Tagged: Oakley Bull

Summary:  After a one-night stand, a successful married man finds himself entangled in a cunning police detective’s latest investigation.

Year: 2020

Cinema Release Dates: 6th May 2021 (Australia), 18th December 2020 (USA)

VOD Release Dates: TBA

Country: USA

Director: Deon Taylor

Screenwriter: David Loughery

Cast: Oakley Bull (Haley Younger/Haley Older), Mike Colter (Rafe Grimes), Sam Daly (Officer Stallman), Michael Ealy (Derrick Tyler), Kali Hawk (Micaela), David Hofin (Officer Lowe), Rasneet Kaur (Lira), Damaris Lewis (Tracie Tyler), Sabina Mach (Sabina), Compton Menace (Bumpy), Geoffrey Owens (Bill Cranepool), Danny Pino (Carter Heywood), Filipp Revega (Officer Mike), Kirill Revega (Officer John), Lance Stephenson (himself), Hilary Swank (Detective Val Quinlan), Tyrin Turner (Tyrin Abenathy)

Running Time: 102 mins

Classification: MA15+ (Australia), R (USA)

OUR FATALE REVIEWS

David Griffiths’ Fatale Review:

Back in the 1990s and early 2000s Hollywood went through a phase where it loved to mix ‘sex-up’ it’s crime thrillers. The result was classic films like Basic Instinct and of course every teenage boy’s dream – Wild Things. Of course though like all Hollywood phase for every sexy crime thriller that hit its mark there were another twenty that fell from the way-side… and you can find most of those ones in the DVD section of The Reject Shop these days.

To me, director Deon Taylor’s (Black And Blue) feels like a throwback to those films. The film centres around the seductive Detective Val Quinlan (Hilary Swank – Boys Don’t Cry) who ends up in bed with Derrick Tyler (Michael Ealy – Think Like A Man) when the two’s paths cross in the city of sin – Las Vegas.

What Derrick doesn’t tell Val is that he is married and she only finds that out about him when she is called out to the scene of an attempted murder that just happens to happen at the house of Derrick and his wife Tracie (Damaris Lewis – The Rewrite). The high-rolling Derrick is stunned that somebody has tried to murder him and he is beyond nervous of that fact that Val is now in contact with his wife.

The worst enemy of this film is its trailer. I’ll admit that I enjoyed Fatale as a film but having seen the trailer before I saw the film I had some of my experience spoilt by the fact that I already knew too much of what was going to happen. Deon Taylor and screenwriter David Loughery (Lakeview Terrace) have created a good crime thriller with all the right twists and turns to keep their audience guessing but sadly some of those reveals have already been revealed in the trailer.

Still as far as crime thrillers go Fatale does work pretty well. There is enough suspense to make you wonder about nearly every character that is in Derrick’s life while cinematographer Dante Spinotti (Heat) captures some wonderful shots of the opulent house (and its views) that a majority of the film was shot in.

What I also enjoyed about Fatale was the performances of its leads. Hilary Swank looked like she was having a hell of a fun time playing the dangerous vixen while Michael Ealy takes a huge step forward in his career with a performance that more than shows that he was ready to take over the leading man status on a film.Fatale is a guilty pleasure film. It is the kind of film that I found myself enjoying while I was watching but it is one of those films where people are going to give you a funny look when you admit to liking it. It has suspense, some great twists and turns but I would seriously consider avoiding the trailer before you head into the cinema to watch it.

Dave’s rating Out Of 5

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IMDB Rating:

Fatale (2020) on IMDb

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Trailer:

Summary: Wonder Woman finds herself having to spring into action in 1984 when the mysterious Maxwell Lord offers everybody the opportunity to have their greatest wish granted… with catastrophic results.

Year: 2020

Cinema Release Dates: 26th December 2020 (Australia), 17th December 2020 (Thailand), 16th December 2020 (UK), 25th December 2020 (USA)

VOD Release Dates: 25th December 2020 (USA)

Country: UK, USA, Spain

Director: Patty Jenkins

Screenwriter: Dave Callaham, Patty Jenkins, Geoff Johns, William Moulton Marston (characters)

Cast: David Al-Fahmi (Mr. Khalaji), Lilly Aspel (Young Diana), John Barry (Max (15 Years Old)), Menesh Bediako (Leon), Lynda Carter (Asteria), Oakley Bull (Kelly), Asim Chaudhry (Roger), Oliver Cotton (Simon Stagg), Lambro Demetriou (Max (8 Years Old)), Gal Gadot (Diana Prince), Hari James (Trigona), Tessa Bonham Jones (Lucy), Doutzen Kroes (Venelia), Connie Nielson (Hippolyta), Chi-Lin Nim (Wang), Pedro Pascal (Maxwell Lord), Ravi Patel (Babajide), Lucian Perez (Alistair), Chris Pine (Steve Trevor), Natasha Rothwell (Carol), Asa Sheridan (Jace Valentine), Rey Rey Terry (Courtney), Amr Waked (Emir Said Bin Abydos), Hayley Warnes (Aella), Kristen Wiig (Barbara Minerva), Gabriella Wilde (Raquel), Wai Wong (Lai Zhong), Robin Wright (Antiope), Kelvin Yu (Jake)

Running Time: 151 mins

Classification: M (Australia), G (Thailand) 12A (UK), PG-13 (USA)

OUR WONDER WOMAN 1984 REVIEWS

David Griffiths’ Wonder Woman 1984 Review:

Well at last 2020 has its own superhero – and her name is Wonder Woman. Over the last decade comic book fans have gotten used to having at least three or four superhero movies hitting cinemas each year. This year though with the blockbusters on hold those fans have had slim pickings. The underrated New Mutants came and went in the blink of an eye so the fans have just had to sit back and wait patiently for DC to launch their follow-up to 2017’s brilliant Wonder Woman. Now the wait is over and the result may surprise a few people.

Set in 1984, as the film’s title suggests, Wonder Woman 1984 finds Diana Prince, aka Wonder Woman (Gal Gadot Furious 7), working at the Smithsonian Museum in Washington DC. Her secret life as a superhero is still very, very secret despite the press trying to speculate who this mystery woman is that keeps rescuing people across the city.

Then comes a case that sees Diana’s day job crash head first into her secret identity. After foiling a robbery of black market artefacts one of the items, a mystery stone, ends up the Smithsonian where it is to be identified by Diana’s friend and colleague Barbara Minerva (Kristen Wiig – Bridesmaids). After the two women learn that the stone grants wishes they both secretly cast their own wishes.

Diana’s wish sees the return of her deceased love Steve Trevor (Chris Pine – Star Trek) while Barbara wishes she could be more like Diana… a recipe for disaster given Diana’s powers. Added into the mix is television conman Maxwell Lord (Pedro Pascal – Game Of Thrones) who was the intended recipient for the stone in the first place and his plans see the world once again put in danger.

Reviewing Wonder Woman 1984 is no easy feat. For all the reasons that some audience members like this movie others will find them contributing to the film being a let-down for them. In all honesty director Patty Jenkins (Monster) has not created a film with the epic feel of the first film, but that to me was not necessarily a bad thing. Instead Jenkins should be congratulated for embracing more of the style that was made famous in the Wonder Woman television series. There is a simplicity to this film and it works. There are no convoluted Marvel storylines here, instead Jenkins takes one of DC’s most popular characters and gives her a simple storyline that ends up becoming a classic tale of good versus evil.

Likewise Jenkins doesn’t go over the top with the action sequences here like she did with the finale of the first film. Yes there are some great fight sequences throughout the film but there are no planes crashing into buildings or anything like that. The best sequence takes part on a desert road and captures the style of The Fast & Furious franchise. Just like the first film though the most interesting scenes in the film were the ones set in Themyscira and once again I found myself hoping that one day we get an entire film set there.

What Jenkins tries to embrace more here is characterisation and that in turn gives the film heart. More of Diana’s pain and loss is explored while there is also an inner conflict explored when Steve returns to her life. Perhaps where the film does lose a little though is the fact that while Maxwell is supposed to be the ‘big bad’ in this film you learn very early on that Wiig’s Barbara is the much more interesting character.

DC fans will embrace this film picking up the obvious nods to the popular Wonder Woman television series, small things like using her tiara as a weapon show that Jenkins is a true fan, while non DC fans may feel a little under-whelmed as the film concentrates more on the heart and soul of Diana than it does jumping from planet destroying explosions etc. If you are a Wonder Woman fan though, embrace Wonder Woman 1984 because you are going to enjoy it.

Dave’s rating Out Of 5

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Fatman (2020) on IMDb 5.9/10

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You can read our review of Wonder Woman 1984 that appeared in The Phuket News here – https://www.thephuketnews.com/a-year-for-the-wonder-woman-78378.php

Trailer: