Stan’s epic supernatural thriller “Preacher” invaded San Diego Comic-Con this weekend with a panel featuring Executive Producer Seth Rogen, in addition to cast members Dominic Cooper, Ruth Negga, Julie Ann Emery and Mark Harelik, celebrating with new images and the official trailer for the upcoming fourth and final season which premieres on Monday, 5th August only on Stan – same day as the US.
“Preacher” stars Dominic Cooper, Academy Award® nominee Ruth Negga and Joseph Gilgun, along with series regulars Ian Colletti, Graham McTavish, Pip Torrens, Julie Ann Emery, Noah Taylor, Mark Harelik and Tyson Ritter, with AACTA Award® winner Lachy Hulme also guest starring this season.
Filmed at Docklands Studios in Melbourne, Australia, Season 4 sees the series inching closer to its finale, with God’s endgame for the universe beginning to click into place. Trapped between heavenly prophecies, hellish prisons, and all-out nuclear war, Jesse, Tulip, and Cassidy make their bloody way to the Most High. Whether they can reach God in time — or whether all this carnage is part of His divine plan — will soon be revealed as “Preacher” barrels towards the end of the world.
The Sony Pictures Television-AMC Studios co-production is developed for television by executive producer and showrunner Sam Catlin and executive producers Seth Rogen and Evan Goldberg.
Summary: Set thirty years after the events of Return Of The Jedi the universe is once again facing upheaval. Rising from the ashes of Darth Vader before him Kylo Ren (Adam Driver) leads the First Order as they strive to conquer (and in some cases) destroy the galaxy. In order to do so they know they must kill every remaining Jedi which means they need to hunt down Luke Skywalker (Mark Hamill), who has been missing for years.
Leading the resistance against the First Order is Leia (Carrie Fisher) who despite the good intentions of her fighters, like Poe Dameron (Oscar Isaac), is losing the battle against the First Order. The Resistance gets a much needed boost when a map that may show the whereabouts of Luke is found. But in order to have any affect a young scavenger named Rey (Daisy Ridley), a reformed Storm Trooper named Finn (John Boyega), the legendary Han Solo (Harrison Ford) and everybody’s favourite Wookie (Peter Mayhew) must get the map (which is hidden to a droid) to the Resistance.
Australian Cinema Release Date: 18th December 2015
Australian DVD Release Date: TBA
Director: J.J. Abrams
Screenwriter: Lawrence Kasdan, J.J. Abrams, Michael Arndt, George Lucas (characters)
Cast: Gerry Abrams (Captain Cypress), Sebastian Amresto (Lieutenant Mitaka), Erik Bauersfeld (Admiral Ackbar), Leanne Best (Min Sakul), Jason Boyega (Finn), Anna Brewster (Bazine Netal), Gwendoline Christie (Captain Phasma), Crystal Clarke (Ensign Goode), Tosin Cole (Lietenant Bastian), Morgan Dameron (Commodore Meta), Anthony Daniels (C-3PO), Warwick Davis (Wollivan), Adam Driver (Kylo Ren), Emun Elliott (Brance), Carrie Fisher (Princess Leia), Cailey Fleming (Young Rey), Harrison Ford (Han Solo), Michael Giacchino (FN-3181), Domhnall Gleeson (General Hux), Nigel Godrich (FN-9330), Stefan Grube (Yolo Ziff), Greg Gunberg (Snap Wexley), Mark Hamill (Luke Skywalker), Jessica Henwick (Jess Testor), Oscar Isaac (Poe Dameron), Andrew Jack (Major Ematt), Jeffrey Kissoon (Rear Admiral Guich), Ken Leung (Admiral Statura), Billie Lourd (Lieutenant Connix), Rocky Marshall (Colonel Datoo), Peter Mayhew (Chewbacca), James McArdle (Niv Lek), Jim McGrath (Vice Admiral Resdox), Lupita Nyong’o (Maz Kanata), Simon Pegg (Unkar Plutt), Mike Quinn (Nien Nunb), Maisie Richardson-Sellers (Korr Sella), Daisy Ridley (Rey), Tim Rose (Admiral Ackbar), Kipsang Rotich (Nien Nunb), Yayan Ruhian (Tasu Leech), Philicia Saunders (Tabala Zo), Andy Serkis (Supreme Leader Snoke), Claudia Sermbezis (Lema Eelyak), Kiran Shah (Teedo), Mark Stanley (Knight Of Ren), Pip Torrens (Colonel Kaplan), Iko Uwais (Razoo Quin-Fee), Brian Vernel (Bala-Tik), Max von Sydow (Lor San Tekka), Harriet Walter (Dr. Kalonia)
Runtime: 135 mins
OUR STAR WARS: THE FORCE AWAKENS REVIEWS & RATINGS:
It might be a brutal thing to say but Star Wars: The Force Awakens is perhaps George Lucas’ worst nightmare. For years now we’ve heard people worldwide speculating at how Disney and J.J. Abrams were going to destroy the Star Wars universe. Well now after viewing Star Wars: The Force Awakens I can say that it seems that Abrams actually has a better understanding of that universe than what Lucas himself has had over the past few years. Episode 1 and the rest of the new trilogy made me lose my childhood love of everything Star Wars but last night The Force Awakens just awakened it inside me.
There is little wonder that true Star Wars fans at the Melbourne premiere last night clapped their hands off as the final credits rolled last night because Abrams has obviously created this film from his Star Wars fanboy point-of-view. In fact in light of day this script could have easily been lifted from any short novella on a Star Wars fan-fiction site… that’s how true to the original trilogy it was. The original Star Wars feel to the film can also be credited to Abrams’ right hand man – legendary screenwriter who has brought us gems like The Empire Strikes Back, Return Of The Jedi and Raiders Of The Lost Ark… yes the man knows how to write what audiences love.
In some ways Abrams plays the safe-card with The Force Awakens. He sticks to the tried and true tropes of the original Star Wars films even using similar storylines such as a very important map hidden inside of a droid. Instead of feeling like a blatant rip-off though it instead feels like Abrams paying homage to something that he has loved over the years. Having said that though Abrams does put his own stamp on the franchise very well. His new characters, such as Finn and Rey, are likable and unlike Lucas’ attempt with the ill-fated Jar Jar Abrams shows that his new characters don’t need gimmicks to try and win over their audience. Sure you have to wonder how much political correctness was in mind when characters like Rey, Finn and Poe were created but that doesn’t stop them from being the kind of characters that fans of the series are very quickly going to warm to. The idea of Finn being a reformed Storm Trooper is a stroke of genius from the Abrams camp, while Rey and Poe seem to have some pretty interesting back stories that need to be explored in future Star Wars film… and yes it is very obvious that Finn and Rey have some sexual tension that is guaranteed to surface in the future as well.
Perhaps the biggest stamp that Abrams puts on the Star Wars franchise is his visual style. Teaming up with cinematographer Daniel Mindel (who Abrams has also worked with on the Star Trek franchise) Abrams here has created a film that doesn’t need CGI to enhance its environment. Whether it be a great light sabre in a forest, a Millennium Falcon led dog fight or a group of Tie fighters flying out of a sunset Abrams put a visual stamp on the film that George Lucas always seemed to fail at doing throughout his time in the Star Wars world. As The Force Awakens plays out you realise that Abrams’ main focus here wasn’t CGI creatures but instead developing a film that not only had a decent plot but looked damn fine as well.
The big plus for this film though is the inclusion of old favourites. Giving Han and Chewie such a big role in this film is another stroke of genius from the Abrams’ camp. It gives the film some familiarity and the fact that Han is so accepting of Rey and Finn gives them a huge ‘in’ with the film, plus the Abrams’ screenplay provides Han and Chewie with some truly great moments as well. The comedic dialogue works well between the two and once again Harrison Ford shows that even at his age he can be a believable action hero who is more than capable of carrying a film like this… plus the time on set with such a legendary actor will surely put the young stars of this film in great steed for the future.
After the disappointment of the previous three Star Wars films J.J. Abrams touch on the franchise is a welcome relief. Finally there is another Star Wars film to be proud of and yes this is one former lover of the franchise that has had his flame rekindled.
Big Star Wars fan, here. As a child I wanted to hire the original trilogy videos every week. I wanted to be Luke; loved the tale, mythology and symbolism littered throughout. I loved the prequels, despite them generally getting a bad rap these days.
Then it was finally announced – episode 7! We’d see what really happened after Return Of The Jedi. And then I saw it…
And I was sad. A brilliant opening set the scene well – I was hooked. But it falls apart more and more as we progress. The film had a habit (even before release) of building expectations, then dashing them. Even from the opening ‘story crawl’ – “…Leia has sent her most daring pilot on a secret mission to Jakku, where an old ally has discovered a clue to Luke’s whereabouts…” Most daring pilot – is it Han Solo?! No. It’s newcomer Poe Dameron (Oscar Isaac). That’s OK, I want to get to know him (but barely do). And the old ally… who could it be?! No-one we’ve ever met before. Played by a very famous actor, Max von Sydow, ‘old ally’ Lor San Tekka is killed-off in about 5 minutes, as just a plot device. Even Poe Dameron is seemingly killed-off within the first half hour, only to suddenly reappear later in a cheap way. It was hollow, like something wasn’t right so I kept looking for some big surprise around the corner. Nothing.
Everything builds-up to go nowhere. The opening line of the film is “Luke Skywalker has vanished” – so the story is about finding him, right? No, it’s the main crux of the story but forgotten about and sidetracked with nonsense until the last few minutes.
The new characters of Finn (John Boyega) and Rey (Daisey Ridley) were great and the performers did well. All the impetus was put on them by Disney as what they wanted to sell. The fans wanted to see more of the classic characters along with the new generation, but the classic cast was left underdeveloped or written sometimes out-of-character. I remember when you could half understand the Droids’ bleeping, but now it’s like random sounds.
Daisey and John, at least, are great at bringing their characters to life and we enjoy following them, but there’s too much time spent sidelining the plot. It sets up questions (which kind of look like they have predictable answers – we’ll see in episode 8, probably) that don’t pay-off. You need to give the audience some pay-off, even if this is part of a trilogy. Both characters get invested in their journey then alternatingly both want to leave, then just-as-suddenly change their mind again.
So, then they look for Luke Skywalker, right? No, there are more distractions as the First Order (just a condensed copy of the Galactic Empire from the original trilogy) come to find the map to Luke Skywalker as this is also their plan… or is their plan to blow-up planets with yet another Death Star – oh, sorry: “Star Killer”? While I like the ‘Star-Killer’ nod to George Lucas’ original Star Wars script where the Skywalker clan was named Starkiller, that would have been more than enough of an in-joke. But everything else in the film is a nod to something, a re-make of an old scene, an in-joke for fans, etc… We get two hours of fan-service and maybe 30 minutes of it is story-related. Instead of finding Luke we deal with the unoriginal ‘planet-killing’ device – something we’ve seen fail TWICE already – then clumsily get to a plot point of killing-off a character.
We see what was probably an important planet destroyed by the Starkiller (actually, the home of the New Republic; an element totally lost as the First Order seems to have such power that it seems NOTHING has changed since episode 6) but we don’t care because we never saw the planet. We see some people about to die in horror (including great actress, Freema Agyeman, who’s little more than an uncredited extra after deleting an important scene earlier in the film) but we don’t get invested in their deaths as it becomes such a non-point with little gravitas or repercussion.
Abrahams and Disney cut so much of what was filmed after already diluting so much of what George Lucas had written for them that the current universe isn’t properly established, so have little grounding. But then Abrahams goes all-out on padding the movie with stuff we’ve seen before but has little reward. We get a couple of important plot-points, but mostly this movie is just played out as an small opening act for an actual story which leaves the experience very hollow.
Gone, also, are the layers of myths and symbology that Lucas created in his original films, which I still enjoy discovering to this day, leaving with us something quite superficial.
Technically, the film is well-achieved, and if you want mindless spectacle over an adventure you’ll enjoy this film. I think Disney have been too keen to cash in on this (you can see them whoring the franchise out to anyone who will pay to have a Star Wars image on their product – including Gillette razors) and wanted to hurriedly establish their characters to use as they wish with little continuity constraints (and probably because they’ll be cheaper than the existing heroes). And a new Star Wars-related film will be out every year! Great, so long as they have actually gone to the lengths to make it GOOD.
I, of course, can’t wait for Episode 8 and have hope (A New Hope?) that it will make-up for TFA’s shortcomings and actually develop the plot and story properly. We want more than a money-making romp from Disney, and sadly that is all this film feels like in the end.
Star Wars ‘The Force Awakens’ (Directed by J.J. Abrams) is a sequel, continuing on from the original Star Wars trilogy.
The Force Awakens is said to be the biggest film release in history. But does the film live up to all the hype?
Star Wars ‘The Force Awakens’ introduces us to a new range of characters when at the same time bringing back ones from the past. At the beginning of the film we are introduced to Poe Dameron (Oscar Isaac) and a brand new droid, BB-8. Poe is an X-Wing pilot and is on a mission to protect classified information from the hands of the First Order.
The audience is then introduced to Finn (John Boyega). Finn is a Stormtrooper who disagrees with the ways of the First Order and decides to run away. Finn escapes to the planet of Jakku where we meet Rey (Daisy Ridley). Rey is a scavenger living a life where she needs to recover any junk metal or spare parts that are good enough to be traded for food.
Any Star Wars film wouldn’t be complete without a major threat and villain fighting to make that threat a reality. Kylo Ren (Adam Driver) is the leader of the First Order and is accompanied by General Hux (Domhnall Gleeson) and Captain Phasma (Gwendoline Christie).
We are of course greeted with some old faces as Han Solo (Harrison Ford), Chewbacca (Peter Mayhew), Princess Leia (Carrie Fisher and of course Luke Skywalker (Mark Hamill). It was amazing to see the characters we know and love return to the big screen and to see how they have changed after all these years. C-3PO (Anthony Daniels) and R2-D2 (Kenny Baker) also return to join the returning cast.
The one thing that stood out to me in this film was the acting. J.J Abrams chose actors who were not well known to a large audience and they have definitely shown their potential when it comes to acting.
Throughout the movie there is so much going on that it’s hard to determine your thoughts about it and what you think. After seeing the movie and taking a moment to breath I can honestly say that it was a triumphant return for the Star Wars franchise. The movie was non-stop action and intensity and it was amazing to see that J.J. Abrams kept to the old films and didn’t change anything that would leave fans disappointed. Star Wars ‘The Force Awakens’ is an amazing film for Star Wars fans and the ending has been left wide open for future stories and films to connect with.
The one thing I loved most about this film is that the only CG (Computer Graphics) used was for when they are in space or in battle, flying through the air. There was a physicality to it that made the Star Wars universe feels so real. All the character, droids, aliens, sets and locations were all real and done brilliantly.
My finale thoughts of the film are that it was a great comeback for the Star Was franchise and it’s great to see this universe be introduced to a whole new generation of fans. I would definitely see it again!
Summary: The third collaboration of Academy Award nominee Keira Knightley with acclaimed director Joe Wright, following the award-winning boxoffice successes Pride & Prejudice and Atonement, is a bold, theatrical new vision of the epic story of love, adapted from Leo Tolstoy’s timeless novel by Academy Award winner Tom Stoppard (Shakespeare in Love). The story powerfully explores the capacity for love that surges through the human heart.
Set in late-19th-century Russia high-society, the aristocrat Anna Karenina (Knightley) enters into a life-changing affair with the affluent Count Vronsky (Johnson). As Anna questions her happiness and marriage to Alexei Karenin (Law), change comes to all around her.
Australian Cinema Release Date: 14th February, 2013
Australian DVD Release Date: TBA
Director: Joe Wright
Screenwriter: Tom Stoppard, Leo Tolstoy (novel)
Cast: Marine Battier (Mlle. Roland), Max Bennett (Petritsky), Bodil Blain (Princess Sorokina Senior), Nicholas Blatt (Major Domo), Antony Byrne (Colonel Demin), Tannishtha Chatterjee (Masha), Kenneth Collard (Prince Tverskoy), Sam Cox (Kapitonich), Buffy Davis (Agafia), Cara Delevingne (Princess Sorokina), Michelle Dockery (Princess Myagkaya), Steve Evets (Theodore), Emerald Fennell (Princess Merkalova), Aruhan Galieva (Aruhan), Freya Galpin (Masha Oblonsky), Domhnall Gleeson (Levin), Tillie-Bett Grant (Baby Anya), Carl Grose (Korney), Holliday Grainger (Baroness), Paul Ham (Michael), Byran Hands (Mikhail Slyudin), Hera Hilmar (Varya), Thomas Howes (Yashvin), Giles King (Stemov), Keira Knightley (Anna Karenina), Jude Law (Karenin), Henry Lloyd-Jones (Burisov), Susanne Lothar (Princess Scherbatsky), Kelly Macdonald (Dolly), Matthew Macfadyen (Oblonsky), Eric MacLennan (Matey), Jude Monk McGowan (Tuskevitch), Oskar McNamara (Serhoza), Beatrice Morrissey (Vasya Oblonsky), Cecily Morrissey (Lili Oblonsky), Octavia Morrissey (Tanya Oblonsky), Theo Morrissey (Grisha Oblonsky), Luke Newberry (Vasily Lukich), Raphael Personnaz (Alexander Vronsky), Alexandra Roach (Countess Nordston), Guro Nagelhus Schia (Annushka), Bill Skarsgard (Makhotin), Kyle Soller (Korrsunsky), Aaron Taylor-Johnson (Vronsky), Pip Torrens (Prince Shcherbatsky), Alicia Vikander (Kitty), Eros Vlahos (Boris), Emily Watson (Countess Lydia Ivanova), Olivia Williams (Countess Vronsky), David Wilmot (Nikolai), Ruth Wilson (Princess Betsy Tverskoy)
Runtime: 130 mins
Dave Griffiths’s ‘Anna Karenina’ Review:
Yet another classic masterpiece of literature finds its way onto the big screen with the ambitious project from director Joe Wright (‘Hanna’, ‘The Soloist’) and screenwriter Tom Stoppard (‘Enigma’, TV’S ‘Parade’s End’), a project that has seen them turn Leo Tolstoy’s epic novel ‘Anna Karenina’ into a two-hour film.
For those who have never been forced to read the novel at school the story Based on the classic novel by Leo Tolstoy the film sees Anna Karenina (Keira Knightley – ‘Stars In Shorts’, ‘Seeking A Friend For The End Of The World’) become involved in an intense love triangle with her wealthy husband, Karenin (Jude Law – ‘Side Effects’, ‘Rise Of The Guardians’) and a young soldier, Vronsky (Aaron Taylor-Johnson – ‘Savages’, ‘Albert Nobbs’). While her relationship with Karenin seems steady, Anna must face potential status ruin if she wants to pursue this new exciting love.
Meanwhile Levin (Domhnall Gleeson – ‘Dredd’, ‘Shadow Dancer’) finally plucks up the courage to ask the beautiful Kitty (Alicia Vikander – ‘A Royal Affair’, ‘The Crown Jewels’) to marry him, but because she is also wrapped up in Vronsky she says no, which in turn shatters Levin and has him sadly wasting away.
To his credit Joe Wright doesn’t exactly rest on his laurels and produce yet another period film, no he instead decides to be a little creative and film most of ‘Anna Karenina’ inside a theatre, the end result is a film in the vein of ‘Moulin Rouge!’ that seems to suggest that this is a very public love affair that needs an audience. This inventive style, which includes sets changing in front of the audience’s eyes, does take a little while to get used to but once you feel that you are in line with the flow it actually ends up looking pretty sensational.
Still Wright is let down a little by Stoppard’s work. The original ‘Anna Karenina’ meanders through a lot of characters lives and sadly it seems that Stoppard seems to include too many of these characters in this film version. The main emphasis needs to on Anna/Karenin/Vronsky love triangle, but while the Levin and Kitty romance is entertaining to watch it seems that throughout the film it gets in the way of the main story, especially when those characters are geographically removed from being anywhere near Anna.
The big plus side to ‘Anna Karenina’ is the acting. Keira Knightley puts in one of her best performances in years and she well supported by Aaron Taylor-Johnson who although very removed from the role that made him famous, in ‘Kick-Ass’) puts in a wonderful performance… as does Alicia Vikander who on the back of her performance in ‘A Royal Affair’ indicates that she has a very big future ahead of her.
Sadly these performances are dragged down by Jude Law who surprisingly puts in one of his few poor performances. It seems as though he feels that the character of Karenin should never show emotion on his face, which seems like a poor choice seeing Karenin shows emotion in the film a lot – whether it be sadness or anger.
As far as modern blockbusters go ‘Anna Karenina’ is well worth a look. Wright’s interesting and inventive visual styling certainly brings something to the film, although there are a couple of lulls in the film that have been known to put audience members to sleep.