The teaser trailer for Mission Impossible: Dead Reckoning has just been released.
Directed by Christopher McQuarrie and starring Tom Cruise, Ving Rhames, Simon Pegg, Rebecca Ferguson, Vanessa Kirby, Hayley Atwell, Shea Whigham, Pom Klementieff, Esai Morales, Henry Czerny, Rob Delaney, Cary Elwes, Indira Varma, Mark Gatiss, Charles Parnell, Greg Tarzan Davis and Frederick Schmidt the film is set for release on July 13th 2023.
Summary: Feature adaptation of Frank Herbert’s science fiction novel about the son of a noble family entrusted with the protection of the most valuable asset and most vital element in the galaxy.
Cinema Release Dates: 2nd December 2021 (Australia), 21st October 2021 (Thailand), 21st October 2021 (UK), 22nd October 2021 (USA)
VOD Release Dates: TBA
Country: USA, Canada
Director: Denis Villeneuve
Screenwriter: Jon Spaihts, Dennis Villeneuve, Eric Roth
Cast: Javier Bardem (Stilgar), Dave Bautista (Beast Rabban Harkonnen), Neil Bell (Sardaukar Bashar), Josh Brolin (Gurney Halleck), Timothee Chamalet (Paul Atreides), Chang Chen (Dr. Wellington Yueh), David Dastmalchian (Piter de Vries), Sharon Duncan-Brewster (Dr. Liet Kynes), Elmi Rashir Elmi (Shamir), Rebecca Ferguson (Lady Jessica Atreides), Stephn McKinley Henderson (Thufir Hawat), Oscar Isaac (Duke Leto Atreides), Jason Momoa (Duncan Idaho), Tachia Newall (Tanat), Babs Olusanmokun (Jamis), Charlotte Rampling (Reverend Mother Mohiam), Golda Rosheuvel (Shadout Mapes), Stellan Skarsgard (Baron Vladimir Harkonnen), Roger Yuan (Lietenant Lanville), Zendaya (Chani)
Running Time: 155 mins
Classification: M (Australia), 12A (UK), PG-13 (USA)
OUR DUNE REVIEWS
David Griffiths’ Dune Review:
Dune has always felt really personal to me. I read the novel, by Frank Herbert, in my first year at High School and completely fell in love with it. I then made the mistake of watching the David Lynch film adaption, an adaption I loathed and Sting’s costume still haunts me to this day.
During my time at uni a friend suggested that I watch the mini-series and told me “that it was remarkably better than the film.” To her credit it was better but it never even went close to reaching the lofty expectations that I had in my head for what the world of Dune should look like since reading the novel.
So as you could imagine I was pretty nervous going in to watch the Denis Villeneuve (Blade Runner 2049) version. Actually perhaps nervous isn’t the right way to describe how I was feeling. To be honest I was trying not to feel excited because in the pit of my stomach I had a feeling that I was once again going to have hopes dashed. But, I am happy to say I was wrong, I was very wrong because Villeneuve has delivered a masterpiece.
For those who do not know the Dune story. It is told through the eyes of a young Duke-to-be, Paul Atreides (Timothee Chalamet – Lady Bird). He has watched his father, Duke Leto Atreides (Oscar Isaac – Ex Machina), build their family empire to make them one of the most respected families in the galaxy. With the likes of Gurney Halleck (Josh Brolin – Avengers: Endgame) and Duncan Idaho (Jason Momoa – Aquaman) training their Army they feel safe and secure.
Meanwhile both Gurney and Duncan train Paul in combat, in case there is ever a need for it, while his mother, Lady Jessica Atreides (Rebecca Ferguson – The Greatest Showman) trains him to saddle the special abilities that have been handed down to him through his family line. And while Paul attempts that those abilities are providing him of dreams and visions of Chani (Zendaya – The Greatest Showman), a young native Fremen from the planet Arrakis.
Paul has no idea what the visions mean but is soon worried by them when he learns that the Atreides family have just been ordered to travel to Arrakis to bring peace to the planet and to stabilise and operate the ‘spice’ mining operation on the planet.
Villeneuve’s vision of Dune is nothing short of amazing. It is like he somehow went into my head and took my visions of what the Dune universe would look like and brought it to the screen. The first thing that hits you when watching Dune is the understanding of the themes and morals of the original novel that Villeneuve had the second is the fact that his film-making makes even the harshest scenes of the film look like a thing of beauty.
It was funny because when the credits were rolling after the screening the other night a stranger sitting next to me started to use a loud voice to say why he hated the film. I realised that every reason he said he hated the film was a reason why I loved it. He said he hated that it wasn’t like Star Wars – while I loved the fact that Villeneuve gave respect to the novel and didn’t decide to include cheesy ‘creatures’ or ridiculous one off lines.
The stranger said he didn’t like the fact that the film felt dark. Well of course it was dark, the themes explored in the film are not exactly something that you can make light. I was actually in awe of the way that the director kept a dark tone throughout the film without depressing his audience in a way that made the film a chore to watch. Talking of that the stranger also didn’t like that fact that he had to think during the film. Yes, he is right Villeneuve doesn’t spell out everything to the audience like they are dunces he makes you work at times to figure out what is happening and the result of that is you become so engrossed in the film itself that you feel like you are part of the universe alongside the characters at hand.
The power of this film really comes through the way that it looks on the big screen though. There is a dark, foreboding feeling that remains while the film throughout. Having said that though the film does reach epic heights that match the special moments of a film like Lord Of The Rings but there is an alternative feel to this film that allows for more character development then you would expect from a film of this magnitude, while Villeneuve never fails to remember one thing – at the heart of this film it is a coming-of-age story and even during epic battles etc the storyline of the film still remains a learning curve for Paul. I don’t say this very often about films that are supposed to be a spectacle or blockbuster. But this is truly a masterpiece and it shows that is okay to make a blockbuster film have an alternative edge to it. This is a film of true beauty and I cannot wait to revisit it again.
Oscar nominee Denis Villeneuve (“Arrival,” “Blade Runner 2049”) directs Warner Bros. Pictures and Legendary Pictures’ “Dune,” the big-screen adaptation of Frank Herbert’s seminal bestseller of the same name. A mythic and emotionally charged hero’s journey, “Dune” tells the story of Paul Atreides, a brilliant and gifted young man born into a great destiny beyond his understanding, who must travel to the most dangerous planet in the universe to ensure the future of his family and his people. As malevolent forces explode into conflict over the planet’s exclusive supply of the most precious resource in existence—a commodity capable of unlocking humanity’s greatest potential—only those who can conquer their fear will survive.
The film stars Oscar nominee Timothée Chalamet (“Call Me by Your Name,” “Little Women”), Rebecca Ferguson (“Stephen King’s Doctor Sleep,” “Mission: Impossible – Fallout”), Oscar Isaac (the “Star Wars” franchise) Oscar nominee Josh Brolin (“Milk,” “Avengers: Infinity War”), Stellan Skarsgård (HBO’s “Chernobyl,” “Avengers: Age of Ultron”), Dave Bautista (the “Guardians of the Galaxy” films, “Avengers: Endgame”), Stephen McKinley Henderson (“Fences,” “Lady Bird”), Zendaya (“Spider-Man: Homecoming,” HBO’s “Euphoria”), Chang Chen (“Mr. Long,” “Crouching Tiger, Hidden Dragon”), David Dastmalchian (“Blade Runner 2049,” “The Dark Knight”), Sharon Duncan-Brewster (“Rogue One: A Star Wars Story,” Netflix’s “Sex Education”), with Oscar nominee Charlotte Rampling (“45 Years,” “Assassin’s Creed”), with Jason Momoa (“Aquaman,” HBO’s “Game of Thrones”), and Oscar winner Javier Bardem (“No Country for Old Men,” “Skyfall”).
Villeneuve directed “Dune” from a screenplay by Jon Spaihts and Villeneuve and Eric Roth based on the novel of the same name written by Frank Herbert. Villeneuve also produced the film with Mary Parent, Cale Boyter and Joe Caracciolo, Jr. The executive producers are Tanya Lapointe, Joshua Grode, Herbert W. Gains, Jon Spaihts, Thomas Tull, Brian Herbert, Byron Merritt and Kim Herbert. Behind the scenes, Villeneuve reteamed with two-time Oscar-nominated production designer Patrice Vermette (“Arrival,” “Sicario,” “The Young Victoria”), two-time Oscar-nominated editor Joe Walker (“Blade Runner 2049,” “Arrival,” “12 Years a Slave”), two-time Oscar-winning visual effects supervisor Paul Lambert (“First Man,” “Blade Runner 2049”), and Oscar-winning special effects supervisor Gerd Nefzer (“Blade Runner 2049”). He also collaborated for the first time with Oscar-nominated director of photography Greig Fraser (“Lion,” “Zero Dark Thirty,” “Rogue One: A Star Wars Story”); three-time Oscar-nominated costume designer Jacqueline West (“The Revenant,” “The Curious Case of Benjamin Button,” “Quills”) and co-costume designer Bob Morgan; and stunt coordinator Tom Struthers (“The Dark Knight” trilogy, “Inception”). Oscar-winning and multiple Oscar-nominated composer Hans Zimmer (“Blade Runner 2049,” “Inception,” “Gladiator,” “The Lion King”) is creating the score.
Warner Bros. Pictures and Legendary Pictures Present a Legendary Pictures Production, a Film by Denis Villeneuve, “Dune.” The film is slated to be released in Australian theaters beginning 2 December 2021
Summary: Nick Bannister, a private investigator of the mind, navigates the alluring world of the past when his life is changed by new client Mae. A simple case becomes an obsession after she disappears and he fights to learn the truth about her.r.
Cinema Release Dates: 19th August 2021 (Australia), 24th September 2021 (Thailand), 20th August 2021 (UK), 20th August 2021 (USA)
VOD Release Dates: 27th September 2021 (Australia), 20th August 2021 (USA)
Director: Lisa Joy
Screenwriter: Lisa Joy
Cast: Mojean Aria (Sebastian Sylvan), Barbara Bonilla (Frances), Giovannie Cruz (Cindy), Brett Cullen (Walter Sylvan), Cliff Curtis (Cyrus Boothe), Marina de Tavira (Tamara Sylvan), Gabrielle Echols (Titch), Rebecca Ferguson (Mae), Roxton Garcia (Freddie), Rey Hernandez (Harry), Myles Humphus (Moe), Hugh Jackman (Nick Bannister), Jorge Longoria (Lorenzo), Natalie Martinez (Avery Castillo), Andrew Masset (Butler), Sam Medina (Falks), Javier Molina (Hank), Thomas Francis Murphy (Armin), Thandie Newton (Emily ‘Watts’ Sanders), Norio Nishimura (Harris), Nico Parker (Zoe), Angela Sarafyan (Elsa Carine), Han Soto (Wesley Humphrey), Daniel Wu (Saint Joe), Teri Wyble (Angela)
Running Time: 116 mins
Classification: M (Australia), 13 (Thailand), 12A (UK), PG-13 (USA)
OUR REMINISCENCE REVIEWS
David Griffiths’ Reminiscence Review:
When Hugh Jackman hung up his Wolverine boots… um claws… he made the statement that one of the reasons for the decision was so that he could tackle very new and different roles. Of course one of his first performances outside of the Marvel universe was a return to his all-singing and all-dancing roots with his acclaimed performance in hit musical The Great Showman, and now Jackman heads into a whole new alternative sphere as he takes on the role of a noir Detective in Reminiscence.
Written and directed by Lisa Joy (TV’s Westworld) Reminiscence is set in a futuristic world where most of the world has flooded and a Great War occurred over the land that remains. Two veterans of that war are Nick Bannister (Jackman) and Emily ‘Watts’ Sanders (Thandie Newton – Mission: Impossible 2). Watts is in love with Nick, not that he notices that or that she would ever admit it, and together they run a business that allows people to use a technologically advanced tub that allows the subject and those watching to access their past memories.
During the war the device was used to interrogate prisoners but today it is used by people who want to remember a happier time from their life, however that doesn’t mean that Nick doesn’t sometimes use the tank to help out the Police.
However everything changes for Watts and Nick when the very beautiful Mae (Rebecca Ferguson – Doctor Sleep) turns up one day and asks to use the tank to help find some lost keys. Upon witnessing her memories, which include watching her perform as a cabaret singer, Nick becomes captivated by Mae, something that Watts is instantly alarmed by.
Things then take another turn after Nick completely falls in love with Mae but then has her mysteriously disappear. As Watts warns him digging into Mae’s past may uncover some things and an underground world that he doesn’t want to be part of.
There is very little doubt that as a filmmaker Lisa Joy has been completely influenced by the Detective noir genre. As you watch Reminiscence you can see Hugh Jackman channelling the likes of Humphrey Bogart throughout his performance and to Joy’s credit she is a smart enough director to make the illusion work without ever becoming a parody.
At time in the film Rebecca Ferguson takes on the class of Marilyn Monroe and the persona of Jessica from Who Framed Roger Rabbit and it is that style of acting that suits the noir kind of world that Joy has created. To her credit though Joy goes one step further than that and instead of just setting the film back in the 1960s she instead creates a futuristic world that at times lends itself to the scenes at hand and never dominates the occurrences happening in the film.
Jackman’s acting style also lends itself to the noir/war genre blend that Joy has created. He walks the walk of a noir style Detective but at the same time has a Civil War veteran feeling around him that comes to the fore in the scenes when he is meeting with people from Mae’s past.
Joy alongside her cinematographer Paul Cameron (Gone In 60 Seconds) has created a steam-punk futuristic world that looks amazing up on the screen. The art design of the film is amazing and the fact that Joy and Cameron use little things to enhance the world it is set in makes for an absolute visual feast for the audience. As a viewer it is almost welcoming to be watching a film where the director/screenwriter doesn’t need over-the-top special effects to move the story along. Some of the most memorable moments of this film is seeing characters like Nick, Watts or Mae walking past post-war water towers and having them just in the background without Joy or Cameron feeling like that needs to be the focal point of the scene. It takes a very special filmmaker to realise something like that in what is their feature film directional debut.
At times Reminiscence is a strange film. This is more the kind of film that will be loved by people that have enjoyed films like Blade Runner in the past rather than someone who is going to enjoy the latest Marvel blockbuster and it is certainly a must see for anyone fascinated by noir steam-punk worlds.
From writer/director/producer Lisa Joy comes Warner Bros. Pictures’ action thriller “Reminiscence,” starring Hugh Jackman, Rebecca Ferguson and Thandiwe Newton.
Nick Bannister (Jackman), a private investigator of the mind, navigates the darkly alluring world of the past by helping his clients access lost memories. Living on the fringes of the sunken Miami coast, his life is forever changed when he takes on a new client, Mae (Ferguson). A simple matter of lost and found becomes a dangerous obsession. As Bannister fights to find the truth about Mae’s disappearance, he uncovers a violent conspiracy, and must ultimately answer the question: how far would you go to hold on to the ones you love?
Alongside Oscar nominee Jackman (“Les Misérables,” “The Greatest Showman”), Ferguson (upcoming “Dune,” the “Mission: Impossible” films) and Newton, (“Solo: A Star Wars Story”), the film stars Cliff Curtis (“The Meg,” “Fast & Furious Presents: Hobbs & Shaw”), Oscar nominee Marina de Tavira (“Roma”), Daniel Wu (TV’s “Into the Badlands,” “Warcraft”), Mojean Aria (TV’s “See” and “Dead Lucky”), Brett Cullen (“Joker”), Natalie Martinez (“The Stand” and “The Fugitive” series), Angela Sarafyan (“Westworld”) and Nico Parker (“Dumbo”).
Joy (“Westworld”) makes her feature film directing debut with “Reminiscence,” and directs from her own original screenplay. The film is produced by Joy, Jonathan Nolan, Michael De Luca and Aaron Ryder. The executive producers are Athena Wickham, Elishia Holmes and Scott Lumpkin. Joy’s creative team includes several of her “Westworld” collaborators, including director of photography Paul Cameron, production designer Howard Cummings, editor Mark Yoshikawa and composer Ramin Djawadi, along with costume designer Jennifer Starzyk (“Bill & Ted Face the Music”).
Oscar nominee Denis Villeneuve directs Warner Bros. Pictures and Legendary Pictures’ “Dune,” the big-screen adaptation of Frank Herbert’s seminal bestseller of the same name.
A mythic and emotionally charged hero’s journey, “Dune” tells the story of Paul Atreides, a brilliant and gifted young man born into a great destiny beyond his understanding, who must travel to the most dangerous planet in the universe to ensure the future of his family and his people. As malevolent forces explode into conflict over the planet’s exclusive supply of the most precious resource in existence—a commodity capable of unlocking humanity’s greatest potential—only those who can conquer their fear will survive.
DUNE stars Timothée Chalamet, Rebecca Ferguson, Oscar Isaac, Josh Brolin, Stellan Skarsgård, Dave Bautista, Stephen McKinley Henderson, Zendaya, Chang Chen, David Dastmalchian, Sharon Duncan-Brewster, Charlotte Rampling with Jason Momoa and Javier Bardem.
DUNE releases in Australia and New Zealand in cinemas on December 26, 2020.
The Men in Black have always protected the Earth from the scum of the universe. In this new adventure, they tackle their biggest, most global threat to date: a mole in the Men in Black organization… and now you can view it all in this brand new trailer.
Directed by F. Gary Gray and starring Chris Hemsworth, Tessa Thompson, Rebecca Ferguson, Liam Neeson and Emma Thompson Men In Black: International will be released in cinemas on the 13th June, 2019.