), Jason Pine (Stephen Ray Curtis), Gina Rodriguez (Andrea Fleytas), Kurt Russell (Jimmy Harrell), Jeremy Sande (Adam Weise), Juston Street (Anthony Gervasio), Ethan Suplee (Jason Anderson), Deneen Tyler (Paula Walker), Mark Wahlberg (Mike Williams), Ronald Weaver (Donald Clark)
Runtime: 107 mins
OUR DEEPWATER HORIZON REVIEWS & RATINGS:
Peter Berg (Friday Night Lights) has to be one of the most underrated film directors going around. Barring the ill-fated Battleship Berg has created always created films and television shows that felt as natural as can be. Lone Survivor made the audience feel that they were right there on the battlefield while many made the mistake of watching Friday Night Lights and thought they were watching a reality television show about a High School football team. Now Berg has taken that natural style of film-making and introduced it to the disaster film genre.
Deepwater Horizon tells the true story of electrician Mike Williams (Mark Wahlberg – Lone Survivor) who in 2010 left his wife, Felicia (Kate Hudson – Almost Famous), and once again went to work on the oil rig named ‘Deepwater Horizon’ in the Gulf Of Mexico. What he didn’t know was that on that fateful day due to poor work safety practices by BP an accident would occur that would cause the rig to erupt into flames. Suddenly Mike and his colleagues including his boss Mr. Jimmy (Kurt Russell – The Thing), radio operator Andrea Fleytas (Gina Rodriguez – Filly Brown), hard worker Caleb Holloway (Dylan O’Brien – The Maze Runner) and BP representative Vidrine (John Malkovich – Red 2) all find themselves fighting for their lives.
As a filmmaker Berg should be congratulated for his work with Deepwater Horizon. It was no secret that some of the survivors of the real Deepwater Horizon disaster were hesitant in wanting this film to be made, but they need not of worried. Berg certainly doesn’t ‘trivialize’ the memory of the men who died on that fateful day by making this a popcorn action film. Instead he makes this a character drama about not only the men who died on that day but also shows the world the valiant actions of people like Mike Williams whose brave acts saved many of the workers. To his credit Berg also doesn’t hide the facts of exactly what happened that day – no he points the finger firmly at BP without any hesitation even though he wouldn’t have known how the huge corporation would have reacted to it.
Many films these days claim to be suspenseful but few filmmakers have the skills to make the audience feel as part of the action and suspense as Berg does here. While with Lone Survivor the audience felt they were there on the side of the hill during the battle here Berg’s realistic style of directing makes the audience feel you are right there on the rig with Mike… you even at times feel like you can feel the heat of the flames against your skin.
Berg’s filmmaking is also well supported by his screen writers who don’t waste time making this film too scientific. The audience is given bite-sized pieces of information about what an oil rig does and what has gone wrong here but they never forget that at the heart of this film it is a character drama. So instead of focusing on the ins and outs of the rig they concentrate the suspense around a man trying to get home to his daughter and wife and a scared woman trying to survive in order to see her partner again. The fact that little things like a dinosaur tooth for show-and-tell and car problems back home are so seamlessly inserted into the script just go even further into humanizing this story. Having said that though it is also important to point out the Berg and his cinematographer, Enrique Chediak (The 5th Wave), also create some amazing action sequences as the rig burns against a night sky.
As a director Berg also brings the best out in his cast. Here Mark Wahlberg delivers the best of both worlds as he plays the action hero extremely well but also has the dramatic acting ability to pull off the character driven elements of the screenplay as well. Kurt Russell also benefits from one of the more meatier roles he has been given over the years and he is well matched by John Malkovich who is technically this film’s ‘bad guy.’ Despite her limited screen time Kate Hudson is also one of the standouts of the film.
Deepwater Horizon is proof that a modern day disaster film can actually find the right mix of action and character drama. Brilliant directing by Peter Berg makes this one of the must see films of 2016.
Average Subculture Rating (out of 5):
Other Subculture Entertainment Deepwater Horizon Reviews: Nil
This week on The Good The Bad The Ugly Film Show Dave, Greg and Nick take a look at new release films ‘Knight Of Cups,’ ‘Sisters,’ ‘Suffragette,’ ‘Snoopy And Charlie Brown: The Peanuts Movie,’ ‘The Good Dinosaur,’ ‘The Revenant,’ ‘Youth,’ ‘Daddy’s Home,’ and ‘Point Break’. This episode also contains interviews with Tina Fey, Amy Poehler, Noah Schanpp, Raymond Ochoa, Anna Paquin, Leonardo DiCaprio, Will Pulter, Domhnall Gleeson, Mark Wahlberg, Will Ferrell and David Lang.
Summary: Brad Whitaker (Will Ferrell) has always wanted to be a Dad but an unfortunate accident in a dental chair has left that dream in tatters. However, now he is married to ready-made Mum, Sara (Linda Cardellini), but is finding winning over her children Dylan (Owen Vaccaro) and Megan (Scarlett Estevez) a lot harder than he thought it would be.
Hard work pays off though but just as the two kids are starting to warm to him Sara’s ex, the children’s father, the ever-ready, man-of-the-year-material Dusty Mayron (Mark Wahlberg) shows up and he has just one plan in mind – to make Brad look incompetent and to win back Sara and the kids.
Australian Cinema Release Date: 26th December 2015
Australian DVD Release Date: TBA
Director: Sean Anders
Screenwriter: Sean Anders, Brian Burns, John Morris
Cast: Alessandra Ambrosio (Karen), Joel K. Berger (Corey from Red Bull), Kobe Bryant (himself), Hannibal Buress (Griff), Bill Burr (Jerry), Bobby Cannavale (Dr. Francisco), Jeff Caperton (Tom), Linda Cardellini (Sara), John Cena (Real Dad), Thomas Haden Church (Leo Holt), Troy Compas (Jim), (Jamie Denbo (Doris), Scarlett Estevez (Megan), Will Ferrell (Brad Whitaker), LaMonica Garrett (Marco), Sadarias Harrell (Silverberg), Chris Henchy (Panda DJ/Jason Sinclair), Matthew Paul Martinez (Pete), Hector Presedo (Pepe), Owen Vaccaro (Dylan), Mark Wahlberg (Dusty Mayron), Brady Yarborough (Marty)
Runtime: 96 mins
OUR DADDY’S HOME REVIEWS & RATINGS:
This year hasn’t been a great year for comedy. A lot have been released and lot have sucked. Well now comes Daddy’s Home which decides to do something a little different, and that is sit right in the middle of the road.
Actually to be honest Daddy’s Home is a bit of a strange watch. It is one of those movies that is completely ruined by the trailer. As a result of seeing most of the gags in the trailer you can pretty much watch this film with just a chuckle here and there. A shame because at times such as Brad skateboarding off a half-pipe into a power-line I found myself thinking ‘I probably would been laughing right now if it weren’t for the fact that I’ve already seen in the trailer in cinemas ten times.’ The sad thing is that happens for most of the laughs throughout the film which must be pretty disappointing for screenwriter/director Sean Anders.
Like Anders’ career itself (this is the man that brought us highs like We’re The Millers but also films like Dumb And Dumber To) a lot of the laughs in Daddy’s Home are all over the place. Yes a lot of the slapstick is ruined by the trailer but then some of the other comedy throughout the film seems to come from a weird place. While the ‘stories’ from Brad’s boss Leo (Thomas Haden Church) are often the funniest part of the film, there are other times when Anders’ humor feels mistimed or misplaced. Two examples are when Leo has a deeply personal conversation with Brad and then the camera pans back to reveal it is in the middle of a meeting with other people (feels forced) or when Leo and Brad are trying to convince Griff (Hannibal Buress) to aid Brad in a clichéd movie run-down-the-hall… that scene just goes on for far too long.
The other abnormality with the humor of Daddy’s Home is that it feels like Mark Wahlberg is a lot funnier in the film that what Will Ferrell is. It is obvious that even Anders knew the role of Dusty provided much of the laughs because at one point Ferrell was supposed to be Dusty before obviously someone realised that there is no way in hell he could pull off being an aloof tough Special Ops member. It what would have been an even bigger disaster Vince Vaughn was also considered for the role so we should be thankful that Wahlberg ends up playing Dusty because he is the highlight of the film… often stealing the limelight from Ferrell mid-scene.
Being out-acted this time round seems to be part of the landscape for Ferrell. His character is ‘boring’ which in fairness may have been Anders’ intention, but the flare shown by Wahlberg makes Dusty a much more impressive character while Ferrell also has a lot of his thunder stolen by Thomas Haden Church whose comedic timing and droll delivery works an absolute treat and he provides many of the laughs throughout the film.
Sure Anders certainly didn’t deliver a comedic masterpiece with Daddy’s Home but any filmmaker deserves not to have their ‘surprises’ or ‘laughs’ intended to impress the audience ruined by the trailer that is supposed to promote the film. With that putting the film behind the eight ball already Daddy’s Home is an up-and-down the film. The film seems to work best when it forgets about trying to be funny and instead goes for more touching scenes, like a step-Dad trying his best with his kids, but also falls on its face when it tries to ‘show-up’ other films’ stupidity like with dance-offs etc. Daddy’s Home is a middle of the road comedy that doesn’t provide anywhere near as many laughs as it should.
Daddy’s Home directed by Sean Anders sees the story of a Dad and a Step Dad dealing with the facts of having two Dads in the one household. Brad (Will Ferrell) is a man who has always wanted to be a Dad and his life as a Step Dad to two kids and husband to his wife Sarah (Linda Cardellini) is going well until his wife’s ex-husband shows up. Dusty (Mark Wahlberg is a man who is tough and competitive which certainly is shown throughout the film.
Throughout the film Dusty and Brad go head to head and compete to prove to the kids and Sarah, who can be the better parent. What I loved about the film was the constant humour. In most comedy movies sometimes the humour seems almost like it is forced on you and almost makes you feel like they are trying so hard to make you laugh with scenes and jokes that aren’t very funny at all. In Daddy’s Home the humour was great. It was humour that was very quick in some cases and that’s what I loved. It was humour that we would all experience and things that we would laugh at in everyday life.
The one thing I thought of during this movie is that Mark Wahlberg and Will Ferrell were great together on screen. To me they were a comedy duo that I never expected and it would be great to see them do more films together in the future. Even though the film is a comedy there was some drama and emotional events which really portrayed what it is like for families where there are more than two parents. Daddy’s Home, I think, is a great movie for the whole family and is definitely worth seeing if you have the option of going to the cinema.
It was funny, enjoyable, had a good story line, great cast and was just an all over good film to watch. Daddy’s Home staring Will Ferrell and Mark Wahlberg is in cinemas now! Check it out!
Average Subculture Rating (out of 5):
Other Subculture Entertainment Daddy’s Home reviews: You can listen to our full Daddy’s Home review on a future episode of The Good The Bad The Ugly Film Show. You can also read our Daddy’s Home review on The Book The Film The T-Shirt.